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See Terms & Conditions for p&p rates. | |  | Schumann/Heine Lieder
Schumann: | Liederkreis, Op. 24 Der arme Peter, Op. 53 No. 3 Die beiden Grenadiere, Op. 49 No. 1 Abends am Strand, Op. 45 No. 3 Die feindlichen Brüder, Op. 49 No. 2 Belsazar, Op. 57 Du bist wie eine Blume, Op. 25 No. 24 Was will die einsame Träne, Op. 25 No. 21 Die Lotosblume, Op. 25 No. 7 Tragödie Op. 64 No. 3 Es leuchtet meine Liebe, Op. 127 No. 3 Lehn deine Wang' Op. 142 No. 2 Dein Angesicht, Op. 127 No. 2 Mein Wagen rollet langsam, Op. 142 No. 4 |
Florian Boesch (baritone) & Malcolm Martineau (piano) ONYX is proud to present an exceptional Schumann recital by the outstanding Austrian baritone Florian Boesch. The recital consists of the greatest Heine settings, the op24 Liederkreis, plus many of the great Romances and Ballads including Belshazzar (Belsatzar). Boesch is rapidly becoming known as one of the most truthfully dramatic lieder interpreters of our day, and made a sensational debut at the Edinburgh Festival in 2005 with Martineau. Florian Boesch studied in Vienna with Robert Holl. In 2003 he made his operatic debut with Opernhaus Zürich as Papageno, and is now working with many of the world’s greatest conductors including Gergiev, Bychkov, Harnoncourt, Herreweghe, Viotti and Adam Fischer. Despite his opera work he is perhaps unusual in devoting much of his time to lieder with performances at London’s Wigmore Hall, Concertgebouw Amsterdam, Edinburgh Festival, Mozarteum Salzburg, Wiener Konzerthaus, Palais des Beaux-Arts Brussels, the Schubertiade Festival Schwarzenberg. “The Austrian baritone opens with an exquisitely gauged Liederkreis, Op 24, full of subtle emotional twists and turns. The rest is a carefully varied selection of settings of words by Heine.” Sunday Times, 3rd May 2009 **** “Having an accompanist as perceptive and exquisitely musical as Malcolm Martineau is a big asset, these are lieder performances of very high quality indeed.” The Guardian, 1st May 2009 **** “There is much to enjoy in Boesch's dramatic, intensely "lived" performances, and in the imaginative playing of Malcolm Martineau (ultra-sensitive in Schumann's secretive piano postludes).” Gramophone , Awards 2009 | | | In stock - usually despatched within 1 working day. |
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| |  | Schumann - Dichterliebe & other Heine settings
Schumann: | Tragödie Op. 64 No. 3 Die beiden Grenadiere, Op. 49 No. 1 Abends am Strand, Op. 45 No. 3 Die feindlichen Brüder, Op. 49 No. 2 Der arme Peter, Op. 53 No. 3 Belsazar, Op. 57 Die Lotosblume, Op. 25 No. 7 Was will die einsame Träne, Op. 25 No. 21 Du bist wie eine Blume, Op. 25 No. 24 Lehn deine Wang' Op. 142 No. 2 song originally conceived for Dichterliebe Es leuchtet meine Liebe, Op. 127 No. 3 song originally conceived for Dichterliebe Dein Angesicht, Op. 127 No. 2 song originally conceived for Dichterliebe Mein Wagen rollet langsam, Op. 142 No. 4 song originally conceived for Dichterliebe Dichterliebe, Op. 48 |
Gerald Finley (baritone) & Julius Drake (piano) Why another Dichterliebe recording? Because Gerald Finley has simply one of the greatest voices of his generation, and is an artist at the peak of his powers. He brings to this noble song cycle the supreme technical ability and penetrating musical understanding that characterize all his performances, whether on the concert platform, in the recording studio or on the great opera stages of the world. This is his fourth disc with collaborator Julius Drake, and the partnership has proved to be a uniquely rewarding one. This fine recital also includes many of Schumann’s other Heine settings. The extremes of elation and despair in Heine’s poetry stimulated Schumann to write some of his most poignant and unforgettable songs. This is truly a disc to treasure. “[Finley] brings eloquence to the text and maturity to his interpretations, but with a still youthful-sounding voice. Darker and more “bassy” of tone than Dieskau, he is especially impressive in the sardonic and bitter songs...Finley is a gripping narrator, too, in the tale of Belshazzar’s feast, and can refine his voice to the most arresting of internalised confidences in the love songs to Clare Wieck.” Sunday Times, 14th September 2008 **** “Finley is a much