Haydn: Das Leben ist ein Traum, Hob. XXVIa:21

This page lists all recordings of Das Leben ist ein Traum, Hob. XXVIa:21, by Franz Joseph Haydn (1732-1809) on CD, SACD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

Recommendations

Editor's Choice
October 2012
Editor's Choice
July 2010

All recordings

Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates.

Christian Gerhaher: Ferne Geliebte (Distant Beloved)

Christian Gerhaher: Ferne Geliebte (Distant Beloved)


Beethoven:

An die ferne Geliebte (To the distant beloved), Op. 98

Adelaide, Op. 46

Berg:

5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4

Haydn:

Trost unglucklicher Liebe, Hob. XXVIa:9

Geistliches Lied, Hob. XXVIa:17

Das Leben ist ein Traum, Hob. XXVIa:21

Schoenberg:

Das Buch der Hängenden Gärten, Op. 15


Christian Gerhaher (baritone) & Gerold Huber (piano)

Christian Gerhaher is the outstanding Lieder singer of our time. His recordings of the art songs and song cycles by Schubert, Schumann, Brahms and Mahler possess reference status, and have been awarded many major prizes. In the UK alone his awards include the 2009 BBC Music Magazine Award for Vocal Performance, a Gramophone award in 2006, and in 2011 he won the Olivier Outstanding Achievement in Opera award.

Gerhaher now presents his first ‘concept album’, which is at the same time his first album of songs by multiple composers in 10 years.

‘Ferne Geliebte’ (Distant Beloved) juxtaposes compositions from the two great Vienna schools, Viennese Classicism on the one hand, represented by Haydn and Beethoven, and the Second Viennese School with Schönberg and Berg on the other. The connection between them all is their preoccupation with loneliness, longing and hopeless love.

Christian Gerhaher is accompanied on the piano by his permanent duo partner Gerold Huber.

“He treats the cycles with the same care for the meaning of every word, beauty of tone, subtle emphasis and shading...Both the Schoenberg and the Berg are usually sung by a soprano or mezzo...But hearing them juxtaposed in such poised performances – Gerold Huber is Gerhaher's acutely sensitive partner – seems totally logical.” The Guardian, 14th June 2012 *****

“Rather than a purely beautiful voice, Gerhaher's approach is intently text-focused, making the consonants sound as strongly as the vowels, responsive to every twist and turn of the poetry.” The Observer, 17th June 2012

“Gerhaher delivers text so incisively and with such vitality that these songs leap from the page more vividly than ever before. I doubt that the Schoenberg and Berg cycles have been more lyrically sung, either. Huber’s expressive playing is vital to this indivisible partnership’s most challenging, but ultimately most rewarding, achievement on disc.” Sunday Times, 9th July 2012

“Gerhaher is an unrivalled lieder singer, and his partnership with Huber is a reproof to the one-night-stand recitals brokered by many record labels.” The Independent on Sunday, 22nd July 2012

“Admirers of Gerhaher...will need no encouragement to...be re-acquainted with his beautiful baritone, clean diction and highly cultivated interpretative stance. The programme he has selected with pianist Gerold Huber will not, however, appeal to everyone...though the softness of Gerhaher’s timbre and the intelligence of his word-painting gives them an ideally seductive cushion.” Financial Times, 4th August 2012 ***

“a recital of rare and compelling musical intelligence and integrity of response...But as well as the intellectual satisfaction of this recital, there is also the sheer delight of Gerhaher's superbly cultivated baritone, and his outstanding artistry. If ever art concealed art, it is here” BBC Music Magazine, September 2012 *****

“The Beethoven cycle immediately reacquaints us with Gerhaher's familiar virtues of a beautiful, even voice and unforced clarity of diction...Others have portrayed more suggestively the highly coloured, alien dream-world the cycle seems to inhabit...but few have shown how intimately Stefan George's poems determine the pitches and rhythms of Schoenberg's singing combines lyrical beauty with meticulous detail.” Gramophone Magazine, October 2012

“Gerhaher is now clearly at the peak of his career, as regards his ability to align beauty of sound to remarkably sincere and unfussy delivery of text...The whole of the programme is presented with consistently elegant and thoughtful artistry...[Huber is] a superbly sensitive partner throughout” International Record Review, September 2012

GGramophone Magazine

Editor's Choice - October 2012

BBC Music Magazine Awards 2013

Vocal Finalist

Sony - 88691935432

(CD)

$18.00

In stock - usually despatched within 1 working day.

