All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Music of Barber - Original Recordings (1935-1947)
Julius Baker (flute), Mitchell Miller (oboe), Harry Freistadt (trumpet), Samuel Barber (baritone), Raya Garbousova (cello), Erich Itor Kahn (piano) Los Angeles Janssen Symphony Orchestra, NBC Symphony Orchestra, Saidenberg Little Symphony, Curtis Quartet, Philadelphia Orchestra, New York Philharmonic Symphony Orchestra, Werner Janssen, Arturo Toscanini, Daniel Saidenberg, Eugene Ormandy, Bruno Walter | 
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| |  | David Curtis conducts Copland, Barber & Gershwin
April Fredrick (soprano) Orchestra of the Swan, David Curtis These live recordings showcase the spectacular voice and wonderful musicianship of American soprano April Fredrick whose star is now firmly in the ascendent. Much of this American repertoire is tailor-made for this artist, highlighting her expressive voice and sensitivity. | | | Usually despatched in 2 - 3 working days. |
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| |  | Sergiu Celibidache in Berlin 1949/50Barber, Busoni and Genzmer
| | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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| |  | Barber: Orchestral Works Volume 6
| | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Barber: Capricorn Concerto & Adagio for Strings
Julius Baker (flute), Mitchell Miller (oboe), Harry Freistadt (trumpet), Zara Nelsova (cello), Ernest Bloch (piano), Aaron Copland (piano) Saidenberg Little Symphony, Concert Hall String Symphony, Boyd Neel String Orchestra, Daniel Saidenberg, Edgar Schenkman, Boyd Neel | |
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| |  | Energetic American Music: Barber, Copland and Harris
Pacific Symphony Orchestra, Keith Clark The central work on this recording of orchestral music by American composers is Roy Harris' Sixth Symphony, called the "Gettysburg." Prior to composing the work, Harris read Carl Sandburg's biography of Lincoln, and this, in addition to enlarging upon his factual knowledge of the sixteenth president, helped the composer solidify his own feelings towards the man and the symbol. Though in the years since the Sixth Symphony appeared, there has been growing skepticism about politicians, increasingly leading to an at times almost cynical re-evaluation of even some of our most hallowed figures, one must acknowledge the sincerity and strength of the idealistic spirit motivating Harris during this period. One must also recognize that the rich and varied symphony that emerged as a result reflects a complex tapestry of influences. The Sixth Symphony, written in 1943-44 on commission from the Blue Network (a predecessor of the American Broadcasting Corporation), is very much a summary of what Roy Harris was as a man and a composer. “This is one of the best anthologies of mid-century American music available....The triumph on this release, however, is Roy Harris' Symphony No. 6. Harris is one of the great undiscoveries of the century, with style as unique as Copland's. Harris' Sixth Symphony is as distinct as his more famous Third Symphony, at once beautiful, heart-rending and compelling. Very highly recommended.” Classical Pulse | |
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| |  | Barber - Capricorn Concerto
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| |  | Barber: Complete Orchestral Works
Barber, S: | Symphony No. 1, Op. 9 First Essay for Orchestra Op. 12 Overture to The School for Scandal, Op. 5 Symphony No. 2, Op. 19 Cello Concerto, Op. 22 Wendy Warner (cello) Medea Orchestral Suite, Op. 23 Adagio for Strings, Op. 11 Piano Concerto Op. 38 Stephen Prutsman (piano) Die Natali, Op. 37 Medea's Meditation and Dance of Vengeance, Op. 23a Commando March Capricorn Concerto A Hand of Bridge, Op. 35 Mutations from Bach Vanessa - Intermezzo Canzonetta for oboe and strings Fadograph of a Yestern Scene Knoxville: Summer of 1915, Op. 24 Toccata Festiva, Op. 36 Second Essay for Orchestra, Op. 17 Violin Concerto, Op. 14 James Buswell (violin) Souvenirs, Op. 28 Serenade for String Orchestra, Op. 1 Music for a Scene from Shelley, Op. 7 Third Essay for Orchestra, Op. 47 |
