Chopin: Étude Op. 25 No. 1 in A flat major 'Aeolian Harp' (Sternenregen-Étude)

As early as 1948 Richter recorded a Polonaise Op.25 No.1, and in 1950 the Ballade No.2 Op.38, few Studies… An avowed enemy of 'completism' the present programme is a fabulous example of his choices, excluding the famous Funeral Sonata, Walzes or First Piano Concerto…, leaving these to Gilels: ‘far better than me' in his opinion!

Recorded September 1960.

This outstanding recording of the complete Chopin Études by Maurizio Pollini is being published for the first time by Testament.

It was made by EMI at Abbey Road a few months after Pollini had won the Chopin Competition in Warsaw. Pollini had already recorded for EMI the Chopin Piano Concerto No.1 in E minor with the Phiharmonia Orchestra conducted by Paul Kletzki, a recording universally acclaimed as a classic. Peter Andry, who produced the recording of the Études, later recalled Pollini’s play-through of the first set as a spine-tingling experience: “This was pianism of the very finest kind” he said. “Rarely had I heard such perfection. He seemed to play these demanding works effortlessly. I remember the occasion even now as one of my greatest musical experiences.”

The recording reproduces with striking immediacy and clarity a performance that captures the 18-year-old pianist’s sensitive and sympathetic emotional response to these works. It is very different to the large-scale and grandiose DG recording made a decade or so later by Pollini as a more mature artist in a venue with a more reverberant acoustic.

Critics and pianists who have already heard this recording by the young Pollini have all been astonished by its musicality and spontaneity, qualitities that go right to the heart of Chopin’s genius in writing these challenging but musically inspired compositions. It is a unique addition to Pollini’s extensive recorded catalogue and shows this great artist at the very beginning of his professional career as a musician of the highest calibre.

The first complete recordings of Chopin's Etudes op. 10 and op. 25, recorded in January 1928

Wilhelm Backhaus’s recordings of Liszt and Chopin, Moszkowski, Brahms, Albéniz, Weber, Anton Rubinstein and Smetana revealed great virtuosity. Inexorability, rapid tempos and an almost surly approach characterized his playing. He made the first recordings of a piano concerto in history (Grieg) in 1909 - just four minutes from the first and third movements.

2 CD & DVD.

Lang Lang’s first recording for Sony, the start of a new exclusive long-term partnership - recorded live at Vienna’s prestigious Musikverein in 2010.

Lang Lang:

Heralded as the “hottest artist on the classical music planet” by the New York Times, 28- year-old Lang Lang began playing the piano at the age of 3, gave his first public recital aged 5, and won first prize at the Tchaikovsky International Young Musicians Competition at the age of 13. Since then he has become a global phenomenon, playing sold out recitals and concerts in every major city in the world.

Testimony to his success, Lang Lang recently appeared in the 2009 Time 100 – Time Magazine's annual list of the 100 Most Influential People in the World. In 2008, over 5 billion people viewed Lang Lang’s performance in Beijing’s opening ceremony for the Olympic Games, and he has inspired over 40 million Chinese children to take up the piano – a phenomenon coined by The Today Show as "the Lang Lang effect." More recently, Lang Lang was chosen as an official worldwide ambassador to the 2010 Shanghai Expo. He has performed at prestigious events including at The White House and The Nobel Peace Prize Ceremony.

Continuing his presence on the world stage, Lang Lang was featured at the 2008 Grammy Awards and the 2009 Classical Brit Awards, pairing up with jazz great, Herbie Hancock, for an astounding performance that was broadcast live to 45 million viewers worldwide.

Lang Lang has made it his mission to share classical music around the world, with an emphasis on training children and young musicians through education, outreach programs, master classes and financial support. He launched the Lang Lang International Music Foundation in New York with the support of UNICEF. In May 2009, Lang Lang and his three chosen young scholars from the foundation performed together on The Oprah Winfrey Show.

In addition to his numerous commitments, Lang Lang holds the title of the first Ambassador of the YouTube Symphony Orchestra. His role in this groundbreaking project created by YouTube and Google reflects his devotion to building new audiences and bringing classical music to young people worldwide. A brand in himself, Lang Lang has become the face of numerous global campaigns. Steinway has created five versions of the “Lang Lang Steinway” designed for early music education - the first time in Steinway’s 150-year history that an artist’s name has been used to produce pianos. He is a global brand ambassador for the entire Sony Corporation, including its Electronics arm, with whom he anticipates achieving innovative and creative possibilities for the future. Lang Lang also holds brand partnerships with Audi Automobiles and Aegon's worldwide financial services, amongst others.Lang Lang’s performance clothes are provided by Versace.

In February 2010, Lang Lang joined Sony Music Entertainment as an exclusive recording artist.

Canada’s “First Lady of Chopin” has embarked on an incredible year of recitals, orchestral concerts and master-classes and will be performing at the Cadogan Hall and Fairfield Hall in May. Her previous Chopin recital CD on ATMA (ACD22597) has received excellent reviews.

Recorded live at The Granary, Beccles U.K., this recital captures Pascal Rogé in the repertoire that has earned him the reputation as one of the world’s greatest interpreters of Chopin and the French repertoire.

Pascal Rogé is today’s greatest ambassador and stylist in French piano music. Winner of two Gramophone Awards, his name is synonymous over many years with the finest in French piano playing, both in concert and on disc for Decca, and now in Debussy for ONYX

This is the second installment of Géza Anda’s recordings from the archives of the SWR. His early reputation was built upon his unrivaled mastery of the great Romantic repertoire. His infallible sense of form, and understanding of the inner workings of the music and his brilliant, unsentimental performing style have influenced subsequent generations of pianists. These are recordings from 1950, 1951 & 1955.

Jorge Bolet was an avowed Romantic, happy to relax once the serious business of his recital is over. Like Moiseiwitsch, he could be mischievously enterprising, challenging his audience to guess the composer of this or that rare poetic jewel or confection - or, like Rubinstein, he could affectionately confirm and recreate their favourites.

With delightful old world charm, fleet of finger, yet ever conscious of the singing line, Bolet weaves pure magic in this collection of encores. After a long absence from the catalogue, this disc returns, now at budget price.