All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Art of Andrés Segovia, Volume 7
In this CD in which we can find recordings of some of Segovia’s favourite composers from Albeniz and Granados to the beloved Bach, with the transcription of the Suite BWV 1009 never recorded by Segovia before. The result is superb, wonderful as usual, and is demonstration of a poetry in Segovia’s music that maturity made only more elegant. | 
| | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
|
|
| |  | Miloš: The Guitar
‘The music on this CD reflects my character. It tells the listener who I am.’ Miloš Karadaglić Charismatic guitarist Miloš Karadaglić debuts on Deutsche Grammophon with an album saluting his instrument’s Mediterranean heritage. Born in the Balkan state of Montenegro, Miloš’s love-affair with the guitar began when he was eight, when his father played him a recording of Segovia making magic with Albeniz’s ‘Asturias’. Miloš gave his first public performance at nine, entered (and won) his first national competition at eleven. He became a star performer on television and radio, took guitar master-classes in Belgrade, and then, shortly after the end of the Balkan war, decided to try for a scholarship at London’s Royal Academy of Muisic. Miloš’s choices of solo repertoire as well as music for guitar and orchestra are guaranteed to appeal to all lovers of guitar, classical and non-classical alike. “He punched through this trio of ballads (El Decamerón Negro) with an innate poise and elegance that made you sit up and listen . . . And then the firecracker: A superbly inflected, impeccably judged rendition of Ginastera’s Sonata − a giant tapestry of sound combining luminous melancholy and bravura energy” (The Times) Bonus DVD The DVD features a 30min documentary with footage filmed in Montenegro and London. The film brings Miloš’s inspirational story to light, an evocative and beautifully photographed piece that explores his background and how he came to be who he is today. It will showcase Miloš’s talent, his style of play and unique approach to classical guitar and his desire to redefine it as a contemporary instrument. Miloš wants to make classical guitar matter; he wants us to fall in love with its beauty and raw passion and bring new audiences to its repertoire. The film will not just focus on Miloš the guitarist, but also the person behind the guitar. This will build a bridge between the human story and music, giving the viewer an opportunity to get to know a young man from Montenegro and how each stage of his life has contributed to bringing him to this point. “Karadaglic can articulate rapidly with the best of them, but what stands out even in busy textures is an unshakably serene breadth of phrasing, fluent rhythm and unforced rubato...Nor does he need to draw attention to his own virtuosity, and his music-making is all the more absorbing for it.” BBC Music Magazine, May 2011 ***** “Understandably, he focuses mainly on the instrument's Iberian heritage, with dextrous readings of the familiar Tárrega and Albéniz standards: the latter's Asturias is delivered with poise and clarity, while the superb trilling triplets of Tárrega's Recuerdos de la Alhambra are perfectly measured. Elsewhere, two tunes by Mikis Theodorakis offer a taste of the guitarist's Balkan heritage.” The Independent, 22nd April 2011 **** “The playing is lithe, subtle of timbre and transcendentally beautiful.” The Telegraph, 12th May 2011 ***** “there are masterpieces here: classic arrangements of piano pieces from Albeniz’s Suite espagnola and Granados’s Danzas espagnolas, dazzlingly played, and works by the contemporary composers Carlo Domeniconi and Mikis Theodorakis that emphasise the Islamic influence on this essentially Mediterranean music.” Sunday Times, 29th May 2011 **** “Karadaglić demonstrates exemplary technical skill and command of the instrument, musical flair and some really arresting and unusual tone colours in the style of his hero Julian Bream...He's at his most impressive and exciting in the transcriptions of piano works by Albeniz - Asturias and Granada - where his brilliant technique is evident.” Classic FM Magazine, July 2011 *** BBC Music Magazine
Instrumental Choice - May 2011 |
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Popular Guitar Classics
Julian Byzantine (Guitar) | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Cavatina: Guitar Classics
