Wolf, H: Der Knabe und das Immlein (No. 2 from Mörike-Lieder)

This page lists all recordings of Der Knabe und das Immlein (No. 2 from Mörike-Lieder), by Hugo Wolf (1860-1903) on CD, DVD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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Simon Keenlyside & Malcolm Martineau

Fauré:	Aubade, Op. 6 No. 1 En sourdine, Op. 58 No. 2 (Verlaine) Green, Op. 58 No. 3 (Verlaine) Notre amour Op. 23 No. 2 Fleur jetée, Op. 39 No. 2 Spleen, Op. 51 No. 3 (Verlaine) Madrigal Op. 35 Le papillon et la fleur, Op. 1 No. 1
Poulenc:	Hotel Encore
Ravel:	Histoires naturelles (5)
Schubert:	An Sylvia, D891 Die Einsiedlei D393 (Salis-Seewis) Verklarung D59 (Herder, after Pope) Die Sterne, D939 (Leitner) Himmelsfunken, D651 Ständchen 'Leise flehen meine Lieder', D957 No. 4
Wolf, H:	Der Knabe und das Immlein (No. 2 from Mörike-Lieder) Gesang Weylas (No. 46 from Mörike-Lieder) An die Geliebte (No. 32 from Mörike-Lieder) Auf eine Christblume II (No. 21 from Mörike-Lieder) Lied eines Verliebten (No. 43 from Mörike-Lieder) Lied vom Winde

Simon Keenlyside (baritone) & Malcolm Martineau (piano)

He was already noted as a recitalist, and “a talent to cherish” as far back as 1989. Since appearing in La Scala in 1998 he has performed recitals all over the world, his repertoire including: Schubert, Schumann, Strauss, Brahms, Fauré, Wolf and Mahler. He has also recorded many English songs. Gramophone describe him as the finest baritone singer of Lieder this country has ever produced.

In Simon's own words “I've probably got around 15 years, and think I can see the end of the tunnel. I've done most of the roles that suit me and some, like Papageno, I'll never want to drop…” “In Wagner I shan't go beyond Wolfram in Tannhauser. I know there's Beckmesser, but I'm afraid it's not a role that excites or fascinates me. I'll never get tired of the stand-and-sing roles like Germont in Traviata and Posa in Don Carlos - parts where you really have to act with your voice and pin the audience to their seats with inflexion, nuance and colour. I probably shan't sing Billy Budd again… and am moving down from Pelleas to Golaud. The two new roles I'm most excited about are Wozzeck and Rigoletto, which are both great theatre and call on a huge palette of colours. Wozzeck in particular, is a mountain any baritone wants to climb…”

“The opening Schubert group demonstrates the baritone's natural and unaffected delivery - an ability to hold words and notes together in one single gesture - and his finely tuned vocalism, founded on a lightly rounded but always expressive tone. He sounds equally at ease in the French half of the programme. ...'En sourdine' flows beautifully...and the light humour of 'Le Papillon et la Fleur', Fauré's Op. 1 No. 1, is flawlessly conveyed in Martineau's enchantingly lithe pianism.” BBC Music Magazine, December 2009

“Hugo Wolf is at his most welcoming in "Der Knabe und das Immelein" and Keenlyside is at his most responsive in "An die Geliebte". Keenlyside is at his best in "Notre amour" - and very French. In… Malcolm Martineau: he has a collaborator in whom the life of texts as well as the music is experienced and communicated unfailingly.” Gramophone Magazine, November 2009

“you’re being invited to step into a more gently nuanced and delicately observed world, where the expressive weight of each phrase is being judged to perfection, with not a gram of emotional excess...this is such a successful document of the occasion that you might honestly end up feeling that you were [there]… and can be again, and again.” Andrew McGregor, bbc.co.uk, 22nd December 2009

Wigmore Hall Live - WHLIVE0031

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Hugo Wolf: The Complete Songs Volume 1