In Barber’s anniversary year, Naxos is delighted to present his complete orchestral works in a specially priced 6-CD slipcase. | | Naxos - 8506021 (CD - 6 discs) Normally: $27.00 Special: $21.60 |
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| |  | Samuel Barber: Historical Recordings 1935-1960
Barber, S: | Adagio for Strings, Op. 11 Recorded live on 5th November 1938 NBC Symphony Orchestra, Arturo Toscanini Capricorn Concerto Recorded live on 2nd May 1945 CBS Orchestra, Samuel Barber Violin Concerto, Op. 14 Recorded 7th February 1941 Albert Spalding (violin) Philadelphia Orchestra, Eugene Ormandy Cello Concerto, Op. 22 Recorded 11th December 1950 Zara Nelsova (cello) New Symphony Orchestra, Samuel Barber Die Natali, Op. 37 Recorded live on 23rd December 1960 Boston Symphony Orchestra, Charles Munch Dover Beach, Op. 3 Recorded 13th May 1935 Samuel Barber (baritone) Curtis String Quartet First Essay for Orchestra Op. 12 Recorded live on 5th November 1938 NBC Symphony Orchestra, Arturo Toscanini Second Essay for Orchestra, Op. 17 Recorded live on 16th April 1942 New Symphony Orchestra, Bruno Walter Excursions Op. 20 Recorded 17th November 1950 Rudolf Firkušný (piano) Knoxville: Summer of 1915, Op. 24 Recorded live 19th June 1949 Eileen Farrell (soprano) CBS Symphony Orchestra, Bernard Herrmann Medea Orchestral Suite, Op. 23 Recorded 12th December 1950 New Symphony Orchestra, Samuel Barber Overture to The School for Scandal, Op. 5 Recorded 11th March 1942 Janssen Symphony, Janssen Victor Prayers of Kierkegaard, Op. 30 Recorded live on 3rd December 1954 Boston Symphony Orchestra, Charles Munch Cello Sonata in C minor, Op. 6 Recorded live on 28th January 1973 Orlando Cole (cello), Vladimir 'Billy' Sokoloff (piano) String Quartet, Op. 11 Recorded live on 14th March 1938 Curtis Quartet Symphony No. 1, Op. 9 Original version; recorded live 2nd April 1938 NBC Symphony Orchestra, Artur Rodzinski Symphony No. 2, Op. 19 Original version; recorded live on 4th March 1944 Boston Symphony Orchestra, Serge Koussevitzky Vanessa Recorded live on 1st February 1958 Eleanor Steber (Vanessa), Rosalind Elias (Erika), Nicolai Gedda (Anatol), Giorgio Tozzi (The Doctor), Regina Resnik (The Old Baroness), George Cehanovsky (Nicholas), Robert Nagy (Footman) Orchestra and Chorus of the Metropolitan Opera House, Dimitri Mitropoulos Violin Concerto, Op. 14 Revised version; recorded 7th January 1949 Ruth Posselt (violin) Boston Symphony Orchestra, Serge Koussevitzky Knoxville: Summer of 1915, Op. 24 Revised version; recorded live in October 1958 Eleanor Steber (soprano) Edwin Biltcliffe Knoxville: Summer of 1915, Op. 24 Revised version; recorded live on 15th November 1959 Leontyne Price (soprano) New York Philharmonic Orchestra, Thomas Schippers Symphony No. 1, Op. 9 Revised version; recorded 12th March 1944 New York Philharmonic Orchestra, Bruno Walter Symphony No. 2, Op. 19 Revised version; recorded 13th December 1950 New Symphony Orchestra, Samuel Barber Medea's Meditation and Dance of Vengeance, Op. 23a Recorded live on 16th March 1958 New York Philharmonic Orchestra, Dmitri Mitropoulos Sure on this shining night, Op. 13 No. 3 Four Songs, Op. 13, No. 4 (Nocturne) I hear an army Recorded live on 2nd May 1945 Jennie Tourel (mezzo) CBS Symphony Orchestra, Samuel Barber Commando March Recorded live on 30th October 1943 Boston Symphony Orchestra, Serge Koussevitzky Souvenirs, Op. 28 Recorded on 15th August 1952 Gold & Fizdale Duo |
Also includes interviews with Barber and Menotti and rehearsal footage of the Second Symphony (Barber conducting)
