Gibbons, O: Hosanna to the son of David - CD

This page lists all recordings of Hosanna to the son of David, by Orlando Gibbons (1583-1625) on CD. Generally, more recent releases are listed first, but with priority given to those that are in stock.

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Passion & Resurrection

Passion & Resurrection

Music inspired by Holy Week


Byrd:

In resurrectione tua

Cornyshe:

Woefully arrayed

Crecquillon:

Congratulamini mihi

Gibbons, O:

Hosanna to the son of David

I am the Resurrection

Guerrero, Francisco:

Maria Magdalene

Lasso:

In monte Oliveti

Lhéritier:

Surrexit pastor bonus

McCabe, J:

Woefully arrayed

Morales, C:

O Crux, ave

Tallis:

O sacrum convivium

Taverner:

Dum transisset Sabbatum I

Victoria:

O vos omnes


Texts inspired by the dramatic events of Holy Week and Easter, set to music by some of the greatest Renaissance composers are the basis of this new hybrid SACD from Stile Antico. Included are two settings of the poem 'Woefully arrayed': the first by William Cornysh, the second composed for Stile Antico in 2009 by John McCabe (b. 1939). This is its first recording and Stile's first foray into contemporary music.

Stile Antico is the benchmark ensemble of young British singers, working without a director and conducting much of their own artistic research for their programmes and concise, yet entertaining booklet notes. Much in demand in concert, the group performs regularly throughout Europe and North America. Their recordings on harmonia mundi have enjoyed great success, winning awards, including the 2009 Early Music Gramophone Award for Song of Songs.

Their performances have repeatedly been praised for their vitality and commitment, expressive lucidity and imaginative response to text. Stile Antico’s recent engagements include débuts at the BBC Proms, London’s Wigmore and Cadogan Halls, the Amsterdam Concertgebouw, early music festivals in Boston, Bruges, Barcelona and Utrecht, and at the Cervantino Festival in Mexico. The group has toured extensively with Sting, appearing across Europe, Australia and the Far East as part of his Dowland project 'Songs from the Labyrinth', and is regularly invited to lead courses at Dartington International Summer School.

“The performances are second to none, rivetingly presented with all the skill of master musicians who have been doing this for years—the miracle is that they are all young, and yet still are able to penetrate the essence of these wonderful works. Need I say more?” Audiophile Audition, 31st October 2012 *****

“The run-up to Christmas seems hardly the most propitious time to release an Easter-themed anthology of choral music, but regardless, Passion & Resurrection is to be welcomed both for its skilled execution, and for clever programming” The Independent, 3rd November 2012 ****

“Beautifully presented as always...Is the perfectly blended Stile Antico sound too uniform for all this varied music? The clarity of Taverner's Dum transisset is lovely, but Tomás Luis de Victoria's O vos omnes lacks some Spanish passion.” The Observer, 4th November 2012

“The McCabe piece...is beautifully tailored to the 12 voices of the choir. Although fiendishly difficult to perform, they manage it with superb poise and great dynamic sensitivity and projection. Clearly this is a group that can sing in tune, mantain its balance and enunciate words clearly.” BBC Music Magazine, Christmas 2012 ****

“Stile Antico are probably at their best when the music invites them to sing out. The preference for a choral over a chamber music sound is clearly deliberate (as is the slow tempo adopted for the more solemn English pieces).” Gramophone Magazine, Janauary 2013

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England My England

England My England


Bairstow:

Psalm 67: God be merciful unto us, and bless us

Bourgeois, T-L:

All people that on earth do dwell

arr. Vaughan William

The Wallace Collection

Britten:

Jubilate Deo in C major (1961)

Byrd:

Ave verum Corpus

Lustorum Animae

Delius:

To be sung of a summer night on the water, No. 1

Elgar:

Lux aeterna

arr. John Cameron

Gardiner, H B:

Evening Hymn (Te lucis ante terminum)

Gibbons, O:

Hosanna to the son of David

Drop, drop, slow tears

Goodenough, R P:

Psalm 150: O praise God in his holiness

Goss, J:

Praise my soul, the King of Heaven

descant Cleobury

Psalm 23: The Lord is my shepherd

Handel:

Coronation Anthem No. 1, HWV258 'Zadok the Priest'

Academy of Ancient Music

Messiah: Hallelujah Chorus

Academy of St Martin-in-the-Fields

Harris, W:

