Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Haydn - Piano Variations
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| |  | Haydn - Sonatas and VariationsRecorded October 18th-19th 2008, Kremsmünster, Schloss Kremsegg, Museum für Musikinstrumente
Paul Badura-Skoda (fortepiano Johann Schantz Vienna ca. 1790) The legendary Viennese pianist, Paul Badura-Skoda, has issued a new recording of five piano masterworks by Joseph Haydn, for the bicentenary of his death. Johann Schantz's fortepiano from Badura-Skoda's collection, is the most appropriate instrument available today for interpreting Haydn's music. In a letter to Marianne von Genzinger dated 4 July 1790, Haydn refers to Johann Schantz as "the best pianoforte maker". In the late '80s and early '90s Paul Badura-Skoda recorded a small collection of four single volumes on the same instrument, with Michel Bernstein and for Astrée. The booklet contains notes (in four languages) by Badura-Skoda himself. In 1945, Badura-Skoda entered the Vienna Conservatory, and two years later won a scholarship which allowed him to study with Edwin Fischer. In 1949,Wilhelm Furtwängler and Herbert von Karajan became aware of his outstanding talent and invited him to play and practically overnight he became world famous. Since then, Badura-Skoda has been a regular and celebrated guest at the most important music festivals, and a soloist with the world´s most prestigious orchestras, recording a vast repertoire: more than 200 LPs and dozens of compact discs including the complete cycles of the piano sonatas of Mozart, Beethoven and Schubert. He performs with equal authority on both period and modern instruments and was a pioneer in proposing the use of period pianos in perfomance. “Despite, indeed partly because of the imperfections there is an immediacy and intensity here as his 81-year old fingers feel their way from one musical configuration to another that is in a class apart from the well-engineered perfection of those younger players. Wayward, even bumpy through the unfolding of the exceptionally lovely slow movement of the Sonata in A flat may sound, the underlying grasp of direction and cohesion is all the stronger. One is compelled to listen.” BBC Music Magazine, January 2010 **** | | | Usually despatched in 3 - 4 working days. |
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| |  | Haydn - Late Keyboard Works
Gary Cooper is now established as one of the foremost ambassadors of the harpsichord and fortepiano - in particular, as an interpreter of Bach’s & Mozart’s keyboard music – and as a director of period performance in concert, and in opera. Gary is ‘Artist in Residence’ of the exciting Belgian period instrument ensemble, B’Rock, directing orchestral and opera productions, recordings, and is guest artistic director of a new festival in Bruges. This coming season, Gary appears at major festivals such as the Flanders Festival, the Bruges, Utrecht, Potsdam and Innsbruck Early Music Festivals and throughout the UK. The Duo partnership of Gary Cooper with Rachel Podger has taken them worldwide. Their recordings, with Channel Classics, of Mozart’s Complete Sonatas for Keyboard & Violin has received countless awards and accolades, including multiple Diapason d’Or awards and Gramophone Editor’s Choices, and hailed as ‘benchmark’ recordings. "The inspiration for this recording was derived from that all-too-rare occurrence: a perfect marriage of instrument and composer's music. The language of Haydn's later keyboard writing, containing such infinitesimal subtlety of expression, inflection, dynamic range, colour, and every mood under the sun, from tempest to sunny wit, seems to me perfectly matched by the gem of a piano used for this recording,dating from Vienna c.1785. In truth, I have never encountered an instrument capable of such breadth of touch and response from this period: to my mind, Haydn's last, and greatest, keyboard works, richly deserve being heard on such a piano, in order that the fullest range of expression and depth of imagination contained in these remarkable pieces may be brought alive.” Gary Cooper “Interpretatively, Cooper offers a fascinatingly complementary approach to Andreas Staier in his outstanding late-Haydn box. …Staier… proves on the whole stricter, crisper, more clear-cut in his dynamic contrasts… Cooper is more poetic in his phrasing, more sensitive in colour gradations, freer with the text as regards decoration, added octaves in the bass, and so on. ...of fortepiano Haydn should treat themselves to both Cooper and Staier: each enhances the other.” BBC Music Magazine, July 2009 **** “…Gary Cooper… opens with the formally inventive C major Sonata (HobXVI/48) and imbues the contrast between solemnity and skittering brilliance with all the drama of a Mozart fantasia. The inclusion not only of the masterly F minor Variations but also a rarity - the touching set based on the slow movement of Haydn's Emperor Quartet - is another plus.” Gramophone Magazine, September 2009 | | | Usually despatched in 4 - 5 working days. |
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| |  | Ragna Schirmer: Joseph Haydn Revisited
