Schubert: Impromptu in G flat major, D899 No. 3

This page lists all recordings of Impromptu in G flat major, D899 No. 3, by Franz Peter Schubert (1797-1828) on CD, SACD, DVD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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Schubert: Works for Solo Piano Vol. 2

Schubert: Works for Solo Piano Vol. 2


Schubert:

4 Impromptus, D899

Piano Sonata No. 20 in A major, D959


His Brahms series being now complete in six volumes and widely praised, Barry Douglas continues his exploration of Schubert’s piano music. The romantic, personal outlook developed in the course of the Brahms survey is fully expressed in this new Schubert volume: deeply characteristic works written in the nostalgic, yet prolific last years of the composer’s short life.

Throughout, Barry Douglas probes the romantic aspirations of Schubert’s writing, whether in the intimate melodies and contrasts of the impromptus, or in the monumental Sonata in A, the extraordinary range and technical challenges of which call for the virtuosity of the interpreter while plunging the listener into the illness, pain, and hope of the composer’s final years.

Celebrating the thirtieth anniversary in 2016 of his winning the Tchaikovsky competition, Barry Douglas continues touring the most prestigious venues around the world (Philharmonie de Paris, Ulster Hall, St Petersburg Hall, among others) and regularly appearing in renowned festivals in Europe (Clandeboye, Verbier, La Roque-d’Anthéron, etc.).

Released or re-released in last 6 months

Chandos - CHAN10933

(CD)

$14.25

(also available to download from $10.00)

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Lars Vogt plays Schubert

Lars Vogt plays Schubert


Schubert:

4 Impromptus, D899

Moments Musicaux (6), D780, Op. 94

6 German Dances D820


Lars Vogt (piano)

Following Lars Vogt's hugely popular solo debut recording of Bach'sGoldberg Variations on Ondine the pianist's new solo recording featuresmuch-loved piano works by Franz Schubert (1797-1828).

The Impromptus D 899, Six German Dances D 820 and the famous Moments musicaux were written when Schubert was at the height of his maturity andthey contain some of his most well-known pieces for the piano.

“The playing is unaffected and moving [in] the Moments Musicaux” BBC Music Magazine, January 2017 ***

“Now this is what I like to hear: vivid declamation of material that I’ve known and loved for years, but which in the hands of a pianist – no, a musician – like Lars Vogt suddenly emerges as fresh-minted…ebb and flow, whether on a dangerous sea-bound current or in calmer climes, seems to me the very essence of Vogt’s approach to this wonderful music, and I loved it” Classical Ear, 25th November 2016 *****

“There’s no doubting the high quality of the pianism – and Ondine’s sound is beautifully resonant and realistic. Much of the playing is forthright and determined. There is some quiet playing of lovely stillness, too, such as in the wistful pianissimo major-key passages in the First Impromptu” Gramophone Magazine, December 2016

“Throughout, Vogt’s playing brings out the extreme dynamic contrasts, the frequent accents, and the astonishing inventiveness of Schubert’s harmonies. A feast.” Sunday Times, 27th November 2016

Ondine - ODE12852

(CD)

$14.25

(also available to download from $10.00)

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Piano Daydreams

Piano Daydreams


Bach, J S:

Prelude & Fugue Book 1 No. 1 in C major, BWV846: Prelude

Hélène Grimaud (piano)

Beethoven:

Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight': Adagio sostenuto

Daniel Barenboim (piano)

Brahms:

Intermezzo in E flat major, Op. 117 No. 1

Wilhelm Kempff (piano)

Chopin:

Nocturne No. 2 in E flat major, Op. 9 No. 2

Daniel Barenboim (piano)

Nocturne No. 5 in F sharp major, Op. 15 No. 2

Daniel Barenboim (piano)

Prelude Op. 28 No. 4 in E minor

Martha Argerich (piano)

Prelude Op. 28 No. 7 in A major

Martha Argerich (piano)

Debussy:

Préludes - Book 1: No. 8, La fille aux cheveux de lin

Dino Ciani (piano)

Clair de Lune (from Suite Bergamasque)

Alexis Weissenberg (piano)

Grieg:

Lyric Pieces Op. 43: No. 6 - To Spring

Mikhail Pletnev (piano)

Lyric Pieces Op. 54: No. 4 - Nocturne

Andrei Gavrilov (piano)

Liszt:

Consolation, S. 172 No. 3 in D flat major

Daniel Barenboim (piano)

Liebestraum, S541 No. 3 (Nocturne in A flat major)

Yundi Li (piano)

Mendelssohn:

Song without Words, Op. 19b No. 1 in E major 'Sweet Remembrance'

Daniel Barenboim (piano)

Song without Words, Op. 30 No. 6 in F sharp minor 'Venezianisches Gondellied No. 2'

Daniel Barenboim (piano)

Rachmaninov:

Prelude Op. 23 No. 4 in D major

Lazar Berman (piano)

Prelude Op. 32 No. 12 in G sharp minor

Lilya Zilberstein (piano)

Satie:

Gymnopédie No. 1

Jean-Marc Luisada (piano)

Schubert:

Impromptu in G flat major, D899 No. 3

Daniel Barenboim (piano)

Schumann:

Kinderszenen, Op. 15: Träumerei

Lang Lang (piano)


DG Virtuoso - 4830395

(CD)

$7.25

In stock - usually despatched within 1 working day.

