Beethoven: Flute Serenade in D Op. 25

It’s a family affair with the Beznosiuk siblings – two of Britain’s foremost period-instrument practitioners – joined by flautist Lisa’s husband Richard Tunnicliffe on cello and frequent collaborator Tom Dunn on viola – for a fresh and spirited recording of Mozart’s four sublime and virtuostic Flute Quartets, coupled with Beethoven’s D Major Serenade for the airy combination of flute, violin and viola, which has more than a hint of Mozartian influence.

As soloist, chamber musician and orchestral principle, Lisa has raised the standard of wooden flute performance to unprecedented levels, becoming one of the world’s leading players of the instrument. She has travelled throughout Europe, Asia and North and South America, playing a wide range of 18th and 19th century repertoire, attracting a widespread critical and popular following. Her brother Pavlo made a striking recording for Avie of Biber’s Rosary Sonatas (AV 0038), which uniquely included narrations by noted stage actor Timothy West.

This familial recording is a must for all lovers of chamber music and uncompromising period-instrument performance.

The reissue of this unique collection of chamber music masterpieces, ranging from Baroque to 20-century, played by the legendary David Oistrakh, with his luminous, sonorous and deeply moving tone.

Partners include Sviatoslav Richter, Lev Oborin, Alexander Goldenweiser and Vladimir Yampolski. With his supreme technique, enormous precision in rhythm as well as extensive variety in sound, David Oistrakh is one of the most celebrated violinists of the 20th century.

This 10-CD release details some of his best chamber music recordings and is filled to the brim with first-rate performances. The compilation effectively documents the development of violin music, simultaneously revealing Oistrakh’s mastering of an extensive repertoire.

Beginning with J.S. Bach, who was one of the first composers to write for the instrument independently and whose works are given an overtly romantic appraisal by the Russian maestro, it also traverses a series of Classical compositions – including Mozart’s Sonata No.3 K306 and Beethoven’s ‘Kreutzer’ Sonata Op.47. Most of the collection’s space, however, is taken up by a large assortment of 19th- and 20th-century music; this is undoubtedly where Oistrakh’s heart lies, and the violinist shows a strong commitment to pieces from his native country.

What is particularly evident from this release is that no matter how big or small, famous or little-known, each work is treated as a masterpiece. With largely forgotten names such as Catoire and Vladigerov sitting alongside some of the greatest composers in musical history, the compilation represents a musical feast that is not to be passed up.