Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Valery Gergiev conducts StravinskyDsd recording, Mariinsky Concert Hall, St Petersburg December 2009 (Les Noces) Feb 2010 (Oedipus Rex)
Stravinsky: | Les Noces sung in russian Mlada Khudoley (soprano), Olga Savova (mezzo), Alexander Timchenko (tenor), Andrei Serov (bass), Svetlana Smolina, Yulia Zaichkina, Alexander Mogilevsky, Maxim Mogilevsky (pianos) Oedipus Rex sung in latin Sergei Semishkur (Oedipus), Ekaterina Semenchuk (Jocasta), Evgeny Nikitin (Creon & Messenger), Mikhail Petrenko (Tiresias), Alexander Timchenko (shepherd) & Gérard Depardieu (narrator) |
SACD in jewelcase with 80pp booklet in slipcase Notes in Russian, English & French. Each release from the Mariinsky label to date has featured music by some of the great Russian composers with whom the Mariinsky Theatre has enjoyed close relationships. For the label’s sixth release, Valery Gergiev turns to the music of Igor Stravinsky, a composer who grew up in St Petersburg, attending performances at the Mariinsky Theatre where his father sang. Less than four years separate the premieres of Les Noces and Oedipus Rex, yet they each represent high-points in two distinct phases of Stravinsky’s career. Although the concept of Les Noces is highly innovative – a ‘dance cantata’ – the music remains rooted in Russian folk traditions. Stravinsky dedicated the ballet to Diaghilev, whose Ballet Russes gave the première, and it marks the crowning glory of Stravinsky’s so-called ‘second Russian period’. The opera-oratorio Oedipus Rex is the first great work of Stravinsky’s neo-classical period. It features a major change in his compositional style, influenced in part by the loss of ‘Russian identity’ following his emigration. It is sung in Latin with Jean Cocteau’s original French narration spoken here by Gérard Depardieu. Valery Gergiev conducts a Stravinsky festival with the New York Philharmonic in April and May 2010, including performances of both Oedipus Rex and Les Noces. Later in May he conducts the LSO in London as well as on tour in Ireland and Germany performing music by Stravinsky, Debussy and Messiaen. Forthcoming releases from Mariinsky include the second title in Gergiev’s Grammy-nominated Shostakovich Symphony cycle followed in September by Wagner’s Parsifal. LSO Live releases Gergiev’s new recording of Rachmaninov’s Second Symphony in May, the first release in a cycle of the composer’s symphonies, and indeed the first by the composer on LSO Live. “this performance [of Les Noces], recorded live, has idiomatic vocal forces, essential for this fundamentally Russian work...the Mariinsky Chorus and players relish the primitivist rhythmic verve of this singular masterpiece.” Sunday Times, 16th May 2010 *** “Ekaterina Semenchuk...[is] the contralto with the biggest range and lustre since Bernstein's Troyanos, and Sergey Semishkur's Oedipus blends clarion authority with youthful pathos...all the right musical phrases shine through. Even Bernstein's recording can't match it for earthy authenticity.” BBC Music Magazine, August 2010 ***** “Ekaterina Semenchuk (Jocasta) sounds plummy at first but she and Sergei Semishkur (Oedipus) bring electrifying intensity to the duet where they realise their guilt. Overall this is a double-bill of at times shattering impact.” Gramophone Magazine, Awards Issue 2010 | | | In stock - usually despatched within 1 working day. |
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| |  | Sylvain Cambreling conducts Orff & Stravinsky
Orff: | Catulli Carmina Stephanie Dasch (soprano), Jean-Noel Briend (tenor) | Stravinsky: | Les Noces Fionnuala McCarthy (soprano), Fredrika Brillembourg (alto), Jean-Noel Briend (tenor), Radu Cojocariu (bass) |
Klaus Steffes-Hollander (piano), Stephanie Dasch (soprano), Jean-Noel Briend (tenor), Christoph Grund (piano), Florian Hoelscher (piano), Julia Vogelsanger (piano), Fredrika Brillembourg (alto), Fionnuala McCarthy (soprano), Radu Cojocariu (bass) Europe Choir Academy, Mannheimer Schlagwerk, Sylvain Cambreling Orff’s choral cantata Catulli Carmina is part of the tritptych which includes Carmina Burana, but is not nearly so well known. Stravinsky’s Les Noces is a ballet-cantata based on a Russian peasant wedding. Both are in the capable hands of Cambreling and the renowned EuropaChorAkademie. | | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Stravinsky: The Firebird
