This page lists all recordings of Amour, viens aider ma faiblesse (Samson et Dalila), by Charles Camille Saint-Saëns (1835-1921) on CD, SACD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Callas Effect (Deluxe Edition)2CD / 1DVD
Bellini: | Casta Diva (from Norma) Col sorriso d'innocenza (from Il Pirata) | Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) Carreau! Pique! La mort! (from Carmen) | Catalani: | Ebben? Ne andrò lontana (from La Wally) | Delibes: | Où va la jeune Indoue? 'Bell Song' (from Lakmé) | Giordano, U: | La mamma morta (from Andrea Chénier) | Gluck: | Divinités du Styx (from Alceste) | Gounod: | Ah! Je ris de me voir (from Faust) | Mozart: | In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) | Ponchielli: | Suicidio! (from La Gioconda) | Puccini: | O mio babbino caro (from Gianni Schicchi) Si, mi chiamano Mimi (from La Bohème) In questa reggia (from Turandot) Vissi d'arte (from Tosca) Un bel di vedremo (from Madama Butterfly) Senza mamma, o bimbo (from Suor Angelica) Sola, perduta, abbandonata (from Manon Lescaut) | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) | Saint-Saëns: | Amour, viens aider ma faiblesse (Samson et Dalila) | Thomas, Ambroise: | Ah, pour ce soir...Je suis Titania (from Mignon) | Verdi: | Mercè, dilette amiche 'Bolero' (from I Vespri Siciliani) Caro nome (from Rigoletto) Ah, fors'è lui che l'anima (from La Traviata) La luce langue (from Macbeth) D'amor sull'ali rosee (from Il Trovatore) Surta è la notte...Ernani! Ernani, involami (from Ernani) Ritorna vincitor! (from Aida) Tu che la vanità (from Don Carlo) |
DVD 'The Callas Effect' 1. Introduction 2. Humble Beginnings 3. The New Star 4. Norma at Covent Garden 5. Records and Romance 6. La Traviata 7. Il Trovatore 8. Bringing drama to the opera stage: Tosca 9. Concerts 10. Audience Response 11. High Society and Fashion 12. Losing Voice 13. 'Sola, perduta, abbandonata' 14. The Callas Effect today 15. Conclusion
Maria Callas is the ultimate and original diva. Widely regarded as the greatest Opera singer and performer of all time whose life, voice and performances have intrigued, thrilled and inspired all others. Maria Callas 34 years after her death Maria Callas remains the definition of a diva. She is not only the world's bestselling soprano but also EMI Classic's bestselling artist of all time. Widely regarded for her intense characterisation and unique interpretations she has become a cultural icon whose music and life continues to influence today. “Her reputation, extremely high when she died, has become ever greater in the years since her death. As a personality she remains controversial, but as an artist hardly at all: her genius is recognised as supreme by virtually all opera lovers, indeed it is often from listening to her many recordings that people discover what an incredibly potent art form opera can be.” BBC Music Magazine The Music This wonderfully constructed 2CD collection of opera arias highlights Callas’s spectacular climb to fame tracking her move from innocent young woman to the tragic heroine in her later years through the opera arias she recorded. Featuring the most special and exquisitely interpreted arias of her output this collection brings together such opera favourites as O mio babbino caro, Vissi d’arte and Casta diva. Callas’s recordings have featured prominently in many critically acclaimed movies including Academy Award winner Philadelphia and Academy Award Nominated Milk Callas is the immortal diva whose music transcends time and sounds as unique and inspired today. Many noted musicians have quoted Callas as a musical influence including Linda Ronstadt, Patti Smith, Emmylou Harris, Celine Dion, Jason Mraz and Rufus Wainwright. Documentary EMI Classics has made The Callas Effect because there are powerful first-hand accounts that have not before been revealed of how and why Callas has exerted a unique and extraordinary effect – on other celebrity opera singers, on distinguished stage directors, on actors and actresses, on backstage theatre crews, on recording staff, on impresarios, on audiences who queued up for days and nights to see her, and now on young music-lovers who are captivated by her CDs and DVDs. People from all these walks of life, newly captured just for this memoir and including some who personally knew her, are the passionate witnesses of Maria Callas’s genius in The Callas Effect, which also includes extracts from her performances, recordings and interviews. “memorable artistry is evident everywhere - utterly exemplary in its musical intelligence, stirring in its interpretative eloquence. The technique dazzles in marvellously expressive trills...and everywhere, of course, the uniquely penetrating dramatic involvement.” International Record Review, January 2012 “This makes a good Callas set for beginners. It contains arias that showcase a good section of her most successful repertoire and it captures her voice at its best.Exactly when it is captured remains a mystery, however: the set’s main problem for pre-existing fans and aficionados is that, while it contains information about where and with whom each track was recorded, we are not given any dates.” MusicWeb International, January 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | The Callas Effect (Experience Edition)
