All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Sons of the MorningPiano Music of Ralph Vaughan Williams & Ivor Gurney
Ivor Gurney’s The Five Preludes for piano date from the second half of 1919 written during a period of remarkable and unexpected creativity from the 29 year old composer and published war poet, with over 40 songs composed and 80 poems written. Gurney was taught by Ralph Vaughan Williams in 1919 at the RCM. In 1922 ill health got the better of Gurney and he was sent to the City of London Mental Hospital where he remained until his death in 1937. Ralph Vaughan Williams was not renowned for his piano playing and as such wrote few works for the piano. The Lake in the Mountains was his last piano work and was composed for Phyllis Sellick in 1947. This piano version of Job A Masque for Dancing was arranged for piano by Vally Lasker, made in the summer of 1930 to support the dancers’ rehearsals for a production. The piano arrangement was considered significant enough to be published by Oxford University Press in 1931. Award winning piano accompanist, Iain Burnside makes his first full solo recording with this disc of rare repertoire. “Iain Burnside presents impressive solo credentials: the serious technical demands of the Job arrangement cause him no problems, while his flair for conjuring orchestra-like colours from the keyboard is of the very highest standard of play.” BBC Music Magazine, January 2013 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Sir Adrian Boult conducts Vaughan WilliamsRoyal Festival Hall, London, 12th October 1972
Renowned for his interpretations of English works, Sir Adrian Boult (1889–1983) was a master of the baton and one of Britain’s leading conductors. He had a great love for and understanding of the music of Vaughan Williams, who was said to be ‘totally in favour of Sir Adrian’s approach to his music’ (John Culshaw). Vaughan Williams was a close friend of Boult, to whom he dedicated ‘Job: A Masque for Dancing’, a work that has been hailed as one of the English composer’s greatest achievements. Boult made four commercial recordings of Job, the first in 1946 with the BBC Symphony Orchestra, followed by two with the LPO in 1954 and 1958, and the last in 1970 with the LSO. As a champion of English Music, and of Vaughan Williams in particular, Boult was the natural choice to conduct this centenary concert to mark Vaughan Williams’ birth, which he did in his capacity as president of the LPO fifteen years after he had stepped down as its Music Director, in a period described as his ‘Indian Summer’. A conductor who made many recordings, Boult’s version of Vaughan Williams Symphony No.8 for EMI is hailed as ‘vivid and fresh’ in the Penguin Guide, whilst his interpretations of other RVW symphonies are described as ‘warm and mature’, ‘full-bodied and well focussed’. This is the first DVD release of this material. 1DVD Sound format: Ambient Mastering Picture format: 4:3 Running time: 73’ Subtitles: n/a Menu languages: English Booklet languages: E/F/G Region code: 0 Territory Restrictions: None “Classic performances - a treasurable recording of a moving occasion” BBC Music Magazine, January 2012 ***** “In one sense, he is the least interesting of conductors to watch, the very antithesis of Bernstein's terpsichorean style and perhaps only rivalled in economy of gesture and facial expression by Richard Strauss; on the other hand, one constantly wonders how he achieves the miraculous effects he does by such minimal means.” Gramophone Magazine, December 2011 | | | In stock - usually despatched within 1 working day. |
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| |  | Walton: Belshazzar's Feast
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| |  | Vaughan Williams: Job - A Masque for Dancing
“this splendid new ENP/Lloyd-Jones recording supersedes any in my experience” Classic CD | | | (also available to download from $6.00) | In stock - usually despatched within 1 working day. |
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Sir Adrian Boult made some pioneering Decca recordings, among them symphonies and other orchestral works of Vaughan Williams. Having had first hand experience of the composer, his recordings have an authority in our age that is virtually unequalled. The music on this CD contrasts Blake's visions of darkness in Job with the hilarious Wasps Suite, with its onomatopoeic buzzing overture and cheeky 'March Past of the Kitchen Utensils'. | | | In stock - usually despatched within 1 working day. |
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| |  | Vaughan Williams - Job (A Masque for Dancing)
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| | | |  | Vaughan Williams - The Symphonies
This 6-CD set brings together the acclaimed Vaughan Williams recordings from Teldec’s British
Line and includes as a bonus two works (The Wasps and Fantasia on Greensleeves) which were
not included in the original release.
