Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Valentina Lisitsa: Live at the Royal Albert Hall
Beethoven: | Für Elise (Bagatelle in A minor, WoO59) Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight' | Chopin: | Nocturne No. 2 in E flat major, Op. 9 No. 2 Nocturne No. 13 in C minor, Op. 48 No. 1 Nocturne No. 8 in D flat major, Op. 27 No. 2 | Liszt: | Grande Étude de Paganini, S. 141 No. 3 'La Campanella' Un Sospiro from 3 Concert Studies, S144 No. 3 Liebestraum, S541 No. 3 (Nocturne in A flat major) | Rachmaninov: | Prelude Op. 23 No. 5 in G minor Prelude Op. 32 No. 5 in G major Prelude Op. 32 No. 12 in G sharp minor Prelude Op. 32 No. 10 in B minor Étude-Tableau, Op. 39 No. 6 in A minor | Scriabin: | Deux poèmes, Op. 32 Étude Op. 42 No. 3 in F sharp major 'La Moustique' |
Valentina Lisitsa (piano) The DVD recording of Valentina’s Lisitsa’s 19th of June 2012 Royal Albert Hall concert. With more than 43 million views and over 52,000 subscribers to her YouTube channel, the young pianist is not only one of the fastest-rising stars of the international concert scene but probably the single most-watched classical musician, having rapidly overtaken long-established giants of the piano world in terms of global online viewing figures. “Critics love to trash this kind of 'semi-pops' programme, yet Lisitsa often plays beautifully. While her opening salvo, Rachmaninovs G minor Prelude, is rather rushed and glib, the pianist quickly settles down to a direct and eloquent Fur Elise, followed by a breathtakingly brisk, imaginatively shaded La campanella.” Gramophone Magazine, Awards Issue 2012 “there's an admirable lightness of touch and appreciation of rhythmic flow to her "Für Elise", and her negotiation of Liszt's "Un Sospiro" is captivating.” The Independent, 7th July 2012 **** “ This recital disc of short piano pops proves Lisitsa's technical skill rather than the potential depth or reach of her musicality. She opens, in reckless mood, with Rachmaninov's Prelude in G Minor, then settles into an elegant Für Elise” The Observer, 9th July 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | Valentina Lisitsa: Live at the Royal Albert Hall
Beethoven: | Für Elise (Bagatelle in A minor, WoO59) Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight' | Chopin: | Nocturne No. 2 in E flat major, Op. 9 No. 2 Nocturne No. 13 in C minor, Op. 48 No. 1 Nocturne No. 8 in D flat major, Op. 27 No. 2 | Liszt: | Grande Étude de Paganini, S. 141 No. 3 'La Campanella' Un Sospiro from 3 Concert Studies, S144 No. 3 Liebestraum, S541 No. 3 (Nocturne in A flat major) | Rachmaninov: | Prelude Op. 23 No. 5 in G minor Prelude Op. 32 No. 5 in G major Prelude Op. 32 No. 12 in G sharp minor Prelude Op. 32 No. 10 in B minor Étude-Tableau, Op. 39 No. 6 in A minor | Scriabin: | Deux poèmes, Op. 32 Étude Op. 42 No. 3 in F sharp major 'La Moustique' |
Valentina Lisitsa (piano) Born in Kiev, Ukraine, Valentina began playing the piano at the age of three and performed her first solo recital just one year later. She has won prestigious awards for her playing internationally, including the Murray Dranoff Two Piano Competition (together with her husband Alexei Kuznetsoff). Valentina Lisitsa has already performed at major international venues including Carnegie Hall and Avery Fisher Hall in New York and the Vienna Musikverein, and in countries as far apart as the Netherlands and Brazil. She has played with renowned orchestras including Chicago Symphony, Seattle Symphony, San Francisco Symphony and the Pittsburgh Symphony, collaborating with conductors Manfred Honeck, Yannick Nézet-Séguin, and Jukka-Pekka Saraste, among others. Upcoming performances are confirmed with the Rotterdam Philharmonic, Philharmonie im Gasteig, Munich with Münchner Symphoniker and recitals at the Victoria Hall in Geneva and Philharmonie in Berlin. With more than 43 million views and over 52,000 subscribers to her YouTube channel, the young pianist is not only one of the fastest-rising stars of the international concert scene but probably the single most-watched classical musician, having rapidly overtaken long-established giants of the piano world in terms of global online viewing figures. “there's an admirable lightness of touch and appreciation of rhythmic flow to her "Für Elise", and her negotiation of Liszt's "Un Sospiro" is captivating.” The Independent, 7th July 2012 **** “This recital disc of short piano pops proves Lisitsa's technical skill rather than the potential depth or reach of her musicality. She opens, in reckless mood, with Rachmaninov's Prelude in G Minor, then settles into an elegant Für Elise” The Observer, 9th July 2012 “genuine gifts for lyricism and dazzling display...those musical gifts quickly hit the ears on this closely recorded CD.... Track three is Liszt’s La campanella, intelligently shaped, its bell sounds glittering as rarely before...Lisitsa tends to play with the lights fully on, with not enough shading in the wide expanse between loud and quiet. This gets rather tiring...But at the moment there is only one Valentina Lisitsa.” The Times, 13th July 2012 *** “Lisitsa emerges as a hugely confident and spontaneous performer. There's grace in her turns of phrase and relish in her sense of rhetoric...Sometimes, though, a downside appears when loud passages threaten to career a tad out of control and miss their point.” BBC Music Magazine, December 2012 *** | | | In stock - usually despatched within 1 working day. |
