Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Mozart - Favourite Works for Piano
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| |  | Mozart in minor
Konstanze Eickhorst (piano) Konstanze Eickhorst’s sensitive and energetic performances of these works in a minor key, allow the sun to shine through these melancholy compositions. This disc takes listeners on a journey through profound depths of feeling. | |
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| |  | Mozart: Piano Works
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Inspiration - Homage to Maria Curcio
Beethoven: | Fantasia in G minor, Op. 77 | Casella: | Variations on a Chaconne, Op. 3 | Chopin: | Polonaise No. 5 in F sharp minor, Op. 44 | Liszt: | Soirees Musicales (Rossini-Liszt) S424 | Mozart: | Rondo in A minor, K511 Ch'io mi scordi di te?... Non temer, amato bene, K505 Elisabeth Schwarzkopf (soprano), Maria Curcio (piano) Concertgebouw Orchestra, Otto Klemperer | Reger: | Mariä Wiegenlied, Op. 76 No. 52 | Schnabel: | Walzer, Op. 15 No. 3 | Schubert: | Liebhaber in allen Gestalten, D558 | Schumann: | Widmung, Op. 25 No. 1 | Villa-Lobos: | Bachianas Brasileiras No. 5: Aria (Cantilena) |
Anthony Goldstone (piano) Maria Curcio was one of the most influential and sought after piano teachers of the latter part of the 20th century including among her students such luminaries as Martha Argerich, Peter Frankl, Radu Lupu, and Mitsuko Uchida - and Anthony Goldstone. Following Curcio's death in 2009 at the age of 89, this is Goldstone's tribute to his mentor - a fine recital in its own right, and works all of which have a connection to her, in some way or other. This is the first ever recording of the lovely Waltzes composed by Artur Schnabel. As a bonus we include one of the very few surviving recordings made by Maria Curcio, where she accompanies Elisabeth Schwarzkopf in a Mozart aria - a performance first broadcast in 1957. | | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Mozart in Vienna
”Evidence of fingers exceptionally vigorous, nimble and purposeful." BBC Music Magazine “He plays with a light, sparkling touch and singing melodies, with tasteful and unexaggerated expression." Fanfare For more than ten years Gottlieb Wallisch has captivated audiences from many of the world’s major concert platforms with his playing. Wallisch’s debut on Linn Records, ‘Mozart in Vienna’, features a selection of Mozart’s best-loved works, all composed in Vienna during one of the composer’s most fruitful periods: 1781-1791. Wallisch expertly demonstrates Mozart’s quintessential style: his skill at improvisation (Fantasie KV 397), his humour (Variationen KV 455) and his more intimate, melancholic side (Rondo KV 511). Two of Mozart’s finest sonatas are also included and they allow Gottlieb to display his deep understanding of the music of his fellow Austrian, as well as his impressive technical and interpretative skills. The Viennese pianist has performed this repertoire internationally to great acclaim: “Wallisch proved himself to be an exceptional performer of Mozart” (Neue Ruhr Zeitung). Recorded in St George’s, Bristol, which is regarded as one of the best chamber venues in Britain, Gottlieb gives a stylish and individual performance of some of Mozart’s finest piano works. Born into a family of Viennese musicians, Gottlieb Wallisch is a competition prizewinner and a respected artist in the Viennese piano tradition. Gottlieb Wallisch has performed with many leading orchestras including Royal Liverpool Philharmonic, the London Philharmonic Youth Orchestra and the BBC National Orchestra of Wales. He has performed at prestigious London venues Wigmore Hall and Queen Elizabeth Hall. Gottlieb participated in the international cycle "Rising Stars" and gave solo recitals in many European capitals as well as New York’s Carnegie Hall. “From the first notes of the theme [of K455], one sense that Wallisch feels strongly about the music, and each variation is beautifully characterized. high drama and virtuosity vie with some lovely expressive moments, the cadenza sections are exciting and the final accelerando - an original touch - is highly convincing” International Record Review, October 2010 “Wallisch is in many ways a highly attractive Mozartian, commanding a beautiful (if rather opaque) tone, a discerning sense of proportion and a keen but discreet articulation, all complemented by a suitably graceful formality.” BBC Music Magazine, November 2010 *** | | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | A Recital of Intimate Works
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Artur Schnabel plays Mozart
Mozart: | Piano Concerto No. 27 in B flat major, K595 Recorded 2nd May, 1934 in EMI Abbey Road Studio No. 1, London London Symphony Orchestra, John Barbirolli Rondo in A minor, K511 Recorded 4th June, 1946 in EMI Abbey Road Studio No. 3, London Concerto for 2 Pianos and Orchestra No. 10 in E flat, K365 Recorded 28th October, 1936 in EMI Abbey Road Studio No. 1, London with Karl Ulrich Schnabel (piano) London Symphony Orchestra, Adrian Boult |
Not long after his February 1934 London Queen’s Hall concert comprising three Mozart concertos, Schnabel made his first recording of a Mozart piano concerto, No. 27 in B flat major, K.595, at the recently opened and well equipped Abbey Road Studios. Completed in one session, this recording is notable not only for the excellence of its sound but for the moulding of the slow movement, taken at a slow tempo, but without any loss of the tension between successive notes or of the coherence of harmonic progressions. Schnabel’s recording of the Concerto for two pianos, with his son Karl Ulrich, is made up entirely of first takes. In the Rondo in A minor, K.511, Schnabel beautifully shapes the phrases and avoids sentimentality or overt intensity of expression. “Often, when he played Mozart or Schubert, Artur Schnabel would be told that he made the music ‘greater than it is’…..That said, it needed someone to lift Mozart on to a pedestal alongside Bach and Beethoven, and, among pianists, Schnabel was as well equipped as anyone to do this” Gramophone Magazine “Schnabel's account of the B flat Concerto with Barbirolli conducting the LSO was one of the mainstays of the pre-war HMV catalogue, and it is good to hear its virtues so vividly restored.” Penguin Guide, 2011 edition | | | (also available to download from $8.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Mozart - Works for Pianoforte
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Lise de la Salle plays Mozart & Prokofiev
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