Haydn: Pleasing Pain, Hob. XXVIa:29

This page lists all recordings of Pleasing Pain, Hob. XXVIa:29, by Franz Joseph Haydn (1732-1809) on CD, SACD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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July 2010

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Haydn: Songs

Haydn: Songs


Haydn:

Arianna a Naxos, cantata, Hob.XXVIb/2

Das Leben ist ein Traum, Hob. XXVIa:21

Auch die Sprödeste der Schönen

Sailor's Song, Hob. XXVIa:31

Recollection, Hob. XXVIa:26

The Wanderer, Hob. XXVIa:32

A Pastoral Song, Hob, XXVIa:27

Piercing Eyes, Hob. XXVIa:35

Despair, Hob. XXVIa:28

Sympathy, Hob. XXVIa:33

Pleasing Pain, Hob. XXVIa:29

She Never Told Her Love, Hob. XXVIa:34

The Mermaid's Song, Hob. XXVIa:25

Transport of Pleasure 'Content', Hob. XXVIa:36

Fidelity, Hob. XXVIa:30

The Spirit's Song, Hob. XXV1a:41

O Tuneful Voice, Hob. XXVIa:42


Lisa Milne (soprano), Bernarda Fink (mezzo-soprano), John Mark Ainsley (tenor) & Roger Vignoles (piano)

It is well known that Haydn was a favoured visitor to London towards the end of his life and spent much time in the English capital. In addition to the famous ‘London’ symphonies he wrote a considerable amount of other music whilst he was here, including chamber works and, particularly, songs, many of them to English words by his friend Anne Hunter. All of the famous ones are here, along with other, German, settings and the extended scena ‘Arianna a Naxos’, to an anonymous Italian text.

“A winner” Fanfare

“Much subtle musicianship in fine and neglected repertory and I am sure that no one who buys it will be disappointed” Gramophone Magazine

“There can’t be many more delightful ways of spending an hour than in the company of these songs” International Record Review

“Another outstanding song issue from Hyperion” Sunday Times

“Even those weaned on fortepiano-led Haydn will be hard pushed to find fault with this dream team” The Independent on Sunday

Helios - CDH55355

(CD)

$8.50

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Haydn: Lieder

Haydn: Lieder

Lieder für das Clavier, Original Canzonettas, Einzelne Lieder verschiedener Art


Haydn:

Der erste Kuß

An Thyrsis

Ein kleines Haus, Hob. XVIIa: 45

Liebeslied, Hob. XXVIa:11

Das Leben ist ein Traum, Hob. XXVIa:21

Trachten will ich nicht auf Erden

Geistliches Lied, Hob. XXVIa:17

Theme and Variations in C major, Hob.XVII:5

Fidelity, Hob. XXVIa:30

Sympathy, Hob. XXVIa:33

The Mermaid's Song, Hob. XXVIa:25

Recollection, Hob. XXVIa:26

Pleasing Pain, Hob. XXVIa:29

Adagio in F major, Hob.XVII/9

Piercing Eyes, Hob. XXVIa:35

A Pastoral Song, Hob, XXVIa:27

She Never Told Her Love, Hob. XXVIa:34

Sailor's Song, Hob. XXVIa:31


Anne Cabrier (soprano) & Jan Vermeulen (pianoforte)

Haydn’s songs are relatively subordinate in his oeuvre and were composed to be performed by amateurs. Nonetheless, they are carefully structured and served to help establish him in the open market. His English Canzonettas show a great variety of moods ranging from lively sea pieces to pastoral. Anne Cambrier has an extensive repertoire and regularly gives recitals with Jan Vermeulen.

Accent - ACC24230

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Haydn - Arianna a Naxos, Lieder & Canzonettas

Haydn - Arianna a Naxos, Lieder & Canzonettas


Haydn:

Pleasing Pain, Hob. XXVIa:29

Eine sehr gewöhnliche Geschichte

A Pastoral Song, Hob, XXVIa:27

Als einst mit Weibes Schönheit

Der erste Kuß

Die zu späte Ankunft der Mutter

She Never Told Her Love, Hob. XXVIa:34

Fidelity, Hob. XXVIa:30

The Spirit's Song, Hob. XXV1a:41

Beim Schmerz, der dieses Herz durchwühlet

The Wanderer, Hob. XXVIa:32

Arianna a Naxos, cantata, Hob.XXVIb/2

Das Leben ist ein Traum, Hob. XXVIa:21


Stephanie d'Oustrac (mezzo-soprano) & Aline Zylberajch (fortepiano)