Mörike-Lieder Nos. 1-26

Wolf, H:

Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder)

Der Knabe und das Immlein (No. 2 from Mörike-Lieder)

Ein Stündlein wohl vor Tag (No. 3 from Mörike-Lieder)

Jägerlied (No. 4 from Mörike-Lieder)

Der Tambour (No. 5 from Mörike-Lieder)

Er ist's (No. 6 from Mörike-Lieder)

Das verlassene Mägdlein (No. 7 from Mörike-Lieder)

Begegnung (No. 8 from Mörike-Lieder)

Nimmersatte Liebe (No. 9 from Mörike-Lieder)

Fussreise (No. 10 from Mörike-Lieder)

An eine Æolsharfe (No. 11 from Mörike-Lieder)

Verborgenheit (No. 12 from Mörike-Lieder)

Im Frühling (No. 13 from Mörike-Lieder)

Agnes (No. 14 from Mörike-Lieder)

Auf einer Wanderung (No. 15 from Mörike-Lieder)

Elfenlied (No. 16 from Mörike-Lieder)

Der Gärtner (No. 17 from Mörike-Lieder)

Zitronenfalter im April (No. 18 from Mörike-Lieder)

Um Mitternacht (No. 19 from Mörike-Lieder)

Auf eine Christblume I (No. 20 from Mörike-Lieder)

Auf eine Christblume II (No. 21 from Mörike-Lieder)

Seufzer (No. 22 from Mörike-Lieder)

Auf ein altes Bild (No. 23 from Mörike-Lieder)

In der Frühe (No. 24 from Mörike-Lieder)

Schlafendes Jesuskind (No. 25 from Mörike-Lieder)

Karwoche (No. 26 from Mörike-Lieder)

Sophie Daneman (soprano), Anna Grevelius (mezzo), James Gilchrist (tenor), Stephan Loges (baritone), Sholto Kynoch (piano)

This is the first disc in a series that will be the first ever complete edition of the songs of Hugo Wolf. These performances were recorded live at the Oxford Lieder Festival (in the Holywell Music Room) on 22nd October 2010.

“their performances are acutely sensitive to Wolf's musical nerve system. And, best of all, a sense of intimacy, of close confiding with the audience, really does come over - invaluable for private listening...Festival director Sholto Kynoch is a vivid and sentient accompanist.” BBC Music Magazine, September 2011 ****

“Grevilius’s mezzo rises to the challenge of “Seufzer” and Daneman’s soprano brings sweetness to “Zitronenfalter im April”.” Financial Times, 25th June 2011 **

“The team of four singers is first-rate, responsive in every way, and if anything even more remarkable is the work of their pianist, Sholto Kynoch, displaying an exceptional expressive range, not only ideally agile but with the most subtle range of tone and dynamic...Altogether an impressive achievement from an enterprising new company.” Gramophone Magazine, January 2011

“Daneman, Grevelius, Gilchrist and Loges are top-flight lieder singers, with Oxford Lieder founder and pianist Sholto Kynoch offering sensitive support. Richard Stokes provides excellent notes and translations.” The Observer, 22nd May 2011

Stone Records Hugo Wolf Complete Songs - 5060192780086

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Diana Damrau - Salzburg Lieder Evening

Berg:	Sieben frühe Lieder
Mahler:	Das himmlische Leben
Strauss, R:	Mädchenblumen (4 songs), Op. 22
Wolf, H:	Er ist's (No. 6 from Mörike-Lieder) Der Knabe und das Immlein (No. 2 from Mörike-Lieder) Nimmersatte Liebe (No. 9 from Mörike-Lieder) Lebewohl Storchenbotschaft (No. 48 from Mörike-Lieder)
Zemlinsky:	Walzergesänge nach toskanischen Liedern, Op. 6

Diana Damrau (soprano) & Stephan Matthias Lademann (piano)

