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See Terms & Conditions for p&p rates. | |  | René Pape sings Wagner
Dresden-born bass René Pape was recently honoured as a “Met Mastersinger”, a distinction shared only by Renée Fleming. Pape’s perfect diction, bel canto beauty of tone, and psychological penetration make him one of our day’s most capable − and celebrated – Wagnerians. Assembled for this all-Wagner project, a matter of the heart to René Pape, is a prestigious team. Daniel Barenboim, renowned for the sensuality of his Wagner, conducts the Staatskapelle Berlin, the maestro’s long-time collaborators. Excerpts from such Pape signature roles as Gurnemanz and the Rheingold Wotan are complemented by a terrific teaser of a part Pape has yet to reveal on stage − his eagerly anticipated Hans Sachs, the noble cobbler of Die Meistersinger. In addition to scenes from Lohengrin, Tannhäuser, and Die Walküre, a special treat features tenor Plácido Domingo with Pape in a scene from Parsifal. “he is unquestionably magnificent. This is very lyrical Wagner singing, sensual, even sexual in tone, noble in utterance, and shaped as much through the line as off the words...The Fliedermonolog, sounding unusually erotic...[is] one of the disc's high points...There's wonderful playing, too, from the Berlin Staatskapelle under Daniel Barenboim.” The Guardian, 5th May 2011 **** “he gives his Farewell, from Die Walküre, quite gloriously, his high lyric bass sounding effortless and beautiful even in the most high-lying passages. Above all, he sings his native German with astonishing clarity and eloquence...yet maintains a perfect Italianate legato...In the Parsifal extracts, Placido Domingo, no less, makes his brief contributions with a still remarkable voice...Golden-age Wagner singing.” Sunday Times, 15th May 2011 ***** “he remains more than capable of the spellbinding legato that Wolfram's Hymn to the Evening Star requires...purely musical values are of rare distinction. The Parsifal scene in particular benefits from Barenboim's characteristic blend of spontaneity and deliberation, while Placido Domingo easily matches Pape in his eloquent ardour...when it comes to sheer vocal refinement and the purest Wagnerian gravitas, René Pape is hard to beat.” Gramophone Magazine, July 2011 “His approach is very much that of a Lieder singer: the text could be taken verbatim from his immaculate diction...His liquidity of tone is balm in higher-lying passages, most notably those of Sachs...Teutonic bass-barking is nowhere to be heard...Barenboim deserves equal praise for some of the most sensitive Wagner conducting heard in a long time...this remains Wagner singing of a rare beauty that will give much pleasure” International Record Review, July 2011 | | | In stock - usually despatched within 1 working day. |
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| |  | Fritz Feinhals
and excerpts from works by Rossini and Massenet
Fritz Feinhals (baritone) Fritz Feinhals (1869 – 1940) was a German baritone whose career was mainly centered around Europe and the Metropolitan Opera where he was famous for his performances in Wagnerian opera. This release features recordings of him singing Wagner made between 1907 and 1911. | | | In stock - usually despatched within 1 working day. |
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| |  | Great Operatic Arias 22 - Gerald Finley
