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Tsveta Sarambelieva, Orlin Anastasov, Venteslav Anastasov, Silvia Teneva, Rositsa Pavlova-Indzheva, Krasimir Dinev, Plamen Papazikov & Alexander Georgiev Orchestra, Chorus and Ballet of the Sofia National Opera, Bulgaria., Francesco Rosa (conductor) & Palmen Kartaloff (stage director) Performed at the Sofia National Opera and Ballet in Bulgaria. This recording highlight’s Massenet’s brilliantly comedic Don Quichotte. This is accentuated by a superb cast and stage director, Palmen Kartaloff. Picture Format: 16:9 Subtitles: Fre, Eng, Ger, Spa, Ita and Bg. Booklet Notes: Ita/Eng Available Worldwide “Anastasov is the undoubted star of Kartaloff's staging, with a decent supporting cast. Hi-tech visuals partly make up for a contrived, modern-dress production.” BBC Music Magazine, June 2013 *** | 
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This production of one of the late masterpieces of Massenet, 'Don Quichotte', in May 2010 from La Monnaie, was the last great role performed by the feted Belgian baritone, José van Dam. This very special context generates a real intensity, enhanced by the stage direction of Laurent Pelly and the expertise of Marc Minkowski in French opera repertoire, following numerous productions by Massenet, Debussy, Meyerbeer, Offenbach, Auber, Boieldieu, Gounod… The DVD includes a touching documentary on this production. José van Dam was born in Brussels. As a guest in the world’s leading opera houses, he has sung the title roles of countless operas but has become synonymous with Philip [Don Carlos] and Don Quichotte in particular. He has contributed to the success of many opera productions at La Monnaie, where he has also appeared in concerts and recitals. He also performs a vast concert, oratorio and song repertoire and has made many recordings. His cinema appearances include the title role in Gérard Corbiau’s 'Le Maître de musique' (The Music Teacher) and a brilliant Leporello in Joseph Losey’s 'Don Giovanni'. His interpretations have earned him numerous awards. He holds an honorary doctorate from the University of Montreal; the City of Berlin awarded him the honorary title of ‘Kammersänger’; the French Government has appointed him Commandeur des Arts et Lettres; and he has been ennobled by King Albert II of Belgium. “At almost 70, Van Dam's voice is not what it was, but his artistry is as consummate as ever. His relative vocal frailty only enhances a characerisation that is a masterclass in expressive understatement...this is both a profoundly moving take on Massenet's 'comedie heroique' and a treasurable souvenir of a great performer in his final role.” BBC Music Magazine, October 2012 ***** “This issue deserves particular praise because the central performance, on which so much of the opera hangs, was José van Dam’s farewell to the stage at La Monnaie...Van Dam is on very fine form here, clearly relishing the importance of the occasion. His gift for vocal flair is still there...Silvia tro Santafé is a very successful Dulcinée...Minkowski holds the whole evening together with charm, affection and his famous ear for detail” MusicWeb International, April 2013 BBC Music Magazine
DVD Choice - October 2012 |
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Italian bass Ferruccio Furlanetto is one of the most sought-after interpreters of French, Italian and Russian repertoire. Here he joins Valery Gergiev and the Mariinsky orchestra for a sumptuous recording of Massenet’s final great opera. Gergiev is no stranger to conducting Massenet, having recorded an outstanding performance of 'Hérodiade' in 1995 with Renée Fleming and Placido Domingo. 