Faire is the Heaven

Holst:

I Vow to Thee, My Country

Ireland:

Greater love hath no man

Michael Pearce (treble) & Paul Robinson (bass)

Miller, E:

When I survey the wondrous Cross

arr Rutter

Monk, W H:

Abide with me

Parry:

Jerusalem

Psalm 84: O how amiable are thy dwellings

Dear Lord and Father of Mankind (Repton)

Thomas Bullard (baritone)

I was glad

Parsons, R:

Ave Maria

Purcell:

Come ye sons of art (Ode for Queen Mary's birthday, 1694), Z 323

David Hansen (alto)

Academy of Ancient Music

Thou know'st, Lord, Z 58c

David Blackadder, Phillip Bainbridge, Susan Addison & Stephen Saunders (flatt trumpets)

Rutter:

Pie Jesu (from Requiem)

Edward Saklatvala (treble)

City of London Sinfonia

Requiem - Requiem aeterna

City of London Sinfonia

Scholefield:

The Day Thou gavest, Lord, is ended (St Clement)

arr Rutter

Stanford:

Beati quorum via, Op. 38 No. 3

Evening Service in G, Op. 81: Magnificat

Alastair Hussain (treble)

Tallis:

Spem in alium for eight five-part choirs '40-part Motet'

O nata lux de lumine 5vv

If ye love me

Tavener:

Song for Athene

Vaughan Williams:

Come down, O Love divine (Down Ampney)

Let all the world in every corner sing

English Chamber Orchestra

Mass in G minor – Kyrie

John Eaton (treble), Nigel Perrin (alto), Robin Doveton (tenor) & David van Asch (bass)

Weelkes:

When David Heard


Thomas Williamson, Peter Stevens, Oliver Brett, James Lancelot, Benjamin Bayl, James Vivian, Tom Winpenny, Christopher Hughes (organ scholars)

Choir of King’s College, Cambridge, Cambridge University Musical Society Chorus, New Philharmonia Orchestra & Band of the Royal Military School of Music, Kneller Hall, Stephen Cleobury, Sir Philip Ledger & Sir David Willcocks

There is surely no more quintessentially English sound than that of the Choir of King’s College, Cambridge, its unaccompanied voices – evocative of immemorial sandstone, of cool cloisters, of evensong in church, chapel and cathedral – serene in the music of Shakespeare’s contemporaries Byrd and Gibbons, ethereal in Delius heard of a summer’s night across the Backs of the River Cam.

No less iconic is the chapel that lends its unique acoustic to that sound. One of the glories of the English perpendicular style of architecture, it was eventually completed in 1547, a little over a century after the founding of the college itself by Henry VI.

This collection opens and closes with coronation music: Zadok the Priest was written for the crowning of George II in 1727, I was glad for that of Edward VII in 1902. Both were so successful that they have been sung at every coronation since their premières. Parry’s ‘processional anthem’ is heard here in its full panoply of extra brass and shouted Vivats, the choir of King’s choir providing the semi-chorus in the exquisite interlude ‘O pray for the peace of Jerusalem’.

In between are motets ancient and modern – from the miniature If ye love me and the architectural splendour of the 40-part Spem in alium to William Harris’s dramatic double-choir Spenser setting Faire is the Heaven; well-known psalms sung to Anglican chant; and favourite hymns, notably All people that on earth do dwell, arranged ceremonially for another coronation, that of Elizabeth II.

As well as national rejoicing there is solemn remembrance. Come ye sons of art away is Purcell’s 1694 birthday ode for Queen Mary, Thou knowest, Lord part of the music he wrote for her funeral just nine months later. John Ireland’s Greater love hath no man is often heard on Remembrance Sunday; Sir John Tavener’s Song for Athene made a powerful impression at the funeral of Diana, Princess of Wales; while John Rutter’s small-scale, personal Requiem touched a wider public following the attacks of 11 September 2001. But ‘Nimrod’ above all epitomises music of national remembrance. Here a choral setting of it, Lux aeterna, represents our ‘Shakespeare of music’, Edward Elgar.

