Handel: Dite pace (from Sosarme)

This page lists all recordings of Dite pace (from Sosarme), by George Frideric Handel (1685-1759) on CD & download (MP3 & FLAC).

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Karina Gauvin: Prima Donna

Karina Gauvin: Prima Donna


Handel:

Scherza in mar (from Lotario)

Non potra (from Orlando)

Verdi piante, erbette liete (from Orlando)

Concerto Grosso Op. 3 No. 1 in B flat major, HWV312: Adagio

Dite pace (from Sosarme)

Overture to Lotario

Ah! Ruggiero (from Alcina)

Ombre pallide (from Alcina)

Si, son quella (from Alcina)

Concerto grosso, Op. 6 No. 8 in C minor, HWV326: Adagio

Ah! mio cor! (from Alcina)

Care selve (from Atalanta)

Da te parto (from Flavio)

Vinci, Leonardo:

Tortorella se rimira (from Astianatte)

Vivaldi:

Addio caro (from La verità in cimento)


Karina Gauvin (soprano)

Arion Baroque Orchestra, Alexander Weimann (director/harpsichord)

• Canadian superstar soprano Karina Gauvin pays tribute to baroque diva Anna Maria Strada del Pò, singing rarities by Vinci, Vivaldi and some of the greatest Handel arie di bravura. Like Strada del Pò in her prime, Miss Gauvin sings this repertoire with powerful expression and brilliant technique, in particular, the trills for which Strada del Pò was renowned. More than thirteen opera roles were created by Handel for Strada del Pò (including Sosarme, Orlando, and Alcina). Strada del Pò’s talent and style may have influenced the composer’s work as much as he contributed to the vocal and dramatic development of the prima donna in the first decades of the 18th century.

• Karina Gauvin has impressed audiences and critics the world over with her luscious timbre, profound musicality and wide vocal range. The Globe and Mail calls her “one of the dream sopranos of our time.” The Sunday Times in London also wrote: “Her glinting soprano, bright-edged yet deliciously rounded and sensual, is used with rare understanding for character... ”

• Arion Baroque Orchestra, founded in 1981, is Quebec’s only early music orchestra performing on period instruments and is one of the most renowned early music ensembles in North America. Conductor Alexander Weimann has traveled the world as member of Tragicomedia, as guest of Freiburger Barockorchester, Gesualdo Consort, Tafelmusik, and as music director of Les Voix Baroques and Le Nouvel Opéra. As guest conductor, he has led the Portland Baroque Orchestra, Les Violons du Roy and the symphony orchestras in Halifax and Victoria. He is currently music director of the Pacific Baroque Orchestra in Victoria (B.C.).

“Her warm-timbred voice, impeccable intonation, athletic technique and tautly controlled vibrato are virtues ideally suited to the exacting musical demands of Baroque opera. She is furthermore sensitive to textual nuance, bringing expressive subtlety to her chosen arias...The excellent Arion Orchestre Baroque offers sympathetic support throughout” BBC Music Magazine, February 2013 *****

Atma - ACD22648

(CD)

$17.25

(also available to download from $10.50)

Usually despatched in 2 - 3 working days. (Available now to download.)

Handel - Opera Arias

Handel - Opera Arias


Handel:

Second Overture to Almira in G minor

Vedrai s'a tuo dispetto (Almira Act III)

Perché viva il caro sposo (from Rodrigo)

Vo' far guerra (from Rinaldo)

Overture to Silla

Ah! spietato (from Amadigi di Gaula)

Desterò dall'empia dite (from Amadigi di Gaula)

V' adoro, pupille (from Giulio Cesare)

Overture to Tamerlano

Cor di padre (from Tamerlano)

Ombre piante, urne funeste (from Rodelinda)

Scipione Overture

March (Scipione, Act I)

Scoglio d'immota fronte (from Scipione)

Overture to Alessandro

Sinfonia Act 1 (Alessandro)

Che vidi? Che mirai! (from Alessandro)

No, più soffrir non voglio (from Alessandro)

Placa l’alma (Alessandro)

Solitudine amate (from Alessandro)

Aure, fonti (from Alessandro)

Pur troppo veggio (from Alessandro)

Che tirannia d’amor! (from Alessandro)

Svanisci oh reo timore (from Alessandro)

Dica il falso (from Alessandro)

Il ritratto d’Admeto (from Admeto)

La sorte mia vacilla (from Admeto)

Quest’è dunque la fede (from Admeto)

Vedrò fra poco (Admeto, re di Tessaglia)

Morte vieni (from Riccardo primo, re d’Inghilterra)

A me nel mio rossore (from Riccardo Primo, re d’Inghilterra)

Quando non vede (from Riccardo Primo)

A costei, che dirò? (from Siroe, re di Persia)

L’aura non sempre (from Siroe, re di Persia)

Si diversi sembiante (from Siroe, re di Persia)

Non vi piacque, ingiusti dei (from Siroe, re di Persia)

E dove, e dove mai (Tolomeo, re di Egitto)

Fonti amiche (from Tolomeo, re di Egitto)

Ti pentirai, crudel (Tolomeo, re di Egitto)

Overture to Lotario

Scherza in mar (from Lotario)

Io ti levo (Partenope Act I)

Caro padre (from Ezio)

Dite pace (from Sosarme)

Vorrei, né pur saprei (from Sosarme)

Atalanta: Overture

Son qual stanco pellegrino (from Arianna in Creta)

Ah! Ruggiero (from Alcina)

Chi t'intende? (from Berenice)

Overture to Deidamia

M'ai resa infelice (from Deidamia)


3 compact discs from CDA66860, CDA66950, CDA67128

“‘It is difficult to pick out a particular highlight, there are so many of them’ (Classic CD) ‘A splendidly enjoyable disc. Kirkby is in top-notch form’ (Hi-Fi News) ‘This CD is appealing on every plane. It’s certainly one of my discs for 1997’ (Gramophone) ‘Right on cue for the bull market in Handel operatic stock, The Rival Queens conquer all before them. A right royal feast!’ (Classic CD) ‘The voices contrast well, and their owners, as well as The Brandenburg Consort, perform this wonderful music with style and an intense sense of affection’ (BBC Music Magazine) ‘Immensely enjoyable’ (Goldberg) ‘A delight … this is singing of brilliance’ (Fanfare, USA) ‘Kirkby’s talent for matching brilliant coloratura with dramatic urgency remains unparalleled … a compelling interpretation of rarely heard masterpieces, this recording is the ideal present for anyone open to Handel’s dramatic compositions” International Record Review

Hyperion - CDS44271/3

(CD - 3 discs)

$20.50

In stock - usually despatched within 1 working day.

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