All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Classical 2013
Beethoven: | Fidelio Overture Op. 72c Otto Klemperer | Bizet: | Carmen: Prelude to Act I Berliner Philharmoniker, Sir Simon Rattle Les tringles des sistres tintaient (from Carmen) Magdalena Kozena (mezzo) Berliner Philharmoniker, Sir Simon Rattle La fleur que tu m'avais jetée (from Carmen) Jonas Kaufmann (tenor) Berliner Philharmoniker, Sir Simon Rattle | Delibes: | Les filles de Cadix Tine Thing Helseth (trumpet) | Fauré: | Sicilienne, Op. 78 Gautier Capucon (cello) | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) Kathleen Ferrier (contralto) Divinités du Styx (from Alceste) Maria Callas (soprano) | Handel: | Atalanta: Overture Alison Balsom (trumpet) English Concert, Trevor Pinnock | Heggie: | This journey...This journey to Christ (from Dead Man Walking) Joyce DiDonato (mezzo) | Leoncavallo: | Qual fiamma avea nel guardo!.... Hui! Stridono lassù (from I Pagliacci) Angela Gheorghiu (soprano) | Leontovich: | Carol of the Bells Libera | Liszt: | Bist du!, S277 Diana Damrau (soprano) | Puccini: | Donde lieta usci (from La Bohème) Angela Gheorghiu (soprano) | Purcell: | Sound the trumpet, beat the drum, Z335 Alison Balsom (trumpet) English Concert, Trevor Pinnock | Rachmaninov: | Vocalise, Op. 34 No. 14 - arrangement for orchestra Vasily Petrenko | Rodgers, R: | The King And I: Overture The John Wilson Orchestra, John Wilson | Verdi: | Ingemisco (from Requiem) Rolando Villazon (tenor) | Vivaldi: | Vedro con mio diletto (from Giustino) Philippe Jaroussky (countertenor) |
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| |  | Jardins d'Espagne: Gardens of Spain
Lyne Fortin (soprano) & Esther Gonthier (piano) Lyne Fortin is one of Canada’s foremost sopranos and is as much at ease performing on the opera stage as being a guest with an orchestra or in recital. Here she invites us on a visit of the Gardens of Spain and her programme includes new takes on popular old Spanish songs by Joaquín Nin and Fernando Obradors, as well as works by Wolf, Bizet, Weill and Richard Strauss. | | | In stock - usually despatched within 1 working day. |
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| |  | Kate Royal - Recital
anon.: | The Sprig of Thyme arranged John Fraser | Canteloube: | Songs of the Auvergne: Baïlèro Malurous qu’o uno fenno (3rd series, no.5) from Chants d’Auvergne La Delaïssado (2nd series, no.4) from Chants d’Auvergne | Debussy: | L'annee en vain...Cependent les soirs (from L'enfant Prodigue) | Delibes: | Les filles de Cadix Chanson Espagnole | Granados: | Goyescas: Quejas ó La Maja y el Ruiseñor | Orff: | Carmina Burana: In trutina | Ravel: | Vocalise-étude en forme de habanera | Rodrigo: | Pastorcito santo - ¿Con qué la lavaré? - Vos me matasteis Cuatro madrigales amatorios: De dónde venís, amore? Cuatro madrigales amatorios: De los álamos vengo, madre | Strauss, R: | Wiegenlied, Op. 41 No. 1 Ich wollt ein Sträusslein binden, Op. 68 No. 2 Morgen, Op. 27 No. 4 | Stravinsky: | Gently, little boat (from The Rake's Progress) No word from Tom (from The Rake's Progress) I go, I go to him (from The Rake’s Progress) |
“Creamy and pure, Royal's voice is directly in the aristocratic line of Kiri Te Kanewa and Reneé Fleming” Gramophone Magazine “This CD represents something of a triumph not for one young artist but for two. ENO's new music director, Edward Gardner, conducts the accompaniments, with the Academy of St Martin's on fine form. Kate Royal matches him precisely. Each item is beautifully vocalised, but she too is alert to detail. In the Ravel Vocalise en forme de habanera, she finesses her tone and colour and even her pitch to give us the sensual, Spanish, hot-summer-afternoon feel of the piece. In Delibes's Les filles de Cadix, her trills are a delight, but so is the immediacy of her response to the rhythms.” BBC Music Magazine, September 2007 ***** “Royal’s voice is just sublime; rich, warm and pure, it is able to be both lightly playful in Canteloube’s “Malurous qu’o uno fenno”, and languorously dreamy in Strauss’s “Wiegenlied”...What really sets her apart, though, is her ability to get under the skin of a song’s lyrics to take on their emotions...Royal is much more than just a beautiful voice. This is music and singing to savour.” Charlotte Gardner, bbc.co.uk, 31st August 2007 BBC Music Magazine
