This page lists all recordings of Vier Lieder Op. 27, by Richard Strauss (1864-1949) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Daniel Behle sings Richard Strauss Lieder
Strauss, R: | Ständchen, Op. 17 No. 2 Herr Lenz Op. 37 No. 5 Ich liebe dich Op. 37 No. 2 Freundliche Vision, Op. 48 No. 1 Vier Lieder Op. 27 Zueignung, Op. 10 No. 1 Nichts, Op. 10 No. 2 Die Nacht, Op. 10 No. 3 Die Georgine Op. 10 No. 4 Geduld Op. 10 No. 5 Die Verschwiegenen, Op. 10 No. 6 Die Zeitlose, Op. 10 No. 7 Allerseelen, Op. 10 No. 8 Sechs Lieder aus Lotusblättern, Op. 19 Befreit, Op. 39 No. 4 |
With many acclaimed and award-winning recordings under his belt and continuous opera and concert engagements, Daniel Behle’s career is definitely rocketing. His previous recordings have been well received with MusicWeb awarding his Die Schöne Müllerin CD on Capriccio (C5044) Recording of the Month. The critic said “Daniel Behle has presented himself as a significant interpreter of Lieder”, so Capriccio is delighted to present a selection of songs by Richard Strauss. Daniel Behle said of his latest recording: “I am a lyrical Tenor and as such, one just gets introduced to the Schöne Müllerin, later to the Dichterliebe and eventually to the Winterreise (although I allow myself more time for that one) in the course of one's studies. At the moment I am quite happy to have opened another page besides the lightly lyrical: to dip into the late romantic era and to discover the outgoing, active and hands-on aspects of the period.” “Soft, inward rapture for 'Ständchen' is Behle's excellent starting point...An easy confidentiality never allows over-inflection here...Whether or not the studio tells the truth, Behle is also able to bring a heroic sheen to the refulgent climaxes...which makes comparison with Jonas Kaufmann not inappropriate; but in any case this is a tenor with a candid, easy approach all his own.” BBC Music Magazine, July 2012 **** “This thrilling Strauss album makes me want to hear this young German tenor in everything he sings. His light lyric timbre is reminiscent, in its ascents to the stratosphere, of earlier German-speaking tenors (Tauber and Dermota spring to mind). He crowns Cäcilie with a stunning top B...breathtaking work from both singer and pianist.” Sunday Times, 6th May 2012 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Strauss: 20 Lieder
Strauss, R: | Zueignung, Op. 10 No. 1 Die Nacht, Op. 10 No. 3 Die Zeitlose, Op. 10 No. 7 Allerseelen, Op. 10 No. 8 Heimkehr, Op. 15 No. 5 Ständchen, Op. 17 No. 2 All mein Gedanken ... Op. 21 No. 1 Du meines Herzens Krönelein, Op. 21 No. 2 Vier Lieder Op. 27 Traum durch die Dämmerung, Op. 29 No. 1 Schlagende Herzen Op. 29 No. 2 Nachtgang Op. 29 No. 3 Wiegenlied, Op. 41 No. 1 In goldener Fülle Op. 49 No. 2 Mit deinen blauen Augen, Op. 56 No. 4 Die heiligen drei Könige aus Morgenland Op. 56 No. 6 Schlechtes Wetter, Op. 69 No. 5 |
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| |  | Johan Reuter - Lieder
Johan Reuter (baritone) & Tove Lønskov (piano) Following his critically acclaimed debut album Rare Verdi, MSM releases Grammy Award nominee Johan Reuter’s second recording. Focusing on lieder by Richard Strauss, the composer whose operas Johan Reuter will soon be making his mark on the world’s most prestigious stages including London (Elektra & Salome), Berlin (Frau ohne Schatten), Vienna (Arabella) and Salzburg (Frau ohne Schatten). The album also explores Mr Reuter’s roots by including the works of two prolific Danish composers, both contemporaries of Strauss – Carl Nielsen and Hakon Börresen. “The excellent, lithe Danish baritone Johan Reuter” Evening Standard “A winner from the new small label Michael Storrs Music” The Times “He brings each track alive with astonishing vividness” Classic FM Magazine | | | Usually despatched in 4 - 5 working days. |
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| | | |  | Richard Strauss: Lieder
Roberta Alexander (Soprano), Tan Crone (Piano) | | | Usually despatched in 2 - 3 working days. |
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| |  | Edda Moser: Complete Lieder & Arias
Beethoven: | Abscheulicher! Wo eilst du hin? (from Fidelio) | Brahms: | Es träumte mir (No. 3 from Acht Lieder und Gesänge, Op. 57) Die Mainacht, Op. 43 No. 2 Ständchen, Op. 106 No. 1 Von ewiger Liebe, Op. 43 No. 1 | Gluck: | Divinités du Styx (from Alceste) | Handel: | Ah crudel! (from Rinaldo) | Mozart: | Ecco il punto...Non più di fiori vaghe catene (from La clemenza di Tito) O zittre nicht (from Die Zauberflöte) Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Martern aller Arten (from Die Entführung aus dem Serail) Non mi dir (from Don Giovanni) Tutte nel cor vi sento (from Idomeneo) Popoli di Tessaglia! - Io non chiedo, eterni Dei, K316 Ma che vi fece, o stelle...Sperai vicino il lido, K368 Agnus Dei (from Coronation Mass) Vesperae Solennes de Confessore, K339: Laudate Dominum | Pfitzner: | An die Mark, Op. 15, No. 3 Venus Mater, Op. 11 No. 4 Verrat 'Die Wasserlilie kirchert leis' ', Op. 2 No. 7 Unter den Linden, Op. 24 No. 1 Ich und du, Op. 11 No. 1 Sonst, Op. 15, No. 4 | Schumann: | Frauenliebe und -leben, Op. 42 Spanische Liebeslieder Op. 138 (selection) Spanisches Liederspiel, Op. 74 Sologesänge aus Friedrich Rückerts Minnespiel, Op. 101 | Strauss, R: | Brentano Lieder Op. 68, Nos. 1-6 Die Nacht, Op. 10 No. 3 Vier Lieder Op. 27 Es gibt ein Reich (from Ariadne auf Naxos) | Wagner: | Dich, teure Halle (from Tannhauser) | Weber: | Ozean, du Ungeheuer (from Oberon) | Wolf, H: | Mignon I 'Heiß mich nicht reden' (No. 5 from Goethe-Lieder) Mignon II 'Nur wer die Sehnsucht kennt' (No. 6 from Goethe-Lieder) Mignon III 'So lasst mich scheinen' (No. 7 from Goethe-Lieder) Mignon IV 'Kennst du das Land' (No. 9 from Goethe-Lieder) |
Edda Moser and EMI-Electrola – a special chapter in the history of recorded music.Two passions mark this longstanding cooperation: a love of opera – especially of Mozart–, and of the intimate art of Lieder singing. Talking to Thomas Voigt and Holger Wemhoff, Edda Moser recalls these “moments of musical bliss” in the recording studio and on the stage. With the two interviews, Edda Moser’s tribute to Mozart and the CD premières of five Lieder albums plus her aria recital, this edition paints a many-faceted and personal portrait of the great soprano. | 
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