Puccini: La Rondine

Director for TV - Brian Large

Marta Domingo’s famous production of this increasingly popular ‘operetta’; the only version of this particular ending to the piece available on DVD.

A valuable addition to Decca’s catalogue of Puccini DVDs. The piece is barely represented on DVD and Marta’s Domingo’s famous production is one of several recently which have started to make this work more a part of the standard operatic repertoire.

The operetta is famous for the beautiful aria ‘Doretta’s Dream’, used in the Merchant Ivory film of a Room with a View. However, the piece is in fact full of Puccini’s luscious melodies, albeit written in a lighter manner than usual.

Marta Domingo’s production was celebrated yet controversial for adapting the ending to reflect the more tragic outcome of the story; this is one of three endings Puccini wrote for the opera and Decca’s DVD will be the only available release of this version.

Excellent cast led by the beautiful Spanish soprano Ainhoa Arteta. American Marcus Haddock plays her suitor and the soprano Inva Mula is also notable in the role of Lisette.

EXTRAS: PBS introduction to the opera

Set Design by Peter J. Davison & Costume Design by Sue Wilmington.

Venice 2008. This year’s schedule at La Fenice includes a special treat for opera-goers: a production of Puccini’s seldom-performed opera: “La Rondine” (The Swallow). And now this rarity can also be rediscovered on Blu-Ray. The score of the operetta-like threeact “lyrical comedy”, which tells the story of the love between Magda and Ruggero, must be one of Puccini’s most subtle creations. The light, bubbling music reveals levels of artistry and complexity that few composers have ever matched. Milan-born conductor Carlo Rizzi has worked with the world’s leading orchestras since 1982 – from Los Angeles and Chicago to Zurich, Milan and Salzburg, where he conducted a much-acclaimed production of “La Traviata” with Anna Netrebko and Rolando Villazón in 2005. Graham Vick, a highly experienced opera director, has directed who also is something of a “Britpop” enthusiast, has directed productions at the New York Met, Vienna State Opera, Bavarian State Opera and the Royal Opera House, London. In Glyndebourne, where he was director of productions from 1994 to 2000, he was responsible, amongst other things, for staging “Così fan tutte”, “Don Giovanni” and “Pélleas et Mélisande”.

Filmed at the 53rd Puccini Festival, Torre del Lago, Italy, 8, 10 & 16 August 2007

Although one of his most consistently lyrical operas, La rondine (The Swallow) remains one of Puccini’s least known. Dissatisfied with the result of his work, Puccini wrote three versions, with two different endings, and continued to make further revisions up to his death in 1924.

This innovative 2007 production is in effect a fourth version, which combines Acts I and II of the first version (1917), with Lorenzo Ferrero’s 1994 orchestration of parts of the Finale of Act III of the incomplete third version (1921), some of which had survived only in piano score, as well as Ruggero’s Act I romanza, ‘Parigi è la città dei desideri’, from the second version (1920). This is a world premiere recording of this little known ‘fourth version’.

With a sparkling score reminiscent of Franz Lehár and Richard Strauss, La rondine, set in mid-19th century Paris, tells the story of Magda de Civry, a young courtesan who falls in love one evening with Ruggero Lastouc, the handsome son of a childhood friend of her protector, Rambaldo Fernandez. Although Magda believes that her compromised social position prevents their marrying, in Puccini’s third version it is Ruggero who leaves Magda when he discovers that she is the mistress of Rambaldo.

Live from the Teatro La Fenice, Venice 2008. This year’s schedule at La Fenice includes a special treat for opera-goers: a production of Puccini’s seldom-performed opera: “La Rondine” (The Swallow). And now this rarity can also be rediscovered on DVD. The score of the operetta-like three-act “lyrical comedy”, which tells the story of the love between Magda and Ruggero, must be one of Puccini’s most subtle creations. The light, bubbling music reveals levels of artistry and complexity that few composers have ever matched.

Milan-born conductor Carlo Rizzi has worked with the world’s leading orchestras since 1982 – from Los Angeles and Chicago to Zurich, Milan and Salzburg, where he conducted a much-acclaimed production of “La Traviata” with Anna Netrebko and Rolando Villazón in 2005.

Graham Vick, a highly experienced opera director, has directed who also is something of a “Britpop” enthusiast, has directed productions at the New York Met, Vienna State Opera, Bavarian State Opera and the Royal Opera House, London. In Glyndebourne, where he was director of productions from 1994 to 2000, he was responsible, amongst other things, for staging “Così fan tutte”, “Don Giovanni” and “Pélleas et Mélisande”.