Adams, J: | Batter My Heart (from Doctor Atomic) | Bizet: | Votre toast je peux vous le rendre 'Toreador Song' (from Carmen) You're Most Kind, and in Return I Toast You Deborah Miles-Johnson (Carmen), Emma Brain-Gabbott (Frasquita), Kathryn Jenkin (Mercedes), Geoffrey Mitchell Choir | Donizetti: | Ambo nati questa valle (from Linda di Chamounix) In This Valley We Shared Our Childhood Anne-Marie Gibbons (Maddalena) | Mozart: | La ci darem la mano (from Don Giovanni) There Will My Arms Enfold You Lucy Crowe (Zerlina) | Puccini: | Tre sbirri...Una carozza...Presto 'Te Deum' (from Tosca) Three Agents, Quick As You Can, Now Matthew Long (Spoletta), Geoffrey Mitchell Choir | Rodgers, R: | Some Enchanted Evening (from South Pacific) | Tchaikovsky: | Kto mozhet sravnitsa s Matildoyu moyei (Robert's aria from Iolanta) My only beloved Mathilde I claim | Turnage: | Oh Bring to Me a Pint of Wine (from The Silver Tassie) | Verdi: | Vanne, la tua meta gia vedo…Credo in un Dio crudel (from Otello) Take it…Yes, I Believe in God | Wagner: | Verachtet mir die Meister nicht (from Die Meistersinger von Nürnberg) Do Not Disdain Our Masters Thus O du, mein holder Abendstern (from Tannhäuser) Look Down, O Gentle Evening Star | Weber: | Wo berg ich mich? (from Euryanthe) What Refuge Here? |
One of the leading baritones and dramatic interpreters of his generation, Gerald Finley is an artist who sets alight the stage and delights the ear in whatever the role he portrays. On this (his first arias disc, and first for Opera in English) he explores a broad range of repertory: old favourites, hidden treasures, and roles which he himself has created, among them J.Robert Oppenheimer in John Adams’s Doctor Atomic and Harry Heegan in Mark-Anthony Turnage’s The Silver Tassie. Gerald has won accolades across the globe including Gramophone Editor’s Choice Award at the 2006 Gramophone Awards for Stanford: Songs of the Sea (CHSA5043). English National Opera director Edward Gardner offers a great understanding of Opera in English, and here conducts the London Philharmonic Orchestra in his debut on Chandos. “All essentials for a recital are present here: the featured artist in good voice, imagination capable of bringing 13 different characters to life..., apt recording decisions and on-the-pace accompaniment...Both Gerald Finley and Edward Gardner are natural time-travellers in lyric theatre” Gramophone Magazine, April 2010 “As this recital of operatic arias in English handsomely demonstrates, Finley has it all: a rich-toned and smoothly produced voice, crisp diction, sterling technique, immaculate legato, a keen sense of musical style and unfailing sensitivity to drama and character.” The Telegraph, 9th April 2010 **** “Opera recital discs too often play safe with repertoire. Not here. This intelligent compilation...satisfyingly mixes popular with unfamiliar. Finley, a versatile stage presence, brings integrity to every dark, burnished note he sings. All these arias come alive, even robbed of their original context.” The Observer, 2nd May 2010 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Edition Staatskapelle Dresden - Volume 22
The spotlight is on Richard Wagner in this 22nd volume of the Staatskapelle Dresden Edition; the thrilling programme includes scenes from four of Wagner’s most popular operas. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Alexander KipnisOpera and Lieder
Brahms: | Auf dem Kirchhofe, Op. 105 No. 4 Immer leiser wird mein Schlummer, Op. 105 No. 2 Feldeinsamkeit, Op. 86 No. 2 Sapphische Ode, Op. 94 No. 4 | Cornelius: | Der Barbier von Baghdad: So schwärmet Jugend | Flotow: | Martha: Lasst mich euch fragen (Porterlied) | Gounod: | Vous qui faîtes l'endormie (from Faust) | Handel: | Al sen ti stringo e parto (from Ariodante) Si, tra i ceppi (from Berenice) | Lortzing: | Der Windschütz: Fünftausend Taler | Mozart: | Wer ein Liebchen hat gefunden (from Die Entführung aus dem Serail) La vendetta (from Le nozze di Figaro) Sung in German with Else Ruziczka (soprano) Madamina, il catalogo è questo (from Don Giovanni) | Rossini: | La calunnia è un venticello (from Il barbiere di Siviglia) Sung in