Choral & Song Choice - September 2007 |
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| |  | For Eternity - Italian Arias & Spanish Zarzuelas
Celine Byrne may have been a late-comer to the world of opera: she was eighteen years old and working as an au-pair in Italy when she first heard opera sung live, which persuaded her to take singing lessons. Scroll forward to today and among Celine's achievements are her Carnegie Hall debut, a broadcast to over 200 million people in China, and winning the Maria Callas Grand Prix in 2007. Truly, her star is in the ascendant. Now, Celine Byrne releases her debut CD For Eternity on the RTÉ lyric fm label. While she has a refreshing affinity with the opera classics like Ebben n'andrò lontana from La Wally, and Puccini's Vissi d'arte and Sì, mi chiamano Mimì, she also displays her remarkable voice on several songs from the Spanish zarzuela tradition to which she was introduced by José Carreras. Accompanied by the RTÉ National Symphony Orchestra and Studio Choir conducted by Marco Zambelli, CELINE BYRNE: FOR ETERNITY heralds a remarkable new voice to all lovers of great singing. Even the critics love her! | | | Usually despatched in 4 - 5 working days. |
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| |  | Rita Streich: Waltzes and Ariasby the Strauss family and others
Russian-born soprano Rita Streich, also known as the ‘Viennese Nightingale’, was a much-admired singer of the post World War Two era, who made many popular recordings. Her bright pearly voice was a light coloratura, and her repertoire included much lieder, as well as operas by Mozart, and also classical Viennese operetta. Rita Streich’s naturally vivacious and charming personality comes across in this delightful collection of various light musical ‘bon-bons’ which is drawn from her immensely popular recordings of the 1950’s. She was adept in several languages and so very well equipped to sing this eclectic mixture of vocal waltzes, songs and arias from operas, opéras comique and operettas, which show off her range of vocal abilities, from her effortless coloratura to her sweet, melting way with a melody. The collection includes some old favourites, less familiar pieces and some rarities. There are pretty vocal waltzes such as Johann Strauss’ Voices of Spring, the Shadow Song from Meyerbeer’s Dinorah and Luigi Arditi’s Parla Waltz, lilting melodies such as Delibes’ Les filles de Cadix, Saint-Saëns’ beautiful Le rossignol et la rose and Verdi’s delightful Lo spazzocamino, arias from Suppé’s operetta Boccaccio (or The Prince of Palermo) and Dvorˇák’s gorgeous Song of the Moon from Rusalka. There are also rarer pieces by less well-known composers, such as a Dell’Acqua’s song Villanelle, Czernik’s tarantella Chi sa?, and an aria from Benjamin Godard’s opera Jocelyn. “…she delights the ear from start to finish. Highly recommended, this true Original.” Gramophone Magazine | | | Usually despatched in 2 - 3 working days. |
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| |  | Victoria de Los Angeles: Lucero MioLullabies and Folk Songs
Brahms: | Wiegenlied, Op. 49 No. 4 (Lullaby) | Canteloube: | Songs of the Auvergne: Chut, chut He! beyla-z da le! | Delibes: | Les filles de Cadix | Dvorak: | Moglichkeit | Falla: | Nana (No. 5 from Siete canciones populares españolas) | Giménez: | La tempránica: Zapateado 'La tarántula é un bicho mú malo' | Halffter, E: | Panxolina | Montsalvatge: | Canción negra No. 4, Cancion de cuna para dormir a un negrito | Morante, M G: | Coplilla a Victoria de los Angeles | Pergolesi: | Stizzoso, mio stizzoso (from La Serva Padrona) | Rossini: | Duetto buffo di due gatti (Comic Duet for Two Cats) | Sadero: | Era la vo | Scarlatti, A: | Le violette | Schubert: | Wiegenlied, D498 An Sylvia, D891 | trad.: | Irish Lullaby arr. Charles Villiers Stanford Durme, durme, hermozo hijico El Noy de la Mare Din, dan, boleran Josep i Maria Margarideta La filadora La ploma de perdiu Els tres tambors |