Stravinsky's ongoing Russian inspiration, clad in the opulence of Rimsky-Korsakov's orchestration in 1910 and then moving towards a more dodecaphonic writing (1966, Requiem Canticles), not forgetting the consummate Les Noces - "not a ballet but a divertissement...in two parts" (to quote the composer). A unique blend of earthy rusticity, profund humanity and religious faith. | | | Usually despatched in 3 - 4 working days. |
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| |  | Stravinsky: | Oedipus Rex Edward Fox, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Andrew Greenan, Joseph Cornwell The Simon Joly Male Chorus, Philharmonia Orchestra Les Noces Alison Wells (soprano), Susan Bickley (mezzo-soprano), Martyn Hill (tenor), Alan Ewing (bass) International Piano Quartet, Tristan Fry Percussion Ensemble, Simon Joly Chorale |
“This is a first class issue….very highly recommended.” MusicWeb | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Stravinsky: Ballet Music
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| |  | Stravinsky: The Firebird and Les Noces
Specials: •1965 BBC archive recording of Stravinsky conducting The Firebird (*PAL only) •David Drew on Nijinska’s world •Behind-the-scenes rehearsal of The Firebird and Les Noces •24 page illustrated booklet in English, French and German PICTURE FORMAT: 16:9 LENGTH: 145 MiINS SOUND: DOLBY SURROUND / LPCM STEREO SUBTITLES: FR/DE/ES/NL (excluding archive footage) | | | Usually despatched in 2 - 3 working days. |
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| |  | Martha Argerich: Lugano Concertos
Bartók: | Piano Concerto No. 3, BB 127, Sz. 119 Orchestra Della Svizzera Italiana, Alexander Vedernikov | Beethoven: | Piano Concerto No. 1 in C Major, Op. 15 Orchestra Della Svizzera Italiana, Alexandre Rabinovitch-Barakovsky Piano Concerto No. 2 in B flat major, Op. 19 Orchestra Della Svizzera Italiana, Gabriel Chmura | Brahms: | Liebeslieder-Walzer, Op. 52 with Gabriela Montero (piano) Coro della Radiotelevisione della Svizzera Italiana, Diego Fasolis | Liszt: | Piano Concerto No. 1 in E flat major, S124 Orchestra Della Svizzera Italiana, Ion Marin | Milhaud: | Scaramouche, suite for two pianos, Op. 165b with Karin Merle (piano) | Mozart: | Concerto for Three Pianos & Orchestra, K242 with Paul Gulda & Rico Gulda (piano) Orchestra Della Svizzera Italiana, Alexandre Rabinovitch-Barakovsky Andante and Variations in G for Piano Duet, K501 with Akane Sakai (piano) | Poulenc: | Concerto in D minor for Two Pianos & Orchestra with Alexander Gurning (piano) Orchestra Della Svizzera Italiana, Erasmo Capilla | Prokofiev: | Piano Concerto No. 1 in D flat major, Op. 10 Orchestra Della Svizzera Italiana, Alexandre Rabinovitch-Barakovsky Piano Concerto No. 3 in C major, Op. 26 Orchestra Della Svizzera Italiana, Charles Dutoit | Schubert: | Divertissement à la Hongroise D818 with Alexander Mogilevsky (piano) | Schumann: | Piano Concerto in A minor, Op. 54 Orchestra Della Svizzera Italiana, Alexander Vedernikov | Stravinsky: | Les Noces Susan Roberts, Helene Schneidermann, Daniel Norman, Carsten Wittmoser, Martha Argerich, Yulia Zaichkina, Alexander Mogilevsky & Alexander Gurning Coro della Radiotelevisione Svizzera di Lugano & Lugano Percussion Group, Diego Fasolis |
“it's a supercharged, witty performance [of the Poulenc] from 2007; Argerich's lacerating runs in the first movement are worth the price of the set alone...