Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Glory to the New-Born King
Philip Rushforth (organ) Choir of Chester Cathedral Here is a lovely collection of Christmas Carols from the ever-improving cathedral choir in Chester. A varied selection of old and new carols is interspersed with some short organ interludes. “the most appealing of any cathedral recording I've heard this year. The boys' sound is very much brighter than that of many cathedral choirs - in fact the boys-only a cappella repertoire here is particularly accomplished...Rushforth paces the choir's performance with real tenderness and beauty.” Gramophone Magazine, December 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | Illumina: Music of Light
Dominus Illuminatio Mea - The motto of the University of Oxford provides the inspiration for this album of a cappella choral classics performed by one of the greatest choirs in a city of great choirs. Includes a brand new arrangement of the famous Inspector Morse theme tune by Barrington Pheloung in this 25th Anniversary year of Oxford’s most famous fictional detective. “[the repertoire] shows off the warm, immediate New College, Oxford sound in which individuals are encouraged to sing out rather than, as some collegiate choirs prefer, blend in. Some tonal unevenness aside, the results are vivid and committed. One for choral lovers, not purists.” The Observer, 1st April 2012 | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Sound the Bells!American Premières for Brass
The Bay Brass, Alasdair Neale, Michael Tilson Thomas, Robert Ward, Jeffrey Budin, Bruce Broughton, Paul Welcomer & Charles Floyd "This project was born of our desire as an ensemble to showcase the wide musical range of recent American works for brass. Several of these pieces were commissioned by The Bay Brass, and all are presented on this recording for the very first time. In 2001, we approached composer Bruce Broughton with a commission for a ‘tour-de-force’ work for brass and percussion. Fanfares, Marches, Hymns and Finale was completed in 2002 and premiered that year with the composer conducting. About that time it was discovered that there existed several original works for brass by John Williams which had never before been recorded. We were able to find three of these pieces and secure permission to record them with Alasdair Neale conducting. It became clear at that point that we had a recording project on our hands, and so the Broughton and Williams pieces were the first to be recorded in 2004. The next installment was to record Michael Tilson Thomas’s Street Song in the version that he had made for large brass ensemble. The Bay Brass had done the US premiere of this version with MTT and we all felt it a perfect fit for this project. With the composer conducting, this piece was recorded in 2007. The final recordings were done in 2009 with production completed in 2010. We had approached Morten Lauridsen about writing a piece for The Bay Brass, and he responded with Fanfare for Brass Sextet and a brass choir arrangement of his well-known O Magnum Mysterium. Bay Brass members Robert Ward and Jeffrey Budin conducted these works for this recording. Several members of the ensemble had been playing in an orchestra concert where a work by Kevin Puts was performed. They were impressed, and we later asked Kevin if he would write a piece for The Bay Brass. The result was Elegy, written in memory of a dear friend and benefactor. Bay Brass member Paul Welcomer conducted this piece for this recording. When the San Francisco Symphony performed some orchestral music by Scott Hiltzik, we were impressed with the music’s individuality, energy and swing. We asked him right then if he would write a piece for The Bay Brass, and he delivered Spirals the following year. It was premiered in 2005, and Scott’s friend and collaborator, Charles Floyd, came in to conduct the work for this recording." Jonathan Ring, Executive Producer The Bay Brass