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See Terms & Conditions for p&p rates. | |  | Roberto Alagna - Tenor
Berlioz: | Prière: Te ergo quaesumus (Te Deum) Chœur & Orchestre de Paris, John Nelson | Bernstein: | Tonight (from West Side Story) Angela Gheorghiu (Maria) Orchestra of the Royal Opera House, Covent Garden, Richard Armstrong | Bizet: | Parle-moi de ma mère (from Carmen) Inva Mula (Micaëla) & Angela Gheorghiu (Carmen) Orchestre du Capitole de Toulouse, Michel Plasson Je vais danser en votre honneur (from Carmen) Inva Mula (Micaëla) & Angela Gheorghiu (Carmen) Orchestre du Capitole de Toulouse, Michel Plasson La fleur que tu m'avais jetée (from Carmen) Inva Mula (Micaëla) & Angela Gheorghiu (Carmen) Orchestre du Capitole de Toulouse, Michel Plasson | Donizetti: | C’est moi Lucie (from Lucie de Lammermoor) Natalie Dessay (Lucie) Orchestre & Chœurs de l’Opéra National de Lyon, Evelino Pidò Sur la tombe de mon père (Lucie de Lammermoor) Natalie Dessay (Lucie) Orchestre & Chœurs de l’Opéra National de Lyon, Evelino Pidò Vers toi toujours s’envoler (from Lucie de Lammermoor) Natalie Dessay (Lucie) Orchestre & Chœurs de l’Opéra National de Lyon, Evelino Pidò Tombes de mes aïeux (from Lucie de Lammermoor) Natalie Dessay (Lucie) Orchestre & Chœurs de l’Opéra National de Lyon, Evelino Pidò | Gounod: | L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) Angela Gheorghiu (Juliette) Orchestre du Capitole de Toulouse, Michel Plasson Va, je t’ai pardonné…Anges du ciel (from Roméo et Juliette) Angela Gheorghiu (Juliette) Orchestre du Capitole de Toulouse, Michel Plasson | Massenet: | Instant charmant … En fermant les yeux (from Manon) Angela Gheorghiu (Manon) & Yann-Armel Quemener (Le portier du séminaire) Orchestra of the Royal Opera House, Covent Garden, Richard Armstrong Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Angela Gheorghiu (Manon) & Yann-Armel Quemener (Le portier du séminaire) Orchestra of the Royal Opera House, Covent Garden, Richard Armstrong Toi ! Vous ! Oui ! Je fus cruelle… N’est-ce plus ma main (from Manon) Angela Gheorghiu (Manon) & Yann-Armel Quemener (Le portier du séminaire) Orchestra of the Royal Opera House, Covent Garden, Richard Armstrong Oui ce qu'elle m'ordonne... Lorsque l'enfant (from Werther) Angela Gheorghiu (Charlotte)
Angela Gheorghiu (Charlotte) Orchestre du Capitole de Toulouse, Antonio Pappano Pourquoi me reveiller (from Werther) Angela Gheorghiu (Charlotte)
Angela Gheorghiu (Charlotte) Orchestre du Capitole de Toulouse, Antonio Pappano N’achevez pas, hélas (from Werther) Angela Gheorghiu (Charlotte)
Angela Gheorghiu (Charlotte) Orchestre du Capitole de Toulouse, Antonio Pappano | Offenbach: | Le jugement de Pâris - Au Mont Ida (from La Belle Hélène) Orchestra of the Royal Opera House, Covent Garden, Richard Armstrong | Puccini: | Che gelida manina (from La Bohème) Leontina Vaduva (Mimi) Philharmonia Orchestra, Antonio Pappano O soave fanciulla (from La Bohème) Leontina Vaduva (Mimi) Philharmonia Orchestra, Antonio Pappano Recondita armonia (from Tosca) Angela Gheorghiu (Tosca) & Enrico Fissore (Le Sacristain) Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano E lucevan le stelle (from Tosca) Angela Gheorghiu (Tosca) & Enrico Fissore (Le Sacristain) Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano Ah! Franchiggia… O dolci mani mansuete e pure (from Tosca) Angela Gheorghiu (Tosca) & Enrico Fissore (Le Sacristain) Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano Ma come puoi