“This anthology… is undeniably useful in gathering to one place these scattered gems of excellence, the more so the King's College performances guarantee a consistently high level of interpretation in repertoire they would regard as home territory.” BBC Music Magazine, November 2009 ****

Warner Classics - 2289440

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A Celtic Christmas

A Celtic Christmas


Arlen:

Over the Rainbow

arr. P. Dyer, T. Andersson and A. Chance

Berlin, I:

White Christmas

arr. J. Rathbone

Farrant, R:

Lord, for thy tender mercy's sake

Gibbons, O:

Hosanna to the son of David

Gruber, F:

Stille Nacht

Javits:

Santa Baby

arr. M. Thomas

Løvland:

Raise Your Voices

Matteis the Elder:

Ciaccona

Ground after the Scotch Humour

trad.:

When She Came Ben She Bobed

Gilliam Callum

Wexford Carol

Suo gan

Is Fada Liom Uaim Í

arr. C. Leonard

Tomorrow Shall be my Dancing Day

arr. Holst

A New Tune

Wade, J F:

O come, all ye faithful

arr. David Willcocks

Wesley, S S:

O Thou who camest from above (Hereford)

arr. A. Chance


Australian Brandenburg Orchestra & Choir, Paul Dyer

The Australian Brandenburg Orchestra, the period instrument band from down-under, shot to international attention with the acclaimed release in early 2010 of their recording of Handel Concerti Grossi Op.6 (4763436), a release widely praised for its musicality, energy and imagination, traits clearly evident in their new release – A Celtic Christmas.

The Australian Brandenburg Orchestra Christmas concerts are almost as traditional as mince pies at Christmas having entertained audiences across Australia for over 15 years. Each year Paul Dyer programmes the concerts with imagination in abundance, seamlessly blending ancient with the modern. A Celtic Christmas draws on stunningly beautiful hymns of the 16th century, a Welsh lullaby, traditional Irish and Scottish melodies, a sprinkling of favourites – Silent Night and O Come, All ye Faithful – a homegrown arrangement of Over The Rainbow concluding with an epic offering by Eurovision winners, Secret Garden, Raise your Voices.

In Artistic Director Paul Dyer’s own words; ‘Planning our Christmas concerts is like pouring my soul into making a mixed tape for someone special and then staging it. I source the most beautiful, joyous and uplifting music I can find from the Renaissance right through to recent times - and then put the Brandenburg stamp on it.”

The Brandenburg Orchestra are in good voice on this recording, their versatility heard in the playing of some Shetland fiddle tunes and a Ciaccona by the 18th century Neapolitan violinist Nicola Matteis.

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Gibbons: Phantasm

Gibbons: Phantasm

Consorts for Viols


Gibbons, O:

Fantasia a 4 for the viols

Fantasias (6) a 6, MB31-36

Fantasia MB7

Fantasia MB8

Fantasia MB9

Fantasia MB10

Mask Welcome home MB42

Go from my window

Hosanna to the son of David

In Nomine a 5 No. 1 in D minor

In Nomine a 5 No. 2 in G minor

Pavan Lord Salisbury MB18

O Lord, in thy wrath rebuke me not

Mask Nann’s mask or French Alman MB41

Ground Peascod time, or,The hunt’s up MB30

The Silver Swan


Susanna Pell (tenor viol), Asako Morikawa (bass viol)

Phantasm

Phantasm plays "like angels singing". This was the verdict of BBC World Affairs correspondent John Simpson who presented Phantasm with a 2004 Gramophone Award for its recording of Viol Consorts by Orlando Gibbons.

Originally released on Avie, 'Gibbons: Consorts for viols' has been re-issued as part of Linn's ECHO series which offers a second chance to enjoy the best recordings from Linn artists.

With this unique collection juxtaposing Anthems and Madrigals with Fantasies and Dances, Phantasm are firmly in their element of the 16th century English consort tradition, infusing Gibbons' passionate polyphony and rapturous harmonies with a suaveness unmatched by any other viol ensemble performing today.

Phantasm has re-defined the art of viol playing. Inspired by the great 20th century string quartets, the striking unity and suave sonorities are unmatched by any other viol ensemble playing today.

Phantasm has been widely acclaimed for its previous recordings with Linn - its 2011 recording of William Byrd was named 'Disc of the Month' by BBC Music and its 2009 Linn debut of music by John Ward was described as 'stunning' by Gramophone. The award-winning ensemble has been applauded across the globe for its moving performances and is recognised as the most exciting viol consort active on the world scene today.

Critics have described their performances and recordings as 'intoxicating', 'revelatory', 'electrifying', 'interpretations pervaded by a truly burning spirit'..

