This page lists all recordings of V' adoro, pupille (Giulio Cesare in Egitto, Act II), by George Frederic Handel (1685-1759) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
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See Terms & Conditions for p&p rates. | |  | Endless Pleasure
Barbara Hendricks (soprano) Drottningholm Barockensemble Endless Pleasure, Barbara Hendricks' first disc with orchestra for her new label Arte Verum, is also her first solo CD of baroque music. Rediscover one of the great voices of our time in opera arias by Purcell and Handel in what is for her an entirely novel repertoire on disc. "Hendricks' slender, sweet-toned soprano, with its distinctive quick vibrato, is still in fine shape." Gramophone, Awards issue | 
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| |  | The Divine Yvonne Kenny
Adam: | Minuit, chretiens | Balfe: | I Dreamt I dwelt in Marble Halls | Berlin: | What’ll I do? | Berlioz: | Villanelle | Canteloube: | Songs of the Auvergne: Baïlèro | Catalani: | La Wally: Ebben? Ne andrò lontana | Cilea: | Io son l'umile ancella | Dvorak: | Song to the Moon (from Rusalka) | Fauré: | Clair de Lune, Op. 46 No. 2 | Gorecki: | Symphony No. 3, Op. 36 'Symphony of Sorrowful Songs' (2nd Movement) | Gounod: | O divine Redeemer Le Soir | Hahn, G: | L’Enamouree | Handel: | Tornami A Vagheggiar (Alcina) Let the bright seraphim (from Samson) V' adoro, pupille (Giulio Cesare in Egitto, Act II) Lascia Ch'io Pianga (from Rinaldo HWV 7A) Giulio Cesare: Da tempeste il legno infranto | Kern: | The way you look tonight All the things you are | Lehár: | Meine Lippen (from Giuditta) | Mascagni: | Ave Maria (arranged from Intermezzo sinfonico from Cavalleria Rusticana) | Porter, C: | So in Love | Puccini: | Gianni Schicchi: 'O mio babbino caro' | Rodgers: | Oklahoma: O what a beautiful morning | Rodrigo: | Cuatro madrigales amatorios: De los álamos vengo, madre | Satie: | Je te veux | Strauss, R: | Morgen, Op. 27 No. 4 | trad.: | She moved thro' the fair O Waly Waly Simple Gifts The Lark in the Clear Air |
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| |  | Silent Worship - The Timeless Music of Handel
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| |  | Handel Arias
Yvonne Kenny (soprano) Australian Brandenburg Orchestra, Paul Dyer | | | Usually despatched in 3 - 4 working days. |
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| |  | Handel Arias
Renée Fleming Orchestra of the Age of Enlightenment, Harry Bicket Gramophone Editors Choice - November 2004 | | | Usually despatched in 2 - 3 working days. |
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| |  | Handel: Opera Arias and Overtures
Handel: | Second Overture to Almira in G minor Vedrai s'a tuo dispetto (Almira Act III) Perché viva il caro sposo (Rodrigo, Act III) Vo' far guerra (Rinaldo, Act II) Overture to Silla Ah! spietato (Amadigi di Gaula, Act I) Desterò dall' empia Dite (Amadigi di Gaula, Act II) V' adoro, pupille (Giulio Cesare in Egitto, Act II) Overture to Tamerlano Tamerlano: Cor di padre Ombre, piante (Rodelinda, Act I) Overture to Scipione March (Scipione, Act I) Scoglio d' immota fronte (Scipione, Act II) |
Emma Kirkby (soprano) The Bradenburg Consort, Roy Goodman | | | Usually despatched in 2 - 3 working days. |
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| |  | Handel - Opera Arias
Handel: | Second Overture to Almira in G minor Vedrai s'a tuo dispetto (Almira Act III) Perché viva il caro sposo (Rodrigo, Act III) Vo' far guerra (Rinaldo, Act II) Overture to Silla Ah! spietato (Amadigi di Gaula, Act I) Desterò dall' empia Dite (Amadigi di Gaula, Act II) V' adoro, pupille (Giulio Cesare in Egitto, Act II) Overture to Tamerlano Tamerlano: Cor di padre Ombre, piante (Rodelinda, Act I) Overture to Scipione March (Scipione, Act I) Scoglio d' immota fronte (Scipione, Act II) Overture to Alessandro Sinfonia Act 1 (Alessandro) Che vidi? Che mirai! (Alessandro) No, più soffrir non voglio (Alessandro) Placa l’alma (Alessandro) Solitudine amate (Alessandro) Aure, fonti (Alessandro) Pur troppo veggio (Alessandro) Che tirannia d’amor! (Alessandro) Svanisci oh reo timore (Alessandro) Dica il falso (Alessandro) Il ritratto d’Admeto (Admeto, re di Tessaglia) La sorte mia vacilla (Admeto, re di Tessaglia) Quest’è dunque la fede (Admeto, re di Tessaglia) Vedrò fra poco (Admeto, re di Tessaglia) Morte vieni (Riccardo primo, re d’Inghilterra) A me nel mio rossore (Riccardo primo, re d’Inghilterra) Quando non vede (Riccardo primo, re d’Inghilterra) A costei, che dirò? (Siroe, re di Persia) L’aura non sempre (Siroe, re di Persia) Si diversi sembiante (Siroe, re di Persia) Non vi piacque, ingiusti dei (Siroe, re di Persia) E dove, e dove mai (Tolomeo, re di Egitto) Fonti amiche (Tolomeo, re di Egitto) Ti pentirai, crudel (Tolomeo, re di Egitto) Overture to Lotario Scherza in mar (Lothario) Io ti levo (Partenope Act I) Caro padre (Ezio Act I) Dite pace (Sosarme, re di Media Act I) Vorrei, né pur saprei (Sosarme, re di Media Act III) Atalanta: Overture Son qual stanco (Arianna in Creta Act II) Ah! Ruggiero (Alcina Act III) Chi t'intende? (Berenice, regina d'Egitto Act III) Overture to Deidamia M'ai resa infelice (Deidamia) |
Dame Emma Kirkby (soprano) & Catherine Bott (soprano) The Brandenburg Consort, Roy Goodman 3 compact discs from CDA66860, CDA66950, CDA67128 ‘It is difficult to pick out a particular highlight, there are so many of them’ (Classic CD) ‘A splendidly enjoyable disc. Kirkby is in top-notch form’ (Hi-Fi News) ‘This CD is appealing on every plane. It’s certainly one of my discs for 1997’ (Gramophone) ‘Right on cue for the bull market in Handel operatic stock, The Rival Queens conquer all before them. A right royal feast!’ (Classic CD) ‘The voices contrast well, and their owners, as well as The Brandenburg Consort, perform this wonderful music with style and an intense sense of affection’ (BBC Music Magazine) ‘Immensely enjoyable’ (Goldberg) ‘A delight … this is singing of brilliance’ (Fanfare, USA) ‘Kirkby’s talent for matching brilliant coloratura with dramatic urgency remains unparalleled … a compelling interpretation of rarely heard masterpieces, this recording is the ideal present for anyone open to Handel’s dramatic compositions’ (International Record Review) | | | Usually despatched in 2 - 3 working days. |
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Gramophone Magazine