All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Beethoven: Piano Sonatas Nos. 7, 9, 30 & 31
Among his generation of concert artists, pianist Awadagin Pratt is acclaimed for his musical insight and intensely involving performances in recital and with symphony orchestras. Early in his career, Pratt won the Naumburg International Piano Competition becoming the first African-American classical instrumentalist to win first prize in this international competition. Beethoven: Piano Sonatas, his second release from EMI Classics, Pratt tackles Beethoven’s late piano sonatas with a robust freshness and unaffected musicality. The result is intimate, playful, and charming. | | | In stock - usually despatched within 1 working day. |
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| |  | Beethoven: Last Piano Sonatas
Alexei Lubimov’s 2010 disc of Impromptus by Schubert was praised in the press. During the same recording session in Haarlem in July 2009, Alexei Lubimov continued with the last three sonatas of Beethoven, Beethoven’s musical testimony which he plays with all the mastery of a great russian pianist, "a kind of russian Pollini" (Alain Lompech, Diapason). “They must be played ‘uncomfortably’, ‘intangibly’; nothing in them reveals itself, nothing ‘plays itself’, and one must take enormous pains to ‘elucidate’ the text for oneself… these sonatas are divorced from the keyboard instrument itself… as if the musical content of these sonatas ‘disregards’ the instrument to hand, overcoming its material nature and its historical characteristics… I felt still more strongly how astonishing, how unusual the compositional material is and how tenaciously Beethoven seeks to consolidate, extend, and transform for his own idiosyncratic purposes the forms and structural principles he inherited from his predecessors.” Alexei Lubimov Alexei Lubimov belongs both to the great Russian tradition of pianists such as Richter and Gilels (he was the one of the last pupils of Heinrich Neuhaus in Moscow) and to the generation of Early Music pioneers that includes Gustav Leonhardt and the Kuijken brothers. He is also a leading interpreter of such modern composers as Denisov, Schnittke, Silvestrov and Arvo Pärt. With this triple cultural background, Alexei Lubimov has pursued an exceptional international career. In 1968 he was in Brussels to play Denisov when he met the Kuijkens. He gave the first performances in the USSR of John Cage and Terry Riley. In the 1970s he founded the Moscow Baroque Quartet, the first Soviet ensemble of its kind, with which he rediscovered the Baroque repertoire on period instruments. This was followed in the 1980s by the creation of the avant-garde Alternativa festival in Moscow and a modern and historical keyboard class at the Moscow Conservatory. Alexei Lubimov is also professor of fortepiano at the Salzburg Mozarteum. “You may disagree with details of his performances, but there's no mistaking his intelligence, or the mastery of his pianism...These rewarding and thought-provoking performances have been very well recorded by Zig-Zag Territoires.” BBC Music Magazine, May 2011 ***** “The challenges may be forbidding but the rewards are huge...He has clearly thought long and hard about this music: without softening its strange juxtapositions and impulses, he makes sense of Beethoven’s elusive logic, and thus captures each sonata’s integrity and greatness. His magisterial grasp of the Op.110 finale is especially impressive” Financial Times, 19th February 2011 ***** “Lubimov's masterly pacing of the last three pages of [Op. 110] is the most convincing that I have ever heard...[in Op. 111] the changes of register and the subtle colourism seem to transport us to another world - and with trills that would make even Michelangeli envious. In short, I recommend this disc very highly. It ranks with the finest accounts of these sonatas on any instrument.” International Record Review, April 2011 “Lubimov uses an instrument made two years after Beethoven's death because of the tonal range it offers, and he exploits those keyboard colours, the evenness of the tone and the articulacy of its lower registers quite wonderfully, allowing him to shape his playing without a trace of self-consciousness. It's a totally enthralling disc.” The Guardian, 24th February 2011 ***** “The percussive delicacy of his 1828 Graf fortepiano emphasises the curious mixture of playfulness and reverence in the E major Sonata, while embracing the A flat Sonata's symphonic ambition. In the C minor Sonata, heart and mind are torn between the gravity of the work and the beauty of Lubimov's musicianship. A thrilling dilemma.” The Independent on Sunday, 10th April 2011 | | | In stock - usually despatched within 1 working day. |
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| |  | Beethoven - Piano Sonatas Volume 8
This disc presents three sonatas, No. 1, No. 23 (Appassionata"), and No. 30, performed by 2008 Grammy-winning pianist, Garrick Ohlsson. In the words of annotator Frank Cooper, “Three stages of greatness- exploratory, revolutionary, visionary- are represented here…” “The god of inspiration sprints hand in hand with Garrick Ohlsson” Classics Today on a previous volume “Ohlsson's performance of Op. 2 No. 1 is immaculate… The Appassionato has a swelling, rolling first movement which does it full justice; a rather mannered second movement… and a last movement which is emphatic rather than headlong. His Op. 109 begins altogether too hesitantly, and has a middle movement which isn't prestissimo, as marked; but a probing, finally elevated third movement.” BBC Music Magazine, February 2009 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Beethoven - Piano Sonatas
“The stand-out performance here is Op. 109, where Biss is never less than compelling and at times profound. The way he dissolves the sonority of the Andante's final variation before coalescing for the theme's final return is a magical moment of great emotional force.” BBC Music Magazine, December 2007 **** “Many people are high on Jonathan Biss, the young American pianist, and they are not wrong…..Jonathan Biss is a musical fellow” New York Sun | | | In stock - usually despatched within 1 working day. |
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| |  | Beethoven: Piano Concerto No. 4
Jean-Marc Luisada (piano) | | | In stock - usually despatched within 1 working day. |
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| |  | Beethoven - Piano Sonatas
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| |  | Beethoven: The Late Piano Sonatas
“Brendel's set is among the most distinguished Beethoven playing of the analogue era. The recordings, made in the 1970s, are most realistic and satisfying in the CD transfers.” Penguin Guide, 2010 edition *** | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Beethoven: Piano Sonatas Nos. 23, 28, 30 and 31
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