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See Terms & Conditions for p&p rates. | |  | The Strausses of Vienna
Strauss, E: | Ohne Aufenthalt - Polka Schnell, Op.112 Bahn frei! Schnell-Polka, Op. 45 Ohne Bremse Op. 238 Polka schnell | Strauss, J, I: | Radetsky March, Op. 228 Seufzer Galopp, Op. 9 | Strauss, J, II: | An der schönen, blauen Donau, Op. 314 Champagner-Polka, Op. 211 Wein, Weib und Gesang, Op. 333 Geschichten aus dem Wienerwald, Op. 325 Auf der Jagd, Op. 373 Kaiser-Walzer, Op. 437 Rosen aus dem Süden, Op. 388 Blindekuh Overture - Maskenball-Quadrille, Op. 384 Sphärenklänge, Waltz, Op. 235 Im Krapfenwald'l, Polka française, Op. 336 Wiener Blut Waltz, Op. 354 Neue Pizzicato-Polka Op. 449 Wo die Zitronen blühen, Op. 364 Eljen a Magyar Schnell-Polka, Op. 332 Künstlerleben, Op. 316 Eine Nacht in Venedig Overture Neu-Wien, Waltz, Op. 342 | Strauss, Josef: | Plappermäulchen - polka schnell, Op. 245 Künstlergruß Polka-mazurka, Op. 274 Allerlei - Polka schnell, Op. 219 Pearls of Love, Concert Waltz, Op. 39 |
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| |  | Strauss: Waltzes, Polkas & Overtures
Strauss, J, II: | Tritsch-Tratsch Polka, Op. 214 Die Fledermaus Overture Csárdás from the operetta Die Fledermaus Nordseebilder Op. 390 Im Sturmschritt! (At the Double!), Op. 348 Neue Pizzicato-Polka Op. 449 Perpetuum Mobile, Op. 257 Frühlingsstimmen Walzer Op. 410 Der Zigeunerbaron Overture An der schönen, blauen Donau, Op. 314 Egyptischer Marsch, Op. 335 Eljen a Magyar Schnell-Polka, Op. 332 Furioso-Polka quasi Galopp, Op. 260 |
The music of Johann Strauss reflects an elegance and refinement typical of Vienna. It inspires us with a joie de vivre and an almost irresistible urge to dance. The ensemble Anima Eterna Brugge and its conductor, Jos van Immerseel, invite us to spend a delightful moment in Strauss’s company and theirs, with delicacy and feeling, conviction and emotion. Keeping as close as possible to the original score, they enable us to hear these pieces as they were intended by the composer. | 
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| |  | Strauss: Waltzes, Marches and Polkas
Strauss, J, I: | Radetsky March, Op. 228 | Strauss, J, II: | An der schönen, blauen Donau, Op. 314 Eljen a Magyar Schnell-Polka, Op. 332 Accelerationen, Op. 234 Persischer Marsch, Op. 289 Leichtes Blut, polka schnell, Op. 319 Künstlerleben, Op. 316 Unter Donner und Blitz, Op. 324 Kaiser-Walzer, Op. 437 Tritsch-Tratsch Polka, Op. 214 Rosen aus dem Süden, Op. 388 Annen-Polka, Op. 117 arr. Max Schonherr Wein, Weib und Gesang, Op. 333 Auf der Jagd, Op. 373 Sphärenklänge, Waltz, Op. 235 arr. Max Schonherr Perpetuum Mobile, Op. 257 Geschichten aus dem Wienerwald, Op. 325 Fledermaus-Quadrille, Op. 363 Wiener Blut Waltz, Op. 354 Napoleon-Marsch, Op. 156 (1854) | Strauss, Josef: | Delirien Waltz, Op. 212 |
Herbert von Karajan was a master of the Strauss style. Here for the first time are all three of his Strauss recordings from the early 1980s – beautifully conceived programmes of waltzes, polkas and marches, including all the favourites – compiled together in a generous 2-CD set. | | | (Sorry, download not available in your country) | Usually despatched in 2 - 3 working days. |
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| |  | Daniel Barenboim - New Year’s Concert 2009
Haydn: | Symphony No. 45 in F sharp minor 'Farewell': 4th movement first performance at a New Year’s Concert | Hellmesberger: | Valse espagnole first performance at a New Year’s Concert | Strauss, J, I: | Zampa-Galopp, Op. 62a first performance at a New Year’s Concert Radetsky March, Op. 228 Encore | Strauss, J, II: | Eine Nacht in Venedig Overture first performance at a New Year’s Concert Märchen aus dem Orient. Walzer, Op. 444 Annen-Polka, Op. 117 Saat und Ernte Schnell-Polka, Op. 159 first performance at a New Year’s Concert Rosen aus dem Süden, Op. 388 Freikugeln-Polka, Op. 326 Der Zigeunerbaron Overture Der Zigeunerbaron: Einzugsmarsch Schatz-Walzer, Op. 418 Alexandrine-Polka francaise, Op. 198 first performance at a New Year’s Concert Unter Donner und Blitz, Op. 324 Eljen a Magyar Schnell-Polka, Op. 332 So ängstlich sind wir nicht! - Polka, Op. 413 Encore An der schönen, blauen Donau, Op. 314 Encore So ängstlich sind wir nicht! - Polka, Op. 413 Ballet Extra Unter Donner und Blitz, Op. 324 Ballet Extra | Strauss, Josef: | Sphärenklänge, Op. 235 Sphärenklänge, Op. 235 Ballet Extra |
