Rossini: Il Signor Bruschino Overture

Rossini’s ceaseless wit and invention are best exemplified in his series of operas.

His colourful orchestration and command of both comic and tragic elements can be savoured in this second of four volumes of the complete symphonic overtures. Guillaume Tell, with its overture in four movements, includes a scene for five solo cellos. La scala di seta (The Silken Ladder), one of his most popular pieces, opens with an overture of charm and élan. Volume 1 (8570933) was described by MusicWeb International as “an admirable start to what looks like being a very desirable series”.

Witty and vital, but also darker and rather less well known, Rossini’s overtures cover a wide variety of moods and expressions. This disc includes the perennial favourite La scala di seta (The Silken Ladder), and the witty Guillaume Tell. With little known operatic overtures included, it makes for a finely balanced programme; and whilst the favourites have been multiply recorded, others are very much under represented in the catalogue.

Rossini wrote some of music’s most masterful and lovable operas. His gift for comic and tragic forms was matched by a relish for characterisation, qualities that are always evident in his overtures. La gazza ladra (The Thieving Magpie) is perhaps the most famous, one of the world’s most popular concert openers. Guillaume Tell, with its overture in four movements, includes a scene for five solo cellos. La scala di seta (The Silken Ladder) opens with an overture of charm and élan, and Le siège de Corinthe is dramatic and colourful. All of Rossini’s overtures display sparkling themes, rich lyricism and theatrical excitement.

During the 1950s, 60s and 70s, Decca recorded a number of albums with some of its key conductors of Overtures. Many of these were singled out by the press for their terrific sound quality (the fabled ‘Decca Sound’) and for their often adventurous programming. Some of them also included entr’actes and intermezzi. Prized as collectors’ items, many of the original LPs exchange hands at high prices. And most of these reissues, in Decca Eloquence’s ‘Romantic Overtures’ series appear in CD, in part or whole, for the first time.

Romantic Overtures – Volume 5 is a collection of Overtures and Intermezzi from grand Italian opera. Thugs drowning blind women, a mountain lass buried in an avalanche, a cup of poison for two… this is the stuff of this highly entertaining CD conducted by Gianandrea Gavazzeni, who conducted several recordings of Italian opera for Decca. Mascagni is represented by his little known operas Le maschere and Guglielmo Ratcliff; the operas La Wally and Norma not by their single ‘big’ arias, but by Preludes. And to round off the original – and extremely rare – 1956 LP (entitled ‘Great Moments from Italian Opera’), we have the Prelude and ‘Dance of the Hours’ from La Gioconda.

During the 1950s, 60s and 70s, Decca recorded a number of albums with some of its key conductors of Overtures. Many of these were singled out by the press for their terrific sound quality (the fabled ‘Decca Sound’) and for their often adventurous programming. Some of them also included entr’actes and intermezzi. Prized as collectors’ items, many of the original LPs exchange hands at high prices. And most of these reissues, in Decca Eloquence’s ‘Romantic Overtures’ series appear in CD, in part or whole, for the first time.

Romantic Overtures – Volume 2 showcases the artistry of Piero Gamba, who conducted showpieces for Decca and partnered, among others, Ruggiero Ricci as well as Julius Katchen in his magnificent cycle of the Beethoven Concertos. This 2CD set includes his very first recording for Decca, of Rossini Overtures (1955). Five years later recorded another LP of Rossini Overtures, the only common item being William Tell (the stereo recording is truly thrilling, the record as a whole one of Decca’s best kept secrets!). Both recordings are included here (and both recordings of William Tell). The Egmont Overture was originally coupled with Katchen’s recording of Beethoven’s Fifth Piano Concerto; and also included is all of the LP entitled ‘Adventures in Sound’ which included overtures and intermezzi by Verdi, Mascagni, Mancinelli, Martucci and Ponchielli. A real rarity is Stanley Black’s Overture to a Costume Comedy, recorded at the 1957 ‘Adventures in Sound’ sessions, but only included on a 45rpm EP in mono. This is its first release on CD and in stereo.

This has to be one of the most amazing recordings of Rossini Overtures ever made. The polish and scintillation of the orchestral playing practically outclasses any other recording and the sense of fun is infectious.