Andrew Davis and the BBC Symphony Orchestra are considered to be interpreters par excellence
of this quintessentially British repertoire. “Davis has the key to this symphony’s combination of mystery, menace and qualified optimism.” Sunday Telegraph | | | In stock - usually despatched within 1 working day. |
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| |  | Vaughan Williams: Complete Symphonies & Other Orchestral Works
“Handley's performances can withstand comparison with the very best...these consistently idiomatic readings will provide many hours of pleasurable listening” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
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| |  | Vaughan Williams: The Complete EMI Recordings
Vaughan Williams: | Symphony No. 1 'A Sea Symphony' Sheila Armstrong (soprano), John Carol Case (baritone) London Philharmonic Orchestra, London Philharmonic Choir Symphony No. 2 'A London Symphony' London Philharmonic Orchestra Symphony No. 3 'A Pastoral Symphony' Margaret Price (soprano) New Philharmonia Orchestra Symphony No. 4 in F minor New Philharmonia Orchestra Symphony No. 6 in E minor New Philharmonia Orchestra Symphony No. 5 in D major London Philharmonic Orchestra Symphony No. 7 'Sinfonia antartica' Norma Burrowes (soprano) London Philharmonic Orchestra, London Philharmonic Choir Symphony No. 8 in D minor London Philharmonic Orchestra Symphony No. 9 in E minor London Philharmonic Orchestra Norfolk Rhapsody No. 1 New Philharmonia Orchestra In the Fen Country New Philharmonia Orchestra The Lark Ascending Hugh Bean (violin) New Philharmonia Orchestra The Wasps - Aristophanic Suite London Symphony Orchestra Fantasia on Greensleeves London Symphony Orchestra English Folk Song Suite London Symphony Orchestra Fantasia on a Theme by Thomas Tallis London Philharmonic Orchestra Serenade to Music Norma Burrowes, Sheila Armstrong, Susan Longfield, Marie Hayward (soprano), Alfreda Hodgson, Gloria Jennings, Shirley Minty, Meriel Dickinson (contralto), Ian Partridge, Bernard Dickerson, Wynford Evans, Kenneth Bowen (tenor), Richard Angas, John Carol Case, John Noble & Christopher Keyte (bass) London Philharmonic Orchestra Toward the Unknown Region London Philharmonic Orchestra, London Philharmonic Choir Partita for double string orchestra London Philharmonic Orchestra Concerto Grosso for String Orchestra London Philharmonic Orchestra Piano Concerto in C for two pianos Vita Vronsky, Victor Babin (pianos) Job - A Masque for Dancing London Symphony Orchestra Dona Nobis Pacem Sheila Armstrong (soprano), John Carol Case (baritone) London Philharmonic Orchestra, London Philharmonic Choir Fantasia on the Old 104th Peter Katin (piano) A Song of Thanksgiving Betty Dolemore (soprano), Robert Speaight (narrator), Harry Gabb (organ) The Lark Ascending Jean Pougnet (violin) London Philharmonic Orchestra Symphony No. 6 in E minor London Symphony Orchestra Flos Campi William Primrose (viola) Philharmonia Orchestra, BBC Chorus Violin Concerto in D minor 'Concerto Accademico' Yehudi Menuhin (violin) London Philharmonic Orchestra Serenade to Music (choral version) Royal Festival Orchestra and Choir Fantasia on a Theme by Thomas Tallis BBC Symphony Orchestra Job - A Masque for Dancing BBC Symphony Orchestra The Pilgrim's Progress (complete) John Noble (The Pilgrim), Raimund Herincx (John Bunyan), John Carol Case (Evangelist), Sheila Armstrong, Marie Hayward, Gloria Jennings (Three Shining Ones), Wynford Evans, Christopher Keyte, Geoffrey Shaw, Bernard Dickerson (Four Neighbours), Ian Partridge (Interpreter), John Shirley-Quirk (Watchful, The Porter), Terence Sharpe (A Herald), Robert Lloyd (Apollyon) |
Sir Adrian Boult was born on 8th April 1889 in Chester and died on 22nd February 1983 in London and hence 2013 marks the 30th anniversary of his death. He was attending concerts first in Liverpool, primarily with Hans Richter, and then in London, whilst a pupil at Westminster School, with Sir Henry Wood, Claude Debussy, Arthur Nikisch and Richard Strauss. He met Elgar for whose music he was to do so much during his life as was another composer he befriended whilst at Christ Church, Oxford, before graduating in 1912, Ralph Vaughan Williams. He spent a year studying in Leipzig where Arthur Nikisch had the greatest influence on him. He gained experience conducting for both the Royal Opera House, where he assisted in the first production there of Wagner’s Parsifal , and Serge Diaghilev’s ballet company. He was appointed conductor of the City of Birmingham Orchestra in 1924 and six years later the BBC made him director of music where he established the BBC Symphony Orchestra and became its chief conductor. During these years he introduced works by Bartók, Stravinsky and the Second Viennese School composers – Schönberg, Webern and Berg including his opera Wozzeck. Forced to leave the BBC when he reached their retirement age, he became chief conductor of the LPO retiring in 1957. He became a champion of British music, giving numerous performances of Bliss, Britten, Delius, Tippett, Walton and Holst, whose Planets he had premiered, and the aforementioned Elgar and Vaughan Williams. This set brings together all the recordings he made of the latter starting in 1940 to the early 1950’s. There was a pause until 1967 when he started to commit this set’s stereo recordings to disc ending in 1975. He continued to give concerts and record for a further three years until retiring just before reaching the age of 90. CD 13 includes audio footage of Sir Adrian in rehearsal. “The symphonies are the bedrock of the set; this was Boult's second complete cycle on disc, and the benefits of his career-long immersion in these scores is audible...Boult gives [The Pilgrim's Progress] remarkable breadth and transcendence. His account of Job is also extraordinary, as are the performances of the Tallis Fantasia, the 16-voice version of the Serenade to Music and In the Fen Country; the list could go on and on.” The Guardian, 28th March 2013 ***** | 
| EMI - 9035672 (CD - 13 discs) Normally: $54.50 Special: $38.00 |
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