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| |  | Favourite Rachmaninov
| | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Conrad Tao: Voyages
The premiere disc from this remarkable young Chinese-American pianist and composer. Features music by Rachmaninov and Ravel, as well as compositions by Conrad himself, including an inspired work for iPad and piano. Also a work by New York born composer, Meredith Monk. Conrad describes this album as being “about iridescence, about color, shifting, Perception, hallucinatory shapes”. “He is exceptionally gifted, and an 18 year old teenager of the digital era. Quite a catch for the future.” Jean Philippe Rolland, President of A&R, EMI Classics | 
| | | Scheduled for release on 10 June 2013. Order it now and we will deliver it as soon as it is available. |
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| |  | Rachmaninov: Piano Works
This CD is the third release from Challenge Classics to showcase the talents of the Russian pianist Alexei Volodin. It features a wide ranging selection of pieces by his compatriot Sergei Rachmaninov, including the “Variations on a theme of Corelli”, 5 of his Preludes, the 2nd Sonata (second version), and four of his Etudes-Tableaux. Alexei Volodin was born in St. Petersburg in 1977, and began taking piano lessons there at the age of nine. A year later he moved to Moscow, and in 1994 he enrolled at the Moscow Conservatoire. During 2001 and 2002 he studied at the Theo Lieven International Piano Foundation in Como. He has won several prizes at different international competitions, including First Prize at the Concours Géza Anda in Zurich in 2003. Alexei Volodin’s debut recording for Challenge Classics (CC72354), released in March 2010, was devoted to the music Chopin, and his second CD which was issued in May 2011 (CC72508) brought together works by Schumann, Ravel, and Scriabin. “He plays the Corelli Variations, Op 42, and the revised, shortened version of the Second Piano Sonata, Op 36, with impressive precision and power, the textures kept mostly clean. Yet in calmer moments one senses an underlying urge for the busy stuff, rather than an exploration of a more interior world.” Sunday Times, 28th April 2013 | 
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| |  | The Great Russian Pianists
Glazunov: | Trois Morceaux, Op. 49: Gavotte Sergei Prokofiev (piano) | Leschetitzky: | Two Skylarks, Op. 2 No. 1 Theodore Leschetitzky (piano) Mazurka, Op. 24 Theodore Leschetitzky (piano) | Lyapunov: | Elegy on the Death of Liszt, Op. 11 Sergei Liapunov (piano) | Moszkowski: | Polonaise in D, Op. 17 Leopold Godowsky (piano) Malagueña, Op. 49, No. 1 Rudolph Ganz (piano) Serenata in D major, Op. 15 No. 1 Ignaz Friedman (piano) | Prokofiev: | Prelude in C major, Op. 12 No. 7 Sergei Prokofiev (piano) Pieces (10), Op. 12: No. 3 - Rigadon Sergei Prokofiev (piano) Scherzo, Op. 12, No. 10 Sergei Prokofiev (piano) The Love for Three Oranges: Intermezzo Sergei Prokofiev (piano) Tales of an Old Grandmother, Op. 31 Sergei Prokofiev (piano) | Rachmaninov: | Prelude Op. 32 No. 8 in A minor Vladimir Horowitz (piano) Prelude Op. 32 No. 10 in B minor Vladimir Horowitz (piano) Prelude Op. 23 No. 5 in G minor Vladimir Horowitz (piano) Polka de V.R. Shura Cherkassky (piano) | Sapellnikoff: | Dance of the Elves, Op. 3 Ossip Gabrilowitsch (piano) | Scriabin: | Prelude, Op. 11 No. 1 in C major Alexander Scriabin (piano) Prelude, Op. 11 No. 13 in G flat major Alexander Scriabin (piano) Prelude, Op. 11 No. 2 in A minor Alexander Scriabin (piano) | Tchaikovsky: | The Nutcracker: Dance of the Mirlitons Percy Grainger (piano) Song without words, Op. 2 No. 2 Shura Cherkassky (piano) |
This Dal Segno releases features a collection of some of the greatest Russian pianists playing Russian compositions. Prokofiev and Scriabin are featured playing their own compositions in recordings taken from original piano rolls but replicated in 1992 on a new concert grand piano. | 
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| |  | Rachmaninov: Piano Concertos Nos. 1 & 2
