Massenet: Don Quichotte (Don Chisciotte, Don Quixote) - SACD

This page lists our only recording of Don Quichotte (Don Chisciotte, Don Quixote), by Jules Emile Frederic Massenet (1842-1912) on SACD.

Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates.
Massenet: Don Quichotte

Awards:

BBC Music Magazine

Opera Choice - April 2012

Label:

Mariinsky

Catalogue No:

MAR0523

Discs:

2

Release date:

5th March 2012

Barcode:

0822231852322

Medium:

SACD

Format:

Hybrid Multi-channel

LSO and Mariinsky - up to 25% off

click here for full details

special offer ends 26/06/2013

| Share

Massenet: Don Quichotte


Ferruccio Furlanetto (Don Quichotte), Anna Kiknadze (Dulcinée) & Andrei Serov (Sancho Panza)

Mariinsky Academy of Young Singers Ensemble & Mariinsky Orchestra & Soloists, Valery Gergiev

SACD - 2 discs

Normally: $26.50

Special: $19.87

In stock - usually despatched within 1 working day.

Italian bass Ferruccio Furlanetto is one of the most sought-after interpreters of French, Italian and Russian repertoire.

Here he joins Valery Gergiev and the Mariinsky orchestra for a sumptuous recording of Massenet’s final great opera. Gergiev is no stranger to conducting Massenet, having recorded an outstanding performance of 'Hérodiade' in 1995 with Renée Fleming and Placido Domingo.

'Don Quichotte', Massenet’s comédie-héroïque, is a tale of heroism, adventure and unrequited love. The plot relates only indirectly to the great novel by Miguel de Cervantes and more likely refers to the play Le chevalier de la longue figure, by the poet Jacques Le Lorrain. Massenet, nearing the end of his career, probably identified with the character of Don Quichotte, and fell in love with the mezzo-soprano Lucy Arbell, who played Dulcinée in the first performance of the work.

Praised for his vast range, thundering vocal power, and exceptional acting ability, Ferruccio Furlanetto has performed at the world’s leading opera houses, including La Scala, the Royal Opera House, the New York Metropolitan Opera and the Mariinsky Theatre in St Petersburg. His 2011-12 season is dominated by performances of 'Boris Godunov' with the Chicago Lyric Opera, Vienna Staatsoper and the Teatro Massimo (Palermo). Furlanetto will also sing Méphistophélès in Gounod’s 'Faust', Don Basilio in 'Il Barbiere di Siviglia' and Silva in 'Ernani' at the Met.

Mezzo-soprano Anna Kiknadze is a principal soloist of the Mariinsky Theatre, St Petersburg. Highlights of her early career include being a finalist at the 2001 Cardiff Singer of the World Competition, 2002 Placido Domingo Operalia Competition in Paris and the International Rimsky-Korsakov Competition in St. Petersburg.

Massenet: Don Quichotte

playAct 1: Alza!

playAct 1: Quand La Femme A Vingt Ans

playAct 1: Dulcinée Est Certes Jolie

playAct 1: Allégresse

playAct 1: C'est Merveille De Voir

playAct 1: O Dulcinée!

playAct 1: Quand Apparaissent Les Étoiles

playAct 1: Ah! Ah! C'est Vous Qui Lanciez

playAct 1: Vous Êtes, Monseigneur

playAct 2: C'est Vers Ton Amour

playAct 2: Comment Peut-On Penser Du Bien

playAct 2: Regarde!

playPremier Interlude

playAct 3: C'est Ici Le Chemin

playAct 3: O Mes Rêves Divins!

playAct 3: Ah! Voir Un Corps Long

playAct 3: Seigneur, Reçois Mon Âme

playAct 4: Alors Traitresse

playAh! J'ai En Ce Moment Le Désir D'autre Chose

playAlza! Ne Pensons Qu'au Plaisir D'aimer

playAnnonce Le Grand Don Quichotte

playOn Ne S'explique Pas

playMarchez Dans Mon Chemin

playAct 4: Me Marier, Moi!

playAct 4: Enfin, Te Revoilà!

playAct 4: Riez, Allez!

playDeuxième Interlude

playAct 5: O Mon Maître

playAct 5: Oui! Je Fus Le Chef

playAct 5: L'Etoile!

Sunday Times

26th February 2012

“[Furlanetto] is moving in Quichotte’s prayer and death scene. Gergiev surprises with his sensitive handling of Massenet’s delicately perfumed idiom, relishing the atmosphere of his Spanish pastiche.”

The Guardian

8th March 2012

****

“[Furlanetto] is quite astonishingly moving in it, as is Andrei Serov as Sancho Pança. The rest of it is more equivocal. Gergiev is at his best when the music is most tender, but goes hell-for-leather at the fiesta scenes, which work better when less pressured.”

BBC Music Magazine

April 2012

****

“Furlanetto's basso cantante makes a fine compromise [between Ghiaurov and van Dam] - rich but smooth in fluent French - and Valery Gergiev whips up the score more vigorously than either predecessor...Gergiev has excellent surround sound, and this new version comes recommended”

Gramophone Magazine

May 2012

“[Furlanetto's] dark round tone is perfect for the role. He can't resist uttering his trademark sob now and then but much can be forgiven for his beautiful legato...Furlanetto's combination of sadness and dignity is most affecting...Anna Kiknadze finds heart as well as frivolity in Dulcinee's music. Gergiev and his chorus and orchestra are on fine form and the recorded sound, in the experienced hands of James Mallinson, is excellent.”

Click here for alternative recordings of this work.

Copyright © 2002-13 Presto Classical Limited, all rights reserved.