Bruckner: Aequalis No. 2 for three trombones

“within seconds you are hooked...you are listening to a choir of humans who sing like angels...pitching in with total commitment at every possible dynamic level from fortissimo to the whisper of dulcet prayer...[the tenors] are remarkably healthy; while the basses have the kind of deep vigour mostly associated with Russian voices. What’s in Scotland’s water, vodka?” The Times, 25th March 2011

“These motet performances...are thrillingly homogenous, conveying well the unifying purpose of the works, but also the ecstatic quality that pervades the mighty Ecce sacerdos and the quiet affirmation of Locus iste.” The Scotsman, 5th April 2011

“Ferguson’s singers are beyond reproach; intonation is never less than perfect and the sound made at full stretch is glorious – higher lines piercingly clear thanks to the cathedral’s choristers singing the soprano parts. We also get the two Aequale for three trombones, played here with sombre magnificence. Brilliant.” The Arts Desk, 16th April 2011

“This performance is just superb. It's the kind of disc you want to turn up to full volume and lose yourself in, whether you're of a religious bent or not. Through their crisp, measured phrases, limpid textures, and their reverent but never syrupy tone, they've captured the simplicity and humility of both texts and music...This is a disc to be revisited and savoured again and again.” bbc.co.uk, 8th April 2011

“There's plenty of drive and commitment to this performance, which adds a sense of spiritual relevance beyond the solely musical...the overall effect is surprisingly uplifting thanks to the clarity and directness of the performance, helped by the cathedral's wonderful acoustic.” Classic FM Magazine, June 2011 ****

“this is Bruckner performed with no holds barred, but instead sung with passionate conviction and raw energy - there is nothing remotely polite about MacBruckner...you cannot but be aware of Bruckner's originality, and command of texture and sonority: can the art of modulation ever have been bettered? To hear this marvellous music given with such urgency and all-out commitment is a remarkable experience.” International Record Review, May 2011

“The Edinburgh singers perform with a robust though polished fervour. Alto, tenor and bass lines are beyond reproach, while the mixed-sex treble line copes admirably with exposed writing. The recorded sound is first-class, capturing both voices and instruments (including some excellent organ-playing) with an engaging immediacy.” Gramophone Magazine, July 2011

“The Edinburgh choristers (a mix of boy trebles and girls) are fearless in confronting Bruckner’s demands...This is an excellent disc. The performances are thrilling and intense and they are captured in an excellent recording that mixes spaciousness and clarity. The contributions of the uncredited organist (Nicholas Wearne?) and the RSAMD trombonists add a splendid sonority to some of the items.” MusicWeb International, 11th July 2011

“There’s not a dud moment here...Ferguson’s singers are beyond reproach; intonation is never less than perfect and the sound made at full stretch is glorious – higher lines piercingly clear thanks to the cathedral’s choristers singing the soprano parts” The Arts Desk, 15th April 2011

‘One of the most beautiful recordings of a choral masterpiece I have ever heard’ (The Sunday Times)

“Two trombone processionals and a suitably 'pious' Libera Me pave the way to an impeccably-groomed, powerfully realised account of the great wind-accompanied Mass.” BBC Music Magazine, July 2007 ****

“The choral works, in particular, were written more often than not for local church choirs or amateur choral societies - often of professional caliber, of course, but groups who were there not so much to make a beautiful sound as to cherish the meaning of the words through the music. This is precisely the quality that Robert Shewan and his singers have captured in this exceptionally generous program of sacred and secular choral works. Some of the tempos are quite slow, but so rich are the sounds, and so telling the choir's seeming joy in the words, that time seems suspended....This is a deeply moving release, and the sonic are really gorgeous” Fanfare

“The F minor Mass can certainly be regarded as being among the finest music Bruckner ever created.
The intensity of religious feeling is heightened rather than diminished by the sumptuous orchestral support, and the soaring melodies and opulent harmonies are somehow purified and enriched by the devotional character of these familiar texts. Matthew Best's performance, by understating the music's abundant richness, gives tremendous point to the inner conviction of Bruckner's faith. His orchestra, sounding as if it has been playing this music all its days, plays with commendable discretion, balancing admirably with a relatively small choral body. As with everything the Corydon Singers and Best turn their hands to, it's an impeccable performance, infused with real artistry and sensitive musicianship. Enhanced by the glorious solo voices from a high-powered team this is a CD of rare depth and conviction.” Gramophone Classical Music Guide, 2010