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“Litolff's dauntingly ambitious structures accommodate every possible style, looking forwards and backwards Janus-style, yet reaching out in the strange almost Alkanesque oddity of the Fifth Concerto's last two movements towards a more personal and distinctive style. Admired by Tchaikovsky, Liszt and Berlioz (though with some telling reservations), Litolff enjoyed a hectic career which is mirrored in writing of a formidable intricacy. So even if claims that he was 'the English Liszt' and that his development sections are similar to late Beethoven seem far-fetched, the sheer energy and resource of Litolff's writing are absorbing. Few pianists could approach, let alone top, Peter Donohoe's blistering virtuosity in these works. His performances throughout are as rocksteady as they're dazzling, sweeping aside torrents of notes with both affection and authority. Hear him in the exultant whirl which opens the Third Concerto's finale, and you can only marvel at such unfaltering command, ideally complemented by Andrew Litton and the BBC Scottish orchestra.”