Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Egon Petri: His Recordings 1929-1942 (Volume 1)
Chopin: | Waltz No. 5 in A flat major, Op. 42 | Liszt: | Grande Étude de Paganini, S. 141 No. 5 'La Chasse' Gnomenreigen, S145 No. 2 Spinnerlied aus Der fliegende Holländer S440 Die Forelle, S564 Auf dem Wasser zu singen, S558 No. 2 (from Schubert D774) Liebesbotschaft (No. 10 from Schwanengesang, S560, after Schubert) Winterreise (after Schubert) for Piano, S 561: No 7, Der Lindenbaum Gretchen am Spinnrade, S558 No. 8 (after Schubert D118) Soirées de Vienne: valse-caprice No. 6 (after Schubert), D427 No. 6 Concert Paraphrase on Rigoletto, S.434 after Verdi's opera Valse De L'opera Faust S407 Un Sospiro from 3 Concert Studies, S144 No. 3 Transcendental Study, S139 No. 9 'Ricordanza' Piano Concerto No. 2 in A major, S125 Fantasia on a theme from Beethoven's 'Ruins of Athens', S122 Rhapsodie espagnole, S254 Transcendental Study, S139 No. 4 'Mazeppa' | Tchaikovsky: | Piano Concerto No. 1 in B flat minor, Op. 23 |
“[This] will delight both devotees of transcendent virtuosity and poetic sensibility, for the colour and pellucid tone Petri displays... are equally matched by an almost prodigal disregard of - normally - testing passages... The notes and documentation from this company remain the standard for others.” Classic CD | | | Usually despatched in 2 - 3 working days. |
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| |  | The New Golden Era
Piano roll ('Reproducing Piano') recordings from the early 20th century, replayed on a modern Steinway Concert Grand. | | | Usually despatched in 4 - 5 working days. |
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| |  | The Piano G & Ts - Volume 1Recordings from the Gramophone & Typewriter era (1900-1907)
Chopin: | Étude Op. 25 No. 9 in G flat major 'Butterfly' Vladimir de Pachmann (piano) Waltz No. 6 in D flat major, Op. 64 No. 1 'Minute Waltz' Vladimir de Pachmann (piano) Waltz No. 7 in C sharp minor, Op. 64 No. 2 Vladimir de Pachmann (piano) Barcarolle in F sharp major, Op. 60 Vladimir de Pachmann (piano) Nocturne No. 12 in G major, Op. 37 No. 2 Vladimir de Pachmann (piano) Prelude Op. 28 No. 22 in G minor Vladimir de Pachmann (piano) Prelude Op. 28 No. 23 in F major Vladimir de Pachmann (piano) Mazurka No. 31 in A flat major, Op. 50 No. 2 Vladimir de Pachmann (piano) Étude Op. 10 No. 12 in C minor ‘Revolutionary' Vladimir de Pachmann (piano) Étude Op. 10 No. 5 in G flat major 'Black Key' Aleksander Michalowski (piano) Polonaise No. 3 in A major, Op. 40 No. 1 'Military' Aleksander Michalowski (piano) Waltz No. 7 in C sharp minor, Op. 64 No. 2 Aleksander Michalowski (piano) Prelude Op. 28 No. 7 in A major Aleksander Michalowski (piano) Prelude Op. 28 No. 20 in C minor Aleksander Michalowski (piano) Waltz No. 6 in D flat major, Op. 64 No. 1 'Minute Waltz' two recordings Aleksander Michalowski (piano) Waltz No. 7 in C sharp minor, Op. 64 No. 2 Aleksander Michalowski (piano) Etude Op. 10 No. 11 in E flat major Aleksander Michalowski (piano) Polonaise No. 3 in A major, Op. 40 No. 1 'Military' Landon Ronald (piano) | Grieg: | Album Leaf, Op. 28 No. 3 in A major Landon Ronald (piano) | Liszt: | Concert Paraphrase on Rigoletto, S.434 after Verdi's opera Vladimir de Pachmann (piano) Mes joies – Nocturne d'après un chant polonais de Fr. Chopin, S480/5bis Aleksander Michalowski (piano) Soirées de Vienne: valse-caprice No. 6 (after Schubert), D427 No. 6 Aleksander Michalowski (piano) Hungarian Rhapsody, S244 No. 2 in C sharp minor Landon Ronald (piano) | Mendelssohn: | Rondo capriccioso in E major, Op. 14 Vladimir de Pachmann (piano) Song without Words, Op. 19b No. 3 in A major 'Hunting Song' Aleksander Michalowski (piano) Song without Words, Op. 67 No. 4 in C major 'Spinning Song' or 'Bee's Wedding' Landon Ronald (piano) | Raff: | La Fileuse Op. 157 No. 2 two recordings Vladimir de Pachmann (piano) | Wagner: | Die Meistersinger von Nürnberg: Overture Landon Ronald (piano) |
