All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Murray Perahia & Radu Lupu play Mozart & Schubert
Sony Classical ORIGINALS offer listeners outstanding enjoyment, authentically recapturing the fascination of legendary recordings from the age of long-playing records and preserving worthwhile releases from two labels with particularly long and distinguished traditions: RCA Red Seal and Columbia Masterworks. These superb recordings by great artists have enjoyed international acclaim ever since they were first released. Showered with critical plaudits, they are part of the 20th century’s cultural legacy. All have been remastered and carefully restored using the latest studio technology in order to reproduce the original interpretations as faithfully as possible. The CD covers are taken over from the original LPs. The original introductions and LP labels are also reproduced in full, making Sony Classical ORIGINALS unique documents in the history of recorded sound. Featuring original LP cover artwork in full size and reproduction of original labels in mini LP design. Contains original liner notes in 3 languages (English, French and German) Jewel case packaging with fully coloured booklets. The Sony Classical Originals bring together for the first time at the Mid Price the greatest recordings from across all of the labels which are part of the Sony Classical umbrella, and are a perfect starting point for any classical collector. “Wonderful performances: delicacy in the Mozart as well as a feel for the Sonata's near-orchestral scale. A magisterial reading of Schubert's Fantasie.” BBC Music Magazine, December 2011 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Mozart: Sonatas for piano duet
“Whether at one of two pianos, Argerich and Rabinovitch charge through Mozart's fast movements with propulsive glee, lightly dappled with twinkling poise. Not for delicate souls.” BBC Music Magazine, May 2013 *** | 
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| |  | Arp Schnitger Organ Norden Volume 3
anon.: | Brande champanje (from Clavierbuch der Susanne van Soldt) Agnes Luchterhandt (organ), Sven Neumann (percussion) | Bach, J S: | Fantasia super 'Wo Gott der Herr nicht bei uns hält', BWV1128 Agnes Luchterhandt (organ) Toccata, Adagio & Fugue in C major, BWV564 Thiemo Janssen (organ) | Böhm, G: | Partita 'Wer nur den lieben Gott lasst walten' Thiemo Janssen (organ) | Buxtehude: | Praeludium in D Minor, BuxWV140 Agnes Luchterhandt (organ) Te Deum Laudamus, BuxWv 218 Thiemo Janssen (organ) | Mozart: | Variations (12) on ‘Ah, vous dirai-je, Maman' in C major, K265 Agnes Luchterhandt (organ) Andante and Variations in G for Piano Duet, K501 Thiemo Janssen & Agnes Luchterhandt (organ) | Scheidt: | Veni Creator Spiritus SSWV153 Agnes Luchterhandt (organ) |
The Arp Schnitger organ in St. Ludger’s Church in Norden is among the most important baroque instruments of its kind. The artists perform an appealing programme designed to demonstrate the strengths of the instrument. This is Luchterhandt and Janssen’s third release on “their instrument”. | | | Usually despatched in 2 - 3 working days. |
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| |  | Mozart: Sonatas for piano four hands
Elena Modena & Ilario Gregoletto (fortepiano) As one of the great virtuoso pianists of his time, Mozart composed a wealth of piano concertos and sonatas that rank among his most famous instrumental works. Not so well known, however, are the duet compositions he wrote for the instrument and to which this CD is dedicated: together with the large body of arranged orchestral music that publishers released, they provide evidence of the healthy scene of domestic music-making in existence during the Classical period. First to be featured on the compilation is the Sonata in C, KV19d – a composition whose authorship has been disputed but which has nevertheless become part of the traditional canon of Mozart’s piano duets. Moving on to KV381 and KV358 (which both date from the early 1770s), we encounter two sonatas whose galant sound world is reminiscent of the roughly contemporary ‘Salzburg Symphonies’. Their allusion to orchestral colouring is hardly surprising given the fuller sonority afforded by two players instead of one, and there is little doubt that Mozart wrote the works in order to perform them with his sister Nannerl, who was an excellent pianist. Mozart would periodically return to four-hand piano music later in his career – the Fugue in G minor K401 and the Andante with Variations in G K501 date from the early 1780s and 1786 respectively. Comprising a charming collection of works, the compilation as a whole brims with musicality and includes historically informed performances from Modena and Gregoletto on fortepiano – a beautifully balanced partnership that convincingly argues for the duets’ equal standing alongside solo works. New booklet note by David Threasher | | | Usually despatched in 2 - 3 working days. |
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| |  | Mozart: Works for 1 & 2 pianos
Paul Badura-Skoda is one of the most important pianists of our time. On this CD, he performs with Jörg Demus. Many of his recordings have won international awards. The works are performed on period instruments. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Argerich & Kovacevich play Bartók, Debussy & Mozart
