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Jean-Guihen Queyras (cello) & Alexandre Tharaud (piano) “Queyras's honeyed tone is breathtaking, while Tharaud's accompaniment is a model of delicacy and thoughtfulness. A ravishing recital.” The Independent on Sunday ***** “a masterstroke of programme planning” Gramophone Magazine “The aristocratic duo of Queyras and Tharaud give a subtle, serious performance, unusually wide in its range of expression and colour… enjoy the duo's wonderfully imaginative performances, whether in the eerie,
evanescent Webern miniatures or Berg's unique mix of yearning Romanticism and Expressionist violence.” Daily Telegraph  BBC Music Magazine
Chamber Choice - December 2006 |
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| |  | Christianne Stotijn - Debut
Christianne Stotijn (mezzo-Soprano) & Joseph Breinl (piano) “a really exciting event” (Gramophone)  CD Review
Critics Disc of the Year - December 2006 |
BBC Music Magazine Choral & Song Choice - April 2006 |
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| |  | Ian Bostridge - Schubert Lieder
Schubert: | Die Forelle, D550 Ganymed, D544 (Goethe) Im Frühling, D882 An den Mond, D193 Geheimes, D719 (Goethe) Heidenröslein, D257 Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768 Erster Verlust, D226 (Goethe) Der Fischer, D225 (Goethe) Fischerweise, D881 (Schlechta) Nacht und Träume, D827 Der Zwerg, D771 (Collin) Wehmut, D772 (Collin) An die Musik D547 Du bist die Ruh D776 (Rückert) Auf dem Wasser zu singen, D774 An Sylvia, D891 Litanei auf das Fest Allerseelen, D343 Frühlingsglaube, D686 Sei mir gegrüsst! D741 (Rückert) Im Haine, D738 Der Musensohn, D764 (Goethe) Wandrers Nachtlied I 'Der du von dem Himmel bist', D224 Seligkeit D433 (Holty) Erlkönig, D328 |
Ian Bostridge & Julius Drake (piano) Recorded 1996 & 2000 | | | In stock - usually despatched within 1 working day. |
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| |  | Voices of our Time - Ian Bostridge
Schubert: | Wehmut, D772 (Collin) Der Zwerg, D771 (Collin) Nacht und Träume, D827 Der Musensohn, D764 (Goethe) An die Entfernte, D765 (Goethe) Am Flusse D160 (Goethe) Willkommen und Abschied, D767 Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768 An die Leier, D737 (Bruchmann) Im Haine, D738 Erlkönig, D328 | Wolf, H: | Der Genesene an die Hoffnung Der Knabe und das Immlein Gebet An den Schlaf Neue Liebe An die Geliebte Begegnung Nimmersatte Liebe Peregrina I & II Storchenbotschaft Abschied |
Ian Bostridge (tenor) & Roger Vignoles (piano) | | | In stock - usually despatched within 1 working day. |
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| |  | Schubert Lieder
Schubert: | Der Musensohn, D764 (Goethe) Ganymed, D544 (Goethe) Schäfers Klagelied, D121 (Goethe) Rastlose Liebe, D138 Suleika I & II An den Mond, D296 Der Fischer, D225 (Goethe) Erlkönig, D328 Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768 Die Sterne, D939 (Leitner) Der Einsame, D800 Nachtstück, D672 (Mayrhofer) Der Zwerg, D771 (Collin) Im Abendrot, D799 Nachtviolen D752 (Mayrhofer) Die junge Nonne, D828 Nacht und Träume, D827 |
Sarah Walker (mezzo soprano), Roger Vignoles (piano) | | | In stock - usually despatched within 1 working day. |
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| |  | Felicity Lott sings Schubert Favourites
Schubert: | Die Forelle, D550 An Sylvia, D891 Heidenröslein, D257 Du bist die Ruh D776 (Rückert) Der Musensohn, D764 (Goethe) An die Musik D547 Auf dem Wasser zu singen, D774 Sei mir gegrüsst! D741 (Rückert) Litanei auf das Fest Allerseelen, D343 Die junge Nonne, D828 Ave Maria, D839 Im Frühling, D882 Gretchen am Spinnrade, D118 Nacht und Träume, D827 Ganymed, D544 (Goethe) Nur wer die Sehnsucht kennt, D877/4 Seligkeit D433 (Holty) |
Felicity Lott (soprano), Graham Johnson (piano) | | | In stock - usually despatched within 1 working day. |
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| |  | Accentus - Transcriptions
Accentus & Les Monts du Reuil, Laurence Equilbey This film was shot as a result of the huge success of the two volumes of “Transcriptions” performed by the award-winning choral group “Accentus” under its conductor Laurence Equilbey. The director Andy Sommer has created what he describes as “a sort of ‘a cappella musical’ focusing on the repertoire of transcriptions”. "If you have missed the
two marvellous
“Transcriptions” volumes
from Laurence Equilbey
and her wonderful
Accentus group,
this might be a perfect
introduction. Otherwise,
this is a fine complement.