Bellini: | Casta Diva (from Norma) Col sorriso d'innocenza (from Il Pirata) | Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) Carreau! Pique! La mort! (from Carmen) | Catalani: | Ebben? Ne andrò lontana (from La Wally) | Delibes: | Où va la jeune Indoue? 'Bell Song' (from Lakmé) | Giordano, U: | La mamma morta (from Andrea Chénier) | Gluck: | Divinités du Styx (from Alceste) | Gounod: | Ah! Je ris de me voir (from Faust) | Mozart: | In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) | Ponchielli: | Suicidio! (from La Gioconda) | Puccini: | O mio babbino caro (from Gianni Schicchi) Si, mi chiamano Mimi (from La Bohème) In questa reggia (from Turandot) Vissi d'arte (from Tosca) Un bel di vedremo (from Madama Butterfly) Senza mamma, o bimbo (from Suor Angelica) Sola, perduta, abbandonata (from Manon Lescaut) | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) | Saint-Saëns: | Amour, viens aider ma faiblesse (Samson et Dalila) | Thomas, Ambroise: | Ah, pour ce soir...Je suis Titania (from Mignon) | Verdi: | Mercè, dilette amiche 'Bolero' (from I Vespri Siciliani) Caro nome (from Rigoletto) Ah, fors'è lui che l'anima (from La Traviata) La luce langue (from Macbeth) D'amor sull'ali rosee (from Il Trovatore) Surta è la notte...Ernani! Ernani, involami (from Ernani) Ritorna vincitor! (from Aida) Tu che la vanità (from Don Carlo) |
This wonderfully constructed 2CD collection of opera arias highlights Callas’s spectacular climb to fame tracking her move from innocent young woman to the tragic heroine in her later years through the opera arias she recorded. Featuring the most special and exquisitely interpreted arias of her output this collection brings together such opera favourites as O mio babbino caro, Vissi d’arte and Casta diva. “memorable artistry is evident everywhere - utterly exemplary in its musical intelligence, stirring in its interpretative eloquence. The technique dazzles in marvellously expressive trills...and everywhere, of course, the uniquely penetrating dramatic involvement.” International Record Review, January 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | Vesselina Kasarova: A Portrait & French Opera Arias
Bellini: | Ascolta! Se Romeo t'uccise un figlio...La tremenda ultrice spada (from I Capuleti) | Berlioz: | Ah! Je vais mourir (from Les Troyens) | Donizetti: | Fia dunque vero…O mio Fernando (from La Favorita) Sposa a Percy...Per questa fiamma indomita (from Anna Bolena) | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) | Gounod: | Ô ma lyre immortelle (from Sapho) Depuis hier je cherche en vain mon maître...Que fais-tu, blanche tourterelle (from Roméo et Juliette) Nuit resplendissante (from Cinq-Mars) | Handel: | Or la tromba (Rinaldo) | Lalo: | De tous côtes j'apercois...Lorsque je t'ai vu soudain (from Le Roi d'Ys) | Massenet: | De cet affreux combat…Pleurez, mes yeux ! (from Le Cid) | Meyerbeer: | Non, non, non, vous n'avais jamais, je gage (from Les Huguenots) Donnez, donnez (from Le Prophète) | Mozart: | Voi che sapete (from Le nozze di Figaro) Batti, batti, o bel Masetto (from Don Giovanni) | Rossini: | Nacqui all'affanno, al pianto...Non più mesta (from La Cenerentola) Pensa alla patria (from L'Italiana in Algeri) Una voce poco fa (from Il barbiere di Siviglia) | Saint-Saëns: | Amour, viens aider ma faiblesse (Samson et Dalila) | Thomas, Ambroise: | Connais-tu le pays (from Mignon) |
“[Portrait] is the stuff of legends: I can't recall the last time I heard a debut opera recital that has given me so much pleasure. The vibrant richness of Kasarova's tone allied to her totally uninhibited manner before the microphone allow her to bring to astonishing life each of the characters portrayed within.” Gramophone Magazine, February 2007 | | | In stock - usually despatched within 1 working day. |
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| |  | Amor eterno
Barbora Polaskova (mezzo-soprano), Irina Romenska (piano), | |
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| |  | French & Italian Arias
Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) West Australian Symphony Orchestra, Geoffrey Arnold | Donizetti: | O mio Fernando (from La Favorita) West Australian Symphony Orchestra, Geoffrey Arnold | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) West Australian Symphony Orchestra, Geoffrey Arnold | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) West Australian Symphony Orchestra, Geoffrey Arnold | Saint-Saëns: | Printemps qui commence (from Samson et Dalila) West Australian Symphony Orchestra, Geoffrey Arnold Amour, viens aider ma faiblesse (Samson et Dalila) West Australian Symphony Orchestra, Geoffrey Arnold Mon cœur s'ouvre à ta voix (from Samson et Dalila) West Australian Symphony Orchestra, Geoffrey Arnold | Thomas, Ambroise: | Connais-tu le pays (from Mignon) West Australian Symphony Orchestra, Geoffrey Arnold Me voici dans son boudoir 'Gavotte' (from Mignon) West Australian Symphony Orchestra, Geoffrey Arnold | Verdi: | Stride la vampa (from Il Trovatore) West Australian Symphony Orchestra, Geoffrey Arnold Condotta ell’era in ceppi (from Il Trovatore) Sydney Symphony Orchestra, Eric Clapham Nei giardin del bello saracin ostello 'Veil Song' (from Don Carlo) Narelle Davidson (soprano - Tebaldo) Sydney Symphony Orchestra, Eric Clapham |
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| |  | Jeanne Gerville-Réache
Jeanne Gerville-Réache (mezzo) with Madame Charles Cahier (mezzo) This singer possessed a remarkably beautiful voice, an excellent singing technique and a wide vocal range. After her debut in 1899, her career began successfully in Europe. She moved to North America in 1907 and was immensely popular there until her sudden death in 1915. She is particularly remembered for her portrayal of Dalila and Gluck’s Orfeo. | | | Usually despatched in 2 - 3 working days. |
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| |  | Nan Merriman: Opera Arias
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| |  | Great Swedish Singers: Kerstin Meyer
Kerstin Meyer (mezzo-soprano) “she is as alluring as it is possible to be” MusicWeb International | |
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| |  | Mezzo-Soprano Opera Arias
| | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Great Operatic Arias 2 - Diana Montague Volume 1
| | | (also available to download from $10.75) | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. (Available now to download.) |
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