was founded in 1995 and is composed of brass players from the San Francisco Bay Area’s leading performing organisations, including the San Francisco Symphony, the San Francisco Ballet and the San Francisco Opera Orchestras. As a true cooperative, The Bay Brass has no principal players and no music director: rather, its musicians share in all of the responsibilities of the ensemble. In addition, its members also conduct, arrange and compose, allowing for expanded creative opportunities for each musician. “A truly wonderful brass ensemble with a full-bodied sound and no rough edges.” American Record Guide “whatever the demands of the music, technical or stylistic, the group meets them with confidence and accuracy...we are in the presence of a polished ensemble that can get your blood racing. Still, in the end what's most striking is their ability to produce such limpid beauty of tone...In sum, a delectable collection, worth hearing even if (or especially if) you don't usually take to brass repertoire.” International Record Review, April 2011 | | | In stock - usually despatched within 1 working day. |
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| |  | Naked Byrd
This recording is compiled from Armonico Consort's 'Naked Byrd' programme, featuring music by composers who wore their hearts on their sleeves and whose art saw their emotions laid bare, in an atmospheric concert where magical musical moments are intertwined with sublime passages of plainchant and violin improvisation. The Armonico Consort is, at its heart, a highly talented vocal ensemble that stages a wide variety of concerts.The quality of the performances they stage is reflected in the praise they have recently received: "Superb!" The Times "A Beautiful Sound" BBC Radio 3 "Quite Stunning" Classic FM "With the perfectly formed consort, it was an evening to savour" Emma Kirkby “An achingly beautiful selection” Classic FM Magazine | | | In stock - usually despatched within 1 working day. |
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| |  | Christmas at St John’sA sequence of music leading from the darkness of Advent to the blazing light of Christmas, Epiphany and beyond
“The John’s choir, fielding what sounds like a vintage crop of trebles, sings throughout with its trademark mixture of refinement and gutsy energy” The Telegraph | | | In stock - usually despatched within 1 working day. |
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| |  | Lauridsen: Lux Aeterna
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| |  | Sacred: Inspirational and Spiritual Music for Choir and Orchestra
'Sacred' brings together works performed by the acclaimed conductor Robert Shaw and the Robert Shaw Chamber Singers, the outstanding Atlanta Symphony Orchestra Chorus, the legendary Mormon Tabernacle Choir and world-famous soprano Dawn Upshaw. Featured composers include Durufle, Faure, Wolfgang Amadeus Mozart, Brahms, Mendelssohn, Rachmaninoff and Berlioz. | 
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| |  | Classical Music for Meditation - 50 of the Best
Allegri: | Miserere mei, Deus | Bach, J S: | Orchestral Suite No. 3 in D major, BWV1068: Air ('Air on a G String') | Beethoven: | Triple Concerto for Piano, Violin, and Cello in C major, Op. 56 - Largo Romance No. 1 for Violin and Orchestra in G major, Op. 40 Symphony No. 2 in D major, Op. 36: Larghetto Piano Concerto No. 3 in C minor, Op. 37 - Largo | Borodin: | String Quartet No. 2: 3rd Movement (Notturno) | Brahms: | Intermezzo in E flat major, Op. 117 No. 1 | Chopin: | Prelude Op. 28 No. 15 in D flat major ‘Raindrop' Mazurka No. 6 in A minor, Op. 7 No. 2 Prelude Op. 28 No. 13 in F sharp major | Corelli: | Concerto grosso Op. 6 No. 8 in G minor 'fatto per la notte di Natale': Pastorale | Debussy: | Petite Suite: En bateau | Delius: | On Hearing the First Cuckoo in Spring | Fauré: | Sicilienne from Pelléas et Mélisande | Gluck: | Orfeo ed Euridice (Orphée et Euridice): Dance of the Blessed