All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | A Year at King's
The paired ancient and modern settings represented on the album showcase the vast range of music that the choir performs each season reflecting Christ’s birth, death and resurrection through the festivals of Advent, Christmas, Candlemas, Lent, Easter and Ascension. The rest of the year, known as Ordinary time, is focused more on Christ’s ministry on earth. A Year at King’s includes such favourites as Allegri’s Miserere and Barber’s Agnus Dei, an arrangement of his famous Adagio for Strings, as well as the first recording of Tavener’s Away in a Manger, written for King’s College Choir’s 2004 ‘Festival of Nine Lessons and Carols’. The rest of the programme comprises works composed between the 15th and 20th centuries by Palestrina, Pärt and Poulenc, Lassus, Holst, Guerrero, Eccard, Peter Philips and Stanford. The disc is rounded off with a spectacular performance of Tallis’s Spem in alium. On this, as on many previous King’s College Choir recordings, the conductor is Stephen Cleobury, organist and Director of Music at King’s since 1982. King Henry VI founded King’s College in 1441. Six centuries later, these daily services in the magnificent chapel that is one of the jewels of Britain’s cultural and architectural heritage are the raison d’être for, and a central part in, the lives of the Choir’s 16 choristers, 14 choral scholars and two organ scholars. The international reputation of the Choir of King’s College, Cambridge was established by the radio broadcast worldwide of the Festival of Nine Lessons and Carols each Christmas Eve, heard currently by an audience estimated in the tens of millions, and has been consolidated by regular international tours and by the critical and commercial success of its EMI Classics releases. In recent seasons the Choir has travelled throughout Europe as well as to the US, South America, Australia and Asia-Pacific for performances at churches, festivals and cultural centres. Of course, the Choir also performs extensively in the United Kingdom, appearing regularly at all the major halls in London and in the regions, both a cappella and with orchestras. In 2009 they joined other Cambridge artists, ensembles and the BBC Symphony Orchestra under Sir Andrew Davis in a BBC Prom to mark the 800th anniversary of Cambridge University. This summer, they appear at the Cambridge and Chester Music Festivals, at the latter of which they perform two extracts from A Year at King’s. Palm Sunday 2009 saw The Choir of King's College, Cambridge undertake a unique project in collaboration with Opus Arte and the Royal Opera House, Covent Garden. Under the direction of Stephen Cleobury and partnered by the Academy of Ancient Music, the Choir's performance of Handel's Messiah in King's College Chapel was screened live by satellite to cinemas throughout the UK, mainland Europe and Northern America. This first ever live broadcast of a choral concert anywhere in the world was undertaken as part of the King's Easter Festival as well as to celebrate the 250th anniversary of the death of Handel and the 800th anniversary of Cambridge University. The CD of this performance was released by EMI Classics shortly following the event and the DVD in November 2009. King's Choir played a key part in the BBC’s new Easter schedule in 2010: BBC TV broadcast Easter at King's, an Easter service sung by the Choir and filmed in the Chapel; BBC Radio 3 broadcast two concerts from King's over the Easter period, James MacMillan's St John and a concert of sacred music with the Britten Sinfonia. The most recent releases by the Choir, under exclusive contract with EMI Classics, include the 80th anniversary broadcast of A Festival of Nine Lessons and Carols; the above-mentioned Handel’s Messiah on CD and DVD; England, My England, a patriotic collection of English choral favourites that topped the UK classical artist charts and became EMI Classics’ UK best-selling title of 2009; and a stunning selection of Tudor anthems entitled I Heard a Voice. "A crowning glory of our civilisation" Sir Peter Maxwell Davies "I would happily sit in King’s College Chapel listening to this choir sing for the rest of my days." Richard Morrison, The Times “Allegri's Miserere brings an outstandingly involving interpretation to light, the stratospheric top Cs for solo treble not unduly spotlighted, and marvellously natural unison phrasing in the plainchant sections...[a] firmly recommendable introduction to how the King's choir sounds at present.” BBC Music Magazine, September 2010 **** “...highly proficient, taking easily in their stride the most elaborate polyphony and answering all the demands...The great motet by Tallis is heard in a new way, moving ahead with resolution and assurance.” Gramophone Magazine, September 2010 | | | In stock - usually despatched within 1 working day. |
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| |  | Stanford - Evening Services in C & G
