All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Very Best of Kiri Te Kanawa
Bizet: | Me voilà seule…Comme autrefois (from Les Pêcheurs de Perles) | Charpentier, G: | Depuis le jour (from Louise) | Cilea: | Ecco: respiro appena. Io son l'umile ancella (from Adriana Lecouvreur) | Duparc: | L'Invitation au voyage Le Manoir de Rosemonde | Giordano, U: | La mamma morta (from Andrea Chénier) | Korngold: | Glück, das mir verbleib 'Marietta's Lied' (from Die Tote Stadt) | Massenet: | Je marche sur tous les chemins (from Manon) | Mozart: | Ach, ich fühl's (from Die Zauberflöte, K620) | Offenbach: | Elle a fui, la tourterelle (from Les Contes d' Hoffmann) | Puccini: | Signore, ascolta! (from Turandot) | Ravel: | La Flûte enchantée (Shéhérazade No. 2) | Strauss, R: | Da geht er hin (from Der Rosenkavalier, Op. 59) | Verdi: | Attendo,attendo.. Addio del passato (from La Traviata) | Wagner: | Dich, teure Halle (from Tannhauser) | Weber: | Wie nahte mir der Schlummer … Leise, leise, fromme Weise (from Der Freischütz) |
The glamorous soprano Kiri Te Kanawa was born in 1944 in Gisborne, on the east coast of the North Island of New Zealand. After winning a number of major vocal competitions in Australia, she came to London in 1966 to study singing at the London Opera Centre, where she trained for three years. Then in 1970 she was accepted by the Royal Opera at Covent Garden as a junior member of the company. Her big break came in 1971, when she was chosen to sing the Countess in a new production of Le nozze di Figaro.. It was something of a gamble for the Covent Garden management to cast an inexperienced singer in such an important role, but on the opening night Kiri’s performance stole the show. After the Covent Garden Nozze di Figaro, an international career was assured. With a carefully chosen repertoire that included the principal soprano roles of Mozart, as well as a number of Verdi, Puccini and Richard Strauss heroines, Kiri went on to triumph in the major opera houses of the world. She first appeared at the Salzburg Festival in 1979 and became a regular and much-loved performer at Glyndebourne, a venue for which she has a particularly strong affection, and in 1981 Kiri was chosen to sing at the wedding of Prince Charles and Lady Diana Spencer in St Paul's Cathedral, an event seen by a world-wide television audience estimated at more than 600 million people Not surprisingly, her vibrant but creamy voice, together with her attractive stage presence, made her an ideal interpreter of the main Richard Strauss roles, and it was not long before she was singing the Marschallin in Der Rosenkavalier, a part with which she scored a particular success. After a number of popular Italian and French arias, Kiriis heard in this programme in the Marschallin's Act I monologue, 'Da geht er hin', as well as in arias from several other German operas, including Wagner's Tannhäuser, Der Freischutz by Weber and Korngold's unjustly neglected romantic masterpiece Die tote Stadt. As a brief reminder of Kiri's achievements on the concert stage, the first CD closes with three orchestral songs by the French composers Ravel and Duparc, all of which show off the lustrous beauty of her voice to full advantage. In addition to opera and so-called serious music however, Kiri is also a great enthusiast for the lighter repertoire, including folk music and the songs of Broadway and Tin Pan Alley. When performing this material, she uses the warm, lower part of her rich voice to give idiomatic performances of songs by some of America's greatest composers of popular music, such as George Gershwin, Jerome Kern, Irving Berlin and Cole Porter. Also heard here are Franz Gruber's familiar Christmas carol 'Silent Night' and a number of traditional British folk songs. These are followed by two Maori songs, in which Kiri is joined by a group of Maori singers and a number of specialist musicians who together capture the authentic style of these fascinating pieces. | | | In stock - usually despatched within 1 working day. |
