All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Sandrine Piau: Aprés un Rêve
Bouchot: | Galgenlieder - Mondendinge Der Hecht Die Mitternachtsmaus Das Wasser Galgenkindes Wiegenlied | Britten: | Down by the Salley Gardens There's none to soothe I wonder as I wander | Chausson: | Amour d’antan, Op. 8 No. 2 Dans la forêt du charme et de l’enchantement, Op. 36 No. 2 Les Heures, Op. 27 No. 1 | Fauré: | Après un rêve, Op. 7 No. 1 Clair de Lune, Op. 46 No. 2 Les berceaux, Op. 23 No. 1 | Mendelssohn: | Nachtlied, Op. 71 No. 6 Neue Liebe, Op. 19a No. 4 Hexenlied, Op. 8 No. 8 Schlafloser Augen Leuchte (Byron) | Poulenc: | Montparnasse Hyde Park C Fêtes galantes | Strauss, R: | Die Nacht, Op. 10 No. 3 Das Geheimnis, Op. 17 No. 3 Morgen, Op. 27 No. 4 |
The award-winning pairing of soprano Sandrine Piau and pianist Susan Manoff received unanimous critical acclaim for their previous recital disc Evocation, (V5063). On their new CD Après un rêve they perform a fascinating collection of songs by some of the greatest composers for the voice of the 19th and 20th centuries, including Richard Strauss, Fauré, Mendelssohn, Chausson, Poulenc, Britten and Vincent Bouchot. After initially making her reputation in Baroque music alongside the likes of William Christie, Philippe Herreweghe, Christophe Rousset, and René Jacobs, Sandrine Piau now sings a broad repertoire reflected in her large discography. and she has now confirmed her position at the forefront of the new generation of French singers. Her Handel album with Christophe Rousset and Les Talens Lyriques (E8928), was an Editor’s Choice in Gramophone, and in 2007 she released an award-winning recital CD entitled Évocation (V5063), on which she was accompanied by the pianist Susan Manoff. Après un rêve demonstrates once again the strength of her musical relationship with Manoff, with whom she appears regularly at venues like the Carnegie Hall and the Wigmore Hall. Her solo discography for Naïve also includes a programme of Mozart opera arias with the Freiburger Barockorchester (V4932), and two recent bestselling Handel albums, duets with Sara Mingardo directed by Rinaldo Alessandrini (OP30483) and the solo album Between Heaven and Earth with Accademia Bizantina (OP30484). “Piau brings her limpid tone, refined phrasing and easy, silvery top notes to this eclectic programme, built around the themes of night, dreams and the fantastic...With virtually accent-free English, Piau gives true and touching performances of three Britten folksong arrangements.” Gramophone Magazine, July 2011 “Piau's exquisite voice has a limpid quality all through its range, an evennes of tone which seduces the ear and - art concealing art - she makes her performance sound as easy as breathing...Bouchot's Galgenlieder songs,m with their skewed harmonies, off-centre melodies and dark fairy-tale lyrics, are a fascinating addition to the repertoire too, and Manoff's accompanying is a treat.” Classic FM Magazine, July 2011 **** “surrender to Piau's gifts as a singer, the purity of her tone, with that light silvery quality that we should associate with the best of the French style, and the effortless, so it seems, spinning of a seamless legato...Everything is grist to her mill, it seems, even Britten's most English songs that she delivers with immaculate diction while sounding completely at home in a second language...this is a sophisticated and a fine artist at work.” International Record Review, July 2011 “This celebration of dreams and childhood is, on the purely sensuous level, an unending delight. Piau's sweet, unforced tone, her bright top notes perfectly integrated with her medium and exemplary diction combine to make this in many ways yet another exmaple of how well Baroque vocal technique