Kreisler: Rondino on a Theme by Beethoven

Along with his friend Caruso, Fritz Kreisler (1875–1962) was one of the superstars of the early gramophone era. He was “the master musician among the violinists of the day” (New York Times); he died 50 years ago (29 January 1962). As a composer, he is famous for his Viennese-style melodies, such as Liebesfreud and Liebesleid, for his notorious pieces “in the style of” various 18th-century masters (which he passed off as their original works, claiming to have rediscovered them in old manuscripts), and for his arrangements of well-known works by other composers.

We remember one of the world’s greatest violinists with an enticing 2CD set that includes a first time release on CD of a tribute LP from 1961, original Kreisler recordings, and an array of great modern violinists playing his works.

22 miniatures for violin & piano, including Praeludium and Allegro, Liebesteid, Liebesfreud, Schon Rosmarin, Caprice Viennois, Tambourin Chinois, Rondino on a theme by Beethoven, Ave Maria (Schubert), Arioso (Bach).

Following the success of Ben Breen’s first CD for Tall Poppies (Brahms Sonatas, TP172), he has teamed up again with veteran pianist Milton Kaye, for their second recording together. Sadly Milton Kaye has now passed away, so this CD is the last in his long legacy of contributions to the recording industry.

The music presented here is a selection of the salon music popular in the early 20th century. This music serves to present the personality and virtuosity of the performers, and each piece was often used as an encore after a strenuous recital. The works fitted well on the early twelve-inch 78 rpm discs, and these were often played on the radio. It is through these pieces that the musicians often gained a huge and devoted following.

As Milton Kaye has so often accompanied legendary violinists, such as Jascha Heifetz and Oscar Shumsky, that this music is in his blood. Australian violinist Ben Breen, a somewhat younger musician, has taken this style of music-making and made it his own. For this recording he has borrowed a gorgeous 1715 Guarneri violin which contributes significantly to the warmth of tone. His energy and virtuosity are partnered by Kaye’s understanding and experience.

For decades Fritz Kreisler duped his audiences into thinking that many of his works for violin and piano were arrangements of compositions by other composers such as Stamitz, Vivaldi, Couperin, Dittersdorf or Porpora. Only a handful of friends and fellow musicians who knew the nature of this charming and casually relaxed violinist, knew these were actually the works of Kreisler himself. It was only when he was aged sixty he publicly and freely admitted he concealed most of his own works behind the names of 17th and 18th century masters. Kreisler is today regarded as one of the greatest violinists of all time.

Kreisler wrote a number of pieces for the violin, including the ‘Liebesleid’ and ‘Liebesfreud’ arranged for piano and strings on this recording, that are frequently performed by violinists today as ‘encore’ solos.

The three works presented here are performed by one of the world’s leading ensembles, Budapest Strings.

Reissue of previously released title.

The 1916-19 period saw Fritz Kreisler at his peak as an artist, although the shadow cast by America’s entrance to World War one in 1917 forced him to cancel numerous concerts. The improved fidelity possible by 1916 saw Kreisler making substitutes of his earlier American recordings, including his own Liebesfreud.

Amongst an abundance of technical marvels, Kreisler’s superb ‘parlando’ bowing is demonstrated in Granados’s Spanish Dance. The string quartet recordings include a fine Andante cantabile by Tchaikovsky, and persuasive performances with small orchestra in 1917 include Beautiful Ohio which would later be adopted as the state’s official song. After the Armistice, Kreisler was able to return to the studio in 1919 for showcase works such as Valdez’s Sérénade du Tzigane.

This ongoing series of the complete Fritz Kreisler recordings generates new interest with each release. Our highest standards of audio restoration and remastering make these volumes the reference for these historic recordings, with comments such as ‘the results are incredible’ (ClassicsToday.com on Vol 3, 8110922) encouraging seasoned collectors and inquisitive newcomers alike.

Ward Marston, producer and audio restoration engineer

This duo recital was recorded at the 1977 Schwetzinger Festival. The works include Prokofiev Sonata No.1 and Beethoven Sonata No.10. The Russian violinist Gidon Kremer was a major artist of the 20th century and the piano accompaniments are played his long-time colleague and collaborator Oleg Maisenberg.