This page lists all recordings of M'appari (from Martha), by Friedrich Adolph Ferdinand von Flotow (1812-83) on CD, DVD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Domingo sings Caruso
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| |  | Arrivederci
“After he has handsomely done his classical duty with arias from Verdi, Puccini, Mozart and Cilea among others, Grigolo lets rip with popular Italian songs, emoting in a properly verismo manner about being lovesick and homesick for the southern sun and the Mediterranean moon...his is an attractive, light lyric voice with a pleasing top but, as yet, shallow in the lower register.” BBC Music Magazine, December 2011 *** “Like Pavarotti, Grigolo has a forward projection of the voice which propels it smoothly along the line, thus helping legato. His lyric tenor is supple and has a pleasant sound, and he has the virtue of being able (and willing) to employ vocal dynamic, which always benefit strophic songs...Grigolo puts across each message in winning tones.” International Record Review, March 2012 “he brings the same muscular charm to "Torna a Surriento" and "Arrivederci Roma" as he does to "La donna e mobile" and "La danza". Most impressive of all, emotion courses through every syllable of Lucio Dalla's "Caruso".” The Independent, 3rd February 2012 *** “Grigolo's bright, forward projection and not huge voice suits this Three Tenors repertoire well and he handles it with more respect (and, dare one say, taste) and intelligent use of the words than some of his predecessors therein. The Italian pops, especially 'Arrivederci, Roma', have a refreshing simplicity...this sounds like a serious artist and he's been well recorded and produced.” Gramophone Magazine, June 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | ArrivederciStandard Version
“After he has handsomely done his classical duty with arias from Verdi, Puccini, Mozart and Cilea among others, Grigolo lets rip with popular Italian songs, emoting in a properly verismo manner about being lovesick and homesick for the southern sun and the Mediterranean moon...his is an attractive, light lyric voice with a pleasing top but, as yet, shallow in the lower register.” BBC Music Magazine, December 2011 *** “Grigolo's bright, forward projection and not huge voice suits this Three Tenors repertoire well and he handles it with more respect (and, dare one say, taste) and intelligent use of the words than some of his predecessors therein. The Italian pops, especially 'Arrivederci, Roma', have a refreshing simplicity...this sounds like a serious artist and he's been well recorded and produced.” Gramophone Magazine, June 2012 “Like Pavarotti, Grigolo has a forward projection of the voice which propels it smoothly along the line, thus helping legato. His lyric tenor is supple and has a pleasant sound, and he has the virtue of being able (and willing) to employ vocal dynamic, which always benefit strophic songs...Grigolo puts across each message in winning tones.” International Record Review, March 2012 “he brings the same muscular charm to "Torna a Surriento" and "Arrivederci Roma" as he does to "La donna e mobile" and "La danza". Most impressive of all, emotion courses through every syllable of Lucio Dalla's "Caruso".” The Independent, 3rd February 2012 *** | | | In stock - usually despatched within 1 working day. |
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| |  | Pavarotti - Domingo - Carreras: The Best of the 3 Tenors
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| |  | Plácido Domingo - Moments of Passion
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| |  | Caruso 2000
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| |  | Opera Album 2012
Bellini: | Eccomi in lieta vesta...Oh! quante volte (from I Capuleti e I Montecchi) Ah! non giunge uman pensiero (from La Sonnambula) | Donizetti: | All'afflitto è dolce il pianto (from Roberto Devereux) Amici miei, che allegro giorno! (from La figlia del reggimento) Quanto è bella, quanto è cara! (from L'Elisir d'amore) | Flotow: | M'appari (from Martha) | Giordano, U: | Come un bel dì di maggio (from Andrea Chénier) La mamma morta (from Andrea Chénier) | Gounod: | Ah! Je ris de me voir (from Faust) | Handel: | Dove sei, amato bene? (from Rodelinda) Cara speme (from Giulio Cesare) | Mascagni: | Regina coeli laetare (from Cavalleria Rusticana) | Meyerbeer: | Mi batte il cor … O paradiso (from L'Africana) | Mozart: | Voi che sapete (from Le nozze di Figaro) Deh! vieni alla finestra (from Don Giovanni) Soave sia il vento (from Così fan tutte) Non so più cosa son, cosa faccio (from Le nozze di Figaro) Porgi amor (from Le nozze di Figaro) Ach, ich fühl's (from Die Zauberflöte, K620) | Offenbach: | O Dieu, de quelle ivresse (from Les contes d'Hoffmann) | Ponchielli: | Cielo e mar! (from La Gioconda) | Puccini: | E lucevan le stelle (from Tosca) O mio babbino caro (from Gianni Schicchi) O soave fanciulla (from La Bohème) Recondita armonia (from Tosca) Addio, fiorito asil (from Madama Butterfly) In quelle trine morbide (from Manon Lescaut) Non piangere, Liù! (from Turandot) | Purcell: | Thy hand, Belinda … When I am laid in earth (from Dido & Aeneas) | Strauss, J, II: | Nun's Chorus from Casanova | Verdi: | Di quella pira (from Il trovatore) Questa o quella (from Rigoletto) Caro nome (from Rigoletto) Noi siamo zingarelle (from La Traviata) Di provenza il mar (from La Traviata) Gli arredi festivi (from Nabucco) | Vivaldi: | Gelido in ogni vena (from Il Farnace, RV711) | Wagner: | Die Walküre: Ride of the Valkyries Begluckt darf nun dich 'Pilgrims' Chorus' (from Tannhauser) |
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| |  | Tenor Arias Vol. 3Complete versions and orchestral backing tracks
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| |  | Joyce Songs: James Joyce's Musical Dublin
Owen Gilhooly, Elizabeth Woods, Emmanuel Lawler, Daire Halpin, and Franck Dunne RTE Concert Orchestra, Robert Houlihan June 16th is Bloomsday - the day Leopold Bloom journeys through Dublin in Joyce's novel Ulysses. The book is bursting with musical references and the characters almost sing their way through the novel. Their minds are filled with the musical culture of the early 20th century - popular drinking songs, opera arias, and ballads imbue the pages; there are over 40 references to songs in the Sirens chapter alone. RTÉ lyric fm celebrates this very important anniversary with JOYCESONGS - JAMES JOYCE'S MUSICAL DUBLIN containing music referred to in Ulysses, several of which have never been recorded before. The CD features emerging Irish artists Owen Gilhooly, Elizabeth Woods, Emmanuel Lawler, Daire Halpin, and Franck Dunne recorded variously with pianist Pádhraic ó'Cuinneagáin, and the RTÉ Concert Orchestra conducted by Robert Houlihan. | | | Usually despatched in 4 - 5 working days. |
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| |  | Giuseppe di Stefano in San Francisco
Giuseppe de Stefano was renowned as the true successor of Gigli and was known as the “Golden Voice”. This collection of recordings made in San Francisco in 1950 includes excerpts from Gounod’s Faust, Verdi’s Rigoletto and Puccini’s La Boheme. In the excerpt from Madame Butterfly, di Stefano is joined by Renata Tebaldi. | | | Usually despatched in 2 - 3 working days. |
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