Haydn: Adagio in F major, Hob.XVII/9

Haydn’s songs are relatively subordinate in his oeuvre and were composed to be performed by amateurs. Nonetheless, they are carefully structured and served to help establish him in the open market. His English Canzonettas show a great variety of moods ranging from lively sea pieces to pastoral. Anne Cambrier has an extensive repertoire and regularly gives recitals with Jan Vermeulen.

The legendary Viennese pianist, Paul Badura-Skoda, has issued a new recording of five piano masterworks by Joseph Haydn, for the bicentenary of his death. Johann Schantz's fortepiano from Badura-Skoda's collection, is the most appropriate instrument available today for interpreting Haydn's music. In a letter to Marianne von Genzinger dated 4 July 1790, Haydn refers to Johann Schantz as "the best pianoforte maker". In the late '80s and early '90s Paul Badura-Skoda recorded a small collection of four single volumes on the same instrument, with Michel Bernstein and for Astrée. The booklet contains notes (in four languages) by Badura-Skoda himself. In 1945, Badura-Skoda entered the Vienna Conservatory, and two years later won a scholarship which allowed him to study with Edwin Fischer. In 1949,Wilhelm Furtwängler and Herbert von Karajan became aware of his outstanding talent and invited him to play and practically overnight he became world famous. Since then, Badura-Skoda has been a regular and celebrated guest at the most important music festivals, and a soloist with the world´s most prestigious orchestras, recording a vast repertoire: more than 200 LPs and dozens of compact discs including the complete cycles of the piano sonatas of Mozart, Beethoven and Schubert. He performs with equal authority on both period and modern instruments and was a pioneer in proposing the use of period pianos in perfomance.

Gramophone Award Winner 1987