This page lists all recordings of O Taste and See, by Ralph Vaughan Williams (1872-1958) on CD, SACD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. Words from Psalm 34, v. 8. Motet for mixed choir (S or treble solo, ATB), with an organ introduction. Composed November - December 1952. Words from Psalm 34:8 Andante sostenuto. First performance London Westminster Abbey, 2 June 1953. Coronation of Queen Elizabeth II. Sung by christers during the Queen’s Communion, conducted by Sir WIlliam McKie. |
All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Essential Vaughan Williams
Vaughan Williams: | The Lark Ascending Hugh Bean (violin) New Philharmonia Orchestra, Sir Adrian Boult Linden Lea words by William Barnes) Dame Janet Baker (mezzo-soprano) & Gerald Moore (piano) Fantasia on Greensleeves Sinfonia of London, Sir John Barbirolli Silent Noon Ian Bostridge (tenor) & Julius Drake (piano) English Folk Song Suite (orch. Gordon Jacob) London Symphony Orchestra, Sir Adrian Boult The Vagabond (from Songs of Travel) Anthony Rolfe Johnson (tenor) & David Willison (piano) Serenade to Music (original version with 16 soloists) Norma Burrowes, Sheila Armstrong, Susan Longfield, Marie Hayward (soprano), Alfreda Hodgson, Gloria Jennings, Shirley Minty, Meriel Dickinson (contralto), Ian Partridge, Bernard Dickerson, Wynford Evans, Kenneth Bowen (tenor), Richard Angas, John Carol Case, John Noble & Christopher Keyte (bass) London Philharmonic Orchestra, Sir Adrian Boult Prelude on 'Rhosymedre' Academy of St Martin-in-the-Fields, Sir Neville Marriner Fantasia on a Theme by Thomas Tallis Sinfonia of London, Sir John Barbirolli The Wasps Overture London Philharmonic Orchestra, Sir Adrian Boult Loch Lomond Ian Partridge (tenor) London Madrigal Singers, Christopher Bishop Ca' the Yowes Ian Partridge (tenor) London Madrigal Singers, Christopher Bishop Five Variants of ‘Dives and Lazarus' Jacques Orchestra, Sir David Willcocks O Taste and See James Lancelot (organ) & Ivan Sharpe (treble) Winchester Cathedral Choir, Martin Neary Bushes and Briars Baccholian Singers of London Wassail Song Baccholian Singers of London For all the saints (Sine nomine) John Scott Whiteley (organ) York Minster Choir, Philip Moore The truth sent from above Choir of King's College, Cambridge, David Willcocks Little town of Bethlehem (Forest Green) The Lamb Ian Partridge (tenor) & Janet Craxton (oboe) Scherzo from Symphony No. 7 'Sinfonia antartica' London Philharmonic Orchestra, Sir Adrian Boult Orpheus With His Lute (first setting) David Daniels (countertenor) & Martin Katz (piano) Mass in G minor – Kyrie John Eaton (treble), Nigel Perrin (alto), Robin Doveton (tenor) & David van Asch (bass) Choir of King’s College, Cambridge, Sir David Willcocks The blessed Son of God Bach Choir, Sir David Willcocks Come down, O Love divine (Down Ampney) (trans. R. F. Littledale – v.4 arr. Williamson) Thomas Williamson (organ) The Old Hundredth Psalm Tune 'All people that on earth do dwell' (William Kethe – Louis Bourgeois arr. RVW; version for brass ensemble and organ by Roy Douglas) Benjamin Bayl (organ) Choir of King’s College, Cambridge, Stephen Cleobury |
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| |  | How Lovely Are Thy Dwellings
and a Gloria attributed to Mozart
Kevin Bowyer (organ) The Choir of the Collegiate Church of St Mary, Warwick, Mark Shepherd | | | In stock - usually despatched within 1 working day. |
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| |  | Vaughan Williams: Sacred Choral Music
Thomas Fitches (organ) Elora Festival Singers, Noel Edison “This fine Canadian choir perform very beautifully in a style which seems natural and right. The Elora Festival Singers have much in common with King's College, Cambridge under Willcocks; relaxed and habituated, they offer the welcome loveliness of a choral tone where the blend and match of voices produce a sound that's eminently 'at unity with itself'. There's no shortage of good recordings of the Mass in G minor, the one that stands out as being openeyed and adventurous in spirit being the version on Meridian by the Choir of New College, Oxford. They favour a sharper tone, a quicker tempo in the Credo and a brighter acoustic. The choice between women's and boys' voices may prove the deciding factor when it comes to which version; the Elora Singers' female voices seem to give this music precisely what's required. Yet more decisive may be