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| |  | Divos and Divas
Bellini: | Casta Diva (from Norma) Cecilia Bartoli (mezzo) Orchestra La Scintilla, Adam Fischer | Bizet: | La fleur que tu m'avais jetée (from Carmen) Plácido Domingo (tenor) London Philharmonic Orchestra, Georg Solti | Capua: | O sole mio José Carreras (tenor) English Chamber Orchestra, Edoardo Muller | Catalani: | Ebben? Ne andrò lontana (from La Wally) Angela Gheorghiu (soprano) Orchestra del Teatro Regio di Torino, John Mauceri | Charpentier, G: | Depuis le jour (from Louise) Nicole Cabell (soprano) London Philharmonic Orchestra, Andrew Davis | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) Juan Diego Flórez (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza Quanto è bella, quanto è cara! (from L'Elisir d'amore) Roberto Alagna (tenor) Orchestre de l'Opera National de Lyon, Evelino Pidò | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) Renée Fleming (soprano) London Symphony Orchestra, Georg Solti | Glinka: | Vdali ot milogo (from Ruslan and Lyudmila) Anna Netrebko (soprano) Kirov Orchestra & Chorus, Valery Gergiev | Handel: | Lascia la spina (from Il Trionfo del Tempo e del Disinganno) Cecilia Bartoli (mezzo) Les Musiciens du Louvre, Marc Minkowski Semele: Endless Pleasure Danielle de Niese (soprano) Les Arts Florissants, William Christie | Lara, Augustin: | Granada Juan Diego Flórez (tenor) Fort Worth Symphony Orchestra, Miguel Harth-Bedoya | Lehár: | Dein ist mein ganzes Herz (from Das Land des Lächelns) Plácido Domingo (tenor) Orchestra del Teatro dell'Opera di Roma & Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Mozart: | Deh! vieni alla finestra (from Don Giovanni) Bryn Terfel (bass-baritone) London Philharmonic Orchestra, Georg Solti Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Erwin Schrott (bass-baritone) Orquestra de la Comunitat Valencian, Riccardo Frizza Porgi amor (from Le nozze di Figaro) Kiri Te Kanawa (soprano) London Philharmonic Orchestra, Georg Solti | Puccini: | Che gelida manina (from La Bohème) Jonas Kaufmann (tenor) Prague Philharmonic Orchestra, Marco Armiliato Firenze è come un albero fiorito (from Gianni Schicchi) Roberto Alagna (tenor) Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti Addio, fiorito asil (from Madama Butterfly) Joseph Calleja (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly O mio babbino caro (from Gianni Schicchi) Renée Fleming (soprano) London Philharmonic Orchestra, Charles Mackerras Vissi d'arte (from Tosca) Montserrat Caballé (soprano) Orchestra of the Royal Opera House, Covent Garden, Colin Davis Signore, ascolta! (from Turandot) Montserrat Caballé (soprano) London Philharmonic Orchestra, Zubin Mehta Quando me'n vo (from La Bohème) Nicole Cabell (soprano) London Philharmonic Orchestra, Andrew Davis E lucevan le stelle (from Tosca) José Carreras (tenor) Orchestra of the Royal Opera House, Covent Garden, Colin Davis | Saint-Saëns: | Mon cœur s'ouvre à ta voix (from Samson et Dalila) Olga Borodina (mezzo) Orchestra of the Welsh National Opera, Carlo Rizzi | Schönberg, C-M: | Stars (from Les Misérables) Bryn Terfel (bass-baritone) Orchestra of the Welsh National Opera, Paul Gemignani | Strauss, J, II: | Nun's Chorus from Casanova Kiri Te Kanawa (soprano) The Mormon Tabernacle Choir, Utah Symphony, Julius Rudel | Verdi: | La donna è mobile (from Rigoletto) Joseph Calleja (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly Pace, pace mio Dio! (from La forza del destino) Angela Gheorghiu (soprano) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | Wagner: | Morgenlich leuchtend im rosigen Schein 'Prize Song' (from Die Meistersinger von Nürnberg) Jonas Kaufmann (tenor) Prague Philharmonic Orchestra, Marco Armiliato |