translates into the later song repertoire.” BBC Music Magazine, July 2011 **** “It's a journey whose darkest depths are reached by Vincent Bouchot's use of Morgenstern's Galgenlieder (Gallow Songs), in which are encountered more surreal images – notably the inhabitants of the moon depicted "show[ing] their teeth to the sulphurous hyena" in "Moonthings".” The Independent, 1st July 2011 *** “there's exquisite playing from Susan Manoff, and no mistaking the beauty of Piau's voice, or her hypnotic way with words. This is singing that sends shivers down your spine.” The Guardian, 7th July 2011 **** | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Frederica von Stade sings Fauré Melodies
Fauré: | Les berceaux, Op. 23 No. 1 Le papillon et la fleur, Op. 1 No. 1 Lydia, Op. 4 No. 2 Rêve d'amour, Op. 5 No. 2 La fée aux chansons Op. 27 No. 2 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Notre amour Op. 23 No. 2 Les roses d'Ispahan Op. 39 No. 4 Dans les ruines d'une abbaye Op. 2 No. 1 Après un rêve, Op. 7 No. 1 Clair de Lune, Op. 46 No. 2 Mandoline, Op. 58 No. 1 (Verlaine) En sourdine, Op. 58 No. 2 (Verlaine) L'aurore Arpège, Op. 76 No. 2 (Samain) Prison, Op. 83 No. 1 Dans la forêt de septembre Op. 85 No. 1 Au cimetière, Op. 51 No. 2 Mélisande's song from Op. 80 |
Described by the New York Times as “one of America’s finest artists and singers,” Frederica von Stade continues to be extolled as one of the music world’s most beloved figures. Known to family, friends, and fans by her nickname “Flicka,” the mezzo-soprano has enriched the world of classical music for three decades. This release highlights the iconic recordings of Faure Melodies with Jean-Philippe Collard and Melisande's Song from Faure's Pelleas et Melisande with Orchestre du Capitole de Toulouse under Michel Plasson. | | | In stock - usually despatched within 1 working day. |
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| |  | The Very Best of Janet Baker
Bach, J S: | Christmas Oratorio, BWV248: Bereite dich, Zion Academy of St Martin-In-The-Fields, Sir Neville Marriner | Brahms: | Alto Rhapsody, Op. 53 Sir Adrian Boult, London Philharmonic Orchestra Geistliches Wiegenlied, Op. 91 No. 2 Cecil Aronowitz (viola), André Previn | Britten: | Corpus Christi Carol Gerald Moore (piano) | Duparc: | L'Invitation au voyage London Symphony Orchestra, André Previn | Duruflé: | Requiem, Op. 9: Pie Jesu Choir of King's College Cambridge, Sir Philip Ledger | Elgar: | Sea Pictures, Op. 37 London Symphony Orchestra, Sir John Barbirolli Softly and gently, dearly-ransomed soul 'Angel's Farewell' (from The Dream of Gerontius) Sir John Barbirolli | Fauré: | Two Songs, Op. 83 Gerald Moore (piano) Clair de Lune, Op. 46 No. 2 Gerald Moore (piano) | Handel: | Messiah: He was despised English Chamber Orchestra, Sir Charles Mackerras | Mahler: | Ich bin der Welt abhanden gekommen (Rückert-Lieder) Hallé Orchestra, Sir John Barbirolli | Mendelssohn: | Elijah: O rest in the Lord New Philharmonia, Rafael Frühbeck De Burgos Auf Flügeln des Gesanges, Op. 34 No. 2 Geoffrey Parsons (piano) | Schubert: | Ave Maria, D839 Gerald Moore (piano) Gretchen am Spinnrade, D118 Gerald Moore (piano) Wiegenlied, D498 Gerald Moore (piano) Die Forelle, D550 Geoffrey Parsons (piano) Auf dem Wasser zu singen, D774 Geoffrey Parsons (piano) An die Musik D547 Geoffrey Parsons (piano) An Sylvia, D891 Geoffrey Parsons (piano) Nacht und Träume, D827 Geoffrey Parsons (piano) Heidenröslein, D257 Geoffrey Parsons (piano) Du bist die Ruh D776 (Rückert) Geoffrey Parsons (piano) | Schumann: | Mondnacht (No. 5 from Liederkreis, Op. 39) Daniel Barenboim (piano) Du Ring an meinem Finger (No. 4 from Frauenliebe und Leben, Op. 42) Daniel Barenboim (piano) | Strauss, R: | Befreit, Op. 39 No. 4 Gerald Moore (piano) Morgen, Op. 27 No. 4 Gerald Moore (piano) | Vaughan Williams: | Linden Lea Gerald Moore (piano) | Warlock: | Pretty Ring Time Gerald Moore (piano) |