Albéniz: | Granada (from Suite española No. 1, Op. 47) Sevilla (from Suite Española, Op. 47) | Barrios Mangoré: | Vals, Op. 8 No. 4 Maxixe | Brouwer, L: | Guajira criolla Preludio in D | Donostia: | Onazez! Dolor | Duarte, J W: | Idylle Pour Ida | Granados: | Danza española, Op. 37 No. 10 'Melancólica' | Lauro: | Vals venezolano No. 3 'Vals criollo' or 'Natalia' | Malats: | Serenata espanola | Myers: | Cavatina (from The Deerhunter) | Núñez, Enrique: | Tango for guitar, Op. 7 | Ponce, M: | Prelude No. 9 in E major | Sardinha: | Naqueles Velhos Tempos | Tárrega: | Recuerdos de la Alhambra María, gavota Adelita | Villa-Lobos: | Chôros No. 1 for guitar |
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Carlos Bonell: The Private Collection
| 
| | | Usually despatched in 8 - 10 working days. |
|
|
| |  | Remembranza
Rosa Antonelli evokes the memories of Latin sounds for her second recording on Albany Records. Born in Argentina, Ms. Antonelli enjoys an active and varied performance career. She has been hailed as a leading exponent of Spanish and Latin American music, which she has performed to audiences around the world in extensive tours that have taken her to Europe, Africa, Asia, Latin America and North America. Trained at the National Conservatory in Buenos Aires, she was also a participant in the International University Music Program in Santiago de Compostela where she received the Rosa Sabater Award for her interpretation of Spanish music. Her first recording on Albany Records, Esperanza-Sounds of Hope, received critical praise as did her New York debut at Stern Auditorium/Perelman Stage at Carnegie Hall, where Harris Goldsmith wrote that her “…inward poetry forced me to rehear, and revalue Piazzolla’s Tangos, which she infused with an eloquence and inner communication…” | 
| | | (also available to download from $10.50) | Usually despatched in 8 - 10 working days. (Available now to download.) |
|
|
| |  | Andres Segovia, Vol. 31927-1949
| |
|
| |  | Spanish Guitar Encores
| | | (Sorry, download not available in your country) | Usually despatched in 2 - 3 working days. |
|
|
| |  | Albéniz: SerenataTranscriptions for guitar
Stephen Marchionda (guitar) The American-Spanish guitarist Stephen Marchionda lends new colours to these much loved compositions. Stephen Marchionda resides in Barcelona and is a proven expert in the field of Spanish music. This is his second release on MDG, his first being Scarlatti Sonatas arranged for guitar, MDG9031587. | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | CLASSICAL 2012
Albéniz: | Granada (from Suite española No. 1, Op. 47) | Bach, J S: | Cantata BWV169 'Gott soll allein mein Herze haben': Arioso Violin Concerto No. 1 in A minor, BWV1041: I. [Allegro] | Beethoven: | Symphony No. 8 in F major, Op. 93 - Allegretto scherzando Rondo a capriccio in G major, Op. 129 ‘Rage over a lost penny' | Bizet: | La fleur que tu m'avais jetée (from Carmen) Près des remparts de Séville (Séguedille) (from Carmen) Je crois entendre encore (from Les Pêcheurs de Perles) | Brahms: | Wiegenlied, Op. 49 No. 4 (Lullaby) | Cardillo: | Core 'ngrato | Chopin: | Nocturne in C minor Op. post Berceuse in D flat major, Op. 57 | Cilea: | La dolcissima effigie (from Adriana Lecouvreur) | Debussy: | Clair de Lune (from Suite Bergamasque) arr. Roelens | Delibes: | Coppelia - Waltz from Act I (Valse lente) | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) | Flotow: | The Last Rose of Summer (Martha) | Gluck: | Orfeo ed Euridice (Orphée et Euridice): Dance of the Blessed Spirits | Handel: | La Lucrezia (highlights) | Lehár: | Dein ist mein ganzes Herz (from Das Land des Lächelns) | Liszt: | Consolation, S. 172 No. 3 in D flat major | Massenet: | Pourquoi me reveiller (from Werther) | Mozart: | Vesperae Solennes de Confessore, K339: Laudate Dominum | Pergolesi: | Nel chiuso centro - chamber cantata | Prokofiev: | Piano Concerto No. 1 in D flat major, Op. 10: Andante assai | Puccini: | Senza mamma, o bimbo (from Suor Angelica) | Rachmaninov: | Prelude Op. 23 No. 5 in G minor | Ramirez: | Misa Criolla: Kyrie | Schubert: | Ständchen 'Leise flehen meine Lieder', D957 No. 4 | Strauss, J, I: | Radetsky March, Op. 228 | Strauss, J, II: | Mein Herr Marquis (from Die Fledermaus) | Striggio: | Missa sopra Ecco sì beato giorno: Agnus Dei II | Tchaikovsky: | Symphony No. 5 in E minor Op. 64 (Valse (Allegro moderato) Waltz from Sleeping Beauty, Op. 66 | Verdi: | La donna è mobile (from Rigoletto) Mercè, dilette amiche 'Bolero' (from I Vespri Siciliani) La traviata: Prelude to Act 1 | Villa-Lobos: | Bachianas Brasileiras No. 5: Aria (Cantilena) | Vivaldi: | Sonno se pur sei sonno from Tito Manlio, RV738 |
| | | (Sorry, download not available in your country) | Usually despatched in 2 - 3 working days. |
|
|
| |
|