This page lists all recordings of Ciel, mio padre! (from Aida), by Giuseppe Verdi (1813-1901) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | George London
| | | In stock - usually despatched within 1 working day. |
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| |  | Huberte Vecray: Airs d’opéra
Huberte Vecray was born in 1923 and her exceptional voice was noticed when she was very young. She entered the Conservatoire at Verviers just before World War II. She made her debut at La Monnaie in 1946. She became a great exponent of contemporary repertoire due to her great musicianship and memory. Here she performs arias by Grétry, Beethoven, Verdi, Cilea, Puccini, Jongen and de Boek. “One hears Vecray as an ADriana not reduced to excessive interpretation of her aria, an equally well-sung 'Signore ascolta' on a sustained line aand with a smooth rise to the final note and as a Tosca able to cope with the duet with a rather hard-driven [Cavaradossi]” International Record Review, December 2012 | | | Usually despatched in 2 - 3 working days. |
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| |  | Annelies Kupper in Recital
Albert, E: | Psyche wandelt durch Säulenhalle (from Die toten Augen) Ich weiss nicht, wer mein Vater war (from Tiefland) | Korngold: | Glück, das mir verbleib 'Marietta's Lied' (from Die Tote Stadt) | Mozart: | Porgi amor (from Le nozze di Figaro) Sung in German as 'Hör Mein Flehen, Gott der Liebe' Sull' aria che soave zeffiretto (from Le Nozze di Figaro) Sung in German as 'Wenn die sanften Abendlufte' Crudele? Ah no, mio bene! ... Non mi dir, bell'idol mio (from Don Giovanni) Sung in German as 'Ich grausam?...Sage mir nie, o mein Geliebter' | Strauss, R: | Es gibt ein Reich (from Ariadne auf Naxos) O bleib' geliebter Tag (from Daphne) Ich komme, grünen Brüder (from Daphne) | Verdi: | Ciel, mio padre! (from Aida) Sung in German as 'Wehe, mein Vater!' Hans Reinmar (baritone) | Wagner: | O Fürstin...Doch welch ein seltsam (from Tannhäuser) Wolfgang Windgassen (tenor) |
Annelies Kupper (soprano) Annelies Kupper was incomparable and was one of the last lirico-spinto sopranos of the German-speaking world. She began singing at the Munich State Opera in 1946 and remained a member of the ensemble for 20 years. She was particularly associated with the works of Mozart, Wagner and Richard Strauss. | | | Usually despatched in 2 - 3 working days. |
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| |  | Verdi: Duetti Verdiani
Amarilli Nizza & Roberto Frontali Orchestra of the Dvořák Theatre of Ostrava, Gianluca Martinenghi This new Dynamic release presents a collection of Verdi Duets, sung by Amarilli Nizza and Roberto Frontali. “From the start, sparks fly. A dramatic edge inflects Nizza's voice as Abigaille exults in Nabucco's downfall. Nizza blazes across the compass of the role without crashing through gears...[Frontali's] voice remains firm and he draws variety from it by way of colour and weight. It sounds right for these paternal roles...Martinenghi supplies fitting tempos and relevant colour.” International Record Review, January 2011 | | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Ester Mazzoleni
Ester Mazzoleni (soprano) Continuing Preiser’s critically acclaimed series, Legendary Singers, featuring Ester Mazzoleni. She was renowned in her day for choosing repertoire that was considered (at the time) to be rather exotic! | | | Usually despatched in 2 - 3 working days. |
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| |  | Historic Opera Stars from Germany Vol. 2
Arnold, E: | Da draußen in der Wachau | Heymann: | Der Kongreß tanzt Das gibt's nur einmal | Hill, W: | Es liegt eine Krone im tiefen Rhein | Loewe, C: | Prinz Eugen, der edle Ritter, Op. 92 Fridericus Rex | Meyerbeer: | O beau pays de la Touraine (from Les Huguenots) Sung in German as 'O glücklich Land' | Mozart: | Vedrai, carino (from Don Giovanni) Sung in German as 'Wenn du fein fromm bist' La ci darem la mano (from Don Giovanni) Sung in German as 'Reich' mir die Hand, mein Leben' Hans Reinmar (bass-baritone) Deh vieni, non tardar (from Le nozze di Figaro) Sung in German as 'O säume länger nicht, geliebte Seele' Deh! vieni alla finestra (from Don Giovanni) Sung in German as 'Feinsliebchen, komm ans Fenster' Fin ch'han dal vino (from Don Giovanni) Sung