“…Damrau's programme is a clear, intelligent blend of robust innocence and subtly disquieting experience; her performances are informed by a candour nicely lit in the recording, a well-coloured lower register and an obvious, unfussy delight in the meaning of the texts.” BBC Music Magazine, September 2006 ****

“The whole thing is testament to the astonishing versatility of an artist who just goes from strength to strength” The Guardian

Orfeo - Orfeo d'Or - Salzburger Festspieldokumente - C702061B

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Great Singers - Lotte Lehmann

Lieder Recordings Volume 2 (1937-1940)

Brahms:	Botschaft, Op. 47 No. 1 Das Mädchen spricht, Op. 107 No. 3 Volkslieder: No. 25 Mein Mädel hat einen Rosenmund (No. 25 from Deutsche Volkslieder, WoO 33)
Schubert:	Winterreise D911 (excerpts)
Schumann:	Alte Laute, Op. 35, No. 12 Er und sie, Op. 78 No. 2 So wahr die Sonne scheinet, Op. 37, No. 12 Unterm Fenster, Op. 34 No. 3 Familien-Gemälde, Op. 34 No. 4 Ich denke dein, Op. 78, No. 3
Sjöberg:	Tonerna (text: Erik Gustaf Geijer)
Wolf, H:	Gebet; Nun lass uns Frieden schliessen Frühling übers Jahr (No. 28 from Goethe-Lieder) Auf ein altes Bild (No. 23 from Mörike-Lieder) In der Frühe (No. 24 from Mörike-Lieder) Auch kleine Dinge (No. 1 from Italienisches Liederbuch) Und willst du deinen Liebsten sterben sehen (No. 17 from Italienisches Liederbuch) Peregrina I (No. 33 from Mörike-Lieder) Der Knabe und das Immlein (No. 2 from Mörike-Lieder) Heimweh (No. 12 from Eichendorff-Lieder)

Lotte Lehmann

“This disc is a must for every lover of German Lieder”

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Naxos Historical Great Singers - 8111094

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Voices of our Time - Ian Bostridge

Schubert:

Wehmut, D772 (Collin)

Der Zwerg, D771 (Collin)

Nacht und Träume, D827

Der Musensohn, D764 (Goethe)

An die Entfernte, D765 (Goethe)

Am Flusse D160 (Goethe)

Willkommen und Abschied, D767

Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768

An die Leier, D737 (Bruchmann)

Im Haine, D738

Erlkönig, D328

Wolf, H:

Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder)

Der Knabe und das Immlein (No. 2 from Mörike-Lieder)

Gebet (No. 28 from Mörike-Lieder)

An den Schlaf (No. 29 from Mörike-Lieder)

Neue Liebe (No. 30 from Mörike-Lieder)

An die Geliebte (No. 32 from Mörike-Lieder)

Begegnung (No. 8 from Mörike-Lieder)

Nimmersatte Liebe (No. 9 from Mörike-Lieder)

Peregrina II (No. 34 from Mörike-Lieder)

Storchenbotschaft (No. 48 from Mörike-Lieder)

Abschied (No. 53 from Mörike-Lieder)

Peregrina I (No. 33 from Mörike-Lieder)

Ian Bostridge (tenor) & Roger Vignoles (piano)

“Wolf's Mörike-Lieder is where Bostridge's high literary intelligence comes into its own, with a highly compelling set of love-songs, both spiritual and sensual. Everywhere Vignoles is an inspired and inspiring accompanist.” BBC Music Magazine, July 2010 ***

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TDK Voices of our Time - DVVTIB-EUR

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Elisabeth Schwarzkopf sings Schubert & Wolf

Schubert:

Vedi quanto adoro (Didone abbandonata) D510A (Metastasio)

13th August 1960

with Gerald Moore (piano)

Wandrers Nachtlied I 'Der du von dem Himmel bist', D224

13th August 1960

with Gerald Moore (piano)

Auf dem Wasser zu singen, D774

13th August 1960

with Gerald Moore (piano)

Die Liebe hat gelogen D751 (Platen)