'Don Quichotte', Massenet’s comédie-héroïque, is a tale of heroism, adventure and unrequited love. The plot relates only indirectly to the great novel by Miguel de Cervantes and more likely refers to the play Le chevalier de la longue figure, by the poet Jacques Le Lorrain. Massenet, nearing the end of his career, probably identified with the character of Don Quichotte, and fell in love with the mezzo-soprano Lucy Arbell, who played Dulcinée in the first performance of the work. Praised for his vast range, thundering vocal power, and exceptional acting ability, Ferruccio Furlanetto has performed at the world’s leading opera houses, including La Scala, the Royal Opera House, the New York Metropolitan Opera and the Mariinsky Theatre in St Petersburg. His 2011-12 season is dominated by performances of 'Boris Godunov' with the Chicago Lyric Opera, Vienna Staatsoper and the Teatro Massimo (Palermo). Furlanetto will also sing Méphistophélès in Gounod’s 'Faust', Don Basilio in 'Il Barbiere di Siviglia' and Silva in 'Ernani' at the Met. Mezzo-soprano Anna Kiknadze is a principal soloist of the Mariinsky Theatre, St Petersburg. Highlights of her early career include being a finalist at the 2001 Cardiff Singer of the World Competition, 2002 Placido Domingo Operalia Competition in Paris and the International Rimsky-Korsakov Competition in St. Petersburg. “[Furlanetto] is moving in Quichotte’s prayer and death scene. Gergiev surprises with his sensitive handling of Massenet’s delicately perfumed idiom, relishing the atmosphere of his Spanish pastiche.” Sunday Times, 26th February 2012 “[Furlanetto] is quite astonishingly moving in it, as is Andrei Serov as Sancho Pança. The rest of it is more equivocal. Gergiev is at his best when the music is most tender, but goes hell-for-leather at the fiesta scenes, which work better when less pressured.” The Guardian, 8th March 2012 **** “Furlanetto's basso cantante makes a fine compromise [between Ghiaurov and van Dam] - rich but smooth in fluent French - and Valery Gergiev whips up the score more vigorously than either predecessor...Gergiev has excellent surround sound, and this new version comes recommended” BBC Music Magazine, April 2012 **** “[Furlanetto's] dark round tone is perfect for the role. He can't resist uttering his trademark sob now and then but much can be forgiven for his beautiful legato...Furlanetto's combination of sadness and dignity is most affecting...Anna Kiknadze finds heart as well as frivolity in Dulcinee's music. Gergiev and his chorus and orchestra are on fine form and the recorded sound, in the experienced hands of James Mallinson, is excellent.” Gramophone Magazine, May 2012 BBC Music Magazine
Opera Choice - April 2012 |
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"Massenet's Don Quichotte marks the ripe maturity of his art…Van Dam has sung beautifully throughout…Berganza as Dulcinée has the appropriate maturity of tone…while chorus and orchestra both do good work under an able conductor." Gramophone Three new releases in the new mid-price opera packaging. Verdi's Attila with Riccardo Muti and 2 Massenet operas, Werther and Don Quichotte with idiomatic cast and orchestras under the direction of Michel Plasson. Each opera appears in a multipack with separate booklet of 16 pages. New introduction in English, French, German, Spanish and Italian. Original booklet material with extensive notes and complete libretto with translations is on a separate bonus disc (CDROM). “Van Dam, Berganza and Fondary sing beautifully.” BBC Music Magazine, May 2010 **** | | | In stock - usually despatched within 1 working day. |
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“Despite Massenet's success as an opera composer, his purely orchestral music has suffered undue neglect. There's a wealth of lovely tunes here and textures both sensuous and invigorating, all shaped by Gardiner with great affection.” BBC Music Magazine, September 2005 **** | | | In stock - usually despatched within 1 working day. |
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| |  | 25th May 1957
An excellent release of Massenet’s wonderful but rarely performed operatic version of the Don Quixote story. | | | Usually despatched in 2 - 3 working days. |
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Vanni Marcoux (bass-baritone) | | | Usually despatched in 3 - 4 working days. |
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Laura Polverelli (Dulcinée), Giaccomo Prestia (Don Quichotte), Alessandro Corbelli (Sancho), Marie Devellereau (Pedro), Tullia Mancinelli (Garcias), Armando Badia, Andréa Fusari, Roberto Rados, Francesco Paccorini (Bandits) Orchestra, Coro e Corpo di Ballo del Teatro Giuseppe Verdi di Trieste, Dwight Bennett | | | Usually despatched in 8 - 10 working days. |