lasciarmi (from La Rondine) Angela Gheorghiu (Magda) London Symphony Orchestra, Antonio Pappano Ecco la Casa...Torna ai felici di (from Le Villi) London Symphony Orchestra, Antonio Pappano Firenze è come un albero fiorito (from Gianni Schicchi) London Symphony Orchestra, Antonio Pappano Et incarnatus est London Symphony Chorus & Orchestra, Antonio Pappano | Verdi: | Ah sì ben mio (from Il trovatore) Angela Gheorghiu (Leonora) & Enrico Facini (Ruiz) London Voices & London Symphony Orchestra, Antonio Pappano Di quella pira (from Il trovatore) Angela Gheorghiu (Leonora) & Enrico Facini (Ruiz) London Voices & London Symphony Orchestra, Antonio Pappano Fontainebleau! Forêt immense et solitaire … (from Don Carlos) Thomas Hampson (Rodrigue), Csaba Airizer (Un moine) & José Van Dam (Philippe II) Chœur du Théâtre du Châtelet – Orchestre de Paris, Antonio Pappano Qui me rendra ce mort ? Ô funèbres abîmes (from Don Carlos) Thomas Hampson (Rodrigue), Csaba Airizer (Un moine) & José Van Dam (Philippe II) Chœur du Théâtre du Châtelet – Orchestre de Paris, Antonio Pappano Dieu, tu semas dans nos âmes (from Don Carlos) Thomas Hampson (Rodrigue), Csaba Airizer (Un moine) & José Van Dam (Philippe II) Chœur du Théâtre du Châtelet – Orchestre de Paris, Antonio Pappano Ingemisco (from Requiem) London Symphony Chorus & Orchestra, Antonio Pappano |
The incomparable Roberto Alagna sings with some of the world’s greatest artists including Natalie Dessay, Thomas Hampson, Claudio Abbado, Richard Armstrong, Antonio Pappano, Angela Gheorghiu and many more in this selection of his finest opera performances. | | | In stock - usually despatched within 1 working day. |
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| |  | Les Phil’art’cellistes - De la matière à la couleurThePhilartcellists: From matter to colour
The Cellists of the Radio-France Philharmonic Orchestra From matter to colour… The cello players of the Radio France Philharmonic Orchestra, moved by an enthusiasm and complicity that is frequently admired, created a cello ensemble in 2005, Les Phil’Art’Cellistes, now composed of Jean-Claude Auclin, Pauline Bartissol, Catherine De Vençay, Marion Gailland, Renaud Guieu, Karine Jean-Baptiste, Jérémie Maillard, Clémentine Meyer, Nadine Pierre, Jérôme Pinget, Daniel Raclot et Nicolas Saint-Yves. From the Prelude to Lohengrin to …del matiz al color… by the Argentinean composer Martin Matalon, this first disc by the Phil’Art’Cellistes (The Philarcellists) spans some 150 years of music. An invitation to travel in the special repertoire of the cello? A tribute to composers who have aimed for the universal, whilst drawing on the vigour of a national culture? Certainly, but not only. The subtitle of the album, 'from matter to colour', gives us another vital lead: the connection of music with the other arts. In fact, not one work on the programme is 'pure music'. Whether it be dance with Dvořák, theatre with Wagner, Fauré and Bernstein, or the visual arts with Debussy and Matalon, each piece opens up to a different dimension, more visual, more tactile, more significant, too, of which the cello, often compared to the human voice, becomes the special interpreter. But this disc is, above all, the expression of a common culture: that of the orchestra and the symphonic repertoire that refers back to the very origins of the ensemble, founded in 2005, within the cello section of the Orchestre Philharmonique de Radio France. Les Phil’Art’Cellistes? Creation and raison d’être of an ensemble unlike the others… | 