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| |  | More Choral Favourites from King’s
Bach, J S: | Magnificat in D major, BWV243: Magnificat anima mea Dominum | Brahms: | How lovely are Thy dwellings | Britten: | A Ceremony of Carols, Op. 28: Balulalow | Byrd: | O Lord, make thy servant Elizabeth | Fauré: | Messe basse : Benedictus Requiem: In Paradisum | Gardiner, H B: | Evening Hymn (Te lucis ante terminum) | Garrett: | Psalm 137: By the waters of Babylon | Gibbons, O: | Hosanna to the son of David | Gorecki: | Totus Tuus, Op. 60 opening | Goss, J: | Psalm 23: The Lord is my shepherd | Parry: | Dear Lord and Father of Mankind (Repton) | Poston: | Jesus Christ the Apple Tree | Purcell: | Remember not, O Lord, our offences, Z50 | Rachmaninov: | Vespers, Op. 37: Blazhen muzh | Rutter: | Pie Jesu (from Requiem) | Scholefield: | The Day Thou gavest, Lord, is ended (St Clement) | Stanford: | Evening Service in G, Op. 81: Magnificat Coelos Ascendit Hodie, Op. 38 No. 2 | Stravinsky: | Ave Maria | Tallis: | O nata lux de lumine 5vv | trad.: | This joyful Eastertide arr. Charles Wood | Vaughan Williams: | Mass in G minor: Gloria Come down, O Love divine (Down Ampney) |
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| |  | The Feast of the Ascension at Westminster Abbey
Hyperion is delighted to present this latest CD from The Choir of Westminster Abbey under their inspirational director, James O’Donnell. They continue their exploration of the rich repertoire of the liturgy in its historical context in the Abbey with music for the Feast of the Ascension. Ascension Day is a particular moment of celebration within the annual round of Easter praise and is celebrated in glorious and triumphal language. The works recorded here represent a wide range of the best of liturgical music, starting from the intricate and joyful writing of the sixteenth-century composer Peter Philips and ending with fascinating and appealing pieces by living composers. Along the way are works from the great flowering of English cathedral music in the nineteenth and twentieth centuries. “After seven years at the helm, James O'Donnell has made a formidable singing outfit of the Westminster Abbey Choir...The treble line is robust and thrilling, its soloist, Jacob Ewens, a sinuous star in Britten's Te Deum in E. The ensemble is well balanced in the polyphony of Philips's Ascendit Deus and confidently tuned in the awe-filled modernism of Gowers's Viri Galilei, while the organist, Robert Quinney, does more than his share in the dazzling accompaniments.” The Times, 26th April 2008 **** “The choir of Westminster Abbey under James O'Donnell sing with the happy care which his choristers at the Cathedral used to bring to their work with him. If the echo calls attention to itself at the start, the ears soon adjust. They are not going to complain with so much to enjoy.” Gramophone Magazine, June 2008 “The boys might be singing Stanford's Caelos ascendit hodie, but they could just as easily be trilling ''Woohoo! It's Ascension Day!'' I love such musical joie de vivre, and not every choir is able to produce it convincingly as these chaps...this is Westminster Abbey Choir at their crystalline best, with spot-on pitching, enviable articulation and sympathetic phrasing.” Charlotte Gardner, bbc.co.uk, 18th April 2008 | | | In stock - usually despatched within 1 working day. |
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| |  | Stanford - Anthems and Services
“The mean old saying, 'Those who can, do, and those who can't, teach', would have withered in the presence of Stanford; and no doubt one of the reasons why he was such a great teacher is that he could and did, and so set an example. His C major services (Morning, Evening and Communion, all included in this programme) are so eminently the works of a master who knows how to get from here to there in one move, to keep always something in reserve for later use but never to write without a good clear melodic idea in the first place. Everything in this programme has freshness and well-founded assurance. It's music with clarity of purpose: it knows where it's going and doesn't put a foot wrong. Under Christopher Robinson, the choir has enjoyed a period in which the distinguishing mark has been a renewed vitality of style. It's well caught in this CD. The start of the first track, the C major Te Deum, has it straightaway – the praise carries spirit and conviction. The final track opens still more strikingly. This is For lo, I will raise up, for which Stanford, writing in 1914, set his imagination free to bestir the choir-stalls into an almost fiercely dramatic life. The St John's choir bite into the words with relish, while the acoustic and their well-judged tempo reinforce the rhythmic energy of the passage. Even in the best-stocked collection this would prove a welcome addition, and for those who have as yet nothing of the master, it should provide a lively introduction.” Gramophone Classical Music Guide, 2010 | | | (also available to download from $6.00) | In stock - usually despatched within 1 working day. |