13th August 1960

with Gerald Moore (piano)

Seligkeit D433 (Holty)

13th August 1960

with Gerald Moore (piano)

Der Einsame, D800

13th August 1960

with Gerald Moore (piano)

Die Vogel D691

13th August 1960

with Gerald Moore (piano)

Das Lied im Grünen, D917

13th August 1960

with Gerald Moore (piano)

Rosamunde, D797: Romance 'Der Vollmond Strahlt auf Bergeshöh'n'

13th August 1960

with Gerald Moore (piano)

Gretchen am Spinnrade, D118

13th August 1960

with Gerald Moore (piano)

Du bist die Ruh D776 (Rückert)

13th August 1960

with Gerald Moore (piano)

An Sylvia, D891

13th August 1960

with Gerald Moore (piano)

An mein Klavier D342 (Schubart)

13th August 1960

with Gerald Moore (piano)

Liebe schwarmt auf allen Wegen, D239 No. 6 (Goethe)

13th August 1960

with Gerald Moore (piano)

Ganymed, D544 (Goethe)

13th August 1960

with Gerald Moore (piano)

Nähe des Geliebten, D162

13th August 1960

with Gerald Moore (piano)

Fischerweise, D881 (Schlechta)

13th August 1960

with Gerald Moore (piano)

Wiegenlied, D498

13th August 1960

with Gerald Moore (piano)

An die Musik D547

13th August 1960

with Gerald Moore (piano)

Heidenröslein, D257

13th August 1960

with Gerald Moore (piano)

Ungeduld (No. 7 from Die schöne Müllerin, D795)

(encore) 7th August 1956

with Gerald Moore (piano)

Wolf, H:

Die Spröde (No. 26 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Phänomen (No. 32 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Epiphanias (No. 19 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Blumengruss (No. 24 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Anakreons Grab (No. 29 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Die Bekehrte (No. 27 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Ganymed (No. 50 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Frühling übers Jahr (No. 28 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Der Schäfer (No. 22 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Philine (No. 8 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Im Frühling (No. 13 from Mörike-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Elfenlied (No. 16 from Mörike-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Lebe wohl (No. 36 from Mörike-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Schlafendes Jesuskind (No. 25 from Mörike-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Auf eine Christblume I (No. 20 from Mörike-Lieder)

27th July 1958

with Gerald Moore (piano)

In der Frühe (No. 24 from Mörike-Lieder)

17th August 1963

with Gerald Moore (piano)

An den Schlaf (No. 29 from Mörike-Lieder)

17th August 1963

with Gerald Moore (piano)

Ein Stündlein wohl vor Tag (No. 3 from Mörike-Lieder)

17th August 1963

with Gerald Moore (piano)

Nimmersatte Liebe (No. 9 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Der Knabe und das Immlein (No. 2 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Storchenbotschaft (No. 48 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Lied vom Winde

19th August 1957

with Gerald Moore (piano)

Selbstgeständnis (No. 52 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Mausfallen-Sprüchlein (from Lieder für eine Frauenstimme)

27th July 1958

with Gerald Moore (piano)

Nachtzauber (No. 8 from Eichendorff-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Die Zigeunerin (No. 7 from Eichendorff-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Tretet ein, hoher Krieger

27th July 1958

with Gerald Moore (piano)

Singt mein Schatz wie ein Fink

27th July 1958

with Gerald Moore (piano)

Du Milchjunger Knabe

27th July 1958

with Gerald Moore (piano)

Wandl' ich in dem Morgentau

27th July 1958

with Gerald Moore (piano)

Das Köhlerweib ist trunken

27th July 1958

with Gerald Moore (piano)

Wie Glanzet der Helle Mond

27th July 1958

with Gerald Moore (piano)

Mühvoll komm ich und beladen (No. 7 from Spanisches Liederbuch: Geistliche Lieder)

19th August 1957

with Gerald Moore (piano)

Herr, was trägt der Boden hier (from Spanisches Liederbuch)