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| |  | Liszt: Wagner & Verdi Transcriptions
Liszt: | Ernani - Première paraphrase de concert S431a Miserere du Trovatore, S433 Concert Paraphrase on Rigoletto, S.434 after Verdi's opera Finale de "Don Carlos" de Verdi – Coro di festa e marcia funebre, S435 Salve Maria de l'opéra de Verdi "Jérusalem", S431ii Messa di Requiem: Agnus Dei S437 Réminiscences de Simone Boccanegra, S.438 Aida Di Verdi - Danza Sacra e Duetto Finale S436 Phantasiestück über Motive aus Rienzi (Wagner), S. 439 Ballade aus Der fliegende Holländer S441 Spinnerlied aus Der fliegende Holländer S440 O du, mein holder Abendstern - Rezitativ und Romanze aus Tannhäuser S444 Einzug der Gäste auf der Wartburg S445/1 Ouvertüre zu R Wagners Tannhäuser S442 Elsa’s Bridal Procession (from Lohengrin), S445, No.2 Aus Richard Wagners Lohengrin, S446 Walhall aus Der Ring des Nibelungen S449 Aus der Musik von Eduard Lassen zu Hebbels Nibelungen und Goethes Faust, S496 (1878/9) Isolde's Liebestod (after Wagner), S447 Am stillen Herd – Lied aus Richard Wagners "Meistersinger", S448 Feierlicher Marsch zum heiligen Gral aus Parsifal S450 |
Michele Campanella (piano) An original contribution to the Verdi and Wagner celebrations of 2013: the complete Verdi and Wagner transcriptions by Liszt! In a time when there was no recorded sound it was customary to promote the works of a composer by playing transcriptions for solo piano of well known works or excerpts. Super virtuoso Franz Liszt was a champion in this genre, his transcriptions are an art form in themselves, his complex and highly virtuosic piano writing enhanced rather than diminished the impact of the original work. These recordings offer the complete transcriptions of two of Liszt’s heroes: Verdi and Wagner, featuring the famous Rigoletto paraphrase, the Duetto from Aida, the Spinnnerlied from Der Fliegende Holländer, the notorious Tannhäuser Overture (one of the most difficult pieces ever written) and the moving Isoldes Liebestod. Played with authority and conviction by Michele Campanella, one of Italy’s foremost Liszt specialists, on a 1892 Steinway piano, lending a sense of authenticity to the performance. | 
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| |  | Liszt: Works for Orchestra and Piano
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| |  | Tresors Classiques Oubliés
Arnold: | Sinfonietta No. 1, Op. 48 | Barrios Mangoré: | Maxixe | Busoni: | Fantasia nach J S Bach | Enescu: | Romanian Rhapsody in D major, Op. 11 No. 2 | Fauré: | Messe basse | Fux: | De profundis | Glazunov: | Waltz in D major Op. 42 No. 3 | Gnesin: | The Jewish Orchestra at the Ball in Nothingtown, Op. 41 | Ibert: | Entr'acte for flute (or violin) & guitar (or harp) | Janacek: | Idyll for String Orchestra | Krein, Yulian: | Sonata-Fantasia for cello and piano | Liszt: | Concert Paraphrase on Rigoletto, S.434 after Verdi's opera | Martin, F: | Ballade for saxophone & orchestra | Rachmaninov: | Six Pieces, Op. 11 | Shostakovich: | The Golden Age, Suite from the Ballet, Op. 22a: Adagio and Allegretto | Stamitz, C: | Clarinet Concerto No. 11 in E flat major | Stravinsky: | Pulcinella Suite | Telemann: | Concerto No.12 in B minor | Thieriot: | Quintet for piano and wind, Op. 80 | Tietz: | Violin Sonata in F sharp minor | Walton: | Scapino: A Comedy Overture | Wassenaer: | Concertino No. 1 | Zach: | Terra tremit: Offertoire |
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| |  | Jorge Bolet: The Romantic Virtuouso