The greatest opera stars in the world - together in one 2-CD set. A unique collection of all the great genuine opera stars appearing on the world's stages today. A galaxy of great names performing opera's best-loved arias and classic melodies. CD 1 ("The Divos") features celebrated performances from Roberto Alagna, Juan Diego Flórez, Jonas Kaufmann, Plácido Domingo, Bryn Terfel, José Carreras, Josef Calleja and Erwin Schrott CD 2 ("The Divas") features outstanding recordings by Cecilia Bartoli, Renée Fleming, Anna Netrebko, Angela Gheorghiu, Montserrat Caballé, Nicole Cabell, Olga Borodina, and Kiri te Kanawa A fabulous showcase of today's top vocal talent 2 CDs for the price of one | | | In stock - usually despatched within 1 working day. |
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| |  | Renée Fleming: The Beautiful Voice
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| |  | Kiri Te Kanawa - Greatest HitsSelected vocal works including 'Senza mamma', 'Depuis le jour' and more
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| |  | Sempre Libera
Eli Kristin Hanssveen (soprano) Operaorkestret, John Fiore Critics rightfully have called soprano Eli Kristin Hanssveen “the new opera diva”. Her spectacular voice has been the catalyst for a steadily rising career, and she is known for her unique charisma and acting talent. In 2002 she made her opera debut at the Norwegian National Opera and Ballet, where she has been soloist since 2010. | 
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| |  | French Opera Arias
“Battle employs her pinpoint accurate singing with meaning as well as sparkle in a delightful traversal of some 19th-century highlights from French opera.” BBC Music Magazine, May 2013 ***** | 
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| |  | Great Soprano Arias II
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| |  | Mary Garden: Recordings 1904-1928
and a short speech by Mary Garden from Chicago radio
These rare historical recordings include some made by Gramophone and Tipewriter (G & T) in 1904 in Paris with Debussy playing the accompaniment to his own works. Mary Garden was born in Scotland but grew up in Chicago and won a scholarship to study in Paris. She established herself as the favourite singer of Debussy, Massenet and Charpentier. These recordings follow her exceptional career. | | | Usually despatched in 2 - 3 working days. |
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| |  | Prima DonnaThe First Ladies of Opera
Bellini: | Casta Diva (from Norma) Cecilia Bartoli Ah, non credea mirarti (from La Sonnambula) Cecilia Bartoli | Charpentier, G: | Depuis le jour (from Louise) Nicole Cabell | Donizetti: | Al mio core oggetti amati (from L'assedio di Calais) Elina Garanca | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) Anna Netrebko | Giordano, U: | La mamma morta (from Andrea Chénier) Montserrat Caballé | Gluck: | Orfeo et Euridice: Che fiero momento Sylvia McNair | Gounod: | Il était un roi de Thule... Ah! je ris (from Faust) Anna Netrebko Ah! Je veux vivre dans ce rêve (from Roméo et Juliette) Patricia Petibon | Handel: | Samson: Let the bright seraphim Kiri Te Kanawa Semele: Endless Pleasure Danielle de Niese Dopo notte (from Ariodante) Anne Sofie von Otter Lascia ch'io pianga (from Rinaldo) Danielle de Niese Da tempeste il legno infranto (from Giulio Cesare) Magdalena Kožená | Massenet: | Adieu, notre petite table (from Manon) Patricia Petibon | Mozart: | Porgi amor (from Le nozze di Figaro) Sylvia McNair Come scoglio (from Così fan tutte) Karita Mattila Voi che sapete (from Le nozze di Figaro) Anne Sofie von Otter O zittre nicht (from Die Zauberflöte) Sumi Jo Ruhe sanft, mein holdes Leben (from Zaïde) Renée Fleming Ach, ich fühl's (from Die Zauberflöte, K620) Karita Mattila | Puccini: | Un bel di vedremo (from Madama Butterfly) Renée Fleming Signore, ascolta! (from Turandot) Barbara Hendricks Si, mi chiamano Mimi (from La Bohème) Angela Gheorghiu Senza mamma, o bimbo (from Suor Angelica) Barbara Hendricks Vissi d'arte (from Tosca) Montserrat Caballé | Rossini: | Di tanti palpiti (from Tancredi) Elina Garanca | Strauss, J, II: | Nun's Chorus from Casanova Kiri Te Kanawa | Verdi: | Pace, pace mio Dio! (from La forza del destino) Angela Gheorghiu Au palais des fées (from Don Carlos) Magdalena Kožená |