The New Year's Concert in Vienna has been a glorious tradition for over six decades. A best-selling classical event year on year, the concert has unique global appeal. It is broadcast on TV and radio to over 50 countries, and is viewed by tens of millions of people all over the world. The 2009 New Year's Day Concert will be conducted by the Argentinean-Israeli pianist and conductor Daniel Barenboim for the first time. From 1991-2006 Barenboim was the principal conductor of the Chicago Symphony Orchestra and since 1992 has been the General Music Director of the State Opera Unter den Linden in Berlin. Barenboim's debut with the Vienna Philharmonic took place in 1989, and he has since been a regular guest. In 1999, Barenboim and the late Palestinian academic Edward Säid founded the West-Eastern Divan Orchestra, in which young musicians from the Middle East and Israel perform together. Among the many awards Barenboim has received, was the Ernst von Siemens Music Prize in Vienna in 2006. In September 2007 Barenboim was named as United Nations Peace Envoy. The concert programme for 1st January 2009 will be the customary collection of Viennese delights, with six first time performances. The first part of the concert is inspired by the conductor’s biography. For example, the waltz Märchen aus dem Orient (Tales from the Orient), alludes to a modern “fairy tale” – the founding of the West-Eastern Divan Orchestra, a symbol of inter-cultural tolerance. Other first performances in the first half include J. Strauss II’s Schnellpost-Polka (Express Mail Polka) and J. Hellmesberger’s Valse Espagnole (Spanish Waltz). The second part of the concert makes constant allusions to the life and work of Joseph Haydn, culminating with the final movement of Haydn’s Symphony No.45 - 'Farewell Symphony'. This is the first time a work by Haydn has featured in the New Year’s Concert programme, and it will launch a year of events marking the bicentenary of the death of this great Austrian composerwho died in Vienna in May 1809. Other first appearances in the second half of the concert include J. Strauss I's Zampa-Galopp and J. Strauss II’s Alexandrine's Polka. | | | Usually despatched in 2 - 3 working days. |
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| |  | Daniel Barenboim - New Year’s Concert 2009
Haydn: | Symphony No. 45 in F sharp minor 'Farewell': 4th movement first performance at a New Year’s Concert | Hellmesberger: | Valse espagnole first performance at a New Year’s Concert | Strauss, J, I: | Zampa-Galopp, Op. 62a first performance at a New Year’s Concert Radetsky March, Op. 228 Encore | Strauss, J, II: | Eine Nacht in Venedig Overture first performance at a New Year’s Concert Märchen aus dem Orient. Walzer, Op. 444 Annen-Polka, Op. 117 Saat und Ernte Schnell-Polka, Op. 159 first performance at a New Year’s Concert Rosen aus dem Süden, Op. 388 Freikugeln-Polka, Op. 326 Der Zigeunerbaron Overture Der Zigeunerbaron: Einzugsmarsch Schatz-Walzer, Op. 418 Alexandrine-Polka francaise, Op. 198 first performance at a New Year’s Concert Unter Donner und Blitz, Op. 324 Eljen a Magyar Schnell-Polka, Op. 332 So ängstlich sind wir nicht! - Polka, Op. 413 Encore An der schönen, blauen Donau, Op. 314 Encore So ängstlich sind wir nicht! - Polka, Op. 413 Ballet Extra Unter Donner und Blitz, Op. 324 Ballet Extra | Strauss, Josef: | Sphärenklänge, Op. 235 Sphärenklänge, Op. 235 Ballet Extra |