German as 'Die Verleumdung, sie ist ein Lüftchen' | Schubert: | Heidenröslein, D257 Ungeduld (No. 7 from Die schöne Müllerin, D795) Erlkönig, D328 Der Wanderer, D493 Der Lindenbaum (No. 5 from Winterreise, D911) Der Wegweiser (No. 20 from Winterreise, D911) Aufenthalt D957 No. 5 Am Meer, D 957 No. 12 Der Doppelgänger D957 No. 13 | Schumann: | Die beiden Grenadiere, Op. 49 No. 1 | Verdi: | A te l'estremo addio ... Il lacerato spirito (from Simon Boccanegra) Ella giammai m'amò (from Don Carlo) O tu Palermo (from I Vespri Siciliani) Ella giammai m'amò (from Don Carlo) | Wagner: | Das schöne Fest, Johannistag (from Die Meistersinger) Verachtet mir die Meister nicht (from Die Meistersinger von Nürnberg) Parsifal: Good Friday Music with Fritz Wolff (tenor) Leb wohl, du kühnes, herrliches Kind! (from Die Walküre) | Weber: | Hier im ird'schen Jammertal (from Der Freischütz) |
Recorded 1922-1939 | | | Usually despatched in 4 - 5 working days. |
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| |  | Paul Schöffler
Paul Schöffler (bass-baritone) | | | Usually despatched in 2 - 3 working days. |
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| |  | Semperoper Edition, Vol. 3 (1948-1956)
Dora Zschille (soprano), Brunnhild Friedland (soprano), Helmut Eyle (bass), Kurt Rehm (baritone), Hans Kramer (bass), Ernst Gruber (tenor), Bernd Aldenhoff (tenor), Margarete Baumer (soprano), Karl Paul (baritone), Hans Hopf (tenor), Emilie Walter-Sachs (soprano), Josef Herrmann (baritone), Christel Goltz (soprano), Kurt Bohme (bass), Arno Schellenberg (baritone), Joachim Sattler (tenor) Dresden Staatskapelle, Leipzig Radio Symphony Orchestra, Leipzig Radio Chorus, Dresden State Opera Chorus, Grosses Rundfunkorchester Dresden, Dresden Philharmonic Orchestra, Joseph Keilberth, Gerhard Pfluger, Rolf Kleinert, Rudolf Kempe, Kurt Striegler, Hans-Hendrik Wehding, Gerhard Wiesenhutter, Walter Stoschek | |
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| |  | Masters of Romantic Choral Music
Abert: | Mit schönster Blumenfülle (from Ekkehard) Stuttgarter Choristen, South West German Radio Kaiserslautern Orchestra, Peter Falk | Abt: | Ave Maria ('Nun ist der Laute Tag Verhallt'), Op. 533 No. 3 Leipzig Radio Chorus, male section, Jorg-Peter Weigle | Bortnyansky: | Ich bete an die Macht der Liebe Leipzig Radio Chorus, male section, Jorg-Peter Weigle | Brahms: | Selig sind die Toten (from Ein Deutsches Requiem, Op. 45) Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Herbert Kegel Waldesnacht, Op. 62 No. 3 Regensburg Cathedral Choir, Roland Buchner In stiller Nacht, WoO 34 No. 8 Studentische Madrigalchor Munster All meine Herzgedanken, Op. 62 No. 5 Alto Rhapsody, Op. 53 Marjana Lipovsek (alto) Friedrich von Spee Male Choir, Luxembourg Radio Symphony Orchestra, Leopold Hager | Bruch: | Jubilate, Amen Op. 3 Dorothe Jansen (vocals) Cologne Radio Symphony Orchestra, Cologne Radio Chorus, Helmut Froschauer | Bruckner: | Ave Maria (1861), WAB 6 Chorus Viennensis, Vienna Boys Choir, Peter Marschik | Flotow: | Der Markt beginnt (from Martha) Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Helmut Froschauer | Franz, R: | Tanzlied im Mai, Op. 1 No. 6 (arr. for choir) Leipzig Thomaner Choir, Hans-Joachim Rotzsch | Grieg: | Ave Maris Stella Michael-Christfried Winkler (organ) Regensburg Cathedral Choir, Roland Buchner Landkjenning Op. 31 Hans-Joachim Ribbe (baritone) Leipzig Radio Chorus, male section, Leipzig Radio Symphony Orchestra, Jorg-Peter Wiegle | Kreutzer, K: | Schon die Abendglocken klangen (from Das Nachtlager in Granada) Hermann Prey (bass-baritone), Regina Klepper (soprano), Martin Blasius (bass) Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Helmut Froschauer | Loewe, C: | Salvum fac regem Cologne Radio Chorus, Helmut Froschauer