All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Georges Thill
All tracks sung in French unless specified | | | In stock - usually despatched within 1 working day. |
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| |  | The Tokyo ConcertsLIMITED EDITION – Available while stocks last
Capua: | O sole mio Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Cardillo: | Core 'ngrato Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Curtis, E: | Tu ca nun chiagne Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Donizetti: | Qui di sposa eterna...Ah! Verrano a te sull'aure (from Lucia di Lammermoor) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Giordano, U: | Un dì, all' azzurro spazio (from Andrea Chénier) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Massenet: | Ah! Tout est bien fini... O souverain (from Le Cid) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura Ouvre tes yeux bleus Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) Pourquoi me reveiller (from Werther) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Meyerbeer: | Mi batte il cor … O paradiso (from L'Africana) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Obradors: | Del cabello más sutil Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) Coplas de curro dulce Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Puccini: | Ch'ella mi creda libero e lontano (from La Fanciulla del West) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Ruiz de Luna: | En el fondo de la mina Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Scarlatti, A: | Chi vuole innamorarsi (from Il Flavio) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Serrano: | Te quiero moreno from El Trust de los Tenorios Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Sorozábal: | La Taberna del Puerto – ‘No puede ser’ Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Tosti: | A vucchella Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Verdi: | Questa o quella (from Rigoletto) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura |
Box set comprising the following DVDs already available in the Dynamic catalogue: Alfredo KRAUS – The 1996 Tokyo Recital Franco CORELLI – The 1971 Tokyo Concert 2 DVDs for 1 Sound Format: LPCM 2.0 Picture Format: 4:3 Subtitles: It, Eng, Ger, Fr, Sp Running Time: 54+60 min Booklet Notes: It, Eng, Ger, Fr Available Worldwide | | | Usually despatched in 2 - 3 working days. |
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| |  | Mario Lanza, Francis Yeend, Eugene Ormandy at Hollywood Bowl 1947
Bach, J S: | Passacaglia & Fugue in C minor, BWV582 | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) Mario Lanza (tenor) | Giordano, U: | Un dì, all' azzurro spazio (from Andrea Chénier) Mario Lanza (tenor) | Mendelssohn: | Symphony No. 4 in A major, Op. 90 'Italian': Allegro vivace | Mozart: | Exsultate, jubilate, K165 - Alleluia Francis Yeend (soprano) | Puccini: | E lucevan le stelle (from Tosca) Mario Lanza (tenor) Vogliatemi bene, un bene piccolini (from Madama Butterfly) Mario Lanza (tenor) & Francis Yeend (soprano) O soave fanciulla (from La Bohème) Mario Lanza (tenor) & Francis Yeend (soprano) | Strauss, J, II: | An der schönen, blauen Donau, Op. 314 | Strauss, R: | Kling! Op. 48 No. 3 Francis Yeend (soprano) | Verdi: | Parigi, o cara (from La Traviata) Mario Lanza (tenor) & Francis Yeend (soprano) | Weber: | Wie nahte mir der Schlummer … Leise, leise, fromme Weise (from Der Freischütz) Francis Yeend (soprano) |
This will be of great interest to Mario Lanza collectors and the concert contains a very varied repertoire; arias from La Traviata, Madame Butterfly, La Bohème and Der Freischutz, as well as The Blue Danube and Bach’s Passacaglia and Fugue in C minor and others. Recorded on 27th August 1947 | | | Usually despatched in 2 - 3 working days. |
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| |  | Mario Lanza: Famous Opera Arias
Mario Lanza (tenor) RCA Orchestra, Ray Heindorf & Ray Sinatra The world-famous tenor Mario Lanza performs arias by Donizetti, Meyerbeer, Verdi, Flotow and others. | | | Usually despatched in 2 - 3 working days. |
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| |  | Jonas Kaufmann: Verismo Arias
Jonas Kaufmann returns to the Italian verismo tradition to sing arias that define opera’s most passionate and vulnerable leading men. Kaufmann’s international reputation is soaring as, going from strength to strength, he delivers consistently thrilling performances. The onyx-dark beauty of his tone and the refinement and unexpected insights of his delivery mark Jonas Kaufmann a poet of tenors. Timed for release when he makes his anticipated role debut as Maurizio in Adriana Lecouvreur at Covent Garden opposite Angela Gheorghiu, this disc includes excerpts from the Cilea work that helped put Caruso on the map. This album also entices with rarities from Zandonai’s dramatic Giulietta e Romeo and Puccini’s Le Villi. Supporting Jonas Kaufmann is Italy’s leading symphonic orchestra, the Accademia Nazionale di Santa Cecilia, under its dynamic music director Antonio Pappano. Both maestro and orchestra are utterly at home in this repertoire. “One might think the musicianship of the tenor Jonas Kaufmann would be wasted on the frankly third-rate music of the verismo composers. But given his emotional commitment and powerful middle register, this recital proves an irresistible outpouring of melodrama” The Telegraph, 22nd October 2010 **** “Italian repertoire now, is it? Given the prodigious gifts of the German tenor Jonas Kaufmann we shouldn’t be too surprised. But there’s still considerable novelty as that darkly lustrous voice plunges headlong into anguish...Fluent in Italian, Kaufmann is equally at ease navigating the arias’ vocal and emotional tempests.” The Times, 8th October 2010 “Kaufmann sings Giordano (“Come un bel dì di maggio”), Leoncavallo (“Vesti la giubba”), Mascagni (“Mamma!”) and others with lusty good taste” Financial Times, 23rd October 2010 *** “...there is rare sensitivity to the words in his Lamento di Federico (Cilea’s L’Arlesiana) and Turiddu’s Mamma, quel vino è generoso (Mascagni’s Cavalleria Rusticana). The best news is Kaufmann’s thrilling Andrea Chénier (Giordano): a gripping Improviso is followed by a soaring Come un bel dì di maggio” Sunday Times, 24th October 2010 **** “The accompaniments are special..