The quartet’s international members (from Britain, Finland and the US) are based in Oxford and have toured extensively throughout Europe, North America, and East Asia. They are joined by Asako Morikawa and Susanna Pell for this performance.

GGramophone Awards 2004

Winner - Early Music

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Linn ECHO - BKD486

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Gibbons: Tudor Church Music

Gibbons: Tudor Church Music


Gibbons, O:

This is the Record of John

Hosanna to the son of David

Veni Creator

Almighty and everlasting God

O Lord, in thy wrath rebuke me not

Hosanna to the son of David

O Lord increase my faith

O clap your hands

God is gone up

Magnificat & Nunc Dimittis (Short Service)

Preces and Responses


King’s College Cambridge, Sir David Willcocks

The world renowned choir of King’s College Cambridge and their iconic director, Sir David Willcocks, give performances of the church music of Orlando Gibbons, a composer who had close associations with the Cambridge college. Included are the famous anthems ‘This is the record of John’ and ‘Hosanna to the son of David’.

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Tudor Anthems & Motets

Tudor Anthems & Motets


Byrd:

Haec dies a 6 (Cantiones Sacrae 1591)

Ave verum Corpus

O Lux beata Trinitas

Miserere mei

O God give ear and do apply

Sing joyfully

Dering:

Factum est silentium

Farrant, R:

Call to remembrance, O Lord

Lord, for thy tender mercy's sake

Gibbons, O:

Hosanna to the son of David

O Lord, in thy wrath rebuke me not

Mudd:

Let thy merciful ears, O Lord

Parsons, R:

Ave Maria

Philips, P:

Ascendit Deus

Sheppard, J:

Libera Nos

Tallis:

Salvator mundi

If ye love me

Tomkins:

When David Heard

Weelkes:

O Lord Arise

Hosanna to the Son of David

White, Robert:

The Lord Bless Us


The Choir of Clare College, Cambridge, directed by Timothy Brown perform Tudor Anthems and Motets by an array of sixteenth century composers including the ever popular Byrd and Tallis and the less familiar figures of Dering, Philips, Mudd and Farrant. Clare College Choir is one of the UK’s finest mixed choirs.

“Clear trebles in Tallis's Salvator, alive rhythms in Philips's Ascendit” BBC Music Magazine, September 2011 ***

Heritage - HTGCD216

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Music from the reign of King James I

Music from the reign of King James I


Gibbons, O:

Great King of Gods

O all true faithful hearts

Fancy in C fa ut

Robert Quinney (organ)

Fancy in Gamutt flatt

Robert Quinney (organ)

See, see, the Word is incarnate

Fantasia of four parts

Robert Quinney (organ)

Hosanna to the son of David

O Lord, in thy wrath rebuke me not

Almighty and everlasting God

Preludium

Robert Quinney (organ)

O clap your hands

Hooper, E:

Great Service

Ramsey, R:

How are the mighty fallen

Tomkins:

Be strong and of a good courage

O sing unto the Lord a new song

When David Heard

Then David mourned


Westminster Abbey has been the focus of British royal occasions for centuries, and the early seventeenth century saw the most dazzling musicians of the age writing music for the Court in all its various incarnations. This fascinating disc presents a selection of works from the reign of King James I.

The most celebrated name on this disc is that of Orlando Gibbons, and some of his most masterly works are presented here including the gloriously contrapuntal O clap your hands and the startlingly original verse anthem See, see, the Word is incarnate, setting an extraordinary text which covers the whole of the liturgical year.

The most eloquent and emotionally intense music recorded here was most likely never intended for performance in the Abbey, or any other church, but has a particularly Royal relevance. The laments of King David were set by many composers of this period. These moving texts have no place in the liturgy, being neither part of the Ordinary of Psalms and canticles, nor able to furnish a seasonally appropriate or devotional anthem. Their composition seems therefore to have been a response to the death in November 1612 of the Prince of Wales, Prince Henry. These are courtly laments, in which the composers give voice – and perhaps vied to give voice most eloquently – to the grief of the King (in the settings of David’s lament for his son Absalom) and Prince Charles (in the ‘Jonathan’ pieces, in which the king describes his friend as ‘my brother’). Included is the best known of all the ‘Absalom’ pieces, Tomkins’s When David heard, together with his equally moving ‘Jonathan’ setting, Then David mourned.