Haydn: Songs

Haydn: Songs


Haydn:

Arianna a Naxos, cantata, Hob.XXVIb/2

Das Leben ist ein Traum, Hob. XXVIa:21

Auch die Sprödeste der Schönen

Sailor's Song, Hob. XXVIa:31

Recollection, Hob. XXVIa:26

The Wanderer, Hob. XXVIa:32

A Pastoral Song, Hob, XXVIa:27

Piercing Eyes, Hob. XXVIa:35

Despair, Hob. XXVIa:28

Sympathy, Hob. XXVIa:33

Pleasing Pain, Hob. XXVIa:29

She Never Told Her Love, Hob. XXVIa:34

The Mermaid's Song, Hob. XXVIa:25

Transport of Pleasure 'Content', Hob. XXVIa:36

Fidelity, Hob. XXVIa:30

The Spirit's Song, Hob. XXV1a:41

O Tuneful Voice, Hob. XXVIa:42


Lisa Milne (soprano), Bernarda Fink (mezzo-soprano), John Mark Ainsley (tenor) & Roger Vignoles (piano)

It is well known that Haydn was a favoured visitor to London towards the end of his life and spent much time in the English capital. In addition to the famous ‘London’ symphonies he wrote a considerable amount of other music whilst he was here, including chamber works and, particularly, songs, many of them to English words by his friend Anne Hunter. All of the famous ones are here, along with other, German, settings and the extended scena ‘Arianna a Naxos’, to an anonymous Italian text.

“There can’t be many more delightful ways of spending an hour than in the company of these songs” International Record Review

“Another outstanding song issue from Hyperion” Sunday Times

“A winner” Fanfare

“Much subtle musicianship in fine and neglected repertory and I am sure that no one who buys it will be disappointed” Gramophone Magazine

“Even those weaned on fortepiano-led Haydn will be hard pushed to find fault with this dream team” The Independent on Sunday

Helios - CDH55355

(CD)

$8.75

Usually despatched in 2 - 3 working days.

Haydn: Lieder

Haydn: Lieder

Lieder für das Clavier, Original Canzonettas, Einzelne Lieder verschiedener Art


Haydn:

Der erste Kuß

An Thyrsis

Ein kleines Haus, Hob. XVIIa: 45

Liebeslied, Hob. XXVIa:11

Das Leben ist ein Traum, Hob. XXVIa:21

Trachten will ich nicht auf Erden

Geistliches Lied, Hob. XXVIa:17

Theme and Variations in C major, Hob.XVII:5

Fidelity, Hob. XXVIa:30

Sympathy, Hob. XXVIa:33

The Mermaid's Song, Hob. XXVIa:25

Recollection, Hob. XXVIa:26

Pleasing Pain, Hob. XXVIa:29

Adagio in F major, Hob.XVII/9

Piercing Eyes, Hob. XXVIa:35

A Pastoral Song, Hob, XXVIa:27

She Never Told Her Love, Hob. XXVIa:34

Sailor's Song, Hob. XXVIa:31


Anne Cabrier (soprano) & Jan Vermeulen (pianoforte)

Haydn’s songs are relatively subordinate in his oeuvre and were composed to be performed by amateurs. Nonetheless, they are carefully structured and served to help establish him in the open market. His English Canzonettas show a great variety of moods ranging from lively sea pieces to pastoral. Anne Cambrier has an extensive repertoire and regularly gives recitals with Jan Vermeulen.