[Scaramouche is] a final helping of joyous, free-wheeling music-making.” The Guardian, 22nd November 2012 **** “[Argerich] combines a colossal technique with powerfully instinctive musicianship and electrifying energy. This exciting release is an ideal present.” New York Times, 23rd November 2012 “Few artists being such unfettered joy to their music-making as Argerich, and few combine such artless spontaneity, technical brilliance and searching insights. These are qualitites that shine through this marvellous new set...Even collectors who have Argerich playing most of these works already are likely to be as thrilled and elated as I have been listening to this extraordinary anthology” International Record Review, December 2012 “amply featuring her mercurial magic and joy in communal music-making.” The Times, 21st December 2012 “I would not deter anyone from duplicating because...there are many moments and passages of pure delight, often deriving from the frisson of a live performance (listen to the Poulenc!) One marvels anew at such freshly minted interpretations married to the insights, subtle nuances and detail acquired only after long acquaintance.” Gramophone Magazine, January 2013 | | | (Sorry, download not available in your country) | Usually despatched in 2 - 3 working days. |
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| |  | Stravinsky: The Complete Ballets & Symphonies
Stravinsky: | The Firebird Orchestre Symphonique de Montréal, Charles Dutoit Les Noces Galina Bojko, Margarita Maruna, Egils Silins Ernst Senff Chor, Piano Circus, Deutsches Sinfonie-Orchester, Berlin, Vladimir Ashkenazy Movements for Piano & Orchestra Olli Mustonen (piano) Deutsches Sinfonie-Orchester, Berlin, Vladimir Ashkenazy Petrushka Royal Concertgebouw Orchestra, Riccardo Chailly The Rite of Spring Revised version for Orchestra (published 1947) The Cleveland Orchestra, Riccardo Chailly Le Chant du Rossignol Radio-Symphonie-Orchester Berlin, Riccardo Chailly Pulcinella Royal Concertgebouw Orchestra, Riccardo Chailly Apollon musagète Royal Concertgebouw Orchestra, Riccardo Chailly Le Baiser de la Fée Orchestre de Paris, Semyon Bychkov Scènes de ballet Berliner Philharmoniker, Bernard Haitink Jeu de cartes Deutsches Sinfonie-Orchester, Berlin
Deutsches Sinfonie-Orchester, Berlin, Vladimir Ashkenazy Orpheus Deutsches Sinfonie-Orchester, Berlin, Vladimir Ashkenazy Agon ‘Ballet for Twelve Dancers’ Deutsches Sinfonie-Orchester, Berlin, Vladimir Ashkenazy Fireworks, Op. 4 St. Petersburg Philharmonic Orchestra, Vladimir Ashkenazy Symphony in E flat, Op. 1 St. Petersburg Philharmonic Orchestra, Vladimir Ashkenazy Scherzo Fantastique, Op. 3 St. Petersburg Philharmonic Orchestra, Vladimir Ashkenazy Scherzo a la Russe Version for Symphony Orchestra Berliner Philharmoniker, Bernard Haitink Capriccio for Piano and Orchestra Olli Mustonen (piano) Deutsches Sinfonie-Orchester, Berlin, Vladimir Ashkenazy Symphony in C Radio-Symphonie-Orchester Berlin, Vladimir Ashkenazy Symphony in 3 movements Radio-Symphonie-Orchester Berlin, Vladimir Ashkenazy Symphonies of Wind Instruments
Radio-Symphonie-Orchester Berlin, Vladimir Ashkenazy Symphony of Psalms Rundfunkchor Berlin, Radio-Symphonie-Orchester Berlin, Riccardo Chailly |
A unique collection of all Stravinsky’s ballets and symphonies in superb digital recordings under the direction of five of today’s most celebrated conductors; two other major works are included [Movements and Capriccio – both for piano and orchestra] as these were produced as ballets by Balanchine and several short orchestral showpieces are also included. | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Igor Stravinsky conducts Stravinsky - The Complete Ballets
Stravinsky: | The Firebird Scherzo a la Russe Scherzo Fantastique, Op. 3 CBC Symphony Orchestra Fireworks, Op. 4 Petrushka The Rite of Spring Les Noces Mildred Allen (soprano), Regina Sarfaty (mezzo-soprano), Loren Driscoll (tenor), Robert Oliver (bass), Samuel Barber, Aaron Copland, Lukas Foss, Roger Sessions (pianos) American Concert Choir & Columbia Percussion Ensemble Renard George Shirley (tenor 1), Loren Driscoll (tenor II), William Murphy (baritone), Donald Gramm (bass) & Toni Koves (cimbalom) Columbia Chamber Ensemble L'Histoire du Soldat Columbia Chamber Ensemble Apollon musagète Agon ‘Ballet for Twelve Dancers’ Los Angeles Festival Symphony Orchestra Jeu de cartes The Cleveland Orchestra Scènes de ballet CBC Symphony Orchestra Le Baiser de la Fée: Pas de Deux Pulcinella Irene Jordan (soprano), George Shirley (tenor) & Donald Gramm (bass) Orpheus Chicago Symphony Orchestra Petrushka - suite Pulcinella Suite The Firebird Suite |
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