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| |  | A Choral Wedding
anon.: | Ye watchers and ye holy ones (Lasst Uns Erfreuen) | Berkeley, L: | The Lord is my Shepherd, Op. 91 No. 1 | Britten: | Jubilate Deo in C major (1961) | Bruckner: | Locus iste, WAB 23 | Darwall: | Ye holy angels bright (Darwall's 148th) | Duruflé: | Ubi caritas, Op. 10 No. 1 | Dykes: | Holy! Holy! Holy! Lord God Almighty | Fauré: | Cantique de Jean Racine, Op. 11 | Finzi: | My lovely one, Op. 27 No. 1 God is gone up, Op. 27 No. 2 | Franck, C: | Panis Angelicus | Goss, J: | Praise my soul, the King of Heaven | Greatorex, W: | Tell out, my soul (Woodlands) | Howells: | All my hope on God is founded | Ireland: | My song is love unknown | Irvine, Jessie: | The Lord's My Shepherd (Crimond) | Jones, J D: | King of glory, King of peace (Gwalchmai) | Lauridsen: | O magnum mysterium | Monk, W H: | Abide with me | Mozart: | Vesperae Solennes de Confessore, K339: Laudate Dominum | Parry: | I was glad Dear Lord and Father of Mankind (Repton) Jerusalem O praise ye the Lord | Prichard: | Alleluya, sing to Jesus! (Hyfrydol) | Purcell: | Christ is made the sure foundation (Westminster Abbey) | Rutter: | Wedding Canticle | Stainer: | God so loved the world | Stanford: | Coelos Ascendit Hodie, Op. 38 No. 2 | Taylor, Cyril: | Glorious things of thee are spoken (Abbot's Leigh) | Thalben-Ball: | O for a thousand tongues to sing (Arden) | trad.: | All people that on earth do dwell Let all mortal flesh keep silence Immortal, invisible, God only wise (St Denio) Praise to the Lord, the Almighty (Lobe den Herren) | Vaughan Williams: | Come down, O Love divine (Down Ampney) | Walton: | Set me as a seal upon thine heart | Wesley, S S: | Blessed be the God and Father | Willan: | Rise up, my love |
A new release in the Naxos wedding music series, ‘A Choral Wedding’ is a 2 CD collection of popular choral anthems and favourite hymns which have been chosen specifically as suggestions for brides and grooms planning church weddings with a choir. CD 1 includes a variety of anthems from the popular Anglican tradition such as Wesley’s Blessed be the God and Father and Parry’s I was glad through to classical evergreens such as Mozart’s Laudate Dominum and Fauré’s Cantique de Jean Racine. There are some seasonal items too – Stainer’s God so loved the world for an Easter wedding and Lauridsen’s O magnum mysterium for a Christmas wedding. CD 2 is a re-packaged version of Abide with Me (8557578), and includes a wide selection of congregational hymns such as sing-along favourites Jerusalem and Praise, my soul, the King of Heaven. | | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Come, Holy SpiritVespers sung by the choir of the Dresden Kreuzkirche
Aichinger: | Factus est repente | anon.: | Veni, creator spiritus Alta trinita beata | Bach, J S: | Kommt, Seelen, dieser Tag, BWV479 | Becker, A: | Komm, Heiliger Geist | Eccard: | Der Heilig Geist vom Himmel kam | Gesius: | Der du bist Drei in Einigkeit | Mendelssohn: | Six Motets, Op. 79: Am Himmelfahrtstage Jauchzet dem Herrn alle Welt, Op. 69 No. 2 | Palestrina: | Viri Galilaei - motet | Penderecki: | Veni Creator | Pepping: | Jesus und Nikodemus | Praetorius, M: | Komm, Heiliger Geist | Schütz: | Ich bin ein rechter Weinstock | Stanford: | Coelos Ascendit Hodie, Op. 38 No. 2 | Walther, J: | Nun bitten wir den Heiligen Geist |
The Kreuzchor of Dresden is a boys’ choir with one of the richest traditions in the world and it is as active today as it ever was. The vesper service is an integral part of the Dresden Kreuzchor tradition. This collection concentrates on the time around Whitsuntide, the period between Ascension Day and Trinity. It includes music from the Middle Ages up to the present. | | | Usually despatched in 4 - 5 working days. |
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| |  | Great Cathedral Anthems Vol. 8
“The choir sing well, leaving no loose ends.This disc is well worth a bob or two to add to your collection” Classic CD | | | Usually despatched in 8 - 10 working days. |
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| |  | Music From St. Clement Danes
Martindale Sidwell (organ) & John Wilbraham (trumpet) St. Clement Danes Chorale The beautiful church of St. Clement Danes in the Strand is The Central Church of the Royal Air force. They have a long tradition of high quality music making as demonstrated by this album of choral music | | | Usually despatched in 4 - 5 working days. |
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| |  | In Tune with HeavenChoral music by Parry, Stanford and Harris
Thomas Leech (organ) The Girls and Men of Norwich Cathedral Choir, Julian Thomas | | | Usually despatched in 4 - 5 working days. |
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