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Marilyn Horne's plum-tinged mezzo and the music of Mahler are inseparable. So far, only the Fahrenden Gesellen songs and the Kindertotenlieder have made their way to CD (now deleted), so it is appropriate to collect on a single CD, the three masterpieces all performed by the same artist. The Ruckert-Lieder make their first appearance on CD. | | | In stock - usually despatched within 1 working day. |
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| |  | Mahler & Wagner: Transcriptions for soprano & string quartet
Transcriptions which got to the heart of the sheet music’s technicality and spirit were essential to reveal its core substance. One also needed first rate musicians to transpose its rich orchestral colours. It is fair to say that listeners will find all this in this interpretation by Dame Felicity Lott and the members of the Schumann Quartet. | 
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| |  | If You Love for Beauty
Sasha Cooke (mezzo-soprano) Colburn Orchestra, Yehuda Gilad If You Love For Beauty, showcases Metropolitan Opera and GRAMMY® Award-winning mezzo-soprano Sasha Cooke, and The Colburn Orchestra conducted by Yehuda Gilad. The recording includes Mahler’s “Rückert-Lieder,” the aria Am I in Your Light? from Doctor Atomic by John Adams, Chausson’s sweeping Poème de l'amour et de la mer, all with full orchestra, and two Handel arias, Scherza infida and Ombra mai fu performed with chamber orchestra. The members of The Colburn Orchestra create a distinct orchestral sound (a great one), and Maestro Gilad elicits sensitive and lyrical interpretations of the repertoire. This recording won the Audio Oasis Award even before it was released, at THE SHOW in Newport, 2012. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Mahler: Lieder
Bo Skovus is considered to be one of the top Lieder interpreters of his generation. This Danish baritone is a star of the Vienna State Opera. He performs with the leading opera houses and orchestras in Europe, America and Japan. “Skovhus is an experienced practitioner of the art of Lieder recital and is renowned for taking risks with his interpretations. He has plenty of voice when he so chooses, even if a certain throatiness is creeping in these days...
Vladar’s pianism... is a real tour de force: rich in tone, subtle in dynamics and wonderfully vivid” MusicWeb International, August 2012 | | | Usually despatched in 2 - 3 working days. |
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| |  | WeltgeheimnisLieder by Liszt, Mahler, Pizzetti & Rihm
Christoph Pohl (baritone) & Tobias Krampen (piano) | |
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| |  | Marie-Nicole Lemieux sings Mahler, Berlioz & Wagner
A native of Québec, Marie-Nicole Lemieux gained international attention in 2000 when she won both the Prix de la Reine Fabiola and the Prix du Lied in Belgium. She has given recitals across Europe, Canada and the United States. The American pianist Daniel Blumenthal performs an encyclopaedic repertoire and has premiered many works, including the Debussy Piano Trio. “The unguarded emotionalism that has made this not-so-cool Canadian endearing is in evidence in almost every song here, with a particularly penetrating response to 'Schmerzen' in the Wesendonck songs. However, such interpretative responses come in primary colours, tempered by a steady stream of vocal tone....admirers of Lemieux will understand and appreciate this artist more having heard this recital.” Gramophone Magazine, March 2012 “Her French is, as you'd expect, impeccable; so is her German, in the Wagner and Mahler sets. Each unfolds unhurriedly but with a clear sense of direction...Lemieux sustains a fine flow of even tone across all the range...Lemieux's beautifully controlled performance suggests that the [Concours Reine-Elisabeth de Belgique] jury back in 1998 was more than justified in its verdict.” International Record Review, March 2012 | | | Usually despatched in 2 - 3 working days. |
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| |  | Lyric: Orchestral Songs
Bloch, E: | Poèmes D’automne for Mezzo-Soprano and Orchestra Sophie Koch (mezzo) Deutsches Symphonie-Orchester Berlin, Steven Sloane Two Psalms for Soprano & orchestra Christiane Oelze (soprano) Deutsches Symphonie-Orchester Berlin, Steven Sloane | Mahler: | Rückert-Lieder (5 songs, complete) Christine Schäfer (soprano) Deutsches Symphonie-Orchester Berlin, Christoph Eschenbach Lieder eines fahrenden Gesellen (4 songs, complete) Thomas Quasthoff (bass-baritone) Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | Schreker: | Lieder (5) für tiefe Stimme und Orchester Mechthild Georg (mezzo) WDR Rundfunkorchester Köln, Peter Gülke | Wellesz: | Leben, Traum und Tod, Op. 55 Regina Klepper (soprano), Sophie Koch (mezzo) Deutsches Symphonie-Orchester Berlin, Roger Epple | Wolf, H: | Mignon IV 'Kennst du das Land' (No. 9 from Goethe-Lieder) Er ist's (No. 6 from Mörike-Lieder) Anakreons Grab (No. 29 from Goethe-Lieder) Denk es, o Seele! (No. 39 from Mörike-Lieder) An den Schlaf (No. 29 from Mörike-Lieder) Mitsuko Shirai (mezzo) Radio-Symphonie-Orchester Berlin, David Shallon | Zemlinsky: | Lied der Baumwollpacker (from Symphonische Gesänge, Op. 20) Totes braunes Mädel (from Symphonisches Gesänge, Op. 20) Afrikanischer Tanz (from Symphonisches Gesänge, Op. 20) Franz Grundheber (baritone) Philharmonisches Staatsorchester Hamburg, Gerd Albrecht Lyric Symphony Op. 18: Friede mein Herz Matthias Goerne (baritone) Orchestre de Paris, Christoph Eschenbach |
