All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Liszt Complete Music for Solo Piano 7: Harmonies Poetiques et Religieuses
Liszt: | Ave Maria für die grosse Klavierschule von Lebert und Stark, S182/R67, "Die Glocken von Rom" Ave maris stella, S. 506 Hymne du matin, S. 172a No. 3 Hymne de la nuit, S. 172a No. 4 Harmonies poétiques et réligieuses, S. 154 Harmonies poétiques et religieuses (10), S. 173 Alleluia, S. 183 No. 1 Ave Maria d'Arcadelt, S. 183 No. 2 In domum Domini ibimus, S. 505 O Roma nobilis, S506b Slavino slavno slaveni! S. 503 Ave Maria, S504i L'hymne du pape, S530/R190, "Inno del papa, Der Papsthymnus" In festo transfigurationis Domini nostri Jesu Christi, S188/R74 Sancta Dorothea, S187/R73 Ave Maria IV in G major, S545/R194 Benedictus from the Hungarian Coronation Mass, S501/R192 Offertorium from the Hungarian Coronation Mass, S501/R192 Stabat mater, S172b Urbi et orbi - benediction papale, S184/R69 Vexilla regis prodeunt, S. 185 Ave Maria, S504ii Harmonies poétiques et religieuses, the 1847 cycle, S. 172a |
“Howard, catching the authentic tinge of hysteria, mounts swiftly upwards in an ecstasy that burns away awareness of mere notes” Classic CD | | | In stock - usually despatched within 1 working day. |
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| |  | Liszt: Harmonies poétiques et religieuses (10), S. 173
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| |  | Liszt: Harmonies Poétiques et Religieuses
plus: 2 Romances & Ballade
This reissue (Calliope) is a modern Lisztian landmark, with one of the finest readings of his 'Poetic and Religious Harmonies'. Pascal Amoyel is one of the few pianists to have understood the importance of this essentially declamatory music. "Liszt's cycle Harmonies Poétiques et Religieuses has a special place in my repertoire. For years I've been studying it, watching it evolve, and continue to see it in a new light. And what child-like joy to rediscover works that one thought one knew well! When I listen now to this recording made in 2007, I realize that an album is a snapshot of a precise moment and that this moment is itself already the benchmark of what one used to be and what one will become. Let's go even further: it's probably because it's "only" a snapshot that it's an authentic version. The present reissue recreates this type of fragility, a unique ephemeral moment of the creative act caught forever". Pascal Amoyel (June 2011) | | | Usually despatched in 3 - 4 working days. |
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| |  | Liszt: Harmonies poétiques et religieuses & Sonata in B minor
Zig-Zag Territoires begins its collaboration with the pianist François-Frédéric Guy, ‘an exceptional artist’ (Le Figaro, 2008), with two prestigious projects: the complete Beethoven piano sonatas recorded live at the Arsenal in Metz between December 2010 and December 2012, and a Liszt double album featuring two of that composer’s key works: the Sonata in B minor and the complete cycle of Harmonies poétiques et religieuses. Zig-Zag Territoires wishes to accompany the development of this artist who first attracted attention with a ‘titanic “Hammerklavier” . . . [in which] we are in heaven’ (Le Monde, 1998), and has since marked his territory by ‘tackling the Everests of the repertoire’ (Libération, 2004): Brahms’s Second Concerto with the London Philharmonic Orchestra under Paavo Berglund (Naïve, 2004), followed by the complete Beethoven piano concertos with Philippe Jordan and the Orchestre Philharmonique de Radio France (Naïve, 2008-10). François-Frédéric Guy regularly performs the cycle of Harmonies poétiques et religieuses in concert, either as a solo recital or alongside the actress Marie-Christine Barrault who recites the Lamartine poems that inspired the composer. We decided to record these masterpieces in the studio of La Chaux-de-Fonds (Switzerland), renowned for its exceptional acoustics. With the aim of reproducing the spontaneity of concert conditions, François-Frédéric Guy recorded the entire double album in just four days. ‘Recording the Harmonies Poétiques et religieuses represents a important moment in my artistic and discographic career, since Liszt is one of my favourite composers. It is certainly one of the finest cycles in the piano literature, made up of musical settings of the poems of Lamartine that combine grandiose inspiration and intimate meditation. As for the Sonata in B minor, in my view it constitutes the peak of the composer’s output and is still the only piano work that can follow on from Beethoven’s “Hammerklavier”.’ François-Frédéric Guy “Guy's technique can match anybody's for firepower. He also offers moments of genuine revelation. I hadn't realised quite how thrilling an introduction to the cycle the opening Invocation can be; and while the Andante lagrimoso can sometimes seem a less than remarkable statement by Lisztian standards, Guy's searching way makes it more memorable.” BBC Music Magazine, September 2011 **** “his Harmonies poetiques et religieuses achieves a magnificent sense of how Liszt extended the piano's and indeed music's poetic possibilities into a wholly new realm and dimension. He is enthralling in the "Invocation", most opulent of curtain-raisers, mystical in the "Ave Maria"...this is a true act of musical devotion” Gramophone Magazine, August 2011 | | | (also available to download from $21.00) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Liszt: His Life and Music
