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See Terms & Conditions for p&p rates. | |  | Quilter: Songs by Roger Quilter
Quilter: | Three Shakespeare Songs, Op. 6 FOUR SONGS OF MIRZA SCHAFFY Op. 2 (Friedrich Bodenstedt) (1903) Autumn Evening, Op. 14 No. 1 (Arthur Maquarie) June (Nora Hopper) (1905) TWO SEPTEMBER SONGS Op. 18 Nos. 5 & 6 (Mary Coleridge) (1916) Arab Love Song, Op. 25 No. 4 (Shelley) Music, when soft voices die, Op. 25 No. 5 (Shelley) Love's Philosophy, Op. 3 No. 1 (Shelley) FIVE SHAKESPEARE SONGS Op. 23 (1921) Now sleeps the crimson petal, Op. 3 No. 2 (Tennyson) Go, lovely Rose, Op. 24 No. 3 (Edmund Wailer) A last year's Rose, Op. 14 No. 3 (William Henley) FOUR CHILD SONGS Op. 5 (Robert Louis Stevenson) (1914) - A good Child, The Lamplighter, Where go the boats? Seven Elizabethan Lyrics, Op. 12 OLD ENGLISH POPULAR SONGS (1921) (Drink to me only with thine eyes (Ben Jonson), Barbara Allen (traditional), Over the Mountains (traditional)) Four Shakespeare Songs, Op. 30 |
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| |  | The Art of Bryn Terfel
Berlioz: | Une puce gentille 'Flea Song' (from La damnation de Faust) Voici des roses (Air de Méphistophélès) | Gurney: | Sleep | Gwynn Williams: | My Little Welsh Home | Handel: | Si, tra i ceppi (from Berenice) Te Deum in D major 'Dettingen', HWV283: Vouchsafe, O Lord | Hughes, J: | Guide me, O thou great Redeemer (Cwm Rhondda) | Loewe, F: | Paint Your Wagon: They Call the Wind Maria | Mahler: | In diesem Wetter, in diesem Braus (Kindertotenlieder) | Mendelssohn: | Lord God of Abraham (Elijah) | Mozart: | Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Il core vi dono (from Così fan tutte) Ein Mädchen oder Weibchen (from Die Zauberflöte) Io ti lascio, oh cara, addio, KAnh. 245 | Puccini: | Tre sbirri...Una carozza...Presto 'Te Deum' (from Tosca) | Quilter: | Go, lovely Rose, Op. 24 No. 3 (Edmund Wailer) | Rutter: | The Lord bless you and keep you | Schubert: | Erlkönig, D328 Du bist die Ruh D776 (Rückert) Der Musensohn, D764 (Goethe) | Schumann: | Du bist wie eine Blume, Op. 25 No. 24 Die beiden Grenadiere, Op. 49 No. 1 Mein Wagen rollet langsam, Op. 142 No. 4 | Sullivan, A: | Hereupon we’re both agreed (The Yeomen of the Guard) | trad.: | Amazing Grace Shenandoah Ar hyd y Nos (All through the night) Suo gan Deep River | Vaughan Williams: | The Vagabond (from Songs of Travel) Silent Noon | Verdi: | Ehi! Paggio! ... L'onore! Ladri! (from Falstaff) | Wagner: | Die Frist ist um (from Der fliegende Holländer) O du, mein holder Abendstern (from Tannhäuser) |
Bryn Terfel is one of Britain’s best-loved singers, as comfortable in popular musical repertoire as he is in the great roles of opera. Ahead of his curated BrynFest appearances at London’s Southbank Centre, and his career-defining role as Wotan in Wagner’s Ring Cycle at the Royal Opera House this autumn, Deutsche Grammophon is proud to release this 2CD career retrospective. | | | (Sorry, download not available in your country) | Usually despatched in 2 - 3 working days. |
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| |  | My Own Country: An English song collection
Bax: | The White Peace (Fiona Macleod) | Bridge: | Strew No More Red Roses Go Not, Happy Day | Elgar: | Canto Popolare (In Moonlight) Speak, Music, Op. 41, No. 2 Pleading, Op. 48 No. 1 Twilight, Op. 59 No. 1 The Blue-eyes Fairy | Fraser-Simson: | Halfway Down Lines written by a Bear of Very Little Brain Politeness Missing | Holst: | Ushas | Ireland: | The Trellis I Have Twelve Oxen When I am Dead, My Dearest | Lehmann: | Mockturtle soup Henry King | Parry: | O Mistress Mine My Heart is like a Singing Bird Under the greenwood tree (Shakespeare) English Lyrics Set VI No. 6 Good Night | Quilter: | Music, when soft voices die, Op. 25 No. 5 (Shelley) Love's Philosophy, Op. 3 No. 1 (Shelley) Now sleeps the crimson petal, Op. 3 No. 2 (Tennyson) Go, lovely Rose, Op. 24 No. 3 (Edmund Wailer) | Warlock: | Ha'nacker Mill My Own Country The Night Sleep |