A film to match the
albums for sheer quality." - Gramophone Magazine “To revisit two of the most impressive choral recordings of the past five years in the company of this visually inspired film is a true delight. In a nutshell, this is beautiful music, beautifully sung and beautifully filmed. ” Gramophone Magazine, June 2008 | | | Usually despatched in 2 - 3 working days. |
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| |  | Great Singers - Lotte LehmannLieder Recordings Volume 6 (1947 and 1949)
Berlin: | God Bless America | Brahms: | Zigeunerlieder, Op. 103 (selection) No. 1 He Zigeuner; No. 2 Hochgetürmte Rimaflut; No. 3 Wisst ihr, wann mein Kindchen; No. 4 Lieber Gott, du weisst; No. 5 Brauner Bursche; No. 6 Röslein dreie in der Reihe; No. 7 Kommt dir manchmal in den Sinn; No. 11 Rote Abendwolken Feldeinsamkeit, Op. 86 No. 2 Der Kranz, Op. 84 No. 2 Der Schmied Op. 19/4 Wiegenlied, Op. 49 No. 4 (Lullaby) | Duparc: | La Vie antérieure | Grüber, F: | Stille Nacht | Hahn, G: | L’Enamouree Infidélité | Paladilhe: | Psyché | Schubert: | Ständchen 'Leise flehen meine Lieder', D957 No. 4 An den Mond, D193 An die Musik D547 Der Jüngling an der Quelle, D300 (Salis-Seewis) An die Nachtigall, D497 Die Männer sind méchant, D866 No. 3 Nacht und Träume, D827 Erlkönig, D328 | Schumann: | Traümerei (from Kinderszenen, Op. 15) (vocalised) | Strauss, R: | Die Zeitlose, Op. 10 No. 7 Wozu noch, Mädchen Op. 19 No. 1 Du meines Herzens Krönelein, Op. 21 No. 2 | trad.: | The Kerry Dance | Wade: | O come, all ye faithful |
“As bold and committed in Lieder as she was in opera, the great soprano is caught here in the last part of her career, specialising in song. Thrilling.” BBC Music Magazine, March 2008 ***** | | | Usually despatched in 2 - 3 working days. |
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| |  | Arleen Augér
Hoiby: | The Serpent | Schoenberg: | Erwartung, Op. 17 Schenk mir deinen goldenen Kamm Op. 2 No. 2 Erhebung Op. 2 No. 3 Waldsonne Op. 2 No. 4 | Schubert: | Frühlingsglaube, D686 Der Schmetterling D633 Nacht und Träume, D827 Liebe schwarmt auf allen Wegen, D239 No. 6 (Goethe) Erster Verlust, D226 (Goethe) Gretchen am Spinnrade, D118 Heidenröslein, D257 | Schumann: | Widmung, Op. 25 No. 1 Röselein, Röselein! Op. 89 No. 6 ('Wielfried von der Neun') Er ist's! Op. 79 No. 23 (Eduard Mörike) Des Sennen Abschied, Op. 79 No. 22 Mignin, Op. 79 No. 28 Singet nicht In Trauertönen Op. 98a No. 7 (Johann Wolfgang von Goethe) | Strauss, R: | Das Rosenband, Op. 36 No. 1 Mädchenblumen, Op. 22 Die Zeitlose, Op. 10 No. 7 Efeu, Op. 22 No. 3 Freundliche Vision, Op. 48 No. 1 Herr Lenz Op. 37 No. 5 |
Arleen Augér (soprano) & Dalton Baldwin (piano) Recorded: BBC Studios, Pebble Mill, Birmingham, 2 January 1987 “This BBC recital from Birmingham (1987) extends Augér's run of Lieder on disc, and reminds us what a treasurable artist we lost when, six years after making this recording, she died aged 53.” BBC Music Magazine, March 2008 ***** | | | Usually despatched in 2 - 3 working days. |
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| |  | Transcriptions 2This disc presents more classical music hits transcribed for a cappella choir, focusing on some lesser-known repertoire.
Brigitte Engerer (piano) Accentus Chamber Choir & Les Monts du Reuil Continuo, Laurence Equilbey “Laurence Equilbey and her chamber group Accentus deserve nothing but praise for their mellifluous tone and ability to fan into a vocal forest.” Geoff Brown, The Times | | | Usually despatched in 2 - 3 working days. |
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Gramophone Magazine