Accent - ACC24230

(CD)

$17.75

(also available to download from $11.00)

Usually despatched in 2 - 3 working days. (Available now to download.)

Haydn - Arianna a Naxos, Lieder & Canzonettas

Haydn - Arianna a Naxos, Lieder & Canzonettas


Haydn:

Pleasing Pain, Hob. XXVIa:29

Eine sehr gewöhnliche Geschichte

A Pastoral Song, Hob, XXVIa:27

Als einst mit Weibes Schönheit

Der erste Kuß

Die zu späte Ankunft der Mutter

She Never Told Her Love, Hob. XXVIa:34

Fidelity, Hob. XXVIa:30

The Spirit's Song, Hob. XXV1a:41

Beim Schmerz, der dieses Herz durchwühlet

The Wanderer, Hob. XXVIa:32

Arianna a Naxos, cantata, Hob.XXVIb/2

Das Leben ist ein Traum, Hob. XXVIa:21


Stephanie d'Oustrac (mezzo-soprano) & Aline Zylberajch (fortepiano)

“This disc was originally the idea of the Ambronay team: our strong respective temperaments, our affinities for Baroque music were among the many arguments they put forward with infectious enthusiasm to encourage Aline Zylberajch and myself to embark on a duo recording project for Ambronay Éditions. We then met to read through some of the pieces. Little by little, a guiding thread evoking Schumann’s famous song cycle Frauenliebe und leben (A woman’s love and life) prompted us to choose from among Haydn’s finest works a programme of lieder and canzonettas illustrating the universal theme of the cycle of love: from the girl dreaming of love to her first experience of it, from the beloved woman to her abandoned sister… Haydn’s musical style, the psychological evolution of the protagonists of his songs, and the palette of colours, emotions, and expressions this stimulates, brought us rich emotions and joys during our work on the recording. For my part, I also had the good fortune to discover a delightful personality behind a remarkable musician in the person of Aline. In conclusion, ‘Das Leben ist ein Traum’ thanks to music!” Stéphanie d’Oustrac

“She combines a warm, flavoursome mezzo with a fiery dramatic temperament...to each of these songs, even the most guileless, she brings an intense personal involvement...Throughout [Arianna a Naxos] she is vividly responsive to the meaning of the Italian text and to harmonic colour.” Gramophone Magazine, July 2010

GGramophone Magazine

Editor's Choice - July 2010

Ambronay - AMY023

(CD)

$18.75

Usually despatched in 3 - 4 working days.

Haydn: Canzonettas

Haydn: Canzonettas


Haydn:

Pleasing Pain, Hob. XXVIa:29

The Mermaid's Song, Hob. XXVIa:25

A Pastoral Song, Hob, XXVIa:27

She Never Told Her Love, Hob. XXVIa:34

Jeder meint, der Gegenstand, Hob. XXVIa:13

Lob der Faulheit, Hob. XXVIa:22

Liebeslied, Hob. XXVIa:11

Die Verlassene, Hob. XXVIa:5

Das strickende Mädchen, Hob. XXVIa:1

Recollection, Hob. XXVIa:26

Fidelity, Hob. XXVIa:30

The Wanderer, Hob. XXVIa:32

Sympathy, Hob. XXVIa:33

Transport of Pleasure 'Content', Hob. XXVIa:36

The Spirit's Song, Hob. XXV1a:41

Geistliches Lied, Hob. XXVIa:17

Trost unglucklicher Liebe, Hob. XXVIa:9

Das Leben ist ein Traum, Hob. XXVIa:21

O Tuneful Voice, Hob. XXVIa:42

Piercing Eyes, Hob. XXVIa:35

Despair, Hob. XXVIa:28

Sailor's Song, Hob. XXVIa:31


Ruth Ziesak (soprano) & Gerold Huber (piano)

Respected and in demand soprano Ruth Ziesak gives an outstanding performance. This new CD includes all Haydn’s songs with lyrics in English.