A special new collection of famous opera arias. Many of today's most celebrated singers in signature roles. Artists include, Cecilia Bartoli, Renée Fleming, Anna Netrebko, Kiri Te Kanawa, Anne Sofie von Otter, Danielle de Niese, Magdalena Kožená, and others. Special Price 2 CD collection with over 2 hours of glorious music. | | | Usually despatched in 2 - 3 working days. |
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| |  | Anna Netrebko - SouvenirsSpecial Edition
Arditi: | Il Bacio | Charpentier, G: | Depuis le jour (from Louise) | Dvorak: | Songs My Mother Taught Me, Op. 55 No. 4 | Giménez: | La tempránica: Zapateado 'La tarántula é un bicho mú malo' | Grieg: | Peer Gynt: Solveig's Song | Guastavino: | La rosa y el sauce arr.: Guillo Espel | Hahn, R: | L'Enamourée arr.: Andreas N. Tarkmann | Heuberger: | Midnight Bells (from Der Opernball) | Kalman: | Heia, in den Bergen from Die Csárdásfürstin | Lehár: | Meine Lippen sie Kussen so heiss (from Giuditta) | Lloyd Webber, A: | Requiem: Pie Jesu | Messager: | Fortunio: 'Je ne vois rien..Lorsque je n'etais qu'une enfant' | Offenbach: | Barcarolle (from Les Contes d'Hoffmann ) | Rimsky Korsakov: | Not the wind blowing from the heights, Op.43, No.2 arr.: Andreas N. Tarkmann Eastern Song: Enslaved by the rose, the nightingale Op. 2 No. 2 arr.: Andreas N. Tarkmann | Strauss, R: | Cäcilie, Op. 27 No. 2 Wiegenlied, Op. 41 No. 1 | trad.: | Schlof sche, mein Vögele arr.: Friedrich Meyer |
Soprano superstar Anna Netrebko steps away from the operatic stage to create her most personal and intimate album yet. Souvenirs is a gorgeous collection of short and sparkling pieces that allow Anna to display her amazing voice and temperament “This recording is like a bridal bouquet, bursting with variety and colours,” says Anna Netrebko. “I want it to create a wonderful array of emotions – passion, fun, love, tenderness.” The album includes repertoire from all over the world: songs in French, German, Italian, Norwegian, Latin, Czech, Yiddish, Spanish and – of course – Russian. These are pieces that are very close to Anna’s heart and include treasures by Dvorák, Grieg, Carlos Guastavino, Reynaldo Hahn, Offenbach, Richard Strauss, as well as rarely performed songs by Rimsky-Korsakov. For this special project, Anna is accompanied by conductor Emmanuel Villaume and the Prague Philharmonia. Villaume is well-known as the director of the Spoleto Festival (USA) and is a regular guest at major opera houses such as the Teatro La Fenice and the Met. He has previously worked with Anna in concert and is a perfect match for her passionate artistry. On this album Anna Netrebko has a few stunning guests to partner with her: Elina Garanca for Offenbach's Barcarole, Andrew Swait for Andrew Lloyd Webber's “Pie Jesu” (Requiem), Piotr Beczala for Heuberger's “Im Chambre Séparée”. Stunningly talented, gorgeous and intelligent, Netrebko already has the music world at her feet making this one of THE albums of 2008, eagerly awaited by her legions of fans as well as all music lovers worldwide. Cap Box / Limited Edition: This will be the perfect Christmas gift package for the fans. It will have CD + booklet, bonus DVD, postcards and poster. A MUST HAVE! | | | Usually despatched in 2 - 3 working days. |
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