All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Pierre-Laurent Aimard: The Liszt Project
Bartók: | Dirges (4), Op. 9a, BB 58, Sz. 45 | Berg: | Piano Sonata, Op. 1 | Liszt: | La Lugubre Gondola I, S200 No. 1 La Lugubre Gondola II, S200 No. 2 Nuages gris, S199 Unstern: sinistre disastro S208 Piano Sonata in B minor, S178 Aux cyprès de la Villa d'Este (Années de pèlerinage III, S. 163 No. 3) Les jeux d'eaux à la Villa d'Este (Années de pèlerinage III, S. 163 No. 4) Legende S.175 No. 1, St Francis of Assisi preaching to the birds Aux cyprès de la Villa d'Este (Années de pèlerinage III, S. 163 No. 2) Vallée d'Obermann (Années de pèlerinage I, S. 160 No. 6) | Messiaen: | Le traquet stapazin (Black-eared Wheatear) | Ravel: | Jeux d'eau | Scriabin: | Piano Sonata No. 9, Op. 68 'Black Mass' | Stroppa: | Tangata manu | Wagner: | Sonata for Mathilde Wesendonk's Album |
Pierre-Laurent Aimard honours Franz Liszt’s 200th birthday (October 22, 1811) with his most ambitious recording for Deutsche Grammophon to date. In this extensive 2-CD set, Aimard juxtaposes a selection of Liszt’s works with compositions by Liszt’s contemporaries and successors who were inspired by the Hungarian composer. Recorded live in Vienna’s Konzerthaus over two evenings, Pierre-Laurent Aimard’s Liszt project is a pinnacle of the Liszt Year commemorations. “There’s intelligent method in this two-disc mega-recital...Disc two ingeniously pairs four works from Liszt’s Années de pèlerinage collections with descriptive pieces by Bartok, Marco Stroppa, Ravel and Messiaen, highlighting poetic, formal, textural and gestural similarities galore. Aimard’s readings are characterised by a clarity that allows detail and shape rightful pre-eminence.” Sunday Times, 16th October 2011 “Bombarded as we are by Liszt recordings in his anniversary year, this is refreshingly different. Pianist Pierre-Laurent Aimard is also a skilled maker of programmes...Since large quantities of Liszt in one sitting can be indigestible, this is an excellent way into the B minor sonata and sections of Années de pèlerinage.” The Observer, 16th October 2011 “Aimard has long established himself as the thinking person’s pianist. His Liszt Project juxtaposes a selection of Liszt’s works with compositions by contemporaries and successors who were inspired by him...It’s a strong idea, sustained by the Frenchman’s fastidious pianism, but it comes across more as a lecture-recital than a satisfying listening experience.” Financial Times, 30th October 2011 “Aimard is a supremely intellectual pianist and his intense, rigorously thought-out playing illuminates the two programmes...Aimard's approach is purposefully cool in order to highlight the structural elements of the piece and while there's some exquisite hushed playing, the thunderous climaxes don't build with quite enough abandon.” Classic FM Magazine, February 2012 **** “This impressive double album is surely one of the most intelligent recorded contributions to the Liszt Bicentenary of 2011...Nothing in Aimard's performances is done for mere effect: throughout, he projects Liszt with a solidity and refinement of invention. A superb achievement.” BBC Music Magazine, February 2012 ***** “In the main, the later the Liszt the more impressive Aimard is...he is ideally persuasive that no composer stayed younger in his desire to make something new...Aimard's reading of the B minor Sonata is distinguished - intellectually satisfying, as it should be, as the most intelligent and far-reaching of all post-Beethoven sonatas on a large scale.” Gramophone Magazine, December 2011 | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Volodos plays Liszt
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Liszt: | Mephisto Waltz No. 1 Tarantella, S. 162 No. 3 (from Venezia e Napoli) Rhapsodie espagnole, S254 Pensée des Morts (Harmonies poétiques et religieuses, S. 173 No. 4) Legende S.175 No. 1, St Francis of Assisi preaching to the birds Benediction de Dieu dans la solitude (Harmonies poétiques et religieuses, S. 173 No. 3) Ave Maria IV in G major, S545/R194 Aux cyprès de la Villa d'Este (Années de pèlerinage III, S. 163 No. 2) Aux cyprès de la Villa d'Este (Années de pèlerinage III, S. 163 No. 3) Les jeux d'eaux à la Villa d'Este (Années de pèlerinage III, S. 163 No. 4) Receuillement, S204 La Lugubre Gondola I, S200 No. 1 La Lugubre Gondola II, S200 No. 2 Après une lecture du Dante, fantasia quasi sonata (Années de pèlerinage II, S. 161 No. 7) Ave Maria für die grosse Klavierschule von Lebert und Stark, S182/R67, "Die Glocken von Rom" |
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Organ Transcriptions: Bruckner, Liszt & Strauss