Capriccio - C5025

(CD)

$18.50

Usually despatched in 2 - 3 working days.

Life is a Dream - Songs By Haydn

Life is a Dream - Songs By Haydn


Haydn:

Cupido

Transport of Pleasure 'Content', Hob. XXVIa:36

Die zu späte Ankunft der Mutter

Der erste Kuß

Eine sehr gewöhnliche Geschichte

Sympathy, Hob. XXVIa:33

Piercing Eyes, Hob. XXVIa:35

Der Gleichsinn

An Thyrsis

The Wanderer, Hob. XXVIa:32

Auch die Sprödeste der Schönen

The Mermaid's Song, Hob. XXVIa:25

Die Landlust

Fidelity, Hob. XXVIa:30

Liebeslied, Hob. XXVIa:11

Despair, Hob. XXVIa:28

Trost unglucklicher Liebe, Hob. XXVIa:9

Recollection, Hob. XXVIa:26

Das Leben ist ein Traum, Hob. XXVIa:21


Anna Leese (soprano), Peter Lodahl (tenor) & Alisdair Hogarth (piano)

In celebration of the Haydn year, MSM brings together two rising stars of the classical music world. The album combines selections from Haydn’s English and German love songs.

Michael Storrs Music - MSM0012

(CD)

$11.50

Usually despatched in 4 - 5 working days.

Haydn - Complete Songs

Haydn - Complete Songs


Haydn:

O Tuneful Voice, Hob. XXVIa:42

The Mermaid's Song, Hob. XXVIa:25

Recollection, Hob. XXVIa:26

A Pastoral Song, Hob, XXVIa:27

Despair, Hob. XXVIa:28

Pleasing Pain, Hob. XXVIa:29

Fidelity, Hob. XXVIa:30

She Never Told Her Love, Hob. XXVIa:34

Sailor's Song, Hob. XXVIa:31

The Wanderer, Hob. XXVIa:32

Sympathy, Hob. XXVIa:33

The Spirit's Song, Hob. XXV1a:41

Piercing Eyes, Hob. XXVIa:35

Transport of Pleasure 'Content', Hob. XXVIa:36

The Lady’s Looking-Glass, Hob.31c:17

Pensi a me sì fido amante

Un tetto umil

Das strickende Mädchen, Hob. XXVIa:1

Cupido

Der erste Kuß

Eine sehr gewöhnliche Geschichte

Die Verlassene, Hob. XXVIa:5

Als einst mit Weibes Schönheit

Der Gleichsinn

An Iris

An Thyrsis

Trost unglucklicher Liebe, Hob. XXVIa:9

Die Landlust

Liebeslied, Hob. XXVIa:11

Die zu späte Ankunft der Mutter

Der schlaue und dienstfertige Pudel

Bald wehen uns des Frühlings Lüfte

Trachten will ich nicht auf Erden

Jeder meint, der Gegenstand, Hob. XXVIa:13

Lachet nicht, Mädchen

O liebes Mädchen, höre mich

Gegenliebe

Geistliches Lied, Hob. XXVIa:17

Auch die Sprödeste der Schönen

O fließ, ja wallend fließ in Zähren

Zufriedenheit

Das Leben ist ein Traum, Hob. XXVIa:21

Lob der Faulheit, Hob. XXVIa:22

Minna

Auf meines Vaters Grab

Beim Schmerz, der dieses Herz durchwühlet

Abschiedslied

Gott erhalte den Kaiser!


Elly Ameling (soprano) & Jörg Demus (piano)

In the ‘Haydn Year’ PentaTone is pleased to release the complete Haydn songs first released on a Philips three LP set and now available on 2 CD’s at a special price.

Remastered Quadro Recording (RQR)

Super Audio CD

Format:

Hybrid Multi-channel

Pentatone RQR - PTC5186185

(SACD - 2 discs)

$26.50

Usually despatched in 2 - 3 working days.