in German as 'Auf denn zum Feste' | Nessler: | Trompeter von Säkkingen: Behüt dich Gott | Puccini: | O mio babbino caro (from Gianni Schicchi) Sung in German as 'Väterchen, teures, höre' | Schubert: | Der Lindenbaum (No. 5 from Winterreise, D911) | Schumann: | Wanderlied (No. 3 from 12 Gedichte, Op. 35) | Stolz, R: | Wien wird bei Nacht erst schön | Strauss, J, II: | Spiel’ ich die Unschuld vom Lande from Die Fledermaus Mein Herr Marquis (from Die Fledermaus) Annen-Polka, Op. 117 Sung in English Frühlingsstimmen Walzer Op. 410 | Verdi: | Caro nome (from Rigoletto) Sung in German as 'Teuer Name, dessen Klang' Ciel, mio padre! (from Aida) Sung in German as 'O Vater, Geliebter' | Weber: | Kommt ein schlanker Bursch gegangen (from Der Freischütz) |
Irene Eisinger, Margarethe Siems (sopranos), Hermann Schey (baritone) | | | Usually despatched in 2 - 3 working days. |
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| |  | Leopold Stokowski conducts the Philadelphia Orchestra 1962/63
Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) C'est toi! (from Carmen) | Borodin: | Ni sna, ni otdikha izmuchennoi dushe (from Prince Igor) | Donizetti: | Ohimè! Sorge il tremendo fantasma (from Lucia di Lammermoor) (without cabaletta) | Enescu: | Romanian Rhapsody in A major, Op. 11 No. 1 | Giordano, U: | Un dì, all' azzurro spazio (from Andrea Chénier) | Gounod: | Vous qui faîtes l'endormie (from Faust) | Mozart: | Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) | Mussorgsky: | Why my sad heart? (from Sorochinsky Fair) | Puccini: | Vissi d'arte (from Tosca) Recondita armonia (from Tosca) | Rachmaninov: | Sing not, O lovely one (Ne poi, krasavitsa, pri mne), Op. 4 No. 4 | Rimsky Korsakov: | Marfa's Scene & Aria: In Novgorod from The Tsar's Bride | Strauss, R: | Salome: Dance of the Seven Veils | Verdi: | Ciel, mio padre! (from Aida) La forza del destino Overture | Wagner: | Rienzi Overture Lohengrin: Prelude to Act 1 Starke Scheite schichtet mir dort 'Brünnhilde's Immolation Scene' (from Götterdämmerung) |
| | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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| |  | Ilona Tokody & Juan Pons: Verdi Gala
Ilona Tokody, Juan Pons Hungarian State Opera Orchestra, Ervin Lukacs | | | Usually despatched in 4 - 5 working days. |
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| |  | Great Hungarian Voices: Alexander Svéd sings Verdi Arias
Verdi: | Perfidi!…Pietà, rispetto, amore (from Macbeth) Hungarian State Opera Orchestra, Victor Vaszy Pari siamo! (from Rigoletto) Hungarian State Opera Orchestra, Andras Korodi Figlia! Mio padre! A te dappresso (from Rigoletto) Maria Gyurkovics (soprano), Olga Szonyi (mezzo-soprano), Robert Ilosfalvy (tenor) Hungarian State Opera Orchestra, Francesco Molinari-Pradelli Cortigiani, vil razza dannata (from Rigoletto) Hungarian State Opera Orchestra, Andras Korodi Tutte le feste (from Rigoletto) Maria Gyurkovics (soprano), Janos Fodor (baritone), Jozsef Body (bass) Hungarian State Opera Orchestra, Francesco Molinari-Pradelli Chi e mai (from Rigoletto) Maria Gyurkovics (soprano), Hungarian State Opera Orchestra, Francesco Molinari-Pradelli Alla vita che t'arride (from Un ballo in maschera) Hungarian State Opera Orchestra, Vilmos Komor Alzati…Eri tu che macchiavi quell'anima (from Un Ballo in Maschera) Hungarian State Opera Orchestra, Vilmos Komor Solenne in quest'ora (from La Forza del Destino) Robert Ilosfalvy (tenor) Hungarian State Opera Orchestra, Vilmos Rubanyi Urna fatale (from La Forza del Destino) Hungarian State Opera Orchestra, Francesco Molinari-Pradelli Ciel, mio padre! (from Aida) Maria Gyurkovics (soprano) Hungarian State Opera Orchestra, Francesco Molinari-Pradelli |
Alexander Svéd (baritone) | | | Usually despatched in 4 - 5 working days. |
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| |  | Verdi: La TraviataSung in Russian
“...it is unquestionably a major assumption of Violetta by a performer with a unique, well-conceived interpretation...[Lisitsian's] 'Di provenza' is a wonderful study in dynamics, and an example of just how affecting this war-horse can be when sung by a Performer of this caliber.The recording is in generally good shape” Fanfare | | | Usually despatched in 8 - 10 working days. |
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