“Where words and music most happily merge - for instance in Gibbons's Hosanna to the Son of David - the director and his vocalists exude confidence, animating melodic lines gracefully to reach a satisfying climax. In the largely contrapuntal O clap your hands, O'Donnell's deft handling of voices brings a lovely delicacy to the texture.” BBC Music Magazine, March 2011 ***

“The hero of the disc is...the Abbey's sub-organist Robert Quinney...Stylish, tastefully registered and crisply delivered [the four Gibbons organ pieces] are in their way true gems...many choirs would envy the tight ensemble, impeccable intonation and crystal-clear diction, not to mention the unfailingly excellent solo voices drawn from the ranks of the choir” International Record Review, March 2011

“The laments by Tomkins and Ramsey, and Gibbons's "O Lord, in thy wrath", all sung unaccompanied, are moving in their intensity...this recording should be snapped up by all lovers of the period.” Gramophone Magazine, April 2011

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More Choral Favourites from King’s

More Choral Favourites from King’s


Bach, J S:

Magnificat in D major, BWV243: Magnificat anima mea Dominum

Brahms:

How lovely are Thy dwellings

Britten:

A Ceremony of Carols, Op. 28: Balulalow

Byrd:

O Lord, make thy servant Elizabeth

Fauré:

Messe basse : Benedictus

Requiem: In Paradisum

Gardiner, H B:

Evening Hymn (Te lucis ante terminum)

Garrett:

Psalm 137: By the waters of Babylon

Gibbons, O:

Hosanna to the son of David

Gorecki:

Totus Tuus, Op. 60

opening

Goss, J:

Psalm 23: The Lord is my shepherd

Parry:

Dear Lord and Father of Mankind (Repton)

Poston:

Jesus Christ the Apple Tree

Purcell:

Remember not, O Lord, our offences, Z50

Rachmaninov:

Vespers, Op. 37: Blazhen muzh

Rutter:

Pie Jesu (from Requiem)

Scholefield:

The Day Thou gavest, Lord, is ended (St Clement)

Stanford:

Evening Service in G, Op. 81: Magnificat

Coelos Ascendit Hodie, Op. 38 No. 2

Stravinsky:

Ave Maria

Tallis:

O nata lux de lumine 5vv

trad.:

This joyful Eastertide

arr. Charles Wood

Vaughan Williams:

Mass in G minor: Gloria

Come down, O Love divine (Down Ampney)


Warner Classics - Classics for Pleasure - 9689572

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Gibbons - Anthems and Verse Anthems

Gibbons - Anthems and Verse Anthems


Gibbons, O:

Hosanna to the son of David

Sing unto the Lord

This is the record of John

Sarah Baldock (organ)

If ye be risen again with Christ

O Lord, in thy wrath rebuke me not

Second Evening Service

Behold, thou hast made my days

Sarah Baldock (organ)

O God the King of Glory

Glorious and powerful God

Fantasia in A minor MB XX/12

O clap your hands

Thou God of wisdom

Blessed are all they that fear the Lord

Great King of Gods


Robin Blaze (countertenor) & Stephen Varcoe (baritone)

Winchester Cathedral Choir, David Hill (Director of Music)

‘The choral sound is exemplary—clean, but edged with an appealing English softness … a glorious sound’ (BBC Music Magazine)

“Hill breathes new life into Gibbons's union of musical and spoken rhetoric, using tempo and dynamics to set up conflicts between vocal lines. Perfectly complemented by Robin Blaze.” BBC Music Magazine, August 2007 ***

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Gibbons: Church Music

Gibbons: Church Music


Gibbons, O:

The First Song of Moses - Song 1 from George Wither's Hymnes and Songs of the Church (1623)

Second Preces and Responses

Te Deum & Jubilate Deo (Second Service, morning)

This is the Record of John

See, see, the Word is incarnate

Glorious and powerful God

Magnificat & Nunc Dimittis (Short Service)

Almighty and everlasting God

O Lord, in thy wrath rebuke me not

Hosanna to the son of David

O Lord increase my faith

O clap your hands

God is gone up


“The artistry of the performers perfectly matches Gibbons's demands in this Critics' Choice disc. Limpid clarity, sensitivity to text and earnest delivery reveal the subtleties of the composer's writing.” BBC Music Magazine, April 2007 ****

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Decca Critics' Choice - 4758184

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