the coupling. The two recordings by the college choirs couple music by other composers. The Canadians stay with Vaughan Williams, in a mood which assorts well with the Mass. Particularly apt is O vos omnes, also written for Sir Richard Terry and the Choir of Westminster Cathedral. The Skelton setting, Prayer to the Father of Heaven, from 1948 – a comparative rarity and sensitively performed – has a chill which is partly medieval, partly perhaps from the Antarctica of VW's Seventh Symphony. Down Ampney ('Come down, O Love divine') brings the warmth and cheer of a settled major tonality at the close.” Gramophone Classical Music Guide, 2010 | | | (also available to download from $6.00) | In stock - usually despatched within 1 working day. |
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| |  | A Year at Southwark
Stephen Disley (organ) The Boy Choristers and Lay-Clerks of Southwark Cathedral Choir, Peter Wright (director) A journey in music through a year at Southwark Cathedral charting some of the major Festivals of the Church’s year from Advent to Remembrance. A collection of both well-loved items and some less familiar works that might be heard at choral services in the Cathedral during the year. A rare recording from the fine choir of London’s ‘other’ Cathedral! The third release in Regent’s new ‘A Year at…’ series featuring a year in music from England’s major Cathedrals, which is building into a comprehensive survey of cathedral music repertoire. | | | Usually despatched in 4 - 5 working days. |
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| |  | CelebrationFavourite Music for British Royal Family Occasions from Westminster Abbey
The splendour of royal music for grand ceremonies and celebrations. No English church is more associated with Royal pomp and pageantry than Westminster Abbey. Since 1066, every sovereign save two has been crowned there. Until the relative privacy of Windsor was preferred, most were buried there. And it has become the favoured venue for members of the Royal family to marry. Martin Neary leads choral and brass forces in a program of music by Arthur Bliss, Ralph Vaughan Williams, William Walton, Hubert Parry, and others for grand ceremonial occasions. | | | Usually despatched in 8 - 10 working days. |
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| |  | Hear My Words: Choral Classics from St John’s
As exclusive Chandos artists, the Choir of St John’s College, Cambridge here presents its second release. The first CD, of choral music by Howells (CHAN10587), was released to rave reviews in March this year. Choir and Organ wrote: ‘There is musicianship here of a rare and moving kind.’ This new release of popular choral classics should meet with a similar reception while at the same time appealing to a wider audience. Established in the 1670s, the Choir of St John’s has a distinguished tradition of performing religious music. Its main duty is singing the daily services in the College Chapel during the University Term. During the University vacation the Choir carries out engagements in the UK and overseas, as well as undertaking a busy recording schedule. This particular release was recorded in the College Chapel in full surround-sound. The disc not only sounds spectacular, but recreates to an uncanny degree the experience of listening to the Choir perform in the chapel. The music itself represents a time span of nearly 500 years of choral music. The earliest piece dates from the first half of the sixteenth century, and the newest was composed as recently as 2007. The styles and genres are varied, but there are clear links between the works throughout. For example, several are based on texts from the psalms, and the works by Pärt, Parsons, and Rachmaninoff offer three radically different interpretations of the Ave Maria. Some of the works also add a solo instrument to the familiar mix of voices and organ. But perhaps most importantly, all the pieces recorded here sit comfortably under the heading of ‘Popular Choral Classics’. Allegri’s Miserere is counted among the great classics of church music. Part of its mystique stems from its origins; for many years the work was performed only in the Sistine Chapel, and as with other works tied to a single place it became an object for pilgrimage. In this case the pilgrims included Mendelssohn, as well as Mozart who famously noted down the work from memory after leaving the Vatican, thereby