Die Sonne glüht wie ein Feuerbrand (from Die drei Wünsche) Stuttgarter Choristen, SWF Radio Orchestra, Peter Falk | Lortzing: | Den hohen Herrscher würdig zu empfangen (from Zar und Zimmermann) Franz Hawlata (bass) Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Helmut Froschauer Undine: Brautchor Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Kurt Peter Eichhorn | Marschner, H A: | Munter, edle Zecher (from Der Vampyr) Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Helmut Froschauer | Mendelssohn: | Elijah: Denn er hat seinem Engeln Dresdner Kreuzchor, Martin Flamig Drei Motets Op. 39 Dresdner Kreuzchor, Martin Flamig Ödipus in Kolonos - incidental music, Op. 93: Zur rossprangenden Flur, o Freund Berlin Radio Chorus, Berlin Male Choir, Carl Maria von Weber Radio Symphony Orchestra, Stefan Soltesz | Nessler: | Alt Heidelberg, du Feine (Der Trompeter von Säkkingen) Franz Hawlata (bass), Hermann Prey (bass-baritone) Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Helmut Froschauer | Nicolai, C O: | Die lustigen Weiber von Windsor: Mondchor ('O süßer Mond') Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Helmut Froschauer | Rheinberger: | Der Stern von Bethlehem, Op. 164: Die Hirte: O segne die Weide Dorothe Jansen (vocals) Cologne Radio Symphony Orchestra, Cologne Radio Chorus, Helmut Froschauer | Saint-Saëns: | Oratorio de Noël (Christmas Oratorio), Op. 12: Quintet and Chorus: Consurge, Filia Sion Dresdner Kreuzchor, Dresden Philharmonic Orchestra, Martin Flamig | Schubert: | Tantum ergo in E flat major D962 Berlin Radio Chorus, Berlin Radio Symphony Orchestra, Dietrich Knothe Mass No. 6 in E Flat Major, D950: Credo & Et incarnatus est Bernarda Fink (mezzo-soprano), Helmut Wildhaber (tenor), Ildiko Raimondi (soprano), Herbert Lippert (tenor) Vienna Academy Orchestra, Hugo Distler Choir, Martin Haselbock Deutsche Messe, D872: Sanctus RIAS Chamber Chorus, Berlin Radio Symphony Orchestra, Marcus Creed Der Lindenbaum (No. 5 from Winterreise, D911) (arr. F. Silcher) Leipzig Radio Chorus, male section, Jorg-Peter Weigle Ständchen 'Zögernd leise', D920/921 Bernd Casper (piano), Astrid Pilzecker (alto) Berlin Radio Chorus, male section, Dietrich Knothe Nachtgesang im Walde, D913 Wolfgang Stahl (horn), Gerhard Mayer (horn), Michael Schoppe (horn), Dieter Fokel (horn) Berlin Radio Chorus, male section, Dietrich Knothe Rosamunde, D797: Hirtenchor Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Helmut Froschauer | Schumann: | Frühlingsgruss Op. 79/4 (arr. for choir) Dresdner Kreuzchor, Martin Flamig | Silcher: | So nimm denn meine Hande Leipzig Radio Chorus, male section, Jorg-Peter Weigle Loreley Leipzig Radio Chorus, male section, Jorg-Peter Weigle | Spohr: | Brenne Laterne! nahe und ferne dammere auf! (from Faust) Franz Hawlata (bass), Martina Borst (mezzo-soprano), Bo Skovhus (baritone) Rundfunkchor Stuttgart, South West German Radio Kaiserslautern Orchestra, Klaus Arp | Wagner: | Freudig begrussen wir 'Entrance of the Guests' (from Tannhauser) Bavarian State Opera Chorus, Bavarian State Orchestra, Hanns-Martin Scheidt Verachtet mir die Meister nicht (from Die Meistersinger von Nürnberg) Sandor Solyom-Nagy (baritone) Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Janos Ferencsik | Weber: | Fruhlingslied Berlin Male Choir Wir winden dir den Jungfern-Kranz (from Der Freischutz) Bulgarian National Choir, Sofia Philharmonic Orchestra, Georgi Robev Die Tale dampfen, die Höhen glühn (from Euryanthe) Sofia National Opera Chorus, Sofia National Opera Orchestra, Georgi Robev |
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| |  | Von der Königlichen Hofoper zur Staatsoper Unter den Linden