Albéniz: | Tango (No. 2 from Espana, Op. 165) arr.Godowsky | Brahms: | Variations and Fugue on a Theme by Handel, Op. 24 | Chopin: | Barcarolle in F sharp major, Op. 60 Ballade No. 2 in F major, Op. 38 Prelude Op. 28 No. 15 in D flat major ‘Raindrop' Étude Op. 25 No. 1 in A flat major 'Aeolian Harp' Waltz No. 6 in D flat major, Op. 64 No. 1 'Minute Waltz' Waltz No. 6 in D flat major, Op. 64 No. 1 'Minute Waltz' arr.Godowsky | Debussy: | Préludes - Book 2: No. 3, La Puerta del Vino Préludes - Book 1: No. 8, La fille aux cheveux de lin Préludes - Book 1: No. 12, Minstrels | Godowsky: | Studies on Chopin Etudes - No. 25 in A Flat Studies on Chopin Etudes - No. 5 in D flat ('For the Left Hand Alone') Concert paraphrase in E flat major Elegy for the left hand alone | Kreisler: | Liebesfreud arr. Rachmaninov Liebesleid arr. Rachmaninov | Liszt: | Totentanz, S126 for piano & orchestra London Symphony Orchestra, Iván Fischer Malédiction, S121 Op. 452 Fantasy on Hungarian Folk-tunes, S123 Concert Paraphrase on Rigoletto, S.434 after Verdi's opera Liebestraum, S541 No. 3 (Nocturne in A flat major) Grand galop chromatique, S219 | Mendelssohn: | Rondo capriccioso in E major, Op. 14 | Rachmaninov: | Piano Concerto No. 3 in D minor, Op. 30 London Symphony Orchestra, Iván Fischer Variations on a Theme of Chopin, Op. 22 Prelude Op. 3 No. 2 in C sharp minor Prelude Op. 32 No. 12 in G sharp minor Melodie in E Major, Op. 3 No. 3 | Schlözer: | Etude in A flat major, Op. 1 No. 2 | Schubert: | Fantasie in C major, D760 'Wanderer' orch. Liszt London Philharmonic Orchestra, Sir Georg Solti Auf dem Wasser zu singen, D774 arr. Liszt | Schumann: | Fantasie in C major, Op. 17 |
This specially priced 4-CD set combines the romantic spirit and dignified musicality of Cuban-born pianist Jorge Bolet, who made many celebrated recordings as a Decca artist. He was to many a cult figure who brought a rare spontaneity and warmth to a broad range or repertoire, including popular favourites and dazzlingly virtuosic encores. The art of Jorge Bolet is celebrated in this set which is released to mark the 20th anniversary of his death [16 October 1990]. Booklet includes an appreciation of Jorge Bolet by piano specialist Jeremy Siepmann | | | Usually despatched in 2 - 3 working days. |
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| |  | Liszt - Piano Works
Liszt: | Harmonies poétiques et religieuses (10), S. 173 Liebesträume, S541 Nos. 1-3 Consolations, Six Pensées poétiques, S. 172 Legendes (2) for piano, S. 175 Ballade No. 1 in D flat major S170 ('Le chant du croisé') Ballade No. 2 in B minor, S171/R16 Années de pèlerinage, 1ère année, Suisse (9 pieces), S. 160 Années de pèlerinage, 2ème année, Italie (7 pieces), S. 161 Venezia e Napoli (3 pieces), S. 162 Années de pèlerinage, 3ème année (7 pieces), S. 163 Isolde's Liebestod (after Wagner), S447 Faust (Gounod)_Waltz Valse de concert sur deux motifs de Lucia et Parisina (Donizetti) Concert Paraphrase on Rigoletto, S.434 after Verdi's opera Réminiscences de Simone Boccanegra, S.438 Miserere du Trovatore, S433 Aida Di Verdi - Danza Sacra e Duetto Finale S436 |
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| |  | Liszt: Studies and Transcriptions
Liszt: | Transcendental Studies, S139 Nos. 1-12 Phantasiestück über Motive aus Rienzi (Wagner), S. 439 O du, mein holder Abendstern - Rezitativ und Romanze aus Tannhäuser S444 Einzug der Gäste auf der Wartburg S445/1 Walhall aus Der Ring des Nibelungen S449 Aus der Musik von Eduard Lassen zu Hebbels Nibelungen und Goethes Faust, S496 (1878/9) Ballade aus Der fliegende Holländer S441 Spinnerlied aus Der fliegende Holländer S440 Aus Richard Wagners Lohengrin, S446 Am stillen Herd – Lied aus Richard Wagners "Meistersinger", S448 Isolde's Liebestod (after Wagner), S447 Feierlicher Marsch zum heiligen Gral aus Parsifal S450 A Midsummer Night’s Dream: Wedding March & Dance of the Fairies (after Mendelssohn), S410 Les Adieux, rêverie sur un motif de l'opéra Romeo et Juliette, S. 409 Réminiscences des "Puritains" – Grande fantaisie sur des