less knowing, more direct performer than Fischer-Dieskau, concentrating less on precise verbal nuance (though his German diction is wonderfully clear) than on more generalised expressive contours, but the effect is still overwhelmingly powerful.” Andrew Clements, The Guardian, 5th September 2008 ***** “Doubts as to whether the world needs yet another Dichterliebe are allayed by a performance that probes the extremes of Schumann's evocation of remembered, blighted love. Gerald Finley's burnished baritone is one of the most beautiful voices to have recorded the cycle.” The Telegraph, 6th September 2008 “Finley's performance gives huge pleasure and insight…” BBC Music Magazine, September 2008 **** “In close collusion with the ever-sentient Julius Drake, Gerald Finley gives one of the most beautifully sung an intensely experience performances on dic of Schumann's cycle of rapture, disillusion and tender regret. This is a Dichterliebe firmly in the past tense, the poet-lover achingly resigned from the outset. Singer and pianist are just as compelling in the other Heine settings here.” Gramophone Magazine, November 2008 | | | In stock - usually despatched within 1 working day. |
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| |  | Bryn Terfel - A Song in my Heart
| | The Vagabond Whither Must I Wander Sea Fever Little Prince (The Little Prince) They Call the Wind Maria (Paint Your Wagon) English Northern Philharmonia, Paul Daniel Come Home (Allegro) English Northern Philharmonia, Paul Daniel Ar Hyd Y Nos (All Through the Night) Suo-Gan (Lullaby) Sì, tra i ceppi e le ritorte (Berenice) Vouchsafe, O Lord (Dettingen Te Deum) Scottish Chamber Orchestra, Mackerras | Berlioz: | Une puce gentille (Flea Song) Voice des roses (Air de Méphistophélès) Philharmonia Orchestra and Chorus, Myung-Whun Chung | Gurney: | Sleep | Hughes, J: | Guide me, O thou great Redeemer (Cwm Rhondda) The Black Mountain Chorus, Risca Male Choir & The Orchestra of Welsh National Opera, Gareth Jones | Mahler: | In diesem Wetter, in diesem Braus (Kindertotenlieder) Philharmonia Orchestra, Giuseppe Sinopoli | Mendelssohn: | Lord God of Abraham (Elijah) Orchestra of the Age of Enlightenment, Paul Daniel | Mozart: | Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Guglielmo and Dorabellas's Duet (Il core vi dono) from Così fan tutte Cecilia Bartoli (Dorabella) & Bryn Terfel (Guglielmo) Orchestra dell’Accademia die Santa Cecilia, Myung-Chun Chung Ein Mädchen oder Weibchen (from Die Zauberflöte) Concert Aria, KAnh. 245: Io ti lascio, oh cara, addio Scottish Chamber Orchestra, Sir Charles Mackerras | Quilter: | Go, lovely Rose, Op. 24 No. 3 (Edmund Wailer) Malcolm Martineau (piano) | Rutter: | The Lord bless you and keep you London Symphony Orchestra, Barry Wordsworth | Schubert: | Erlkönig, D328 Du bist die Ruh D776 (Rückert) Der Musensohn, D764 (Goethe) | Schumann: | Du bist wie eine Blume, Op. 25 No. 24 Die beiden Grenadiere, Op. 49 No. 1 Mein Wagen rollet langsam, Op. 142 No. 4 | Sullivan: | Hereupon we’re both agreed (The Yeomen of the Guard) Academy of St. Martins in the Fields, Sir Neville Marriner | trad.: | Amazing Grace London Symphony Orchestra, Barry Wordsworth Shenandoah London Symphony Orchestra, Barry Wordsworth Deep River arr. Chris Hazell | Vaughan Williams: | Silent Noon | Verdi: | Eh Paggio! (from Falstaff) MET Orchestra, James Levine | Wagner: | Die Frist ist um (Holländer) Berliner Philharmoniker, Claudio Abbado O du, mein holder Abendstern (from Tannhäuser) The Metropolitan Opera Orchestra, James Levine |
Bryn Terfel (bass-baritone) | | | Usually despatched in 2 - 3 working days. |
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Roman Trekel (baritone) & Oliver Pohl (piano) | | | Usually despatched in 2 - 3 working days. |
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| |  | Schumann/Dvorak/Brahms - Lieder
Brahms: | Sag mir O schonste Schaf rin mein Schwesterlein Feinsliebchen, du sollst mir nicht barfuß gehen, WoO 33 No. 12 Wie komm ich denn zur Tur herein | Dvorak: | Lieder im Volkston Liebesleider (8), Op. 83 | Schumann: | Tragödie Op. 64 No. 3 Die beiden Grenadiere, Op. 49 No. 1 Die Lotosblume, Op. 25 No. 7 Die feindlichen Brüder, Op. 49 No. 2 Der Soldat, Op. 40, No. 3 Lehn deine Wang' Op. 142 No. 2 Rätsel, Op. 25 No. 16 Romanzen und Balladen Vol. 3, Op. 53 Der arme Peter, Op. 53 No. 3 Belsazar, Op. 57 Schon ist das Fest des Lenzes Wiegenlied |