Albert, E: | Nun hab ich nichts als dich (from Tiefland) Max Roth | Bellini: | Casta Diva (from Norma) Lilli Lehmann | Bizet: | Votre toast je peux vous le rendre 'Toreador Song' (from Carmen) Karl Armster Si tu m'aimes, Carmen (from Carmen) Sung in German Walter Großmann | Cherubini: | Les Deux Journées: excerpt Sung in German | Donizetti: | Il segreto per esser felici (from Lucrezia Borgia) Sung in German Ernestine Schumann-Heink Povero Ernesto...cercherò lontano terra (from Don Pasquale) Sung in German Gino Sinimberghi | Flotow: | Ach, so fromm (from Martha) Richard Tauber | Gluck: | Cette nuit … O toi qui prolongeas mes jours (fromIphigénie en Tauride) Sung in German Zinaida Jurjewskaja | Gounod: | Il se fait tard ! Adieu ! (from Faust) Sung in German Karl Jörn Le veau d'or est toujours debout (from Faust) Sung in German Ludwig Hofmann | Leoncavallo: | No! Pagliaccio non son! (from I Pagliacci) Sung in German Josef Mann | Lortzing: | Du lässt mich kalt von hinnen scheiden (from Der Waffenschmied) Herbert Janssen | Meyerbeer: | Ah, mon fils! (from Le Prophète) Sung in German Marianne Brandt Adamastor, re dell'onde profonde (L'Africana) Sung in German Baptist Hoffmann | Mozart: | O Isis und Osiris, schenket (from Die Zauberflöte) Paul Knüpfer Ich baue ganz auf deine Stärke (from Die Entführung aus dem Serail) Crudel! perché finora farmi languir così? (from Le nozze di Figaro) Sung in German Lola Artot de Padilla Porgi amor (from Le nozze di Figaro) Sung in German Lilly Hafgren Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Gitta Alpar Ach, ich fühl's (from Die Zauberflöte, K620) Käthe Heidersbach La vendetta (from Le nozze di Figaro) Sung in German Alexander Kipnis Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Sung in German Willi Domgraf-Fassbänder Bei Männern, welche Liebe fühlen (from Die Zauberflöte) Margherita Perras Sull' aria che soave zeffiretto (from Le Nozze di Figaro) Sung in German Erna Berger Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) Peter Anders | Mussorgsky: | Uf, tja zhelo! (from Boris Godunov) Sung in German Leo Schützendorf | Offenbach: | Elle a fui, la tourterelle (from Les Contes d' Hoffmann) Sung in German Emmy Bettendorf | Puccini: | Ah, quegli occhi… (from Tosca) Sung in German Mafalda Salvatini Recondita armonia (from Tosca) Sung in German Tino Pattiera O soave fanciulla (from La Bohème) Sung in German Hedwig von Debitzka Si, mi chiamano Mimi (from La Bohème) Sung in German Maria Cebotari Quando me'n vo (from La Bohème) Sung in German Carla Spletter | Saint-Saëns: | Amour, viens aider ma faiblesse (Samson et Dalila) Sung in German Marie Goetze | Strauss, J, II: | Dieser Anstand, so manierlich (from Die Fledermaus) Emilie Herzog Spiel’ ich die Unschuld vom Lande from Die Fledermaus Marie Dietrich | Verdi: | Un dì felice, eterea (from La traviata) Sung in German Frieda Hempel D'amor sull'ali rosee (from Il Trovatore) Sung in German Barbara Kemp Tutte le feste (from Rigoletto) Sung in German Claire Dux Stride la vampa (from Il Trovatore) Sung in German Emmi Leisner Vanne, la tua meta gia vedo…Credo in un Dio crudel (from Otello) Michael Bohnen Un ballo in maschera (excerpts) Sung in German Vera Schwarz Qui Radamès verrà!... O patria mia (from Aida) Gertrud Bindernagel Il Trovatore (excerpts) Heinrich Schlusnus Re dell’abisso affretati (Un ballo in maschera) Sung in German Theodor Scheidl Alla vita che t'arride (from Un ballo in maschera) Sung in German Theodor Scheidl Una macchia è qui tutt'ora (from Macbeth) Sung in German Gertrude Rünger Ella giammai m'amò (from Don Carlo) Sung in German Josef von Manowarda Pace, pace mio Dio! (from La forza del destino) Sung in German Hilde Scheppan | Wagner: | Athmest du nicht mit mir die sussen Dufte? (from Lohengrin) Wilhelm Grüning Das susse Lied verhallt (from Lohengrin) Ernst Kraus Dir töne Lob (from Tannhäuser) Francis MacLennan Vollendet