Haydn - Songs

Haydn - Songs


Haydn:

O Tuneful Voice, Hob. XXVIa:42

The Mermaid's Song, Hob. XXVIa:25

Recollection, Hob. XXVIa:26

A Pastoral Song, Hob, XXVIa:27

Despair, Hob. XXVIa:28

Pleasing Pain, Hob. XXVIa:29

Pensi a me sì fido amante

Un tetto umil

Das strickende Mädchen, Hob. XXVIa:1

Cupido

Der erste Kuß

Eine sehr gewöhnliche Geschichte

Die Verlassene, Hob. XXVIa:5

Als einst mit Weibes Schönheit

Der Gleichsinn

An Iris

An Thyrsis

Trost unglucklicher Liebe, Hob. XXVIa:9

Die Landlust

Liebeslied, Hob. XXVIa:11

Die zu späte Ankunft der Mutter

Der schlaue und dienstfertige Pudel

Bald wehen uns des Frühlings Lüfte

Trachten will ich nicht auf Erden

Jeder meint, der Gegenstand, Hob. XXVIa:13

Lachet nicht, Mädchen

O liebes Mädchen, höre mich

Gegenliebe

Geistliches Lied, Hob. XXVIa:17

Auch die Sprödeste der Schönen

O fließ, ja wallend fließ in Zähren

Zufriedenheit

Das Leben ist ein Traum, Hob. XXVIa:21

Lob der Faulheit, Hob. XXVIa:22

Minna

Auf meines Vaters Grab

Beim Schmerz, der dieses Herz durchwühlet

Abschiedslied

Gott erhalte den Kaiser!

Fidelity, Hob. XXVIa:30

She Never Told Her Love, Hob. XXVIa:34

Sailor's Song, Hob. XXVIa:31

The Wanderer, Hob. XXVIa:32

Sympathy, Hob. XXVIa:33

The Spirit's Song, Hob. XXV1a:41

Piercing Eyes, Hob. XXVIa:35

Transport of Pleasure 'Content', Hob. XXVIa:36

The Lady’s Looking-Glass, Hob.31c:17


Elly Ameling (soprano) & Jörg Demus (fortepiano)

Haydn’s lieder is sadly often relegated to the opening ‘warm-up’ sections of recitals, or, even worse, totally neglected. This is a pity, for as collectors of Brilliant Classics cycle of all his Scottish Songs will know, there is much wit, warm humour and not a little drama to found in these gems. The songs on this CD span 1781 –95, and the first two sets were written for the Viennese socialite Franz Sales von Greiner, who regularly advised Haydn on the choice of texts.

The third set is probably the best known works in this programme. The ‘English Canzonettas’ were written for Haydn’s friend Lady Anne Hunter, the widow of eminent surgeon Sir John Hunter. Anne provided the texts for the first group, and one for the second. Haydn turned to Metastasio for the remainder.

The ‘Pastoral Song’ became a firm favourite with the Victorians, and was a parlour song ‘hit’.

These Philips recording have long been unavailable: here they make a welcome return to the catalogue

‘Those who love them [Haydn’s songs], and love Elly Ameling, will not be disappointed in this generous recital…Ameling’s skill lies in her precise judgement of their scale…Jorg Demus’s accompanying is half the fun: he makes the keys speak as clearly and sweetly as any fortepiano…’ Gramophone

Full sung texts and booklet notes

A must for lovers of this popular and much-loved singer

“Good to be reminded in this anniversary year of Elly Ameling's irresistibly wide-eyed yet sophisticated way with Haydn's English, Italian and German songs. Jörg Demus is master-accompanist.” BBC Music Magazine, September 2009 ****

Brilliant Classics - up to 30% off

Brilliant Classics - 93768

(CD)

Normally: $13.00

Special: $10.40

Usually despatched in 4 - 5 working days.