19th August 1957

with Gerald Moore (piano)

Bedeckt mich mit Blumen (No. 26 from Spanisches Liederbuch: Weltliche Lieder)

27th July 1958

with Gerald Moore (piano)

Wer tat deinem Füßlein weh? (No. 30 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

Klinge, klinge, mein Pandero (No. 1 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

Sie blasen zum Abmarsch (No. 28 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

Wehe Der, Die Mir Verstrickte

19th August 1957

with Gerald Moore (piano)

Trau nicht der Liebe (No. 67 from Spanisches Liederbuch: Weltliche Lieder)

17th August 1963

with Gerald Moore (piano)

Mögen alle bösen Zungen (No. 13 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

In dem Schatten meiner Locken (No. 2 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

Geh' Geliebter, geh' jetzt (No. 34 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

Wie lange schon war immer mein Verlangen (No. 11 from Italienisches Liederbuch)

12th August 1953

with Wilhelm Furtwängler (piano)

Was soll der Zorn, mein Schatz, der dich erhitzt? (No. 32 from Italienisches Liederbuch)

12th August 1953

with Wilhelm Furtwängler (piano)

Nein, junger Herr, so treibt man’s nicht, fürwahr (No. 12 from Italienisches Liederbuch)

12th August 1953

with Wilhelm Furtwängler (piano)

Mein Liebster hat zu Tische mich geladen (No. 25 from Italienisches Liederbuch)

12th August 1953

with Wilhelm Furtwängler (piano)

Wer rief dich denn? Wer hat dich herbestellt?

19th August 1957

with Gerald Moore (piano)

Gebet; Nun lass uns Frieden schliessen

19th August 1957

with Gerald Moore (piano)

Ich esse nun mein Brot nicht trocken mehr

19th August 1957

with Gerald Moore (piano)

Nein, junger Herr, so treibt man’s nicht, fürwahr (No. 12 from Italienisches Liederbuch)

19th August 1957

with Gerald Moore (piano)

O wär dein Haus durchsichtig wie ein Glas

19th August 1957

with Gerald Moore (piano)

Du sagst mir, dass ich keine Fürstin sei

19th August 1957

with Gerald Moore (piano)

Schweig' einmal still (No. 43 from Italienisches Liederbuch)

19th August 1957

with Gerald Moore (piano)

Verschling der Abgrund meines Liebsten Hütte

19th August 1957

with Gerald Moore (piano)

Ich hab in Penna einen Liebsten (No. 46 from Italienisches Liederbuch)

19th August 1957

with Gerald Moore (piano)

Elisabeth Schwarzkopf (soprano) & Wilhelm Furtwangler, Gerald Moore (piano)

Orfeo's Salzburg series finds its culmination in a group of songs by Hugo Wolf and Franz Schubert that Elisabeth Schwarzkopf sang between 1953 and 1963, with accompanists Wilhelm Furtwängler and Gerald Moore.

Schwarzkopf’s diction and the manner in which she moulds the text in Wolf’s Spanish and Italian Songbooks have remained a benchmark to the present day, and brought them to attention properly for the first time. She also turned Schubert songs such as Gretchen am Spinnrade into self-contained mini-dramas.

Orfeo - Orfeo d'Or - Salzburger Festspieldokumente - C826103D

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Ian Bostridge - 5 Classic Albums