das ewige Werk (from Das Rheingold) Hermann Bachmann Du Ärmste kannst wohl nie ermessen (from Lohengrin) Thila Plaichinger Als du in kuhnem Sange uns bestrittest (from Tannhäuser) Cornelis Bronsgeest Johohoe! Traft ihr das Schiff im Meere an 'Senta's Ballad' (from Der fliegende Holländer) Melanie Kurt Das ist nun der Liebe schlimmer Lohn (from Siegfried) Julius Lieban Siegmund heiß ich und Siegmund bin ich! (from Die Walküre) Rudolf Berger So ist’s denn aus...Deiner ew’gen Gattin (from Die Walküre) Margarete Arndt-Ober Winterstürme wichen dem Wonnemond (from Die Walküre) Walther Kirchhoff Athmest du nicht mit mir die sussen Dufte? (from Lohengrin) Robert Hutt Ewig war ich (from Siegfried) Helene Wildbrunn Brünnhilde, heilige Braut! (from Götterdammerung) Fritz Soot Verachtet mir die Meister nicht (from Die Meistersinger von Nürnberg) Friedrich Schorr Lass sie mich heilen (from Tristan und Isolde) Göta Ljungberg Hier sitz ich zur Wacht (from Götterdämmerung) Emanuel List Athmest du nicht mit mir die sussen Dufte? (from Lohengrin) Fritz Wolff Der Männer Sippe (from Die Walküre) Delia Reinhardt Dir töne Lob (from Tannhäuser) Max Lorenz Dich, teure Halle (from Tannhauser) Maria Müller Abendlich strahlt der Sonne Auge (from Das Rheingold) Rudolf Bockelmann Starke Scheite schichtet mir dort 'Brünnhilde's Immolation Scene' (from Götterdämmerung) Anny Konetzni War es so schmählich, was ich verbrach? (from Die Walküre) Eugen Fuchs Fanget an! (Die Meistersinger von Nürnberg) Set Svanholm Auf hohem Felsen lag ich (from Der fliegende Holländer) Irmgard Langhammer Das schöne Fest, Johannistag (from Die Meistersinger) Josef Greindl Dank, König, dir, daß du zu richten kamst! (from Lohengrin) Jaro Prohaska In fernem Land (from Lohengrin) Ludwig Suthaus Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Paula Buchner | Weber: | Und ob die Wolke sie verhülle (from Der Freischütz) Tiana Lemnitz |
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| |  | Richard Wagner On Record
Wagner: | Du bist der Lenz (from Die Walküre) Lilli Lehmann Weilten die Sterne (from Die Meistersinger von Nürnberg) Hermann Winkelmann Noch bleibe denn unausgesprochen (from Tannhäuser) Wilhelm Hesch O du, mein holder Abendstern (from Tannhäuser) Leopold Demuth Weiche, Wotan, weiche! (from Das Rheingold) Ernestine Schumann-Heink Wohin nun Tristan scheidet (from Tristan und Isolde) Ernst Kraus Mögst du, mein Kind (from Der fliegende Holländer) Paul Knüpfer Jetzt fand ich's, was euch fehlt (from Das Rheingold) Otto Briesemeister Erstehe, hohe Roma, neu (from Rienzi) Jacques Urlus In fernem Land (from Lohengrin) Erik Schmedes Abendlich strahlt der Sonne Auge (from Das Rheingold) Theodor Bertram Als du in kuhnem Sange uns bestrittest (from Tannhäuser) Fritz Feinhals Fanget an! (Die Meistersinger von Nürnberg) Carl Burrian Entweihte Götter (from Lohengrin) Edyth Walker Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert! (from Siegfried) Heinrich Knote Mein Herr und Gott (from Lohengrin) Leon Rains Mein Vater, hochgesegneter der Helden (from Parsifal) Clarence Whitehill Dein Werk, o tör'ge Magd (from Tristan und Isolde) Johanna Gadski Des Königs Wort und Will tu ich euch kund (from Lohengrin) Nicola Geisse-Winkel Am stillen Herd (from Die Meistersinger) Leo Slezak Auf Ewigkeit wärst du verdammt mit mir (from Parsifal) Rudolf Berger Tatest du's wirklich? (from Tristan and Isolde) Paul Bender Nur eine Waffe taugt (from Parsifal) Heinrich Hensel O du, mein holder Abendstern (from Tannhäuser) Friedrich Plaschke Wohin nun Tristan scheidet (from Tristan und Isolde) Modest Menzinsky Was duftet doch der Flieder (from Die Meistersinger von Nürnberg) Hermann Weil Mein lieber Schwan (from Lohengrin) Hermann Jadlowker Hoiho! Hoihohoho! (from Götterdämmerung) Allen