Victoria de los Angeles (soprano), Dietrich Fischer-Dieskau (baritone), Elisabeth Schwarzkopf (soprano), students from the Victoria de los Angeles Foundation, Orchestre de la Societe des Concerts du Conservatoire, Sinfonia of London, Orchestre des Concerts Lamoureux, Spanish National Orchestra, Manuel Garcia Morante (piano), Alicia de Larrocha (piano), Geoffrey Parsons (piano), Gerald Moore (piano), Oscar Ghiglia (guitar), Renata Tarrago (guitar) & Graciano Tarrago (guitar) Rafael Fruhbeck de Burgos & Jean-Pierre Jacquillat Victoria de los Ángeles’ son Alex has Down's Syndrome and she used to sing many of the songs on this disc to him. The CD is a collaboration between the Victoria de los Ángeles Foundation and the Catalan Down Syndrome Foundation. The project includes the voices and paintings of children with Down Syndrome. | | | Usually despatched in 2 - 3 working days. |
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| |  | Sol Gabetta - Cantabile
Hot on the heels of her recent Shostakovich release, Argentinian cellist Sol Gabetta exploits her incredibly warn, rich tone in this programme of attractive arrangements of popular classical works. | | | Usually despatched in 3 - 4 working days. |
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| |  | I’m Suddenly Spanish
| | | (also available to download from $11.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Nicole Cabell - Soprano
Winner of the BBC Cardiff Singer of The World Competition 2005 “Liquid Gold; the real thing” The Times | | (Sorry, download not available in your country) | |
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| |  | Famous Arias and Duets
Bellini: | O rendetemi la speme...Qui la voce sua soave...Vien, diletto (from I Puritani) Luba Orgonasova (soprano) Slovak Radio Symphony Orchestra, Will Humburg | Bizet: | Au fond du temple saint (from Les Pêcheurs de Perles) Janez Lotric (tenor), Igor Morozov (baritone) Slovak Radio Symphony Orchestra, Johannes Wildner | Delibes: | Les filles de Cadix Ana Maria Martinez (soprano) Prague Philharmonia, Steven Mercurio | Giordano, U: | La mamma morta (from Andrea Chénier) Lila Larinova (soprano) Slovak Radio Symphony Orchestra, Johannes Wildner | Gounod: | Ah! Je veux vivre dans ce rêve (from Roméo et Juliette) Ana Maria Martinez (soprano) Prague Philharmonia, Steven Mercurio | Mozart: | La ci darem la mano (from Don Giovanni) recorded in the Mozart Hall of the Konzerthaus, Vienna, 9-13 February 1990 Andrea Martin (baritone), Donna Robin (soprano) Vienna Mozart Orchestra, Konrad Leitner Crudel! perché finora farmi languir così? (from Le nozze di Figaro) recorded in the Mozart Hall of the Konzerthaus, Vienna, 9-13 February 1990 Andrea Martin (baritone), Donna Robin (soprano) Vienna Mozart Orchestra, Konrad Leitner Pa-pa-pa-pa-Papagena (from Die Zauberflöte) recorded in the Mozart Hall of the Konzerthaus, Vienna, 9-13 February 1990 Andrea Martin (baritone), Donna Robin (soprano) Vienna Mozart Orchestra, Konrad Leitner | Puccini: | Si, mi chiamano Mimi (from La Bohème) Luba Orgonasova (soprano), Jonathan Welch (tenor) Slovak Radio Symphony Orchestra, Will Humburg Un bel di vedremo (from Madama Butterfly) Miriam Gauci (soprano) Slovak Radio Symphony Orchestra, Alexander Rahbari In un Coupe?...O Mimi, tu piu non torni (from La Bohème) Fabio Previati (baritone) Slovak Philharmonic Choir Mimi! Sperato di trovarvi qui (from La bohème) Fabio Previati (baritone) Slovak Philharmonic Choir O mio babbino caro (from Gianni Schicchi) Ana Maria Martinez (soprano) Prague Philharmonia, Steven Mercurio Mario! Mario! Mario! ...Son qui! ... Mia gelosa! (from Tosca) Giorgio Lamberti (tenor), Nelly Miricioiu (soprano) Slovak Radio Symphony Orchestra, Alexander Rahbari O soave fanciulla (from La Bohème) Giorgio Lamberti (tenor), Nelly Miricioiu (soprano) Slovak Radio Symphony Orchestra, Alexander Rahbari | Verdi: | Un dì felice, eterea (from La traviata) Yordy Ramiro (tenor), Monika Krause (soprano) Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Alexander Rahbari Pace, pace mio Dio! (from La forza del destino) Miriam Gauci (soprano) Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari |
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