Felicity Lott brings her delicacy and rich understanding to a collection of English song inspired by the idyllic Sussex countryside. “A lovingly planned programme by Graham Johnson, beautifully sung by Dame Felicity” Gramophone The Englishness typified here is not derived from one unique musical style; rather from each composerʼs response to the texts. Graham Johnson groups together songs under headings Country Courtship. . . To Music. . . . Loveʼs Philosophy. . . . Country Scenes. . . . Night & Dawn. . . .Childrenʼs Cornerʼ. . . and Envoys on this charming - and occasionally surprising - disc. It includes songs by Quilter, Elgar, Parry, Ireland, Bax and Holst. The Elgar songs Speak Music and In Moonlight (included under the heading ʻTo Musicʼ) remind us that the paradigm of Englishness Elgar cultivated was more to do with his association with ʻPomp and Circumstanceʼ than necessarily musical matters. As part of ʻCountry Scenesʼ, Bridgeʼs jolly Go Not, Happy Day gives nothing away about its year of publication, 1916, and the scars which led to later music of a more sombre tone. Also included are a selection of Harold Fraser-Simpsonʼs songs based on verses from A.A. Milneʼs The Hums of Pooh, and settings by Liza Lehmann - the Edwardian English operatic soprano - including Matilda from ʻFour Cautionary Talesʼ by Hillaire Belloc, a duet with both parts taken by Felicity Lott. The CD takes its title from Peter Warlockʼs setting of another Belloc text - My Own Country. Dame Felicity Lott lives in Sussex and was the very first artist to perform in the Music Room at Champs Hill. In 2005 she and Graham Johnson returned there to mark the 30th anniversary of her Wigmore debut with this programme (previously release on the ASV label). Champs Hill Records will also be releasing new recordings of further Elgar songs with Dame Felicity in October 2011. | | | Usually despatched in 2 - 3 working days. |
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| |  | English Love Songs
Barlow, S: | If thou would’st ease thine heart | Bridge: | Come to Me in my Dreams Love went a-riding | Britten: | Down by the Salley Gardens Wild with passion (Beddoes) | Butterworth, G: | With rue my heart is laden When I was one-and-twenty | Dowland: | Awake, sweet love Come again, sweet love doth now invite | Finzi: | To Lizbie Browne I Said to Love, Op. 19b | Handel: | Silent Worship (based on an aria from Tolomeo) Semele: Where'er you walk | Haydn: | Piercing Eyes, Hob. XXVIa:35 Pleasing Pain, Hob. XXVIa:29 | Ireland: | If we must part Love is a sickness full of woes | Purcell: | I attempt from love's sickness to fly in vain (from The Indian Queen) If music be the food of love, Z379 | Quilter: | Go, lovely Rose, Op. 24 No. 3 (Edmund Wailer) Love's Philosophy, Op. 3 No. 1 (Shelley) | Vaughan Williams: | Silent Noon Love bade me welcome | Warlock: | Take, O take those lips away Thou gav'st me leave to kiss |
This excellent release is a unique collection of English love songs by some of the great English composers of the 20th century including Vaughan-Williams, Purcell, Britten, Dowland, Finzi and Warlock. All of the songs are firm favourites; amongst the most well known are Silent worship, Where’er you walk, If music be the food of love and The salley gardens. Mark Stone has sung at Covent Garden most recently in “Don Giovanni” and is a regular guest at ENO, WNO, Glyndebourne and Opera North. He and Stephen Barlow regularly perform together as a recital duo and often appear on Radio 3 and in concert in the UK and abroad. “..this is not a recital restricted to one vocal hue. Each song is looked at and receives relevant response from both singer and pianist. ….he (Mark Stone) introduces so much by way of nuance and colour to make this a very interesting and fulfilling programme, one which is well recorded.” International Record Review, March 2009 “Stone has made an estimable career as a lyric baritone at Opera North and English National Opera, but he is less familiar as a recitalist. His light, airy baritone is well suited to the more easy-going English love songs, but takes on a nasal, pinched quality when a sense of drama is required, as in Frank Bridge’s galloping Love went a-riding. This attractive miscellaneous programme might have made a stronger impression if the order of songs were not so haphazard: Vaughan Williams (Silent Noon and Love bade me welcome) segues uncomfortably into Dowland’s Awake, sweet love, and Purcell, Handel and Haydn are interspersed pell-mell between Quilter and Ireland, Butterworth and Warlock, Finzu and Britten. Stone’s theme and sequence are too loose to be compelling and his diction, mostly clear, rarely achieves the eloquence of a born song interpreter.” Sunday Times, 15th February 2009 *** | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Bryn Terfel - A Song in my Heart