risking excommunication by the Catholic Church. This new release also features Stanford’s Jubilate, which was written for Trinity College, Cambridge. Intended as part of the service of Morning Prayer, it has long been one of the most popular canticles in the Anglican repertoire. In keeping with the text, Psalm 100, the tone is festive throughout. “the poised, sentient performance of Allegri's famous Miserere opening the disc bespeaks dedicated preparation, both technical and spiritual. I like the spatial variegations drawn by [Andrew Nethsinga]...and the unobtrusively pregnant phrasing of the tenor plainsong interjections...John's are a choir in fulsome health” BBC Music Magazine, Christmas 2010 **** “St John's has a wonderful acoustic, neither too spacious nor too intimate, and in Andrew Nethsinga it has a director who knows how to fill every corner with grace and clarity...the choir sings suavely and radiantly without resorting to cathedral prissiness; the recorded sound is superb. A joy all round.” Classic FM Magazine, February 2011 **** “A word of reassurance to those who fear that this may be a "lovely" programme of hallowed pot-boilers...If these are indeed, as the title proclaims, "choral classics", that term must have been stretched to include all that is old and good...There are also pieces of modernity...The famous choir appear to thrive under Andrew Nethsinga's management.” Gramophone Magazine, January 2011 “It is with Allegri's impressive Miserere that the disc begins. One must congratulate those boys who rise well above their fellows...an admirable choir and a nicely varied programme.” International Record Review, December 2010 “eclectic repertoire expertly sung” The Observer, 5th December 2010 “The boy treble voices bring lustre and freshness to the sonority, and the singing throughout is stirring and polished.” The Telegraph, 29th October 2010 **** | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Miserere – Choral Favourites
Allegri: | Miserere mei, Deus | Bach, J S: | O Lord, we sing thy praise (from Cantata BWV129) | Barber, S: | Agnus Dei | Berlioz: | L'Enfance du Christ, Op. 25 - L'Adieu des bergers | Burgon: | Nunc dimittis | Davies, Walford: | God be in my head | Franck, C: | Panis Angelicus | Gardiner, H B: | Evening Hymn (Te lucis ante terminum) | Gounod: | Ave Maria | Mendelssohn: | Hear My Prayer | Mozart: | Ave verum corpus, K618 | Parry: | I was glad Jerusalem | Purcell: | Hear my prayer, O Lord, Z15 | Schubert: | Deutsche Messe, D872: Sanctus Ave Maria, D839 | Vaughan Williams: | The Old Hundredth Psalm Tune 'All people that on earth do dwell' O Taste and See | Wood, C: | Hail, gladdening Light |
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| |  | Mystical SongsChoral music of Ralph Vaughan-Williams
Choir of Trinity College (Melbourne), Michael Leighton Jones This excellent release features the luminous beauty of Vaughan-Williams’ best-loved anthems, as well as his wonderful Mass in G minor. Also included is the world premiere recording of Five Mystical Songs in the version for piano quintet and chorus. “The general title "Mystical Songs" directs attention to the settings of five poems by George Herbert, performed here in the rarely heard version accompanied by piano and string quartet. …the Mass in G minor, is beautifully performed and recorded with unusual clarity. The organ and piano accompaniments are sensitively played, the brass ensemble adds a magnificent range of colours and the TinAlley String Quartet belies its name.” Gramophone Magazine, September 2009 | | | Usually despatched in 2 - 3 working days. |
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| |  | My Beloved SpakeFavourite Anthems from Winchester College
Paul Provost (organ) Winchester College Chapel Choir, Malcolm Archer (director) The first recording from the magnificent Chapel Choir of Winchester College since Malcolm Archer (formerly Wells and St Paul’s Cathedrals) took over in 2007. A beautiful collection of favourite anthems, including My beloved spake, How lovely are thy dwellings, Ave verum Corpus, Greater Love and Evening Hymn. Several rarities, including Elgar’s great setting of Light out of Darkness and works by Sumsion and MacMillan. | | | Usually despatched in 4 - 5 working days. |
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| |  | Vaughan Williams: Hymns & Choral Music
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