An addition the DECCA Originals range to mark the 70th birthday of Stephen Kovacevich [17 October]. The original LP release containing Bartók's Sonata for two pianos and percussion with works by Mozart & Debussy won a Gramophone Award in 1978 for Best Chamber Music recording. Stephen Kovacevich's recordings of Bartók have long been regarded as reference recordings, and also included in this reissue are his acclaimed performances of the Sonatina and Out of Doors. Booklet contains an appreciation by David Gutman. “this performance of Bartok's Sonata for Two Pianos and Percussion remains peerless. The couplings are no less compelling.” BBC Music Magazine, April 2011 ***** “Recorded in 1977, this strongly atmospheric and finely characterized performance of the Sonata for Two Pianos and Percussion still remains a top choice. This is most imaginative playing and the recording is exceptionally wide-ranging and truthful. It is difficult to imagine a more eloquent or better-recorded account of this powerful work. The rapport between the artists produces undoubted electricity” Penguin Guide, 2011 edition | | | Usually despatched in 2 - 3 working days. |
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| |  | Martha Argerich - Verbier 2007-2008
Bach, J S: | Partita No. 2 in C minor, BWV826 Martha Argerich (piano) | Bartók: | Violin Sonata in E minor, BB28 Martha Argerich (piano) & Renaud Capuçon (violin) | Grieg: | Cello Sonata in A minor, Op. 36 Martha Argerich (piano) & Mischa Maisky (cello) | Lutoslawski: | Variations on a Theme by Paganini, for two pianos Martha Argerich & Gabriela Montero (pianos) | Mozart: | Andante and Variations in G for Piano Duet, K501 Martha Argerich & Stephen Kovacevich (piano) | Shostakovich: | Piano Quintet in G minor, Op. 57 Martha Argerich (piano), Joshua Bell (violin), Henning Kraggerud (violin), Yuri Bashmet (viola) & Mischa Maisky (cello) |
A collection of the most wonderful performances given at the Verbier Festival (2007 and 2008) by the legendary pianist Martha Argerich, featuring some of the most talented musicians of today. Martha Argerich proves once again her great pianistic technique in a wave of virtuosity, performing emblematic works of the greatest composers ever. Moreover, she is accompanied by the best and most renowned cellists, pianists and violinists one can imagine: Stephen Kovacevich, Mischa Maisky, Renaud Capuçon… NTSC · 16:9, PCM Stereo Region Code: 0 Booklet notes: English Running time: 125 mins FSK: all audiences “…Argerich's matriarchal presence casts a benign glow over the proceedings, and her keyboard wizardry remains as abundant and remarkable as ever.” BBC Music Magazine, Christmas 2009 **** | | | Usually despatched in 2 - 3 working days. |
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| |  | Jerusalem International Chamber Music Festival
Elena Bashkirova and friends (Kirill Gerstein, Guy Braunstein, Michael Barenboim, Frans Helmerson,Alex Klein, Karl-Heinz Steffens and many more) The Jerusalem International Chamber Music Festival, held every year for two weeks in September, is renowned for an exceptional repertoire as well as unique meetings with first ranking soloists who do not usually meet each other on one stage in other frameworks.The Festival has achieved incredible success among Israeli audiences with concerts performed to packed halls. Medici Arts presents the highlights of the Jerusalem International Chamber Music Festival 2008. Elena Bashkirova, the artistic director, says: "Our festival has grown into an internationally acclaimed event". Bonus: Documentary about the Festival behind the scenes “Andy Sommer's cameras show us plenty of the ornate hall of the Jerusalem YMCA and allow us to sense and remotely join the relationship between performers and audience deepening during the course of a work - especially in slow movements - with a directness that the formal visual obstacles presented by orchestral music often obscure.” Gramophone Magazine, November 2009 | | | Usually despatched in 2 - 3 working days. |
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| |  | Mozart: Piano Music for 4 Hands, Vol. 1
Yaara Tal & Andreas Groethuysen “Yaara Tal and Andreas Groethuysen live and breathe as one on these two wonderful discs in which every performance emerges not merely as 'the best' (if we're talking critical comparisons) but life-affirming. Technically, each fiddly ornament, every phrase shape and every degree of pedalling is miraculously co-ordinated – not that one is ever made aware of such prosaic elements for the music simply flows, newly minted, in joyous, stylish effusion. Here are Wolfgang and Nannerl having a thoroughly enjoyable afternoon, smiling and winking to each other as they negotiate some of the more mischievous twists and turns. The final movement of the B flat Sonata, K358, has rarely bubbled along like this, while the F major Sonata, K497, confirms its place as a masterpiece with its passages of eerie Schubertian prescience. The playing of this duo marks a clear if subtle distinction between one that comes together occasionally for festivals and recordings, and one that does it every day as a vocation.” Gramophone Classical Music Guide, 2010 “Yaara Tal and Andreas Groethuysen live and breathe as one on these two wonderful discs in which every performance emerges not merely as "the best" (if we're talking critical comparisons) but life-affirming. The final movement of the B flat Sonata, K358, has rarely bubbled along like this, while the F major Sonata, K497, confirms its place as a masterpiece with its passages of eerie Schubertian prescience.” Gramophone Magazine, October 2006 | | | Usually despatched in 3 - 4 working days. |
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