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| |  | Lesley Garrett - Our Favourite Soprano
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| |  | The Best of Classics Vol.1
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| |  | The Diva Live
Wilhelmenia Fernandez (soprano), Bruno Fontaine (piano) | | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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| |  | Festival der Stimmen
Bernstein: | Maria (from West Side Story) Ramon Vargas (tenor) Tonight (from West Side Story) Gail Gilmore (mezzo), Ramon Vargas (tenor) Somewhere (from West Side Story) Renata Scotto (soprano) | Bixio: | Parlami d'amore Mariù Paolo Coni (baritone) | Cardillo: | Core 'ngrato Alfredo Kraus (tenor) | Gershwin: | I Got Rhythm (from Girl Crazy & An American in Paris) Gail Gilmore (mezzo) My man's gone now (from Porgy and Bess) Gail Gilmore (mezzo) | Lara, Augustin: | Granada Ramon Vargas (tenor) | Leoncavallo: | Mattinata - 'L'aurora di bianco vestita' Alfredo Kraus (tenor) | Lloyd Webber, A: | Memory (from Cats) Renata Scotto (soprano) | Loewe, F: | My Fair Lady: On the street where you live Paolo Coni (baritone) I Could Have Danced All Night (My Fair Lady) Melanie Holliday (soprano) | Offenbach: | Can-Can (from Orpheus in the Underworld) Melanie Holliday (soprano) | Verdi: | Libiamo, ne' lieti calici (from La Traviata) Melanie Holliday, Renata Scotto (sopranos), Gail Gilmore (mezzo), Ramon Vargas, Alfredo Kraus (tenors), Paolo Coni (baritone) |
Slowakische Philharmonie, Konrad Leitner | | | Usually despatched in 4 - 5 working days. |
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| |  | José Carreras - The Golden Years
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| |  | Leonard Bernstein's New York
Daniel J. Gruber, Judy Blazer, Mandy Patinkin, Dawn Upshaw, Donna Murphy, Richard Muenz, Orchestra of St. Luke's, Eric Stern | | | Usually despatched in 4 - 5 working days. |
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| |  | Three Tenors - Carreras, Domingo, Pavarotti in Concert (1990)
On the evening of July 7, 1990, an `impossible dream' came true: the three greatest tenors of the day joined forces with an orchestra of 200 musicians against a backdrop of the majestic scenery of ancient Rome. In the famous Baths of Caracalla in Rome, on a brilliant starlit night with a full moon rising, Placido Domingo, José Carreras, and Luciano Pavarotti, together with Maestro Zubin Mehta, presented an evening of arias, songs and medleys which was unique in musical history. For the 6,000 fortunate people who crowded into Caracalla that evening, it was an experience never to be forgotten. This recording is a document of that special performance, recorded live on the occasion, as a souvenir for music-lovers everywhere. The original 1990 digital multi-track recording has been newly re-mastered, maintaining the recorded sound in the digital domain throughout the mixing, editing and CD transfer stages, giving an increased fidelity and presence to this unique recording. | | | Usually despatched in 2 - 3 working days. |
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| |  | Mario Del Monaco - Decca Recitals 1952-1969Includes works by Verdi, Puccini, Bellini & Donizetti plus others