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| |  | Massenet: Don ChisciotteSung in Italian
Teresa Berganza (Dulcinée), Boris Christoff (Don Quichotte), Carlo Badioli (Sancho Panza), Ornella Rovero (Pedro), Pina Malgarini (Garcias), Alfredo Nobile (Rodriguez), Tommaso Frascati (Juan) Orchestra e Coro della RAI Milano, Alfredo Simonetto Recorded in Milan in 1957 | | | Usually despatched in 2 - 3 working days. |
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| |  | The Massenet Edition
Massenet: | Don Quichotte studio recording, 1978 Nicolai Ghiaurov (Don Quichotte), Gabriel Bacquier (Sancho Panza), Régine Crespin (Dulcinée), Michèle Command (Pedro), Annick Dutertre (Garcias), Peyo Garazzi (Rodriguez), Jean-Marie Frémeau (Juan) L'Orchestre de la Suisse Romande, Kazimierz Kord Esclarmonde studio recording, 1975 Joan Sutherland (Esclarmonde), Huguette Tourangeau (Parséis), Clifford Grant (Emperor Phorcas), Giacomo Aragall (Roland), Louis Quilico (L'Evèque de Blois), Ryland Davies (Enéas), Robert Lloyd (Cléomer), Ian Caley (A Saracen Envoy), Graham Clark (A Byzantine Herald) National Philharmonic Orchestra, John Alldis Choir, Finchley Children's Music Group, Richard Bonynge Le Jongleur de Notre-Dame Roberto Alagna (Jean), Stefano Antonucci (Boniface), Francesco Ellero d'Artegna (Le prieur), Marc Larcher (Un moine poète) Orchestre National de Montpellier, Enrique Diemecke Manon studio recording, 1970 Beverly Sills (Manon), Nicolai Gedda (Le Chevalier des Grieux), Gérard Souzay (Lescaut), Gabriel Bacquier (Le Comte des Grieux), Nico Castel (Guillot de Morfontaine), Michel Trempont (De Brétigny) New Philharmonia Orchestra, Ambrosian Singers, Julius Rudel Le Roi de Lahore live recording, 1977 Luis Lima (Alim), Joan Sutherland (Sita), Sherrill Milnes (Scindia), Nicolai Ghiaurov (Indra), James Morris (Timour), Huguette Tourangeau (Kaled), John Tomlinson (Officer), Gareth Morrell (Army Chief), David Wilson-Johnson (Soldier) Orchestra and Chorus of the Vancouver Opera Association, NPO / Bonynge Thaïs studio recording, 1997-8 Renée Fleming (Thaïs), Thomas Hampson (Athanaël), Giuseppe Sabbatini (Nicias), Stefano Palatchi (Palémon), Marie Devellereau (Crobyle), Isabelle Cals (Myrtale), Enkelejda Shkosa (Albine), Elisabeth Vidal (La Charmeuse), David Grousset (Servant) Orchestre National de Bordeaux-Aquitaine, Yves Abel Thérèse studio recording 1973 Huguette Tourangeau (Thérèse), Ryland Davies (Armand de Clerval ), Louis Quilico (André Thoral), Neilson Taylor (Morel), Ian Caley (Un Officier), Alan Opie (Un Officier Municipal) New Philharmonia Orchestra, The Linden Singers, Richard Bonynge Werther studio recording, 1980 José Carreras (Werther), Frederica Von Stade (Charlotte), Isobel Buchanan (Sophie), Thomas Allen (Albert), Robert Lloyd (Le Bailli), Malcolm King (Johann), Paul Crook (Schmidt), Donaldson Bell (Brühlmann), Linda Humphries (Kätchen) Orchestra of Covent Garden, Children from the Royal Opera House Production, Orchestra of the Royal Opera House, Covent Garden, Davis Le Carillon National Philharmonic Orchestra, Richard Bonynge Le Cid - Ballet music National Philharmonic Orchestra, Richard Bonynge Scènes pittoresques Paris Conservatoire Orchestra, Albert Wolff Cigale Enid Hartle National Philharmonic Orchestra, Richard Bonynge C'est sa tete que je reclame (from Hérodiade) Huguette Tourangeau (mezzo) L'Orchestre de la Suisse Romande, Richard Bonynge Il est doux, il est bon (from Hérodiade) Angela Gheorghiu (soprano) Orchestra del Teatro Regio di Torino, John Mauceri De cet affreux combat…Pleurez, mes yeux ! (from Le Cid) Joan Sutherland (soprano) London Symphony Orchestra, Richard Bonynge Fantaisie for Cello and Orchestra Jascha Silberstein (cello) L'Orchestre de la Suisse Romande, Richard Bonynge Meditation (from Thaïs) Nigel Kennedy (violin) National Philharmonic Orchestra, Richard Bonynge Le sais-tu? Huguette Tourangeau (mezzo), Richard Bonynge (piano) On dit! Huguette Tourangeau (mezzo), Richard Bonynge (piano) Passionnément Huguette Tourangeau (mezzo), Richard Bonynge (piano) Les âmes des fleurs Huguette Tourangeau (mezzo), Richard Bonynge (piano) Souvenance Huguette Tourangeau (mezzo), Richard Bonynge (piano) Le Petit Jésus Huguette Tourangeau (mezzo), Richard Bonynge (piano) Les Yeux clos Huguette Tourangeau (mezzo), Richard Bonynge (piano) Ce que disent les cloches Huguette Tourangeau (mezzo), Richard Bonynge (piano) La mélodie des baisers Huguette Tourangeau (mezzo), Richard Bonynge (piano) Pitchounette Huguette Tourangeau (mezzo), Richard Bonynge (piano) Nuit d'Espagne Huguette Tourangeau (mezzo), Richard Bonynge (piano) L'éventail Huguette Tourangeau (mezzo), Richard Bonynge (piano) Je t'aime! Huguette Tourangeau (mezzo), Richard Bonynge (piano) Les amoureuses sont des folles Huguette Tourangeau (mezzo), Richard Bonynge (piano) Printemps dernier Huguette Tourangeau (mezzo), Richard Bonynge (piano) Roses d'Octobre Huguette Tourangeau (mezzo), Richard Bonynge (piano) Sérénade d'automne Huguette Tourangeau (mezzo), Richard Bonynge (piano) Souhait Huguette Tourangeau (mezzo), Richard Bonynge (piano) Elle s'en est allee Huguette Tourangeau (mezzo), Richard Bonynge (piano) Les Yeux clos Joan Sutherland (soprano), Richard Bonynge (piano), Barry Tuckwell (horn) Amours bénis Joan Sutherland (soprano), Richard Bonynge (piano), Barry Tuckwell (horn) Pensée d'automne Joan Sutherland (soprano), Richard Bonynge (piano) Oh! si les fleurs avaient des yeux Joan Sutherland (soprano), Richard Bonynge (piano) Puisqu'elle a pris ma vie Joan Sutherland (soprano), Richard Bonynge (piano) Oh! si les fleurs avaient des yeux Joan Sutherland (soprano) New Philharmonia Orchestra, Richard Bonynge Crépuscule Joan Sutherland (soprano) New Philharmonia Orchestra, Richard Bonynge Ah, que mes soeurs ... Reste au foyer, petit grillon (from Cendrillon) Joan Sutherland (soprano) L'Orchestre de la Suisse Romande, Richard Bonynge Manon: ballet Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge Meditation (from Thaïs) John Georgiadis (violin) London Symphony Orchestra, Richard Bonynge Le Roi de Lahore: waltz and entr'acte London Symphony Orchestra, Richard Bonynge Scènes dramatiques National Philharmonic Orchestra, Richard Bonynge Cendrillon: Marche des princesses National Philharmonic Orchestra, Richard Bonynge La Navaraisse : Nocturne London Symphony Orchestra, Richard Bonynge Les Erinnyes : Invocation London Symphony Orchestra, Richard Bonynge Air de Nina (from Chérubin) Joan Sutherland (soprano) New Philharmonia Orchestra, Richard Bonynge Chérubin Entr'acte London Symphony Orchestra, Richard Bonynge Vive amour qui rêve (from Chérubin) Angela Gheorghiu (soprano) Orchestra e coro de Teatro Regio di Torino, John Mauceri Lamento d'Ariane National Philharmonic Orchestra, Richard Bonynge Phèdre: Overture Orchestre de l'Opera Comique Paris, Albert Wolff Werther: Prelude & La nuit de Noël Orchestre de l'Opera Comique Paris, Albert Wolff Scènes pittoresques Paris Conservatoire Orchestra, Albert Wolff Scènes alsaciennes Paris Conservatoire Orchestra, Albert Wolff |
13 August 2012 marks the 100th anniversary of the death of Jules Massenet (born 12 May 1842). Massenet is best-known for his operas and this set contains his two most famous - Manon and Werther as well as rarer works which owe their modern revivals and recordings during the 1970s to the advocacy of Joan Sutherland and Richard Bonynge. Richard Bonynge has been a lifelong champion of Massenet and his reference-status recordings of the ballets are included as an integral element in this edition. He also features as an accompanist to Huguette Tourangeau in a widely-admired but long out of print recording of a selection of Massenet Songs. The 140-page booklet includes full cast lists of the operas and detailed track lists. Opera critic and writer George Hall has written an article on Massenet's life and works. Richard Bonynge also contributes a personal note on his discovery and love of Massenet's music. A CD-ROM contains the opera libretti and song-texts with translations. This comprehensive 23-CD set with a wealth of glorious music is a must for all Massenet fans and lovers of French music alike. | | | In stock - usually despatched within 1 working day. |
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