Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Elisabeth Schwarzkopf - Early Song Recordings for German Radio
anon.: | Volkslied aus dem Berner Oberland O du liebs Aengeli Die Beruhigte (Bayerisches Volkslied) Z'lauterbach Han | Beethoven: | Das Geheimnis, WoO 145 | Brahms: | Da unten im Tale (No. 6 from Deutsche Volkslieder, WoO 33) | Busoni: | Unter den Linden, Op. 18 No. 2 | Cornelius: | Heimatgedenken, Op. 16 No. 1 Die Duftigen Graese, Op. 16 No. 4 with Josef Greindl (bass) | Humperdinck: | Winterlied, EHWV 90 | Loewe, C: | Vogelsang, Op. 9 No. 3 Abendstunde, Op. 130 No. 3 Fruehlingsankunft, Op. 130, 5 Der Spaziergang, Op. 9 No. 4 Die Verliebte Schaeferin, Op. 9 No. 3 Die Sylphide, Op. 9 No. 2 Zeislein, Op. 62 No. 1 Irrlichter, Op. 62 No. 6 O süße Mutter, Op. 62 No. 3 Kind und Mädchen, Op. 62 No. 2 Die Blume der Eingebung, Op. 63 No. 6 Das Glockenspiel mit der Phantasie Frühling, Op. 107 No. 3 | Mozart: | Die Verschweigung, K518 Oiseaux, si tous les ans, K307 | Rameau: | Hyppolyte et Aricie: Rossignols amoureux | Reger: | Ich glaub, Op. 18 No. 2 Viola d'amour, Op. 55 Waldseligkeit, Op. 62 No. 2 Die Verschmähte, Op. 70 No. 8 Wiegenlied, Op. 79d, 1 | Rossini: | Soirées musicales: La Danza | Schumann: | Volksliedchen, Op. 51 No. 2 | Strauss, J, II: | Geschichten aus dem Wienerwald, Op. 325 | Strauss, R: | Hat gesagt - bleibt's nicht dabei, Op. 36 No. 3 Morgen, Op. 27 No. 4 Schlagende Herzen Op. 29 No. 2 | Verdi: | Lo spazzacamino | Wolf, H: | Philine (No. 8 from Goethe-Lieder) |
“In these 1940s recordings of a wide range of repertoire, Elisabeth Schwarzkopf's voice sounds soubrettish, with injections of her own inimitable charm.” BBC Music Magazine, May 2007 **** | | | (also available to download from $21.25) | In stock - usually despatched within 1 working day. |
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| |  | Primavera!
The myth of springtime is a brilliant metaphor for love, an ever-inspiring subject for pœts and musicians. This recording assembles a tapestry of tiny pœtic and musical gems from sixteenth- to eighteenth-century Italy, England, and France. Youth, beauty, and love are their inspiration. Some are well-known, some rescued from dusty library volumes, and others remain part of our folk culture and are reborn in this collection in new forms. Perhaps music, as the most temporal of the arts, is the most appropriate medium to express the transience of the subject at hand | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Rameau - Règne AmourLove Songs from the Operas
Carolyn Sampson, a soprano with a reputation for performances of dazzling virtuosity and musicality, presents arias from seven operas by Rameau in her first solo recording. She is joined by Ex Cathedra and Jeffrey Skidmore, with whom she began her singing career whilst at Birmingham University. Rameau's operas so dominated the stage of the Paris Opéra in the mid-1700s that their productions were officially ‘rationed' so as not to depress other composers. By turns tender, voluptuous, nostalgic, teasing, and even outrageously satirical, these arias are ravishingly beautiful. “Carolyn Sampson's voice almost inevitably gives pleasure and her singing of this repertoire, strikingly varied in its stylistic and expressive ranges, is well nigh ideal” BBC Music Magazine “The English soprano's musical intelligence, effervescent communication and richness of sound add up to a compelling package, especially so in this carefully chosen selection of Rameau's operatic love songs.” Classic FM Magazine “This is a stunning CD. Never before have I heard such fantastic performances of Rameau from an English group. The undoubted star of the show is former choirboy-soundalike Carloyn Sampson, whose voice has (seemingly) been gradually developing velvety tones over the past year or so, and here is showcased in all its spectacular radiance in selections from seven of Rameau's stage works.” Early Music Review “Carolyn Sampson is as dazzling in the vocal pyrotechnics as she is touching in the CD's title song, "Règne Amour"” Evening Standard “Skidmore, a painstaking conductor, breathes boundless energy into his many-coloured orchestra; the group provides faultless support for the exquisite soprano Carolyn Sampson” Goldberg “This wonderful music will always need special vocal advocacy and there can be few outside France as equipped as Carolyn Sampson.” Gramophone Magazine “To sum up: Sampson is radiant, voluptuous and utterly captivating. This is far and away her finest recording to date, and a more inspiring selection from Rameau's operas would be hard to find … there's a huge audience out there who, if only they knew how ravishing, how life-enhancing this music is, would buy a copy instantly.” International Record Review “This is an ideal introduction to Rameau's stage music. The songs, drawn from seven operas, range from the joyful to the tempestuous via the poignant and heart-rending....Sampson's fluid, stylish singing is simply lovely... nobody could fail to be seduced by her performances.” Sunday Times | | | Usually despatched in 2 - 3 working days. |
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| |  | Es war die Nachtigall und nicht die LercheIt was the nightingale and not the lark
Brigitte Krey (soprano), Ele Grau (flute), Gunther Friedrich (piano) Trio Cantraiano | | | Usually despatched in 2 - 3 working days. |
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