Annibale: | O Paese d' 'o sole | Beethoven: | In questa tomba oscura, WoO.133 | Bellini: | Svanir le voci! (from Norma) | Bernstein: | Tonight (from West Side Story) | Bixio: | Parlami d'amore Mariù | Bizet: | Agnus Dei La fleur que tu m'avais jetée (from Carmen) | Brodszky: | Be My Love | Buzzi-Peccia: | Lolita | Capua: | O sole mio | Cardillo: | Core 'ngrato | Carocci: | Na lettera cucente | Catalani: | Quando a Sölden (from La Wally) Wally! Wally! (from La Wally) | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) | Cinque: | Mattinata Veneziana Trobadorica | Cioffi: | Na Sera 'E Maggio | Cottrau: | Addio a Napoli | Curtis, E: | Autunno Ti voglio tanto bene Torna a Surriento Tu ca nun chiagne | Donizetti: | Tombe degl'avi miei … Fra poco a me ricovero...Tu che a Dio spiegasti l'ali (from Lucia di Lammermoor) | Drigo: | Les Millions d'Arlequin - Serenade | Falvo: | Dicitencello vuie | Franck, C: | Panis Angelicus | Gastaldon: | Musica proibita | Giordano, U: | Un dì, all' azzurro spazio (from Andrea Chénier) Amor ti vieta (from Fedora) | Halévy: | Rachel, quand du Seigneur (from La Juive) | Handel: | Ombra mai fu (from Serse) | Lara, Augustin: | Granada | Lehár: | Gern hab' ich die Frau'n geküßt (from Paganini) Die Taube (from Zigeunerliebe) | Leoncavallo: | Si può? (from I Pagliacci) Testa adorata (from La bohème) | Mainardi: | Varca d' 'o primo amore | Mantovani, A P: | Cara mia | Mascagni: | Ah! Tu ch' odi lo mio grido...O popolo di vili (from Isabeau) | Massenet: | Ah! Tout est bien fini... O souverain (from Le Cid) | Meyerbeer: | Ô Paradis (from L'Africaine) | Modugno: | Ciao ciao bambina | Mozart: | Ave verum corpus, K618 | Perosi: | Messa da Requiem: Hostias et preces tibi Messa Te Deum laudamus: Benedictus | Ponchielli: | Cielo e mar! (from La Gioconda) | Puccini: | Firenze è come un albero fiorito (from Gianni Schicchi) Hai ben ragione (from Il tabarro) Una parola sola! … Or son sei mesi (from La Fanciulla del West) Ch'ella mi creda libero e lontano (from La Fanciulla del West) Che gelida manina (from La Bohème) Addio, fiorito asil (from Madama Butterfly) Ah! Non v'avvicinate! No, pazzo son (from Manon Lescaut) Recondita armonia (from Tosca) E lucevan le stelle (from Tosca) Nessun dorma (from Turandot) Non piangere, Liù! (from Turandot) | Rendine: | Vurria | Romberg, S: | Serenade (from The Student Prince) | Rossini: | Domine Deus & Crucifixus (from Petite Messe Solennelle) | Stradella: | Pieta, Signore | Tagliaferri: | Piscatore 'e pusilleco | Verdi: | Irne lungi ancor dovrei (from Alzira) Ah! sgombro e il loco alfin! ... Sotto il paterno tetto (from Oberto) Come rugiada al cespite (from Ernani) Ah sì, ch'io senta ancora … Dal più remoto esilio (from I Due Foscari) La mia letizia infondere (from I Lombardi) Di ladroni attornïato (from I Masnadieri) O mio castel paterno (from I Masnadieri) La vita è inferno … O tu che in seno (from La Forza del Destino) De' miei bollenti spiriti (from La traviata) 2 takes Oh! fede negar potessi (from Luisa Miller) 2 takes O figli … Ah, la paterna mano (from Macbeth) Ingemisco (from Requiem) La donna è mobile (from Rigoletto) Questa o quella (from Rigoletto) Di' tu se fedele (from Un ballo in maschera) Forse la soglia attinse (from Un ballo in maschera) La rivedrà nell'estasi (from Un ballo in maschera) | Wagner: | Ein Schwert verhieß mir der Vater (from Die Walküre) Winterstürme wichen dem Wonnemond (from Die Walküre) In fernem Land (from Lohengrin) 2 takes | Zandonai: | No, Smaragdi!…Inghirkandata di violette (from Francesca da Rimini) Giulietta, son io (from Giulietta e Romeo) |
Recorded: 1952-1969 | | | Usually despatched in 2 - 3 working days. |
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