Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Early Recordings of Joan Sutherland
Bellini: | Son vergin vezzosa (from I Puritani) Recorded in Amsterdam on March 25th 1962 Omroeporkest and Koor, Fulvio Vernizzi Casta Diva (from Norma) Recorded in December 1959 Kölner Rundfunk-Sinfonieorchester des WDR, Alberto Erede | Donizetti: | Confusa è l'alma mia (from Emilia di Liverpool) Recorded in September 1957 Richard Bonynge (piano) Non intende il mio contento (from Emilia di Liverpool) Recorded in September 1957 Royal Liverpool Philharmonic Orchestra, John Pritchard Ancor non giunse! ... Regnava nel silenzio…Quando rapito in estasi (from Lucia di Lammermoor) Recorded in London on February 26th 1959 Margreta Elkins (Alisa) Orchestra of the Royal Opera House, Covent Garden, Tullio Serafin Il dolce suono mi colpì di sua voce! … Spargi d'amaro pianto (from Lucia di Lammermoor) Recorded in Amsterdam on March 25th 1962 Omroeporkest and Koor, Fulvio Vernizzi Spargi d'amaro pianto (from Lucia di Lammermoor) (encore) Omroeporkest and Koor, Fulvio Vernizzi Regnava nel silenzio...Quando rapito in estasi (from Lucia di Lammermoor) Recorded at the Royal Albert Hall on 13th August 1960 BBC Symphony Orchestra, Sir Malcolm Sargent | Handel: | Ah! Ruggiero (from Alcina) Ombre pallide (from Alcina) Recorded in Amsterdam on March 25th 1962 Omroeporkest and Koor, Fulvio Vernizzi Di, cor mio, quanto t'amai (from Alcina) Recorded at the Royal Albert Hall on 13th August 1960 BBC Symphony Orchestra, Sir Malcolm Sargent Tornami a vagheggiar (from Alcina) Recorded at the Royal Albert Hall on 13th August 1960 BBC Symphony Orchestra, Sir Malcolm Sargent | Haydn: | Pietà di me, benigni Dei, Hob.XXVb:5 Recorded at the BBC on 17th December 1956 April Cantelo (soprano), Raymond Nilsson (tenor) Goldsborough Orchestra, Sir Charles Mackerras Si ti perdo amata sposa, Hob.XXIVb: B1 Recorded at the BBC on 17th December 1956 Dennis Brain (horn) Goldsborough Orchestra, Sir Charles Mackerras | Mozart: | O zittre nicht (from Die Zauberflöte) Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Recorded in London in 1962 Orchestra of the Royal Opera House, Covent Garden, Otto Klemperer Exsultate, jubilate, K165 Recorded in December 1959 Kölner Rundfunk-Sinfonieorchester des WDR, Alberto Erede Martern aller Arten (from Die Entführung aus dem Serail) Recorded in December 1959 Kölner Rundfunk-Sinfonieorchester des WDR, Alberto Erede | Rossini: | La fioraia Fiorentina Recorded in September 1957 Richard Bonynge (piano) | Spohr: | Rose softly blooming (from Zemira and Aphor) Recorded in September 1957 Richard Bonynge (piano) | Verdi: | È strano! è strano!...Ah! fors è lui (from La traviata) Recorded in Amsterdam on March 25th 1962 Ettore Babini (Alfredo) Omroeporkest and Koor, Fulvio Vernizzi |
When Joan Sutherland died, many music critics commented on the quality of her voice in her early performances. The concert performances recorded here gave her the opportunity to deliver glorious singing without too many distractions. She was also able to collaborate with artists who she would not encounter in the opera house, such as Dennis Brain, heard here. | | | In stock - usually despatched within 1 working day. |
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| |  | La Maga AbbandonataFamous Handel Arias
and readings from Acqua alta by Donna Leon | | | In stock - usually despatched within 1 working day. |
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| |  | Karina Gauvin: Prima Donna
Karina Gauvin (soprano) Arion Baroque Orchestra, Alexander Weimann (director/harpsichord) • Canadian superstar soprano Karina Gauvin pays tribute to baroque diva Anna Maria Strada del Pò, singing rarities by Vinci, Vivaldi and some of the greatest Handel arie di bravura. Like Strada del Pò in her prime, Miss Gauvin sings this repertoire with powerful expression and brilliant technique, in particular, the trills for which Strada del Pò was renowned. More than thirteen opera roles were created by Handel for Strada del Pò (including Sosarme, Orlando, and Alcina). Strada del Pò’s talent and style may have influenced the composer’s work as much as he contributed to the vocal and dramatic development of the prima donna in the first decades of the 18th century. • Karina Gauvin has impressed audiences and critics