Spirits | Gounod: | Ave Maria (after Bach's Prelude No. 1, BWV846; version for flute and harp) | Grieg: | Peer Gynt: Morning Våren, elegiac melody for strings, Op. 34 No. 2 (version for orchestra) Piano Concerto in A minor Op. 16: Adagio | Haydn: | Symphony No. 24 in D major: Adagio | Lauridsen: | O magnum mysterium | Liszt: | Liebestraum, S541 No. 3 (Nocturne in A flat major) | Mahler: | Symphony No. 5 in C sharp minor - Adagietto | Massenet: | Meditation (from Thaïs) (version for violin and piano) | Mendelssohn: | Symphony No. 4 in A major, Op. 90 'Italian': Andante con moto | Mozart: | Piano Concerto No. 23 in A major, K488 - Adagio Ave verum corpus, K618 Divertimento No. 2: Adagio | Parry: | Lady Radnor's Suite: 5th movement, Slow Minuet | Poulenc: | Elegie | Rachmaninov: | Melodie in E Major, Op. 3 No. 3 | Ravel: | Piano Concerto in G major: Adagio assai | Respighi: | Ancient Airs and Dances, Suite No. 3, P. 172 | Rodrigo: | Concierto de Aranjuez: Adagio | Satie: | Gymnopédie No. 1 (orch. Debussy) | Schubert: | String Quintet in C major, D956 - Adagio | Schumann: | Kinderszenen, Op. 15: Traümerei Fantasie in C major, Op. 17: Langsam getragen | Vaughan Williams: | The Lark Ascending | Vivaldi: | The Four Seasons: Winter - Largo | Warlock: | Capriol Suite: Pieds-en-l'air | Weber: | Clarinet Concerto No. 1 in F minor, Op. 73: Adagio | Whitacre: | Lux aurumque |
(and excerpts from Albinoni: Concerto for 2 Oboes in F major, Op. 9, No. 3; Boccherini: Cello Concerto in B flat major; Telemann: Concerto TWV 51:G9 in G major for viola, strings & b.c.; Schubert: Schwanengesang, D. 957; di Lasso: Missa Bell' Amfitrit' altera; )
Anthony Camden (oboe), Jeno Jando (piano), Dong-Suk Kang (violin), Maria Kliegel (cello), Idil Biret (piano), Ludovit Kanta (cello), Ladislav Kyselak (viola), Michael Volle (baritone), Ulrich Eisenlohr (piano), Francois-Joel Thiollier (piano), Gerald Garcia (guitar), Takako Nishizaki (violin), Konstantin Scherbakov (piano), Ernst Ottensamer (clarinet), Norbert Kraft (guitar), Judy Loman (harp), Nora Shulman (flute), David Greed (violin), Havard Gimse (piano), Stefan Vladar (piano), Irina Zaritzkaya (piano), Katarina Andreasson (violin), Bjorn Gafvert (harpsichord), Bernd Glemser (piano), Alexandre Tharaud (piano), Francois Chaplin (piano) BBC Scottish Symphony Orchestra, Oxford Camerata, London Symphony Orchestra, London Virtuosi, Nicolaus Esterhazy Sinfonia, Capella Istropolitana, Elora Festival Singers, Concentus Hungaricus, RTE Sinfonietta, Oxford Schola Cantorum, Ireland National Symph, Jerzy Maksymiuk, Jeremy Summerly, James DePreist, John Georgiadis, Bela Drahos, Peter Breiner, Jaroslav Krcek, Noel Edison, Richard Edlinger, Matyas Antal, Reinhard Seifried, Antoni Wit, Adrian Leaper, Bjarte Engeset, Johannes Wildner, Kenneth Jean, Jun M | |
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| |  | 50 Best Smooth Classics
Albinoni: | Concerto Op. 9 No. 3 for two oboes & strings in F major: Adagio | Allegri: | Miserere mei, Deus | Bach, J S: | Concerto for Two Violins in D minor, BWV1043: Largo ma non tanto Orchestral Suite No. 3 in D major, BWV1068: Air ('Air on a G String') | Barber, S: | Adagio for Strings, Op. 11 | Beethoven: | Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight': Adagio sostenuto | Brahms: | Wiegenlied, Op. 49 No. 4 (Lullaby) (arr. P. Nagy) | Canteloube: | Songs of the Auvergne: Baïlèro | Chopin: | Prelude Op. 28 No. 15 in D flat major ‘Raindrop' (two versions) | Debussy: | Claire de lune (song) Prélude à l'après-midi d'un faune Arabesque No. 1 | Delibes: | Coppelia - Waltz of the Doll Lakmé: Dôme épais (Flower Duet) | Dvorak: | Symphony No. 9 in E minor, Op. 95 'From the New World' - Largo | Elgar: | Nimrod (from Enigma Variations) Serenade for Strings in E minor, Op. 20 - Allegretto | Fauré: | Pavane, Op. 50 Requiem: Pie Jesu Dolly Suite, Op. 56: No. 5, Tendresse (orch. H. Rabaud) | Finzi: | Eclogue, Op. 10 | Giazotto: | The Albinoni Adagio | Gluck: | Orfeo