Liszt: | Ouverture de l'opéra Guillaume Tell (Rossini) S552 Auf dem Wasser zu singen, S558 No. 2 (from Schubert D774) Ave Maria, S. 20/1 Hungarian Rhapsody, S244 No. 2 in C sharp minor Années de pèlerinage, 1ère année, Suisse (9 pieces), S. 160 Années de pèlerinage, 2ème année, Italie (7 pieces), S. 161 Etude en douze exercises, S136/R1 Transcendental Studies, S139 Nos. 1-12 Harmonies poétiques et religieuses (10), S. 173 Piano Sonata in B minor, S178 Orpheus, symphonic poem No. 4, S98 Concert Paraphrase on Rigoletto, S.434 after Verdi's opera Legendes (2) for piano, S. 175 Urbi et orbi - benediction papale, S184/R69 Via Crucis (The 14 Stations of the Cross), S53 excerpts In festo transfigurationis Domini nostri Jesu Christi, S188/R74 Von der Wiege bis zum Grabe, symphonic poem No. 13, S107 Hungarian Rhapsody, S244 No. 17 in D minor Nuages gris, S199 |
To celebrate the 200th anniversary of Liszt’s birth, this new format title (2 CDs + 50,000 word biography) explores the fascinating world of LIZST: HIS LIFE AND MUSIC. Perhaps the greatest pianist who has ever lived, Liszt was one of the titanic musical figures of the Romantic age. Abandoning his spectacular career as a travelling virtuoso in his mid-thirties, this passionate lover and fond father dedicated himself instead to a life of composing, conducting, teaching and, increasingly, religious devotion, eventually taking minor orders in the Roman Catholic Church. This biography explores an enthralling life lived for long periods in France, Switzerland, Germany, Italy and the composer’s native Hungary – a kaleidoscope of cultural worlds whose folk music, literature and landscapes richly coloured Liszt’s own music. The 2 CDs feature music spanning Liszt’s career, and the free website www.naxosaudiobooks/lisztlifeandmusic offers hours of extra music and other bonus material. | | | (also available to download from $12.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Brigitte Engerer plays Liszt
Liszt: | Harmonies poétiques et religieuses (10), S. 173 |
Along with the Années de Pèlerinage, the Harmonies Poétiques et Religieuses is the most important cycle Liszt composed for the piano. It reveals his mystical dimension, at once poetic and religious, through reference to the universal poetry of Lamartine. Liszt transposes his verse into music that is glorious yet intimate, tormented yet soothing, served here by the humanist vision of Brigitte Engerer. “Engerer's are interpretations that are extraordinarily thoughtful, sympathetic and deeply felt...the essential musical argument emerges with crystalline clarity and seeming ease. The idiosyncratic rhetoric is impassioned without ever sounding histrionic...these Harmonies sound relevant and speak with an eloquence as fresh as it is persuasive.” International Record Review, January 2011 | | | Usually despatched in 3 - 4 working days. |
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| |  | Liszt: Harmonies poétiques et religieuses (10), S. 173
(two CDs for the price of one) “Steven Osborne follows his superlative Hyperion recording of Messiaen's Vingt Regards surl'Enfant-Jésus with Liszt's Harmonies poétiques etreligieuses, surely a precursor of Messiaen's masterpiece. Attuned to the mystic heart at the centre of Liszt's Catholicism, Osborne once more shows the sort of stylistic ease and tonal magic that come to very few young pianists. Sacred and profane love blend with a wholly Lisztian alchemy. In 'Invocation', the magnificent gateway to the cycle, Osborne offers up its quasi-orchestral rhetoric with immense power but without bombast. The 'Bénédiction' is daringly understated in pages that can all too easily topple into lavish, tear-laden emotionalism. 'Pensées des morts' is a triumph of alternating anguish and exultation. If all conventional pomp and circumstance are erased by the brisk tempo in the opening of 'Funérailles', Osborne's performance is still a marvel of concentrated musicianship and indiv- iduality. In the Andante lagrimoso he conjures an uncanny stillness in music whose painful climbing looks ahead to the dark, attenuated utterances of Fauré's final years, while the final 'Cantique d'Amour' resolves all past torment in a paean of praise for the union of two traditionally opposed ideas of love. Few more radiant or deeply considered Liszt recordings have ever been made. Hyperion's sound is immaculate.” Gramophone Classical Music Guide, 2010 “This is a fine recital, with a recording to match” BBC Music Magazine | | | Usually despatched in 2 - 3 working days. |