Winfried Bönig (organ of Cologne Cathedral) Winfried Bönig, appointed Cologne Cathedral organist in 2001, plays the two cathedral organs together from the new console “towards using the greatest possible number of stop combinations when both organs are played simultaneously . . . [the recording is] dedicated in its entirety to the Romantic symphonic conception.” The Klais firm of Bonn built a new “swallow’s nest” tracker organ of 71 ranks in the nave in 1998, and completed in 2002 the rebuilding and enlargement to 117 ranks the electropneumatic Choir organ which the firm had originally built 1948-56, providing a new console from which both others may be played electrically. Hybrid SACD Compatible with conventional CD players and SACD surround sound. | | | Usually despatched in 8 - 10 working days. |
|
|
| |  | Liszt Fever: Claire Chevallier
Claire Chevallier (piano) 'Fever' is a powerful, impassioned portrait raised to the sublime by the magical sound of Claire Chevallier's Erard. A great collector of pianos, she lives surrounded by them; they are part of her daily world. It was after buying an 1876 Erard, Liszt's favourite piano, that she felt the presence of the great composer behind its very characteristic sound and found she wanted to make this recording. “The 1876 Erard that Claire Chevallier plays here sheds new and fascinating light on [Liszt's] music, and especially on textures we may think we known...There's no deliberate homogeneity between registers: on ascending and descending scales and arpeggios we hear a variety of colours...Chevallier's technique is up to all the challenges.” BBC Music Magazine, February 2012 **** | | | Usually despatched in 3 - 4 working days. |
|
|
| |  | Liszt: Organ Transcriptions
| | | Usually despatched in 8 - 10 working days. |
|
|
| |  | Liszt: Piano Works
This Chinese pianist studied at the Central Conservatory of Music in Beijing. He continued his studies in Hannover. He has won many prizes and scholarships, including a silver medal in the International Vladimir Horowitz Piano Competition in Kiev. His Liszt recital includes Sonata in B minor and Hungarian Rhapsody No. 2. “For [Zhang], Liszt is never a springboard for personal or preening excess, and even when you marvel at his velocity in the treacherous fugue, it is in the slow descending scale...and the glassy sighs and menaces of the retrospective coda that he creates a truly haunting and spacious impression...Zhang is a most serious artist” Gramophone Magazine, April 2011 “there is a restrained elegance to his playing” International Record Review, December 2011 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
|
|
| |  | Yingdi Sun plays Liszt
Liszt’s solitary sonata for piano (1851-3) is perhaps the summit of keyboard writing in the romantic period. Taking Beethoven's development of the piano sonata to its logical conclusion, and marrying it with the structure of Schubert’s ‘Wanderer’ Fantasy, Liszt created a towering masterpiece that consists of six sections, divided into sixteen, played without a break. These are interlinked with leitmotivs that develop, fuse together, clash with each other, and disintegrate over the course of the sonata’s half-hour span. It is an architectural masterpiece, and one of the most exciting works in the repertoire. The Petrarch Sonnets date from 1838, and were originally for voice and piano. In the versions for solo piano they become songs without words, Liszt vividly capturing the sentiments of the original poem. Liszt composed two Legends in 1863, both dedicated to his daughter Cosima. Although originally for orchestra, it is the piano versions that have become the most popular. The one on this CD depicts St Francis’s sermon to the birds. It is a delicate and solemn piece, a world away from the turbulent sonata. New recording made in 2008 Yingdi Sun won the prestigious International Franz Liszt Piano Competition in 2005, held in Utrecht. After winning the first prize he has embarked on an extensive tour of the Netherlands, Europe, America, South Africa, China and Indonesia He has performed with many of the world’s major orchestras, including the Rotterdam Philharmonic, the Netherlands Radio Symphony Orchestra He was invited by President Hu Jintao to perform in part of the festivities to honour the US President George W Bush during his 2005 visit to China | | | Usually despatched in 4 - 5 working days. |
|
|
| |  | Daniel Barenboim - The Liszt Recital
Recorded live at the Teatro alla Scala, Milan, 28 May 2007 “The pianist's poetic and technically refined playing in the delicate passages of 'St Francis of Assisi Preaching to the Birds', revealed through deft camera work, remains the highlight of this recital. In the Dante Sonata, the substantial core of this recital, numerous strenuous passages cost Barenboim visible effort...” BBC Music Magazine, February 2008 *** | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Liszt: Organ Works, Vol. 1
“Budget-priced Naxos can afford to be more comprehensive and spread Liszt's organ music over two discs, and indeed, it's good to have St. Francis preaching to the birds, which works so well on the instrument, as well as the three Consolations, originally for piano...If you want the B-A-C-H Prelude and Fugue, the Evocation and Weinen, Klagen, Sorgen, Zagen, Naxos will do nicely.” BBC Music Magazine, August 2001 | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
|
|
| |
|