“This disc was originally the idea of the Ambronay team: our strong respective temperaments, our affinities for Baroque music were among the many arguments they put forward with infectious enthusiasm to encourage Aline Zylberajch and myself to embark on a duo recording project for Ambronay Éditions. We then met to read through some of the pieces. Little by little, a guiding thread evoking Schumann’s famous song cycle Frauenliebe und leben (A woman’s love and life) prompted us to choose from among Haydn’s finest works a programme of lieder and canzonettas illustrating the universal theme of the cycle of love: from the girl dreaming of love to her first experience of it, from the beloved woman to her abandoned sister… Haydn’s musical style, the psychological evolution of the protagonists of his songs, and the palette of colours, emotions, and expressions this stimulates, brought us rich emotions and joys during our work on the recording. For my part, I also had the good fortune to discover a delightful personality behind a remarkable musician in the person of Aline. In conclusion, ‘Das Leben ist ein Traum’ thanks to music!” Stéphanie d’Oustrac

“She combines a warm, flavoursome mezzo with a fiery dramatic temperament...to each of these songs, even the most guileless, she brings an intense personal involvement...Throughout [Arianna a Naxos] she is vividly responsive to the meaning of the Italian text and to harmonic colour.” Gramophone Magazine, July 2010

GGramophone Magazine

Editor's Choice - July 2010

Ambronay - AMY023

(CD)

$18.00

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Haydn: Canzonettas

Haydn: Canzonettas


Haydn:

Pleasing Pain, Hob. XXVIa:29

The Mermaid's Song, Hob. XXVIa:25

A Pastoral Song, Hob, XXVIa:27

She Never Told Her Love, Hob. XXVIa:34

Jeder meint, der Gegenstand, Hob. XXVIa:13

Lob der Faulheit, Hob. XXVIa:22

Liebeslied, Hob. XXVIa:11

Die Verlassene, Hob. XXVIa:5

Das strickende Mädchen, Hob. XXVIa:1

Recollection, Hob. XXVIa:26

Fidelity, Hob. XXVIa:30

The Wanderer, Hob. XXVIa:32

Sympathy, Hob. XXVIa:33

Transport of Pleasure 'Content', Hob. XXVIa:36

The Spirit's Song, Hob. XXV1a:41

Geistliches Lied, Hob. XXVIa:17

Trost unglucklicher Liebe, Hob. XXVIa:9

Das Leben ist ein Traum, Hob. XXVIa:21

O Tuneful Voice, Hob. XXVIa:42

Piercing Eyes, Hob. XXVIa:35

Despair, Hob. XXVIa:28

Sailor's Song, Hob. XXVIa:31


Ruth Ziesak (soprano) & Gerold Huber (piano)

Respected and in demand soprano Ruth Ziesak gives an outstanding performance. This new CD includes all Haydn’s songs with lyrics in English.

Capriccio - C5025

(CD)

$17.50

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Haydn - Complete Songs

Haydn - Complete Songs


Haydn:

O Tuneful Voice, Hob. XXVIa:42

The Mermaid's Song, Hob. XXVIa:25

Recollection, Hob. XXVIa:26

A Pastoral Song, Hob, XXVIa:27

Despair, Hob. XXVIa:28

Pleasing Pain, Hob. XXVIa:29

Fidelity, Hob. XXVIa:30

She Never Told Her Love, Hob. XXVIa:34

Sailor's Song, Hob. XXVIa:31

The Wanderer, Hob. XXVIa:32

Sympathy, Hob. XXVIa:33

The Spirit's Song, Hob. XXV1a:41

Piercing Eyes, Hob. XXVIa:35

Transport of Pleasure 'Content', Hob. XXVIa:36

The Lady’s Looking-Glass, Hob.31c:17

Pensi a me sì fido amante

Un tetto umil

Das strickende Mädchen, Hob. XXVIa:1

Cupido

Der erste Kuß

Eine sehr gewöhnliche Geschichte

Die Verlassene, Hob. XXVIa:5

Als einst mit Weibes Schönheit

Der Gleichsinn

An Iris

An Thyrsis

Trost unglucklicher Liebe, Hob. XXVIa:9

Die Landlust

Liebeslied, Hob. XXVIa:11

Die zu späte Ankunft der Mutter

Der schlaue und dienstfertige Pudel

Bald wehen uns des Frühlings Lüfte

Trachten will ich nicht auf Erden

Jeder meint, der Gegenstand, Hob. XXVIa:13

Lachet nicht, Mädchen

O liebes Mädchen, höre mich

Gegenliebe

Geistliches Lied, Hob. XXVIa:17

Auch die Sprödeste der Schönen

O fließ, ja wallend fließ in Zähren

Zufriedenheit

Das Leben ist ein Traum, Hob. XXVIa:21

Lob der Faulheit, Hob. XXVIa:22

Minna

Auf meines Vaters Grab

Beim Schmerz, der dieses Herz durchwühlet

Abschiedslied

Gott erhalte den Kaiser!