| | The Vagabond Whither Must I Wander Sea Fever Little Prince (The Little Prince) They Call the Wind Maria (Paint Your Wagon) English Northern Philharmonia, Paul Daniel Come Home (Allegro) English Northern Philharmonia, Paul Daniel Suo-Gan (Lullaby) Sì, tra i ceppi e le ritorte (Berenice) Vouchsafe, O Lord (Dettingen Te Deum) Scottish Chamber Orchestra, Mackerras | Berlioz: | Une puce gentille 'Flea Song' (from La damnation de Faust) Voici des roses (Air de Méphistophélès) Philharmonia Orchestra and Chorus, Myung-Whun Chung | Gurney: | Sleep | Hughes, J: | Guide me, O thou great Redeemer (Cwm Rhondda) The Black Mountain Chorus, Risca Male Choir & The Orchestra of Welsh National Opera, Gareth Jones | Mahler: | In diesem Wetter, in diesem Braus (Kindertotenlieder) Philharmonia Orchestra, Giuseppe Sinopoli | Mendelssohn: | Lord God of Abraham (Elijah) Orchestra of the Age of Enlightenment, Paul Daniel | Mozart: | Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Il core vi dono (from Così fan tutte) Cecilia Bartoli (Dorabella) & Bryn Terfel (Guglielmo) Orchestra dell’Accademia die Santa Cecilia, Myung-Chun Chung Ein Mädchen oder Weibchen (from Die Zauberflöte) Io ti lascio, oh cara, addio, KAnh. 245 Scottish Chamber Orchestra, Sir Charles Mackerras | Quilter: | Go, lovely Rose, Op. 24 No. 3 (Edmund Wailer) Malcolm Martineau (piano) | Rutter: | The Lord bless you and keep you London Symphony Orchestra, Barry Wordsworth | Schubert: | Erlkönig, D328 Du bist die Ruh D776 (Rückert) Der Musensohn, D764 (Goethe) | Schumann: | Du bist wie eine Blume, Op. 25 No. 24 Die beiden Grenadiere, Op. 49 No. 1 Mein Wagen rollet langsam, Op. 142 No. 4 | Sullivan, A: | Hereupon we’re both agreed (The Yeomen of the Guard) Academy of St Martin in the Fields, Sir Neville Marriner | trad.: | Amazing Grace London Symphony Orchestra, Barry Wordsworth Shenandoah London Symphony Orchestra, Barry Wordsworth Ar hyd y Nos (All through the night) Deep River arr. Chris Hazell | Vaughan Williams: | Silent Noon | Verdi: | Ehi! Paggio! ... L'onore! Ladri! (from Falstaff) MET Orchestra, James Levine | Wagner: | Die Frist ist um (from Der fliegende Holländer) Berliner Philharmoniker, Claudio Abbado O du, mein holder Abendstern (from Tannhäuser) The Metropolitan Opera Orchestra, James Levine |
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| |  | Glenda Maurice Live at the Wigmore Hall
Recorded live on 11th January 1988 | | | Usually despatched in 2 - 3 working days. |
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| |  | The English Song Series Volume 5 - Roger Quilter 1
Quilter: | It was a lover and his lass Take, O take those lips away O mistress mine How should I your true love know Orpheus with his lute Hark! Hark! The lark Ca' the yowes to the knows Charlie is my darling Ye banks and braes I Arise from Dreams of Thee, Op. 29 Music, when soft voices die, Op. 25 No. 5 (Shelley) Love's Philosophy, Op. 3 No. 1 (Shelley) Spring is at the door Passing dreams Autumn Evening, Op. 14 No. 1 (Arthur Maquarie) Go, lovely Rose, Op. 24 No. 3 (Edmund Wailer) A last year's Rose, Op. 14 No. 3 (William Henley) Amaryllis at the fountain I dare not ask a kiss Now sleeps the crimson petal, Op. 3 No. 2 (Tennyson) To Julia, Op. 8 Love calls through the summer night An old carol Three Pastoral Songs, Op. 22 |
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| |  | Quilter: Songs
Quilter: | Love's Philosophy, Op. 3 No. 1 (Shelley) Now sleeps the crimson petal, Op. 3 No. 2 (Tennyson) At Close of Day Three Shakespeare Songs Op. 6 (1st Set) To Julia, Op. 8 Four Songs Op. 14 Seven Elizabethan Lyrics, Op. 12 Three Songs of William Blake Op. 20 Go, lovely Rose, Op. 24 No. 3 (Edmund Wailer) Arab Love Song, Op. 25 No. 4 (Shelley) Music, when soft voices die, Op. 25 No. 5 (Shelley) In the Bud of the Morning-O Op. 25 No. 6 I Arise from Dreams of Thee, Op. 29 |
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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