“Ragna Schirmer ventures far from the beaten track, imaginatively interspersing substantial and familiar masterpieces with a string of enlivening miniatures… All these finely recorded performances are models of musical grace and resilience.” Gramophone Magazine, July 2008 | | | Usually despatched in 2 - 3 working days. |
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| |  | Encores
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| |  | Haydn: Sonatas and Variations
Haydn: | Piano Sonata No. 58 in C major, Hob.XVI:48 Piano Sonata No. 59 in E flat major, Hob.XVI:49 Piano Sonata No. 60 in C major, Hob.XVI:50 Piano Sonata No. 61 in D major, Hob.XVI:51 Piano Sonata No. 62 in E flat major, Hob.XVI:52 Piano Sonata No. 48 in C major, Hob.XVI:35 Piano Sonata No. 49 in C sharp minor, Hob.XVI:36 Piano Sonata No. 50 in D major, Hob.XVI:37 Piano Sonata No. 51 in E flat major, Hob.XVI:38 Piano Sonata No. 52 in G major, Hob.XVI:39 Piano Sonata No. 33 in C minor, Hob.XVI:20 Arietta con 12 variazioni in E flat major, Hob.XVII/3 Piano Sonata No. 53 in E minor, Hob.XVI:34 Andante & Variations in F minor, Hob.XVII:6 (Sonata - un piccolo divertimento) Piano Sonata No. 34 in D major, Hob.XVI:33 Variations on 'Gott erhalte Franz, den Kaiser' in G major (after Hob.III/77ii) |
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| |  | Haydn - Complete Solo Keyboard Music, Volume 10Haydn - Airs, Variations and Dances
Haydn: | Capriccio 'Acht Sauschneider müssen seyn' in G major, Hob.XVII/1 Arietta con 12 variazioni in E flat major, Hob.XVII/3 Arietta con 12 variazioni in A major, Hob.XVII/2 Fantasia (Capriccio) in C major, Hob. XVII:4 Theme and Variations in C major, Hob.XVII:5 Andante & Variations in F minor, Hob.XVII:6 (Sonata - un piccolo divertimento) Adagio in F major, Hob.XVII/9 20 Variations in G major, Hob.XVII/2 Andante con variazioni in D major, Hob.XVII/7 Andantino (Allegretto) con variazioni in A major, Hob.XVII/8 Allegretto in G major, Hob.XVII/10 Andante con variazioni in B flat major, Hob.XVII/12 Aria con variazioni in C major, Hob.XVII/15 Adagio in G major, Hob.XV/22II Allegretto con variazioni in A major, Hob.XVII?A3 Allegretto in G major, Hob.III/41 (IV) Variations on 'Gott erhalte Franz, den Kaiser' in G major (after Hob.III/77ii) Il Maestro e lo Scolare in F major, Hob.XVIIa/1 12 Menuette, Hob.IX/11 12 Deutsche Tänze, Hob.IX/12 12 Menuette, Hob.IX/3 12 Menuette, Hob.IX/8 Two Märsche (for Sir Henry Harpur), Hob.VIII/1 Marsch, Hob.VIII/3/3bis Kontretanz, Hob.XXXI/c:17b |
Ronald Brautigam (fortepiano), with Ingo Petry (fortepiano) | | | Usually despatched in 2 - 3 working days. |
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| |  | Haydn - Complete Solo Keyboard Music
Haydn: | Capriccio 'Acht Sauschneider müssen seyn' in G major, Hob.XVII/1 Arietta con 12 variazioni in E flat major, Hob.XVII/3 Arietta con 12 variazioni in A major, Hob.XVII/2 Fantasia (Capriccio) in C major, Hob. XVII:4 Theme and Variations in C major, Hob.XVII:5 Andante & Variations in F minor, Hob.XVII:6 (Sonata - un piccolo divertimento) Adagio in F major, Hob.XVII/9 20 Variations in G major, Hob.XVII/2 Andante con variazioni in D major, Hob.XVII/7 Andantino (Allegretto) con variazioni in A major, Hob.XVII/8 Allegretto in G major, Hob.XVII/10 Andante con variazioni in B flat major, Hob.XVII/12 Aria con variazioni in C major, Hob.XVII/15 Adagio in G major, Hob.XV/22II Allegretto con variazioni in A major, Hob.XVII?A3 Allegretto in G major, Hob.III/41 (IV) Variations on 'Gott erhalte Franz, den Kaiser' in G major (after Hob.III/77ii) Il Maestro e lo Scolare in F major, Hob.XVIIa/1 12 Menuette, Hob.IX/11 12 Deutsche Tänze, Hob.IX/12 12 Menuette, Hob.IX/3 12 Menuette, Hob.IX/8 Two Märsche (for Sir Henry Harpur), Hob.VIII/1 Marsch, Hob.VIII/3/3bis Kontretanz, Hob.XXXI/c:17b The Seven Last Words of Our Saviour on the Cross, Hob XX (Piano version) Piano Sonatas Nos. 1-62 (complete) |
Ronald Brautigam (fortepiano) This complete Haydn music for solo keyboard box set includes 15 CDs featuring 55 sonatas as well as sets of dances and variations and various independent pieces. Included is also an unusual keyboard arrangement of The Seven Last Words of Our Saviour on the Cross, published in 1787 with the composer’s approval. These recordings were originally released between 1999 and 2004, in instalments which received universal acclaim, including a Cannes Classical Award in 2004. “…in the earliest sonatas Brautigam plays… with ready wit, and he used to the full the dynamic and tonal range, so that the simplest pieces have colourful charm and never sound under-nourished. In the later works… his technique is always equal to Haydn's demands, from the most skittish of scherzos to the volcanic eruptions and harmonic bravado of the darkest and most forward-looking sonatas.” BBC Music Magazine, January 2009 “…if you want Haydn's complete keyboard works in performances that totally embrace the composer's surprises, emotional highs and lows and technical demands, nothing holds a candle to fortepianist Ronald Brautigam's cycle on BIS - a bargain at 15 CDs for the price of three.” Gramophone Magazine, February 2009 | | | In stock - usually despatched within 1 working day. |
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