Elly Ameling (soprano) & Jörg Demus (piano)

In the ‘Haydn Year’ PentaTone is pleased to release the complete Haydn songs first released on a Philips three LP set and now available on 2 CD’s at a special price.

Remastered Quadro Recording (RQR)

Super Audio CD

Format:

Hybrid Multi-channel

Pentatone RQR - PTC5186185

(SACD - 2 discs)

$25.50

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Haydn - Songs

Haydn - Songs


Haydn:

O Tuneful Voice, Hob. XXVIa:42

The Mermaid's Song, Hob. XXVIa:25

Recollection, Hob. XXVIa:26

A Pastoral Song, Hob, XXVIa:27

Despair, Hob. XXVIa:28

Pleasing Pain, Hob. XXVIa:29

Pensi a me sì fido amante

Un tetto umil

Das strickende Mädchen, Hob. XXVIa:1

Cupido

Der erste Kuß

Eine sehr gewöhnliche Geschichte

Die Verlassene, Hob. XXVIa:5

Als einst mit Weibes Schönheit

Der Gleichsinn

An Iris

An Thyrsis

Trost unglucklicher Liebe, Hob. XXVIa:9

Die Landlust

Liebeslied, Hob. XXVIa:11

Die zu späte Ankunft der Mutter

Der schlaue und dienstfertige Pudel

Bald wehen uns des Frühlings Lüfte

Trachten will ich nicht auf Erden

Jeder meint, der Gegenstand, Hob. XXVIa:13

Lachet nicht, Mädchen

O liebes Mädchen, höre mich

Gegenliebe

Geistliches Lied, Hob. XXVIa:17

Auch die Sprödeste der Schönen

O fließ, ja wallend fließ in Zähren

Zufriedenheit

Das Leben ist ein Traum, Hob. XXVIa:21

Lob der Faulheit, Hob. XXVIa:22

Minna

Auf meines Vaters Grab

Beim Schmerz, der dieses Herz durchwühlet

Abschiedslied

Gott erhalte den Kaiser!

Fidelity, Hob. XXVIa:30

She Never Told Her Love, Hob. XXVIa:34

Sailor's Song, Hob. XXVIa:31

The Wanderer, Hob. XXVIa:32

Sympathy, Hob. XXVIa:33

The Spirit's Song, Hob. XXV1a:41

Piercing Eyes, Hob. XXVIa:35

Transport of Pleasure 'Content', Hob. XXVIa:36

The Lady’s Looking-Glass, Hob.31c:17


Elly Ameling (soprano) & Jörg Demus (fortepiano)

Haydn’s lieder is sadly often relegated to the opening ‘warm-up’ sections of recitals, or, even worse, totally neglected. This is a pity, for as collectors of Brilliant Classics cycle of all his Scottish Songs will know, there is much wit, warm humour and not a little drama to found in these gems. The songs on this CD span 1781 –95, and the first two sets were written for the Viennese socialite Franz Sales von Greiner, who regularly advised Haydn on the choice of texts.

The third set is probably the best known works in this programme. The ‘English Canzonettas’ were written for Haydn’s friend Lady Anne Hunter, the widow of eminent surgeon Sir John Hunter. Anne provided the texts for the first group, and one for the second. Haydn turned to Metastasio for the remainder.

The ‘Pastoral Song’ became a firm favourite with the Victorians, and was a parlour song ‘hit’.

These Philips recording have long been unavailable: here they make a welcome return to the catalogue

‘Those who love them [Haydn’s songs], and love Elly Ameling, will not be disappointed in this generous recital…Ameling’s skill lies in her precise judgement of their scale…Jorg Demus’s accompanying is half the fun: he makes the keys speak as clearly and sweetly as any fortepiano…’ Gramophone

Full sung texts and booklet notes

A must for lovers of this popular and much-loved singer

“Good to be reminded in this anniversary year of Elly Ameling's irresistibly wide-eyed yet sophisticated way with Haydn's English, Italian and German songs. Jörg Demus is master-accompanist.” BBC Music Magazine, September 2009 ****

Brilliant Classics - up to 30% off

Brilliant Classics - 93768

(CD)

Normally: $12.50

Special: $10.00

Usually despatched in 4 - 5 working days.