Edita Gruberova, Ivan Paley & Friedrich Haider Dedicated and sold in aid of Cleft Children International (CCI) Foundation | | | Usually despatched in 2 - 3 working days. |
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| |  | Alexander KipnisOpera and Lieder
Brahms: | Auf dem Kirchhofe, Op. 105 No. 4 Immer leiser wird mein Schlummer, Op. 105 No. 2 Feldeinsamkeit, Op. 86 No. 2 Sapphische Ode, Op. 94 No. 4 | Cornelius: | Der Barbier von Baghdad: So schwärmet Jugend | Flotow: | Martha: Lasst mich euch fragen (Porterlied) | Gounod: | Faust: Ständchen (Vous qui faîtes l'endormie) | Handel: | Ariodante: Al sen ti stringo e parto Berenice: Si, tra i ceppi | Lortzing: | Der Windschütz: Fünftausend Taler | Mozart: | Wer ein Liebchen hat gefunden (from Die Entführung aus dem Serail) Le nozze di Figaro, K492 - Rache Arie (La vendetta) with Else Ruziczka (soprano) Madamina, il catalogo è questo (from Don Giovanni) | Rossini: | Il Barbiere di Siviglia: Die Verleumdung, sie ist ein Lüftchen (La calunnia è un venticello) | Schubert: | Heidenröslein, D257 Ungeduld "Ich schnitt' es gern in alle Rinden ein", from "Die schöne Müllerin", Op. 25/7 Erlkönig, D328 Der Wanderer, D493 Der Lindenbaum, D911 No. 5 Der Wegweiser D911 No. 20 Aufenthalt D957 No. 5 Am Meer, D 957 No. 12 Der Doppelgänger D957 No. 13 | Schumann: | Die beiden Grenadiere, Op. 49 No. 1 | Verdi: | Simon Boccanegra: A te l'estremo addio ... Il lacerato spirito Ella giammai m'amò (from Don Carlo) O tu Palermo (from I Vespri Siciliani) Ella giammai m'amò (from Don Carlo) | Wagner: | Die Meistersinger: Das schöne Fest, Johannistag Verachtet mir die Meister nicht (from Die Meistersinger von Nürnberg) Parsifal: Good Friday Music with Fritz Wolff (tenor) Die Walküre: Leb' wohl du kühnes herzliches Kind (Wotans Abschied) | Weber: | Der Freischütz: Hier im ird'schen Jammertal |
Recorded 1922-1939 | | | Usually despatched in 4 - 5 working days. |
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Ian Bostridge (tenor), Julius Drake (piano) | | | Usually despatched in 4 - 5 working days. |
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| |  | Dichterliebe & Kerner-Lieder
Ulf Bastlein (bass-baritone), Stefan Laux (piano) Drawing upon the greatest poets of his generation, Schumann’s Lieder are among the most perfect works of German art – capturing the most intimate feelings with honesty and self-realization. Bass-Baritone Ulf Bästlein has devoted much of his time to (re-) discovering and studying the German Lied repertoire from the eighteenth century to today and to making it known through his recitals to a wider public. The Lieder Festival he has established (in Husum), his masterclasses in Germany and abroad as well as his numerous CD recordings demonstrate his fascination with this very intimate musical form. This is his debut recording on Hänssler classic. | | | Usually despatched in 2 - 3 working days. |
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| |  | The Songs of Robert Schumann - Volume 5Dichterliebe and other Heine settings
Schumann: | Dichterliebe, Op. 48 Belsazar, Op. 57 Die Minnesänger, Op. 33 Nr. 2 Die feindlichen Brüder, Op. 49 No. 2 Die Lotosblume, Op. 25 No. 7 Die Lotosblume, Op. 33 No. 3 Lehn deine Wang' Op. 142 No. 2 Dein Angesicht, Op. 127 No. 2 Es leuchtet meine Liebe, Op. 127 No. 3 Mein Wagen rollet langsam, Op. 142 No. 4 Die beiden Grenadiere, Op. 49 No. 1 Tragödie Op. 64 No. 3 | Schumann, C: | Sie liebten sich beide, Op. 13 No. 2 (Text: Heinrich Heine) Ihr Bildnis Lorelei (Text: Heinrich Heine) Volkslied |
Christopher Maltman (baritone) & Graham Johnson (piano) “With this superbly executed recital, Maltman leaps in a single bound into the front rank of Lieder interpreters today. There are so many deeply satisfying performances here…it is difficult to know which to alight on for special praise” Gramophone Magazine | | | Usually despatched in 2 - 3 working days. |
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| |  | Gérard Souzay - Schumann Lieder Recital
Gérard Souzay (baritone), Dalton Baldwin (piano) Recorded 1975 & 1971 | | | Usually despatched in 4 - 5 working days. |
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Gramophone Awards 2009
Gramophone Magazine