Britten:	Les illuminations, Op. 18 Berliner Philharmoniker, Simon Rattle Serenade for Tenor, Horn & Strings, Op. 31 with Radek Baborák (horn) Berliner Philharmoniker, Simon Rattle Nocturne, Op. 60 for tenor, obbligato instruments and strings Berliner Philharmoniker, Simon Rattle
Handel:	Semele: Where'er you walk Orchestra of the Age of Enlightenment, Harry Bicket Messiah: Comfort ye my people and Ev'ry valley shall be exalted Orchestra of the Age of Enlightenment, Harry Bicket Frondi tenere e belle ... Ombra mai fù (from Serse) Orchestra of the Age of Enlightenment, Harry Bicket Cosi la tortorella (from La Resurrezione) Orchestra of the Age of Enlightenment, Harry Bicket Love sounds the alarm (from Acis and Galatea) Orchestra of the Age of Enlightenment, Harry Bicket Love in her eyes sits playing (from Acis and Galatea) Orchestra of the Age of Enlightenment, Harry Bicket Happy We! (from Acis and Galatea) with Kate Royal (soprano) Orchestra of the Age of Enlightenment, Harry Bicket Scherza, infida (from Ariodante) Orchestra of the Age of Enlightenment, Harry Bicket Dopo notte (from Ariodante) Orchestra of the Age of Enlightenment, Harry Bicket Samson: Total eclipse! Orchestra of the Age of Enlightenment, Harry Bicket As steals the morn (from L'Allegro, il Penseroso, ed il Moderato) with Kate Royal (soprano) Orchestra of the Age of Enlightenment, Harry Bicket Jephtha: Hide thou thy hated beams Orchestra of the Age of Enlightenment, Harry Bicket Jephtha: Waft her, angels, through the skies Orchestra of the Age of Enlightenment, Harry Bicket
Schubert:	Winterreise D911 with Leif Ove Andsnes (piano) Geheimnis, D491 (Mayrhofer) with Antonio Pappano (piano) An Schwager Kronos, D369 with Antonio Pappano (piano) Widerschein, D949 with Antonio Pappano (piano) Schwanengesang, D957 with Antonio Pappano (piano) Abschied D475 (Mayrhofer) with Antonio Pappano (piano)
Wolf, H:	Der Musikant (No. 2 from Eichendorff-Lieder) with Antonio Pappano (piano) Verschwiegene Liebe (No. 3 from Eichendorff-Lieder) with Antonio Pappano (piano) Das Ständchen (No. 4 from Eichendorff-Lieder) with Antonio Pappano (piano) Nachtzauber (No. 8 from Eichendorff-Lieder) with Antonio Pappano (piano) Seemans Abschied (No. 17 from Eichendorff-Lieder) with Antonio Pappano (piano) Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder) with Antonio Pappano (piano) Der Knabe und das Immlein (No. 2 from Mörike-Lieder) with Antonio Pappano (piano) Begegnung (No. 8 from Mörike-Lieder) with Antonio Pappano (piano) Nimmersatte Liebe (No. 9 from Mörike-Lieder) with Antonio Pappano (piano) Verborgenheit (No. 12 from Mörike-Lieder) with Antonio Pappano (piano) Im Frühling (No. 13 from Mörike-Lieder) with Antonio Pappano (piano) Auf einer Wanderung (No. 15 from Mörike-Lieder) with Antonio Pappano (piano) Um Mitternacht (No. 19 from Mörike-Lieder) with Antonio Pappano (piano) Auf ein altes Bild (No. 23 from Mörike-Lieder) with Antonio Pappano (piano) Gebet (No. 28 from Mörike-Lieder) with Antonio Pappano (piano) An den Schlaf (No. 29 from Mörike-Lieder) with Antonio Pappano (piano) An die Geliebte (No. 32 from Mörike-Lieder) with Antonio Pappano (piano) Lied eines Verliebten (No. 43 from Mörike-Lieder) with Antonio Pappano (piano) Peregrina I (No. 33 from Mörike-Lieder) with Antonio Pappano (piano) Peregrina II (No. 34 from Mörike-Lieder) with Antonio Pappano (piano) Der Jäger (No. 40 from Mörike-Lieder) with Antonio Pappano (piano) Abschied (No. 53 from Mörike-Lieder) with Antonio Pappano (piano) Gutmann und Gutweib (No. 13 from Goethe-Lieder) with Antonio Pappano (piano) Ganymed (No. 50 from Goethe-Lieder) with Antonio Pappano (piano)