[Pappano] is hugely alert to detail, weighting and what's happening on the imaginary stage around the singer...Kaufmann has entered this world most completely. His Italian is good, as are his desire and ability to project clearly differentiated characters. He is never afraid to sing softly...and there is plenty of power when needed.” Gramophone Magazine, December 2010 “Not only does Kaufmann have a fine voice but he knows how to use it: admirable technique, interpretative ability and much intelligence when it comes to changes of colour, gradations of tone and weight and the willingness to sing softly. There is nothing monochromatic about his performances” International Record Review, November 2010 “This is a wonderful disc, the most exciting and enterprising operatic recital I have heard for a very long time...Kaufmann has everything, and at the age of 40 his voice may well be in its finest shape. He brings a Classical training to these arias, and yet he doesn't in any degree stint on the passion.” BBC Music Magazine, Christmas 2010 ***** “The only really well-known pieces are those from Mascagni's Cavalleria Rusticana and Leoncavallo's Pagliacci, which Kaufmann delivers with the same directness and perfectly judged musicality that he uses for the far less familiar ones. The colour, the elegance and the sheer beauty of tone in his singing are truly exceptional” The Guardian, 16th December 2010 ***** “It seems he really is able to do anything: his rich, dark-hued tenor lends itself to dramatic singing (a raging, heartbroken 'Vesti la giubba'), yet he can also caress a pianissimo vocal line and float exquisite top notes (Cilea's Lamento di Federico)...The other stars of the disc are Pappano and his Santa Cecilia orchestra who perfectly capture the music's passionate, glowing ebb and flow.” Classic FM Magazine, February 2011 ***** “a brave, dedicated and altogether arresting piece of work...a series of steps in unfamiliar directions, taken boldly and with complete confidence and conviction... the sheer originality, versatility and freshness-the excellence-of what Kaufmann creates in every piece demands from the listener a comparable willingness to bring fresh ears to the listening.” Opera BBC Music Magazine
Opera Choice - December 2010 |
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| |  | Kurt Baum
Kurt Baum seems to have polarized opera fans. Some consider him to be a loud and showy singer with little musicianship, while others wax lyrical about the strength and reliability of his high notes. The tremendous power of his high Cs earned him admiration, but not necessarily respect, from the critics. | | | Usually despatched in 2 - 3 working days. |
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| |  | Renata Tebaldi and Franco Corelli in Tokyo (1973)
| | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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| |  | Nicola Martinucci
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| |  | Great Operatic Arias 14 - Dennis O'Neill Volume 2Sung in English
Donizetti: | Inosservato, penetrava … Angelo casto e bel (from Il Duca d'Alba) Sung in English as 'Here, unobserved in this chapel...Angel of love divine!’ (completed by Matteo Salvi) | Giordano, U: | Un dì, all' azzurro spazio (from Andrea Chénier) Sung in English as 'One day, gazing at the splendour' Come un bel dì di maggio (from Andrea Chénier) Sung in English as 'Just like a day in May time’ | Leoncavallo: | Recitar!...Vesti la giubba (from I Pagliacci) Sung in English as ‘Go on stage…Put on your costume’ | Mascagni: | Intanto amici…Viva il vino spumeggiante (Brindisi) Sung in English as 'My friends...Neighbours, with a glass I meet you' with Diana Montague (mezzo-soprano) Mamma, quel vino (from Cavalleria Rusticana) Sung in English as 'Mamma, mamma, this new wine really is powerful’ with Nelly Miricioiu (soprano), Diana Montague (mezzo-soprano), Elizabeth Bainbridge (contralto) | Ponchielli: | Cielo e mar! (from La Gioconda) Sung in English as 'Heaven and sea!' | Puccini: | Ch'ella mi creda libero e lontano (from La Fanciulla del West) Sung in English as ‘Let her believe that I have gained my freedom’ Che gelida manina (from La Bohème) Sung in English as 'Your tiny hand is frozen!’ Recondita armonia (from Tosca) Sung in English as ‘How strange a thing is beauty’ | Rossini: | Armida: trio of Rinaldo, Carlo and Ubaldo with Bruce Ford (tenor) and Barry Banks (tenor) | Verdi: | Si, pel ciel (from Otello) Sung in English as 'Yes, I swear by skies of marble’ with Alan Opie (baritone) Niun mi tema (from Otello) Sung in English as 'Do not fear me' Ah sì ben mio (from Il trovatore) Sung in English as 'When holy church has blessed our love' with Sharon Sweet (soprano), Marc Le Brocq (tenor) Te sol quest'anima (from Attila) Sung in English as 'Foresto, my soul belongs to you’ with Janice Watson (soprano), Alan Opie (baritone) Di quella pira (from Il trovatore) Sung in English as 'That fierce inferno' Se quel guerrier io fossi!…Celeste Aida (from Aida) Sung in English as 'I pray that I'll be chosen' Celeste Aida (from Aida) Sung in English as 'Goddess Aida' |
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Björling, Caruso & GigliThree Legendary Tenors in Opera and Song
Recorded 1909-1944 | | | Usually despatched in 4 - 5 working days. |
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