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| |  | Liszt: Harmonies poétiques et religieuses (10), S. 173
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| |  | Liszt - Piano Works
Liszt: | Harmonies poétiques et religieuses (10), S. 173 Liebesträume, S541 Nos. 1-3 Consolations, Six Pensées poétiques, S. 172 Legendes (2) for piano, S. 175 Ballade No. 1 in D flat major S170 ('Le chant du croisé') Ballade No. 2 in B minor, S171/R16 Années de pèlerinage, 1ère année, Suisse (9 pieces), S. 160 Années de pèlerinage, 2ème année, Italie (7 pieces), S. 161 Venezia e Napoli (3 pieces), S. 162 Années de pèlerinage, 3ème année (7 pieces), S. 163 Isolde's Liebestod (after Wagner), S447 Faust (Gounod)_Waltz Valse de concert sur deux motifs de Lucia et Parisina (Donizetti) Concert Paraphrase on Rigoletto, S.434 after Verdi's opera Réminiscences de Simone Boccanegra, S.438 Miserere du Trovatore, S433 Aida Di Verdi - Danza Sacra e Duetto Finale S436 |
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| |  | Liszt: The Piano Collection
Liszt: | Années de pèlerinage, 1ère année, Suisse (9 pieces), S. 160 Années de pèlerinage, 2ème année, Italie (7 pieces), S. 161 Années de pèlerinage, 3ème année (7 pieces), S. 163 Aldo Ciccolini (piano) Venezia e Napoli (3 pieces), S. 162 Harmonies poétiques et religieuses (10), S. 173 Après une lecture du Dante, fantasia quasi sonata, S. 158c Liebesträume, S541 Nos. 1-3 Consolations, Six Pensées poétiques, S. 172 Legendes (2) for piano, S. 175 Ballade No. 1 in D flat major S170 ('Le chant du croisé') Ballade No. 2 in B minor, S171/R16 Aldo Ciccolini (piano) Hungarian Rhapsodies, S359 Nos. 1-6 Hungarian Rhapsody, S244 No. 7 in D minor Hungarian Rhapsody, S244 No. 8 in F sharp minor Hungarian Rhapsody, S244 No. 9 in E flat major 'Pesther Carneval' Hungarian Rhapsody, S244 No. 10 in E major 'Preludio' Hungarian Rhapsody, S244 No. 11 in A minor Hungarian Rhapsody, S244 No. 12 in C sharp minor Hungarian Rhapsody, S244 No. 13 in A minor Hungarian Rhapsody, S244 No. 14 in F minor Hungarian Rhapsody, S244 No. 15 in A minor 'Rákóczy Marsch' Hungarian Rhapsody, S244 No. 16 in A minor Hungarian Rhapsody, S244 No. 19 in D minor Deux Polonaises, S223/R44 Valse-Impromptu, S.213 Grand galop chromatique, S219 Georges Cziffra (piano) Transcendental Studies, S139 Nos. 1-12 Waldesrauschen, S145 No. 1 Gnomenreigen, S145 No. 2 Valse oubliée No. 1, S.215/1 Valse oubliée No. 2, S.215/2 Vladimir Ovchinikov (piano) Grandes Études de Paganini (6), S. 141 Nuages gris, S199 Schlaflos Frage und Antwort, S203 BAGATELLE SANS TONALITE, S216a c1885 André Watts (piano) Mephisto Waltz No. 1 Mephisto Waltz No. 2 Mephisto Waltz No. 4 Valse oubliée No. 4, S.215/4 Leif Ove Andsnes (piano) Prelude after Bach's cantata 'Weinen Klagen Sorgen Zagen', S179 Mathieu Papadiamandis (piano) Weihnachtsbaum, S. 186: Die Hirten an der Krippe 'In dulci jubilo' Adeste fideles, S186 No. 4 Wayne Marshall (piano) Piano Sonata in B minor, S178 Hungarian Rhapsody, S244 No. 15 in A minor 'Rákóczy Marsch' Valse oubliée No. 1, S.215/1 Csárdás macabre, S. 224 En rêve - Nocturne S207 John Ogdon (piano) Rhapsodie espagnole, S254 Ave Maria für die grosse Klavierschule von Lebert und Stark, S182/R67, "Die Glocken von Rom" Receuillement, S204 La Lugubre Gondola I, S200 No. 1 La Lugubre Gondola II, S200 No. 2 Stephen Hough (piano) Fantasia and Fugue on ‘Ad nos, ad salutarem undam', S259 Prelude & Fugue on B-A-C-H, S260 Ave Maria von Arcadelt, S. 659 Lionel Rogg (piano) La leggierezza - Étude de concert No. 2, S144 Jeanne-Marie Darré (piano) Un Sospiro from 3 Concert Studies, S144 No. 3 Jeanne-Marie Darré (piano) Un Lamento from 3 Concert Studies, S144 No. 1 José Abel Gonzalez (piano) |
Franz Liszt, a sensational virtuoso, a pioneering composer, and a towering figure in the history of the piano, produced more music for his instrument than Beethoven, Brahms, Chopin, Mendelssohn and Schumann combined. This 10-disc collection, uniting his major piano works and a number of more rarely heard pieces, features recordings from the last 50 years by such pianists as György Cziffra, Aldo Ciccolini, André Watts, Mikhail Rudy, Stephen Hough and Leif Ove Andsnes. | | | In stock - usually despatched within 1 working day. |
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