thèmes de l'opéra de Bellini, S390i Les Sabéennes, berceuse de l'opéra La Reine de Saba, S. 408 Valse d'Adèle pour la main gauche seul par Géza Zichy {Transcription brillant 2 mains par F. Liszt}, S456 Réminiscences de "Don Juan" (after Mozart), S. 418 Ernani - Première paraphrase de concert S431a Salve Maria de l'opéra de Verdi "Jérusalem", S431ii Miserere du Trovatore, S433 Concert Paraphrase on Rigoletto, S.434 after Verdi's opera Finale de "Don Carlos" de Verdi – Coro di festa e marcia funebre, S435 Messa di Requiem: Agnus Dei S437 Réminiscences de Simone Boccanegra, S.438 Aida Di Verdi - Danza Sacra e Duetto Finale S436 Symphony No.6 in F Op.68 ‘Pastorale’ from S464 |
Michele Campanella (piano) “Campanella has much virtuosity and there is plenty of entrancing pianism: but he is also deeply thoughtful” Gramophone Michele Campanella is internationally known as one of major interpreters and virtuoso of the Liszt repertoire, and has been awarded the Grand Prix du Disque three years (1976, 1977 and 1998, the latter for “Franz Liszt - The Great Transcriptions, I-II” with Philips) by the prestigious “Franz Liszt” Academy in Budapest. Campanella has faced in over 40 years of career most of the principal pages of the piano literature In addition to his activity as a musician, Campanella adds the role of writer. On March 10th in the Spazio Risonanze del Parco della Musica of Rome, he will present his book Il Mio Liszt, that the pianist dedicates to his author of reference This box of hitherto unissued recordings will be a must for any pianophile. Michele Campanella is already known to such connoisseurs as a Liszt player of the highest distinction, who has played the composer’s music for many decades now. These recordings were made in Italy in the last 10 years, and reveal him as an ever more acute interpreter of this often elusive music. Most obviously demanding, of course, are the 12 Transcendental Studies, that ultimate synthesis of literary-inspired creative fire and technical wizardry. Two discs of Wagner transcriptions venture from the familiar and relatively straightforward (Isoldes Liebestod) to the transformative recreations, entirely worthy of the originals, wrought by Liszt on themes from Lohengrin and Parsifal.Then on a disc of Liszt is the well-known Rigoletto paraphrase but also transcriptions of music from Gerusalem and Simon Boccanegra. Altogether we encounter the protean genius of Liszt at his most flexible, responding to the appetite of his day for both operatic pot-pourris and for clouds of piano dreams. | | | Usually despatched in 4 - 5 working days. |
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| |  | Idil Biret Franz Liszt 200th Anniversary Edition
Liszt: | Piano Concerto No. 1 in E flat major, S124 Bilkent Symphony Orchestra, Emil Tabakov Piano Concerto No. 2 in A major, S125 Bilkent Symphony Orchestra, Emil Tabakov Totentanz, S126 for piano & orchestra Bilkent Symphony Orchestra, Emil Tabakov Piano Sonata in B minor, S178 Etude en douze exercises, S136/R1 Douze Grandes Etudes, S137 (1837) Grandes Études de Paganini (6), S. 141 Three Concert Studies, S144/R5: Un lamento; La leggierezza; Un sospiro Two Concert Studies, S145/R6: Gnomenreigen; Waldesrauschen Symphonie Fantastique, S470 (from Berlioz, Op. 14) Harold en Italie, transcription for viola & piano (after Berlioz), S. 472 Concert Paraphrase on Rigoletto, S.434 after Verdi's opera Ouvertüre zu R Wagners Tannhäuser S442 Piano Transcriptions of Schubert Songs |
plus transcriptions of slow movements from the Beethoven Symphonies.
9 CDs and Bonus DVD for the price of 8 A stunning boxed set from the Idil Biret Archive comprising some of Liszt’s most loved pieces and transcriptions for piano. Includes a bonus DVD. | | | Usually despatched in 2 - 3 working days. |
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