The New Year's Concert in Vienna has been a glorious tradition for over six decades. A best-selling classical event year on year, the concert has unique global appeal. It is broadcast on TV and radio to over 50 countries, and is viewed by tens of millions of people all over the world. The 2009 New Year's Day Concert will be conducted by the Argentinean-Israeli pianist and conductor Daniel Barenboim for the first time. From 1991-2006 Barenboim was the principal conductor of the Chicago Symphony Orchestra and since 1992 has been the General Music Director of the State Opera Unter den Linden in Berlin. Barenboim's debut with the Vienna Philharmonic took place in 1989, and he has since been a regular guest. In 1999, Barenboim and the late Palestinian academic Edward Säid founded the West-Eastern Divan Orchestra, in which young musicians from the Middle East and Israel perform together. Among the many awards Barenboim has received, was the Ernst von Siemens Music Prize in Vienna in 2006. In September 2007 Barenboim was named as United Nations Peace Envoy. The concert programme for 1st January 2009 will be the customary collection of Viennese delights, with six first time performances. The first part of the concert is inspired by the conductor’s biography. For example, the waltz Märchen aus dem Orient (Tales from the Orient), alludes to a modern “fairy tale” – the founding of the West-Eastern Divan Orchestra, a symbol of inter-cultural tolerance. Other first performances in the first half include J. Strauss II’s Schnellpost-Polka (Express Mail Polka) and J. Hellmesberger’s Valse Espagnole (Spanish Waltz). The second part of the concert makes constant allusions to the life and work of Joseph Haydn, culminating with the final movement of Haydn’s Symphony No.45 - 'Farewell Symphony'. This is the first time a work by Haydn has featured in the New Year’s Concert programme, and it will launch a year of events marking the bicentenary of the death of this great Austrian composerwho died in Vienna in May 1809. Other first appearances in the second half of the concert include J. Strauss I's Zampa-Galopp and J. Strauss II’s Alexandrine's Polka. | | | Usually despatched in 2 - 3 working days. |
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| |  | Daniel Barenboim - New Year's Concert 2009
Haydn: | Symphony No. 45 in F sharp minor 'Farewell': 4th movement | Hellmesberger: | Valse espagnole | Strauss, J, I: | Zampa-Galopp, Op. 62a Radetsky March, Op. 228 | Strauss, J, II: | Eine Nacht in Venedig Overture Märchen aus dem Orient. Walzer, Op. 444 Annen-Polka, Op. 117 Saat und Ernte Schnell-Polka, Op. 159 Rosen aus dem Süden, Op. 388 Freikugeln-Polka, Op. 326 Der Zigeunerbaron Overture Der Zigeunerbaron: Einzugsmarsch Schatz-Walzer, Op. 418 Alexandrine-Polka francaise, Op. 198 Unter Donner und Blitz, Op. 324 Eljen a Magyar Schnell-Polka, Op. 332 So ängstlich sind wir nicht! - Polka, Op. 413 An der schönen, blauen Donau, Op. 314 | Strauss, Josef: | Sphärenklänge, Op. 235 |
The New Year's Concert in Vienna has been a glorious tradition for over six decades. A best-selling classical event year on year, the concert has unique global appeal. It is broadcast on TV and radio to over 50 countries, and is viewed by tens of millions of people all over the world. The 2009 New Year's Day Concert will be conducted by the Argentinean-Israeli pianist and conductor Daniel Barenboim for the first time. From 1991-2006 Barenboim was the principal conductor of the Chicago Symphony Orchestra and since 1992 has been the General Music Director of the State Opera Unter den Linden in Berlin. Barenboim's debut with the Vienna Philharmonic took place in 1989, and he has since been a regular guest. The concert programme for 1st January 2009 will be the customary collection of Viennese delights, with