An extraordinary collection of Barber performances, most of them never before released. Several major works are included in both their original and revised versions. Newly restored sound. “this is as wide-ranging an anthology of Barber performances as anyone could wish for… the transfers are consistently excellent and the presentation is superb… Barber was one of the most subtle and individual voices of American twentieth-century music and this box is a magnificent celebration of his very personal art.” International Record Review, July/August 2011 “A treasure-trove of historic Barber recordings...A real discovery is the broadcast of the Adagio for strings and the First Essay with the NBC Symphony under Toscanini on November 5, 1938. These were the actual sounds that propelled Barber into the front rank of American composers...This set of CDs is a gold mine for anyone wanting to study Barber's revisions and early performances, many of which are not otherwise available.” Gramophone Magazine, October 2011 | | | (also available to download from $60.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Sergiu Celibidache: Magician of Sound
Barber, S: | Capricorn Concerto Rec. 1950 Berlin Philharmonic | Beethoven: | Symphony No. 9 in D minor, Op. 125 'Choral' Rec. 1958 Bruna Rizzoli, Marga Hoeffgen, Petre Munteanu, Aureliano Neagu Orchestra Sinfonica e Coro di Torino della RAI | Brahms: | Ein Deutsches Requiem, Op. 45 Rec. 1957 Agnes Giebel (soprano), Hans Hotter (baritone) Cologne RSO & Chorus Violin Concerto in D major, Op. 77 Rec. 1953 Ida Haendel (violin) London Symphony Orchestra | Cherubini: | Anacréon Overture Rec. 1949 Berlin Philharmonic | Copland: | Appalachian Spring Rec. 1949 Berlin Philharmonic | Genzmer: | Concerto for Flute and Chamber Orchestra Rec. 1950 Gustav Scheck (flute) Berlin Philharmonic | Gershwin: | Rhapsody in Blue orch. Ferd Grofé. Rec.1948 Gerhard Puchelt (piano) RIAS-Symphony Orchestra | Mozart: | Flute Concerto No. 2 in D major, K314 Rec. 1950 Gustav Scheck (flute) Berlin Philharmonic Symphony No. 36 in C major, K425 'Linz' Rec. 1959 Orchestra Allessandro Scarlatti di Napoli della RAI Serenade No. 13 in G major, K525 'Eine kleine Nachtmusik' Rec. 1959 Orchestra Allessandro Scarlatti di Napoli della RAI | Purcell: | Suite from King Arthur Rec. 1945 Berlin RSO | Ravel: | Rapsodie Espagnole Rec. 1948 Berlin Philharmonic | Roussel: | Petite Suite Op. 39 Rec. 1945 Berlin RSO | Schubert: | Symphony No. 8 in B minor, D759 'Unfinished' Rec. 1963 Orchestra della Svizzera Italiana | Schumann: | Symphony No. 2 in C major, Op. 61 Rec. 1963 Orchestra della Svizzera Italiana | Schwarz-Schilling: | Introduction and Fugue for string orchestra Rec. 1950 Berlin Philharmonic | Strauss, R: | Till Eulenspiegels lustige Streiche, Op. 28 Rec. 1947 Berlin Philharmonic | Tchaikovsky: | The Nutcracker Suite, Op. 71a Rec. 1963 Orch. della Svizzera Italiana | Tiessen: | Hamlet Suite, Op. 30 Rec.1957 Berlin RSO Salambo Suite, Op. 34a Rec.1957 Berlin RSO Symphony No. 2, Op. 17 ‘Stirb und Werde’ Rec.1957 Berlin RSO |
Very few great conductors were able to polarise the concert scene like the Romanian-born Sergiu Celibidache (1912-1996). He hated marketing in all of its forms, and with the exception of Wilhelm Furtwängler, was disparaging of his more famous fellow conductors, including Herbert von Karajan and Arturo Toscanini. He also loathed going into the studio, so most recordings illustrating his astounding talents as a conductor are of concert performances. The recordings featured in this 10-CD set were made between 1945 and 1963, and are mainly live broadcasts given with the Berlin Philharmonic, the Radio Symphony Orchestras of Berlin and Cologne, and a number of Italian radio orchestras. The repertoire ranges widely - from the English baroque of Purcell through Viennese Classicism of Mozart to Beethoven, Schubert, Schumann, Brahms, Tchaikovsky and Strauss. The compilation also features several popular works from the 20th century (Ravel, Gershwin and Samuel Barber for instance), plus music by Reinhard Schwarz-Schilling and Harald Genzmer associated with the German avant-garde. The least-known pieces are undoubtedly orchestral works of Heinz Thiessen (1887-1971), Celibidache’s composition teacher, to whom a full disc is devoted. | | | Usually despatched in 4 - 5 working days. |
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