In Memoriam Hans Hotter

In Memoriam Hans Hotter


Beethoven:

Des Kriegers Abschied, WoO 143

Abendlied unter'm gestirten Himmel, WoO 150

Brahms:

Dämmrung senkte sich von oben (No. 1 from Acht Lieder und Gesänge, Op. 59)

Todessehnen ('Ach, wer nummt von meiner Seele'), Op. 86 No. 6

Treue Liebe dauert lange (No. 33 from Deutsche Volkslieder, WoO 33)

Haydn:

Abschiedslied

Das Leben ist ein Traum, Hob. XXVIa:21

Liszt:

Über allen Gipfeln ist Ruh (Wandrers Nachtlied II), S.306

Loewe, C:

Graf Eberstein

Urgroßvaters Gesellschaft op. 56

Nicolai, C O:

Stürm, stürm, du Winterwind

Ein entmutigter Liebhaber

Wär' ich ein munt'res Vögelein

Der Liebestrunkene

Pfitzner:

Sehnsucht nach Vergessen, Op. 10 No. 1

Schubert:

Sei mir gegrüsst! D741 (Rückert)

Wandrers Nachtlied I 'Der du von dem Himmel bist', D224

Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768

Freiwilliges Versinken D700 (Mayrhofer)

Litanei auf das Fest Allerseelen, D343

Der Unglückliche, D713

Ritter Toggenburg D397 (Schiller)

Blondel zu Marien, D626

Die Burgschaft, D246

Romanze des Richard Löwenherz D907 (Scott/Miller)

Lebenslied D508 (Matthisson)

Schumann:

Die rote Hanne, Op. 31 No. 3

Weber:

Klage ('Ein steter Kampf'), J. 63 (Op. 15 No. 2)

Wolf, H:

Wie sollt' ich heiter bleiben (No. 45 from Goethe-Lieder)

Wenn ich dein gedenke (No. 46 from Goethe-Lieder)

Anakreons Grab (No. 29 from Goethe-Lieder)


Hans Hotter (baritone), Michael Raucheisen (piano)

A selection of lieder from the Raucheisen project of the German Radio System (RRG). Recorded between 1942 and 1945; includes 19 previously unissued recordings.

Music & Arts - MACD1063

(CD - 2 discs)

$26.25

(also available to download from $21.75)

Usually despatched in 2 - 3 working days. (Available now to download.)

Dietrich Fischer Dieskau: Recordings from the Archives

Dietrich Fischer Dieskau: Recordings from the Archives


Beethoven:

La Gondoleta, WoO 157/12

Yehudi Menuhin (violin), Heinrich Schiff (cello)

Feuerfarb' Op. 52 No. 2

Maigesang, Op. 52 No. 4

Die Liebe, Op. 52 No. 6

Marmotte, Op. 52 No. 7

Das Liedchen von der Ruhe, Op. 52 No. 3

Das Blümchen Wunderhold, Op. 52 No. 8

Seufzer eines Ungeliebten und Gegenliebe, WoO118

Opferlied Op. 121b

Ecco quel fiero istante! (La partenza WoO.124)

Adelaide, Op. 46

Zärtliche Liebe 'Ich liebe dich', WoO 123

Der Kuss, Op. 128

Mephistos Flohlied, Op. 75, 3

Lieder von Gellert (6), Op. 48

Der Wachtelschlag, WoO 129

Gedenke mein!, WoO 130

An die Hoffnung, Op 32

Als die Geliebte sich trennen wollte, WoO 132

In questa tomba oscura, WoO.133

Die laute Klage, WoO 135

Andenken, WoO 136

Lied aus der Ferne, WoO 137

Der Jüngling in der Fremde, WoO 138

Der Liebende, WoO 139

Neue Liebe, Neues Leben, Op. 75, 2

Der Zufriedene, Op. 75 No. 6

Dimmi, ben mio (Hoffnung, Op. 82 No. 1)

T'intendo, si, mio cor (Liebes Klage, Op. 82 No. 2)