six first time performances. The first part of the concert is inspired by the conductor's biography. For example, the waltz Märchen aus dem Orient (Tales from the Orient), alludes to a modern "fairy tale" - the founding of the West-Eastern Divan Orchestra, a symbol of inter-cultural tolerance. Other first performances in the first half include J. Strauss II's Schnellpost-Polka (Express Mail Polka) and J. Hellmesberger's Valse Espagnole (Spanish Waltz). The second part of the concert makes constant allusions to the life and work of Joseph Haydn, culminating with the final movement of Haydn's Symphony No.45 - 'Farewell Symphony'. This is the first time a work by Haydn has featured in the New Year's Concert programme, and it will launch a year of events marking the bicentenary of the death of this great Austrian composerwho died in Vienna in May 1809. Other first appearances in the second half of the concert include J. Strauss I's Zampa-Galopp and J. Strauss II's Alexandrine's Polka. “This year, Daniel Barenboim took his first Vienna New Year assignment in 20 years, conducting the city's venerably Philharmonic. It throws up interesting music-making, the conductor's strong romantic streak making him more than usually liable to weave poetic magic from the many lingeringly expressive episodes in the Strauss family's music. Witness, for example, the heady surges of glorious string tone punctuating 'Rosen aus dem Süden'.” BBC Music Magazine, April 2009 **** | | | Usually despatched in 2 - 3 working days. |
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| |  | Csardas Forever
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| |  | Johann Strauss II: Waltzes, Polkas and Overtures
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| |  | Gruß in WienNew Year's Concert in Vienna
Lehár: | Waltz Intermezzo from “Der Graf von Luxemburg” Meine Lippen sie Kussen so heiss (from Giuditta) | Strauss, E: | Bahn frei! Schnell-Polka, Op. 45 | Strauss, J, I: | Sperl-Galopp, Op. 42 | Strauss, J, II: | Tik-Tak Polka, Op. 365 Klänge der Heimat (from Die Fledermaus) Pasman Waltz Eljen a Magyar Schnell-Polka, Op. 332 Freikugeln-Polka, Op. 326 Schwipslied (based on Annen-Polka, Op. 117) (arr. Paulik) Gruß an Wien | Strauss, Josef: | Delirien Waltz, Op. 212 | Suppe: | Die schöne Galathée Overture | Ziehrer: | Loslassen “Liebe, schöne alte Donaustadt” from “Der Fremdenführe |
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| |  | New Years Concert 2006
Lanner: | Die Mozartisten Walzer Op. 196 | Mozart: | Le nozze di Figaro, K492: Overture | Strauss, E: | Telephon Polka française Op. 165 | Strauss, J, I: | Radetsky March, Op. 228 | Strauss, J, II: | Auf's Korn! Bundesschützenmarsch Op. 478 Frühlingsstimmen Walzer Op. 410 Diplomaten Polka française Op. 448 Lob der Frauen Polka mazurka Op. 315 Künstlerleben, Op. 316 Der Zigeunerbaron: Einzugsmarsch Liebesbotschaft Galopp Neue Pizzicato-Polka Op. 449 Künstler-Quadrille Op. 201 Künstler-Quadrille Op. 201 Spanischer Marsch, Op. 433 Du und Du Walzer, Op. 367 Im Krapfenwald'l, Polka française, Op. 336 Furioso-Polka quasi Galopp, Op. 260 Lagunen-Walzer Op. 411 Eljen a Magyar Schnell-Polka, Op. 332 Banditen-Galopp, Op. 378 An der schönen, blauen Donau, Op. 314 | Strauss, Josef: | Lob der Frauen Polka mazurka Op. 315 Ohne Sorgen! - polka schnell, Op. 271 |
“Jansons may linger a little overmuch in Josef Strauss's Frauenherz (a tribute to the fact that the VPO now has female members?) but there is grace in his waltzes, fire in his marches and galops, and a welcome touch of humour in Eduard Strauss's Telephone Polka and the Bandits Galop. Altogether Jansons keeps the music bubbling along and the instrumental textures emerging with extreme clarity and refinement.” Gramophone Magazine, March 2006 | | | Usually despatched in 8 - 10 working days. |
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