ed Euridice (Orphée et Euridice): Dance of the Blessed Spirits | Grieg: | Våren, elegiac melody for strings, Op. 34 No. 2 Peer Gynt: Morning | Handel: | Ombra mai fu (from Serse) | Holst: | Venus, the Bringer of Peace (The Planets) | Howells: | Salvator mundi | Lauridsen: | O magnum mysterium | Mahler: | Symphony No. 5 in C sharp minor - Adagietto | Mascagni: | Cavalleria Rusticana: Intermezzo | Mendelssohn: | A Midsummer Night's Dream: Nocturne | Mozart: | Flute & Harp Concerto in C major, K299 - Andantino Ave verum corpus, K618 | Puccini: | Humming Chorus (from Madama Butterfly) | Rachmaninov: | Rhapsody on a Theme of Paganini - Variation 18 Bogorodice Devo Piano Concerto No. 2 in C minor, Op. 18: 2 - Adagio sostenuto | Saint-Saëns: | Le carnaval des animaux: Le Cygne | Satie: | Gymnopédie No. 1 (version for guitar and orchestra) | Shostakovich: | Romance (from The Gadfly) Piano Concerto No. 2 in F major, Op. 102 - Andante | Stanford: | The Blue Bird, Op. 119 No. 3 | Tárrega: | Recuerdos de la Alhambra | Tavener: | Song for Athene | Tchaikovsky: | Symphony No. 6 in B minor, Op. 74 'Pathétique' - Allegro con grazia | Vaughan Williams: | The Lark Ascending Fantasia on a Theme by Thomas Tallis | Whitacre: | Sleep |
Francois-Joel Thiollier (piano), Takako Nishizaki (violin), Alexander Jablokov (violin), Adriana Kohutkova (soprano), Denisa Slepkovska (mezzo-soprano), Bernd Glemser (piano), Peter Nagy (piano), Veronique Gens (soprano), Mats Bergstrom (guitar), Anthony Camden (oboe), Peter Donohoe (piano), Irina Zaritzkaya (piano), Klara Kormendi (piano), Idil Biret (piano), David Greed (violin), Jeno Jando (piano), Lisa Beckley (soprano), Colm Carey (organ), Carys-Anne Lane (soprano), Jiri Valek (flute), Hana Mullerova (harp), Michael Houstoun (piano), Jozef Cejka (oboe), Gerald Garcia (guitar) Slovak Radio Symphony Orchestra, Baltimore Symphony Orchestra, St. John's College Choir, Cambridge, Capella Istropolitana, Polish National Radio Symphony Orchestra, London Symphony Orchestra, Lille National Orchestra, London Virtuosi, Northern Sinfonia, F, Andrew Mogrelia, Marin Alsop, Christopher Robinson, Oliver Dohnanyi, Johannes Wildner, Gyorgy Lehel, James DePreist, Jean-Claude Casadesus, Richard Edlinger, Keith Clark, John Georgiadis, Howard Griffiths, Eric-Olof Soderstrom, Anthony Bramall, Alexander | |
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| |  | A Choral Christmas
A leading light in the world of youth choral music, the Rodolfus Choir is made up of choristers from ages 16-25 who are past and present participants of the Eton Choral Courses, begun by the choir's director Ralph Allwood in 1980. This new Christmas programme mixes the familiar with pieces not usually heard in carol services – such as Tomas Luis de Victoria's stunning eight-part 'Ave Maria' (from an edition prepared by John Rutter), and more recent works like Chris Chivers' 'Ecce Puer' and Eric Whitacre's 'Lux Aurumque'. Such a programme is well-suited to a group with the versatility and enthusiasm of the Rodolfus choir. “The freshness of attack you get with younger voices is put to incisive use by conductor Ralph Allwood...Some of the emotional deepening which comes with vocal maturity is occasionally missing, but there are many qualities here that compensate.” BBC Music Magazine, Christmas 2012 **** “From start to finish this is a superb recital and I’m delighted it is available widely to the public. The test of a good CD is wanting to play it again immediately and this is certainly one. A Christmas record to be delighted to give or receive!” MusicWeb International, November 2012 “For smooth, refined, effortless and warmly communicative singing this Christmas, you probably need look no further than this disc of somewhat less than mainstream Christmas music from the ever-impressive Rodolfus Choir.” International Record Review, December 2012 | | | Usually despatched in 3 - 4 working days. |
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