Compelling for her intensity and integrity as much as for her unmistakeable voice, Dame Janet Baker struck a distinctive path as a performer, primarily on the concert and recital stage. Among her most celebrated recordings are her interpretations of Elgar with Sir John Barbirolli, here complemented by songs and oratorio arias by composers such as Bach, Handel, Schubert, Schumann, Brahms, Mahler, Strauss, Fauré, Vaughan Williams and Britten. | | | In stock - usually despatched within 1 working day. |
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| |  | Isabelle Druet: Jardin Nocturne
plus: Hugo - Nuit Baudelaire - Tristesse de la lune
Isabelle Druet (mezzo-soprano), Johanne Ralambondrainy (piano) & Christian Pageault (narrator) “It all began with Berlioz' Nuits d’été. The first time I sang this cycle I was struck by the power yet gentleness that these pieces emanate. Berlioz originally composed his work for voice and piano and I decided to champion that version for the fine chamber relationship it permits. We have aimed to convey all the intimacy of these songs, attempting extreme dynamics, passages almost in recitative, while retaining the lyricism of Berlioz's work. The next step was to find more treasures with a similar nocturnal setting. So Johanne Ralambondrainy and I, who have long been accomplices, went through the collections, discovering or rediscovering songs that appealed to us, then whittling those down to the ones we felt were absolutely essential. In some cases we have taken the liberty of removing mélodies from the cycle to which they normally belong. We have thus brought together composers we love and mélodies we find exciting and original… Finally, I asked Christian Pageault, an actor I particularly appreciate for his precision and dramatic intensity, to join me as narrator, reciting some parts of the poems. The texts you will hear were with me constantly as an inspiration throughout the conception and realisation of this project.” Isabelle Druet | | | In stock - usually despatched within 1 working day. |
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| |  | Teresa Berganza - An Evening of Song, 1985
Teresa Berganza is undoubtedly one of the greatest Spanish singers of the 20th century. She enchanted audiences in opera houses around the world. Throughout her career, she would give recitals of songs, especially the songs of her homeland. This recital includes songs by Haydn, Fauré, Respighi, Braga and Rossini. | | | In stock - usually despatched within 1 working day. |
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| |  | Summertime
Arne: | Where the Bee Sucks | Barber, S: | Sure on this shining night, Op. 13 No. 3 The Monk and His Cat (No. 8 from Hermit Songs) | Berlioz: | L'Île inconnue (from Les Nuits d'été) Villanelle (from Les nuits d'été, Op. 7) | Bernstein: | My House (from Peter Pan) | Brahms: | Meine Liebe ist grün, Op. 63 No. 5 | Bridge: | Go Not, Happy Day | Delius: | To Daffodils | Elgar: | The Shepherd's Song | Fauré: | Clair de Lune, Op. 46 No. 2 Soir Op. 83 No. 2 Notre amour Op. 23 No. 2 | Fraser-Simson: | Vespers | Gershwin: | Summertime (from Porgy and Bess) | Head, M: | The Little Road to Bethlehem | Ireland: | The Trellis | Lehmann: | Ah, moon of my delight | Porter, C: | The Tale of the Oyster | Quilter: | Now sleeps the crimson petal, Op. 3 No. 2 (Tennyson) Who is Sylvia Love's Philosophy, Op. 3 No. 1 (Shelley) | Rutter: | The Lord bless you and keep you | Schubert: | Auf dem Wasser zu singen, D774 | Schumann: | Der Nussbaum, Op. 25 No. 3 | trad.: | The Lark in the Clear Air | Vaughan Williams: | Orpheus With His Lute | Warlock: | Sleep | Wood, Haydn: | A brown bird singing |