English Love Songs

English Love Songs


Barlow, S:

If thou would’st ease thine heart

Bridge:

Come to Me in my Dreams

Love went a-riding

Britten:

Down by the Salley Gardens

Wild with passion (Beddoes)

Butterworth, G:

With rue my heart is laden

When I was one-and-twenty

Dowland:

Awake, sweet love

Come again, sweet love doth now invite

Finzi:

To Lizbie Browne

I Said to Love, Op. 19b

Handel:

Silent Worship (based on an aria from Tolomeo)

Semele: Where'er you walk

Haydn:

Piercing Eyes, Hob. XXVIa:35

Pleasing Pain, Hob. XXVIa:29

Ireland:

If we must part

Love is a sickness full of woes

Purcell:

I attempt from love's sickness to fly in vain (from The Indian Queen)

If music be the food of love, Z379

Quilter:

Go, lovely Rose, Op. 24 No. 3 (Edmund Wailer)

Love's Philosophy, Op. 3 No. 1 (Shelley)

Vaughan Williams:

Silent Noon

Love bade me welcome

Warlock:

Take, O take those lips away

Thou gav'st me leave to kiss


Mark Stone (baritone) & Stephen Barlow (piano)

This excellent release is a unique collection of English love songs by some of the great English composers of the 20th century including Vaughan-Williams, Purcell, Britten, Dowland, Finzi and Warlock. All of the songs are firm favourites; amongst the most well known are Silent worship, Where’er you walk, If music be the food of love and The salley gardens. Mark Stone has sung at Covent Garden most recently in “Don Giovanni” and is a regular guest at ENO, WNO, Glyndebourne and Opera North. He and Stephen Barlow regularly perform together as a recital duo and often appear on Radio 3 and in concert in the UK and abroad.

“..this is not a recital restricted to one vocal hue. Each song is looked at and receives relevant response from both singer and pianist. ….he (Mark Stone) introduces so much by way of nuance and colour to make this a very interesting and fulfilling programme, one which is well recorded.” International Record Review, March 2009

“Stone has made an estimable career as a lyric baritone at Opera North and English National Opera, but he is less familiar as a recitalist. His light, airy baritone is well suited to the more easy-going English love songs, but takes on a nasal, pinched quality when a sense of drama is required, as in Frank Bridge’s galloping Love went a-riding. This attractive miscellaneous programme might have made a stronger impression if the order of songs were not so haphazard: Vaughan Williams (Silent Noon and Love bade me welcome) segues uncomfortably into Dowland’s Awake, sweet love, and Purcell, Handel and Haydn are interspersed pell-mell between Quilter and Ireland, Butterworth and Warlock, Finzu and Britten. Stone’s theme and sequence are too loose to be compelling and his diction, mostly clear, rarely achieves the eloquence of a born song interpreter.” Sunday Times, 15th February 2009 ***

Stone Records - 5060192780000

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$17.50

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Introducing Patrice Michaels

Introducing Patrice Michaels


Argento:

Sleep (from Six Elizabethan Songs)

Rembrandt Chamber Players

Spring (from Six Elizabethan Songs)

Rembrandt Chamber Players

When Faces Called Flowers (No. 5 from Songs About Spring)

Elizabeth Buccheri (piano)

To be Sung upon the Water: Prologue - Shadow and Substance

Larry Combs (clarinet), Elizabeth Buccheri (piano)

Giacomo Puccini (No. 6 from Letters from Composers)

Jeffrey Kust (guitar)

Boulanger, L:

Reflets

Rebecca Rollins (piano)

Elle était descendue au bas de la prairie

Rebecca Rollins (piano)

Elle est gravement gaie

Rebecca Rollins (piano)

Colbran:

Mi lagnero tacendo

David Schrader (fortepiano)

Dalayrac:

Nina: Quand le bien-aimé reviendra

David Schrader (fortepiano)

Delibes:

Les filles de Cadix

Deborah Sobol (piano)

Fauré:

Tristesse, Op. 6 No. 2

Rebecca Rollins (piano)

Haydn:

Pleasing Pain, Hob. XXVIa:29

David Schrader (fortepiano)

Honegger:

Vocalise-Etude

Rebecca Rollins (piano)

Lully:

Seconde Divertissement

Chicago Baroque Ensemble

Mendelssohn:

Bei der Wiege, Op. 47 No. 6

Deborah Sobol (piano)

Menotti:

Monica's Waltz (from The Medium)

Chicago Opera Theater

Mussorgsky:

Where are you, little star?

Deborah Sobol (piano)

Vaughan Williams:

Goodbye (No. 6 from Along the Field)

Elliott Golub (violin)

Vivaldi:

Cantata RV678 'All'ombra di sospetto'

Chicago Baroque Ensemble


Patrice Michaels (soprano)

Cedille - CDR5004

(CD)

$6.50

Usually despatched in 2 - 3 working days.

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