Hinckley Mögst du, mein Kind (from Der fliegende Holländer) Richard Mayr Der Unglücksel'ge, den gefangen (from Tannhäuser) Emmy Destinn Du Ärmste kannst wohl nie ermessen (from Lohengrin) Berta Morena Athmest du nicht mit mir die sussen Dufte? (from Lohengrin) Robert Hutt Über Stock und Stein (from Das Rheingold) Walther Kirchhoff Zauberfest bezähmt ein Schlaf (from Die Walküre) Fritz Soot Nothung! Nothung! Neidliches Schwert! (from Siegfried) Rudolf Ritter Ewig war ich (from Siegfried) Lucy Weidt An der Weltesche wob ich einst (from Götterdämmerung) Hermine Kittel Ich sah das Kind an seiner Mutter Brust (from Parsifal) Melanie Kurt Euch Lüften, die mein Klagen (from Lohengrin) Eva von der Osten Winterstürme wichen dem Wonnemond (from Die Walküre) Johannes Sembach Johohoe! Traft ihr das Schiff im Meere an 'Senta's Ballad' (from Der fliegende Holländer) Barbara Kemp Der Augen leuchtendes Paar (from Die Walküre) Karl Armster Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Helene Wildbrunn Verachtet mir die Meister nicht (from Die Meistersinger von Nürnberg) Emil Schipper Seit Ewigkeiten harre ich deiner (from Parsifal) Lilly Hafgren Hojotoho, hojotoho, heiaha, heiaha! (from Die Walküre) Gertrude Kappel So ist’s denn aus...Deiner ew’gen Gattin (from Die Walküre) Margarete Arndt-Ober Siegmund heiß ich und Siegmund bin ich! (from Die Walküre) Richard Schubert Einsam wachend...Habet acht! (from Tristan und Isolde) Emmi Leisner Mime hiess ein mürrischer Zwerg (from Götterdammerung) Curt Taucher Ein Kind ward hier geboren (from Die Meistersinger von Nürnberg) Wilhelm Rode Du bist der Lenz (from Die Walküre) Maria Jeritza Oh, wunden wundervoller heiliger Speer (from Parsifal) Michael Bohnen Johohoe! Traft ihr das Schiff im Meere an 'Senta's Ballad' (from Der fliegende Holländer) Frida Leider Als du in kuhnem Sange uns bestrittest (from Tannhäuser) Harry De Garmo O Sachs, mein Freund (from Die Meistersinger) Lotte Lehmann Wie aus der Ferne längst (from Der Fliegende Holländer) Friedrich Schorr Weiche, Wotan, weiche! (from Das Rheingold) Sigrid Onegin Was duftet doch der Flieder (from Die Meistersinger von Nürnberg) Josef von Manowarda Gut'n Abend, Meister (from Die Meistersinger von Nürnberg) Emmy Bettendorf Schmerzen (No. 4 from Wesendonck-Lieder) Sabine Kalter Seit er von dir geschieden (from Götterdämmerung) Maria Olszewska Amfortas! Die Wunde! (from Parsifal) Nelly Larsen-Todsen Helle Wehr, heilige Waffe (from Götterdämmerung) Erik Enderlein Dich, teure Halle (from Tannhauser) Maria Müller Höchstes Vertrau´n (Lohengrin) Lauritz Melchior Weiche, Wotan, weiche! (from Das Rheingold) Karin Branzell Mein Herr und Gott (from Lohengrin) Alexander Kipnis Jerum! Jerum! (from Die Meistersinger) Rudolf Bockelmann Einsam in trüben Tagen (from Lohengrin) Elisabeth Rethberg Athmest du nicht mit mir die sussen Dufte? (from Lohengrin) Fritz Wolff Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Gertrud Bindernagel O Himmel, lass dich jetzt erflehen (from Tannhäuser) Heinrich Schlusnus Hojotoho, hojotoho, heiaha, heiaha! (from Die Walküre) Kirsten Flagstad Auf wolkigen Hö'n wohnen die Götter (from Siegfried) Hans Hermann Nissen Fort, denn eile (from Die Walküre) Helen Traubel Winterstürme wichen dem Wonnemond (from Die Walküre) Franz Völker Am stillen Herd (from Die Meistersinger) Max Lorenz Fanget an! (Die Meistersinger von Nürnberg) Torsten Ralf Dein Werk, o tör'ge Magd (from Tristan und Isolde) Anny Konetzni Blick ich umher in diesem edlen Kreise (from Tannhäuser) Joel Berglund Euch Lüften, die mein Klagen (from Lohengrin) Maria Reining In fernem Land (from Lohengrin) Set Svanholm Allmächt’ge Jungfrau! (from Tannhäuser) Hilde Konetzni |
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Gramophone Awards 2012
Gramophone Magazine