Dame Felicity Lott, revered British soprano, says of this CD: “ Summertime also has many of my favourite songs in English, French and German. We made the CD at a friend`s house, and the sessions were so relaxed, with no London traffic to cause endless retakes! It`s a real mix of beautiful songs of all kinds, on a summer theme. I chose songs I loved, from Gershwin to Christopher Robin…. Three centuries of song are represented here, and, as BBC Music Magazine's Hilary Finch put it “such is the skill of Johnson's programming that the entire recital seems to be a single, sustained exhalation of rapture and reflection” She went on to say: The upper reaches of Lott's still gleaming soprano inhabit Barber's 'Shining Night' and Fauré's Clair de lune'. And her robust English version of Schubert's 'Who is Sylvia?' finds an irresistible companion in Arne's 'Where the Bee Sucks', with its veritable midsummer night's dream of an accompaniment from Johnson. The artists' palpable sense of joy and well-being gathers momentum as they visit Berlioz's 'L'île inconnue' and as they sing on the water with Schubert. . . . And Lott and Johnson know well that the only way to face sentiment is to acknowledge its own integrity, as they do when they listen to Haydn Wood's 'Little Brown Bird' and eavesdrop with Fraser-Simson on Christopher Robin saying his prayers. This CD features songs from a great variety of composers - Gershwin, Barber, Cole Porter, Bernstein, Brahms, Schubert, Arne, Schumann, Berlioz, and many more. A full 29 tracks of summer-themed songs! | | | In stock - usually despatched within 1 working day. |
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| |  | Melodies Francaises pour Bariton
Chausson: | Les Papillons, Op. 2 No. 3 (Gautier) Le temps des lilas Le Colibri, Op. 2 No. 7 (de Lisle) Le Charme, Op. 2 No. 2 (Silvestre) | Debussy: | Auprès de cette grotte sombre Mandoline (Verlaine) | Duparc: | Chanson triste L'Invitation au voyage | Fauré: | Cinq Melodies 'de Venise', Op. 58 Clair de Lune, Op. 46 No. 2 Après un rêve, Op. 7 No. 1 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Arpège, Op. 76 No. 2 (Samain) En sourdine, Op. 58 No. 2 (Verlaine) L'horizon chimérique, Op. 118 | Ravel: | Histoires naturelles (5) Don Quichotte à Dulcinée with Paris Conservatoire Orchestra, Eduoard Lindberg |
Recorded 1950-1954 “France's equivalent of Fischer-Dieskau sings Fauré, Duparc and Ravel with characteristic expressive elegance that transcends the rather elderly recordings.” BBC Music Magazine, May 2006 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Gérard Souzay
Falla: | Siete Canciones populares españolas | Fauré: | C'est l'extase langoureuse, Op. 58 No. 5 (Verlaine) Green, Op. 58 No. 3 (Verlaine) Mandoline, Op. 58 No. 1 (Verlaine) Prison, Op. 83 No. 1 Spleen, Op. 51 No. 3 (Verlaine) Tristesse, Op. 6 No. 2 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Après un rêve, Op. 7 No. 1 Clair de Lune, Op. 46 No. 2 (Verlaine) Arpège, Op. 76 No. 2 (Samain) En sourdine, Op. 58 No. 2 (Verlaine) L'horizon chimérique, Op. 118 | Ravel: | Histoires naturelles (5) |
Gérard Souzay (baritone), Jacqueline Bonneau & Dalton Baldwin (piano) Recorded 1950-55 “Canciones populaires espanolas could not be sung with greater feeling...it has lost none of its ability to enchant and remains one of the most eloquent of Souzay's song records.” Penguin Guide, 2011 edition | | | In stock - usually despatched within 1 working day. |
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| |  | Nuit d'étoiles
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| |  | Barbara Hendricks : La Voix du Ciel
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