Richter only performed Rachmaninov’s first two concertos before embarking on his international career in 1960. This remastered Praga Digitals bi-channel hybrid SACD presents a logical compilation of two live performances plus four 'Preludes' which were to remain his favourites for the next 50 years. When Sviatoslav Richter first got to know Rachmaninov’s piano concertos, the composer himself had been living in exile in the United States for 20 years. The young pianist was learning the Prokofiev and Rachmaninov major scores, having studied with Heinrich Neuhaus, and before his first travel to the West (1960). His first guest apperance in the free world, in Finland, was brought about by the mediation of Ekaterina Furtseva, a confidante of Nikolai Khrushchev, minister of culture for the few months preceding his Kremlin leadership. As encores we have four Rachmaninov 'Preludes', also recorded during his first tour of North America in 1960. A unique programme which today’s cutting edge techniques have attempted to render in all their original glory. Praga Digitals celebrate their 20th anniversary in 2012. | | | Usually despatched in 3 - 4 working days. |
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| |  | Dame Moura Lympany plays Rachmaninov
Recorded 1951-1954 It is with some pride that Cornwall-based Magdalen is releasing several recordings of Saltash-born Dame Moura Lympany (others will surely follow in due course). Lympany had a clear affinity with Russian music and with Rachmaninov in particular: she was the first artist to record the Preludes complete (the recordings in this collection date from 1951) and her performances of Piano Concertos 1 – 3 under Malko and Collins, made between 1952 and 1954 and among the first to appear on LP, have always been treasured by critics and public alike. Space does not allow for all 24 Preludes but we have chosen eighteen of the finest to accompany the concertos. Quite simply, this is music-making to wallow in and to marvel at! | | | Usually despatched in 4 - 5 working days. |
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| |  | Vassily Primakov Rachmaninoff Recital
The meteoric ascent of Vassily Primakov's international career has resulted from a series of competition victories, prizes in honour of his artistry, and his award-winning recordings. Winner of First Prize in the Young Concert Artist International Auditions and the Audience Prize of the Gina Bachauer International Competition, Primakov was named the Classical Recording Foundation's “Young Artist of the Year” in 2007. His much-heralded recordings have garnered National Public Radio's “CD of the Year” (Chopin Mazurkas, 2010), American Record Guide's “Best of the Year” (Schubert Impromptus; and Dvorak Piano Concerto, 2011) and BBC Music Magazine's Music Choice (Chopin Ballades, Brahms Intermezzi, and Scriabin Sonata No. 4, 2010). This new recording presents Primakov's renditions of some of Rachmaninoff's most beloved works, played on a superb Bechstein Concert Grand. “Primakov delivers some exceptionally fine Rachmaninov playing in this generously filled recital. All the necessary ingredients are in place from the opening barnstorming bars of the B flat major Prelude...Primakov maximises the music's richness of sonority, producing a warm and luxuriant sound that builds up in intensity.” BBC Music Magazine, October 2011 ***** “this is a disc to which I shall return. It may lack the ardent hand-on-heart approach to Rachmaninov which was very much to the fore in Primakov's performance of the Second Sonata, but his more personal and introspective readings of these well-known works are nonetheless valid.” International Record Review, September 2011 “[Primakov is a] subjective, rhetorically inclined Rachmaninov interpreter. You hear this right away in the broadly conceived Op 23 No 2, with its overly stretched-out rubatos and artificially highlighted inner voices...However, similar gestures pay more convincing dividends, such as in the gorgeous tonal inflections distinguishing the B minor, G sharp minor and G major Preludes” Gramophone Magazine, January 2012 | | | Usually despatched in 2 - 3 working days. |
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| |  | Rachmaninov: Music for Piano
Jeremy Filsell is one of very few performers to have established a virtuoso concert career as both a pianist and organist on the international stage. This recital disc explores Filsell’s lifelong love of Rachmaninov’s piano music, surveying selections from Preludes and Sonatas as well as two song transcriptions. “Filsell's playing, while ardent, thoughtful and well informed, never comes across as stuffy or self-conscious...The curtain-raiser to the Second Sonata certainly grabs you by the throat, just as it should...Filsell's finale is most definitely fit for purpose, with all kinds of attractive nuances tossed in for our pleasure (and his).” International Record Review, April 2011 “The recital gets off to an impressive start with expressive accounts of the early Elegie Op. 3 and the ubiquitous Prelude in C sharp minor. In both works, Filsell creates a rich and tonally varied sound while at the same time demonstrating an instinctive feeling for rubato.” BBC Music Magazine, August 2011 *** | | | Usually despatched in 3 - 4 working days. |
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