the world over with her luscious timbre, profound musicality and wide vocal range. The Globe and Mail calls her “one of the dream sopranos of our time.” The Sunday Times in London also wrote: “Her glinting soprano, bright-edged yet deliciously rounded and sensual, is used with rare understanding for character... ” • Arion Baroque Orchestra, founded in 1981, is Quebec’s only early music orchestra performing on period instruments and is one of the most renowned early music ensembles in North America. Conductor Alexander Weimann has traveled the world as member of Tragicomedia, as guest of Freiburger Barockorchester, Gesualdo Consort, Tafelmusik, and as music director of Les Voix Baroques and Le Nouvel Opéra. As guest conductor, he has led the Portland Baroque Orchestra, Les Violons du Roy and the symphony orchestras in Halifax and Victoria. He is currently music director of the Pacific Baroque Orchestra in Victoria (B.C.). “Her warm-timbred voice, impeccable intonation, athletic technique and tautly controlled vibrato are virtues ideally suited to the exacting musical demands of Baroque opera. She is furthermore sensitive to textual nuance, bringing expressive subtlety to her chosen arias...The excellent Arion Orchestre Baroque offers sympathetic support throughout” BBC Music Magazine, February 2013 ***** | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Handel - Opera Arias
Handel: | Second Overture to Almira in G minor Vedrai s'a tuo dispetto (Almira Act III) Perché viva il caro sposo (from Rodrigo) Vo' far guerra (from Rinaldo) Overture to Silla Ah! spietato (from Amadigi di Gaula) Desterò dall'empia dite (from Amadigi di Gaula) V' adoro, pupille (from Giulio Cesare) Overture to Tamerlano Cor di padre (from Tamerlano) Ombre piante, urne funeste (from Rodelinda) Scipione Overture March (Scipione, Act I) Scoglio d'immota fronte (from Scipione) Overture to Alessandro Sinfonia Act 1 (Alessandro) Che vidi? Che mirai! (from Alessandro) No, più soffrir non voglio (from Alessandro) Placa l’alma (Alessandro) Solitudine amate (from Alessandro) Aure, fonti (from Alessandro) Pur troppo veggio (from Alessandro) Che tirannia d’amor! (from Alessandro) Svanisci oh reo timore (from Alessandro) Dica il falso (from Alessandro) Il ritratto d’Admeto (from Admeto) La sorte mia vacilla (from Admeto) Quest’è dunque la fede (from Admeto) Vedrò fra poco (Admeto, re di Tessaglia) Morte vieni (from Riccardo primo, re d’Inghilterra) A me nel mio rossore (from Riccardo Primo, re d’Inghilterra) Quando non vede (from Riccardo Primo) A costei, che dirò? (from Siroe, re di Persia) L’aura non sempre (from Siroe, re di Persia) Si diversi sembiante (from Siroe, re di Persia) Non vi piacque, ingiusti dei (from Siroe, re di Persia) E dove, e dove mai (Tolomeo, re di Egitto) Fonti amiche (from Tolomeo, re di Egitto) Ti pentirai, crudel (Tolomeo, re di Egitto) Overture to Lotario Scherza in mar (from Lotario) Io ti levo (Partenope Act I) Caro padre (from Ezio) Dite pace (from Sosarme) Vorrei, né pur saprei (from Sosarme) Atalanta: Overture Son qual stanco pellegrino (from Arianna in Creta) Ah! Ruggiero (from Alcina) Chi t'intende? (from Berenice) Overture to Deidamia M'ai resa infelice (from Deidamia) |
3 compact discs from CDA66860, CDA66950, CDA67128 “‘It is difficult to pick out a particular highlight, there are so many of them’ (Classic CD) ‘A splendidly enjoyable disc. Kirkby is in top-notch form’ (Hi-Fi News) ‘This CD is appealing on every plane. It’s certainly one of my discs for 1997’ (Gramophone) ‘Right on cue for the bull market in Handel operatic stock, The Rival Queens conquer all before them. A right royal feast!’ (Classic CD) ‘The voices contrast well, and their owners, as well as The Brandenburg Consort, perform this wonderful music with style and an intense sense of affection’ (BBC Music Magazine) ‘Immensely enjoyable’ (Goldberg) ‘A delight … this is singing of brilliance’ (Fanfare, USA) ‘Kirkby’s talent for matching brilliant coloratura with dramatic urgency remains unparalleled … a compelling interpretation of rarely heard masterpieces, this recording is the ideal present for anyone open to Handel’s dramatic compositions” International Record Review | | | In stock - usually despatched within 1 working day. |
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