Che fa il mio ben? (L'amante impaziente, Op. 82 No. 3)

Che fa il mio ben? (L'amante impaziente, Op. 82 No. 4)

Wonne der Wehmut, Op. 83 No. 1

Sehnsucht, Op. 83, 2

Mit einem gemalten Band Op. 83, No. 3

An die Geliebte, WoO 140

Der Bardengeist, WoO 142

An die Hoffnung, Op. 94

Das Geheimnis, WoO 145

Sehnsucht (Nur wer die Sehnsucht kennt), WoO 134

An die ferne Geliebte (To the distant beloved), Op. 98

Ruf vom Berge, WoO 147

Resignation, WoO 149

Abendlied unter'm gestirten Himmel, WoO 150

The Parting Kiss

Good Night, WoO 155 No. 26

The Return to Ulster, WoO 152 No. 1

Once More I Hail Thee, WoO 152 No. 3

The Morning Air Plays on my Face, WoO 152 No. 4

The Soldier's Dream

O Harp of Erin, WoO 154 No. 2

The Pulse of an Irishman

Sunset, Op. 108 No. 2

Oh! Sweet were the hours, Op. 108 No. 3

Bonny Laddie, Highland Laddie, Op. 108 No. 7

O, Had My Fate Been Joined With Thine, WoO 108 No. 12

Come fill, fill, my good fellow!, Op. 108 No. 13

Could this ill world, Op. 108 No. 16

Faithfu' Johnie, Op. 108 No. 20

Selbstgesprach, WoO 114

Hartmut Holl (piano)

Berg:

Wo der Goldregen steht, Op. 2 No. 2

Abschied, Op. 2 No. 4

Grenzen der Menschheit, Op. 3

Aribert Reimann (piano)

Haydn:

Eine sehr gewöhnliche Geschichte

Der Gleichsinn

Die zu späte Ankunft der Mutter

Gegenliebe

Geistliches Lied, Hob. XXVIa:17

Auch die Sprödeste der Schönen

Zufriedenheit

Das Leben ist ein Traum, Hob. XXVIa:21

Lob der Faulheit, Hob. XXVIa:22

Recollection, Hob. XXVIa:26

Fidelity, Hob. XXVIa:30

Sailor's Song, Hob. XXVIa:31

The Wanderer, Hob. XXVIa:32

She Never Told Her Love, Hob. XXVIa:34

Piercing Eyes, Hob. XXVIa:35

The Spirit's Song, Hob. XXV1a:41

Gott erhalte den Kaiser!

Abschiedslied

Gerald Moore (piano)

Mozart:

An die Hoffnung, K390

Wie unglücklich bin ich nit K147

Lobegesang auf die feierliche Johannisloge, K 148 (125h)

Die grossmütige Gelassenheit, K149

Geheime Liebe K150

Die Zufriedenheit im niedrigen Stande, K151

Lied zur Gesellenreise, K468

Die Zufriedenheit, K473

Die betrogene Welt, K474

Das Veilchen, K476

Lied der Freiheit, K506

Das Lied der Trennung, K519

Abendempfindung an Laura, K523

An Chloë, K524

Das Traumbild, K.530

Die ihr des unermeßlichen Weltfalls - Kantate, K619

Daniel Barenboim (piano)

Schoenberg:

Dank, Op. 1 No. 1

Abschied, Op. 1 No. 2

Aribert Reimann (piano)


“This album...brings into the light items that have lain out of view, out of mind, for long enough...in these Mozart recordings Fischer-Dieskau combines his finest subtlety of response with the most scrupulous legato where appropriate and beauty of tone at all times...The Haydn recordings have Gerald Moore for pianist, and how one appreciates afresh the sense of presence he brings.” Gramophone Magazine, June 2010

EMI - 4554312

(CD - 4 discs)

$21.50

In stock - usually despatched within 1 working day.

Copyright © 2002-13 Presto Classical Limited, all rights reserved.