These recordings taken from the legendary Capriccio-Archive bring some of the world’s leading singers together. “A flavoursome two-disc compliation garnering the distinctive character of these singers, often in less familiar and fascinating repertoire” BBC Music Magazine, April 2012 **** | | | (also available to download from $21.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Mahler: Lieder eines fahrenden Gesellen, Kindertotenlieder & Rückert-Lieder
Hermine Haselböck (mezzo-soprano) & Russell Ryan (piano) The Austrian mezzo-soprano Hermine Haselböck, winner of the Vienna Musikverein's Alexander Zemlinsky Prize, sings three of Gustav Mahler's great song cycles, accompanied by pianist Russell Ryan. Hermine Haselböck's other Bridge CDs include Lieder by Franz Schreker with baritone Wolfgang Holzmair and pianist Russell Ryan, BRIDGE9259); and Lieder by Alexander Zemlinsky (with pianist Florian Henschel, BRIDGE9244). | | | Usually despatched in 2 - 3 working days. |
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| |  | Mahler: Kindertotenlieder, Lieder eines fahrenden Gesellen & Rückert-Lieder
Swedish Mezzo-soprano and former winner of BBC Cardiff Singer of the World Competition, Katarina Karnéus is joined on this disc by the Gothenburg Symphony Orchestra and Finnish conductor Susanna Mälkki to perform three of Gustav Mahler’s orchestral songs. As a composer, Gustav Mahler was absorbed by song and symphony as complementary genres deeply involved with each other. In his first symphony, Mahler included two themes from the song cycle Lieder eines fahrenden Gesellen, originally scored for voice and piano, which he had recently composed to his own poems. It was perhaps the experience of orchestrating these themes in his symphony that a few years later inspired Mahler to create the version for voice and orchestra. All of the songs in Kindertotenlieder and Rückert-Lieder are settings of poems by the poet Friedrich Rückert, composed between 1901 and 1904. For Kindertotenlieder (Songs of the death of children) Mahler chose five of more than four hundred poems written by Rückert in reaction to the death of his two children: poems of despair, disbelief and resignation. While Kindertotenlieder was conceived as a cycle, the Rückert-Lieder are more loosely connected with each other and they include some of the most sublime Mahlerian moments, for instance in Ich bin der Welt abhanden gekommen. “Karnéus is delightfully taut of rhythm in 'Blicke mir nicht in die Lieder', which she places first. And the orchestral accompaniment here is painstaking.” BBC Music Magazine, September 2011 *** “The split threads of Mahler's orchestral nerve-ends are teased so thoroughly and with such interest by the orchestra and the BIS engineers that more than several listenings are required to assimilate them. Susanna Mälkki favours an Expressionist level of detail that casts louring shadows over even the blue flowers and green fields of the Wayfarer's first song...Karnéus is a secure and heartfelt interpreter.” Gramophone Magazine, October 2011 “Karnéus is at her best in one or two obvious places, and one or two less obvious ones...['Ich bin der Welt'] seldom fails in performance, and here her warm mezzo spins an ethereal thread of golden tone that perfectly matches the sentiments...['Um Mitternacht'] is heart-rending, and the great cry of the final stanza is magnificent...the playing of the Gothenburg Symphony Orchestra throughout is as other-worldly as Mahler might have dreamed.” International Record Review, September 2011 “she sings them as beautifully as any contemporary female interpreter, with her smoky vocal colouring, her careful enunciation of the texts and her feeling for the heart-rending pathos of the music...there is a unity of purpose in these readings that makes them a must-hear for dedicated Mahlerians.” Sunday Times, 31st July 2011 **** “The recorded sound is wonderful, and Finnish conductor Susanna Mälkki coaxes a sound of golden warmth from her Swedish orchestra. Swedish mezzo-soprano Katarina Karnéus makes a sound as rich and glossy as a thoroughbred’s coat.” The Telegraph, 14th July 2011 *** | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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