Schubert: Complete Impromptus (Version for Harp)

Schubert: Complete Impromptus (Version for Harp)


Schubert:

4 Impromptus, D899

Version for Harp

4 Impromptus, D935

Version for Harp


Margit Süß-Schellenberger (harp)

At the age of 20 she became principal harp of the North German Radio Symphony Orchestra in Hamburg and was among the young soloists selected nationwide by the Deutsche Musikrat, which brought her numerous concert engagements. She also played as a guest for many years with the Bamberg Symphony Orchestra and for more than 10 years with the Berlin Philharmonic Orchestra (at that time under the direction of Herbert von Karajan and Claudio Abbado), where she played under all the great conductors, and participated on numerous CD recordings. For more than 20 years, she has performed with the Berlin Philharmonic Orchestra during the Salzburg Easter Festival.

As a concerto soloist she has performed with the Berlin Philharmonic Orchestra under Claudio Abbado, the National Orchestra of Lyon under Emanuel Krivine, the Jerusalem Symphony Orchestra under David Shallon, the English Chamber Orchestra, the Prague Chamber Orchestra, the Heilbronn Chamber Orchestra, the Tenerife Symphony Orchestra, and the North German Radio Orchestra Hanover among others.

Solo Musica - C130205

(CD)

$15.25

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Grigory Sokolov plays Schubert & Beethoven

Grigory Sokolov plays Schubert & Beethoven


Beethoven:

Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier'

Ex Salzburg Festival, 23 August 2013

Brahms:

Intermezzo in B flat minor, Op. 117 No. 2

encore. Ex Salzburg Festival, 23 August 2013

Rameau:

Les tendres plaintes

encore. Ex Salzburg Festival, 23 August 2013

Pièces de Clavecin 1724: Les Tourbillons

encore. Ex Salzburg Festival, 23 August 2013

Les Cyclopes

encore. Ex Salzburg Festival, 23 August 2013

La follette

encore. Ex Salzburg Festival, 23 August 2013

Les Sauvages

encore. Ex Salzburg Festival, 23 August 2013

Schubert:

4 Impromptus, D899

Ex Warsaw Philharmonie, live recording 12 May 2013

Klavierstücke (3), D946

Ex Warsaw Philharmonie, live recording 12 May 2013


Read Presto's complete review of this disc here.

Grigory Sokolov is an exceptional artist. He is regarded as one of the world’s leading pianists and adored by his audience in sold-out concerts – dedicated to his art, and nothing else.

His debut album on Deutsche Grammophon “Salzburg Recital” was a huge success and is the best-selling frontline core classical release this year to date.

With Schubert & Beethoven we have another hit in our hands: Grigory Sokolov plays late masterworks by Schubert, including the much-loved Impromptus, and Beethoven’s mighty “Hammerklavier” Sonata, finishing with six impeccable encores by Rameau and Brahms

This outstanding recital is culled from concerts in Warsaw and Salzburg. Salzburger Nachrichten claimed: “Wherever he plays, the utopia of ultimate satisfaction is closer than ever… “

An hour of Schubert comprising some of his best-loved piano music (the Impromptus in A flat and G flat major, with rippling arpeggios and timeless melodies), and three of his late piano works that search out the depths of his art (look at an excerpt here: https://youtu.be/oOVJBE5Utvc )

Beethoven’s longest piano sonata – one of the famous “late” sonatas – explores the whole range of the extended keyboard then available to him. It lasts over 45 minutes and is one of his most over-the-top works –with its huge fugal finale that has been known to drive listeners crazy. Sokolov has it all under control.

After Mozart & Chopin this new live recording is another pianistic landmark release.

“For me, part of what makes Sokolov such an extraordinary pianist is his use of rubato and his flexibility with tempo: the way he will fractionally delay the second beat of a bar so as to highlight an accent in the first Schubert Klavierstück, for instance, or the space he creates by extending the quaver rests at the end of each phrase of the fourth Impromptu just to give a lift to the music, is really something rather special.” James Longstaffe, Presto Classical, 15th January 2016

“spaciousness is [not] the most surprising aspect here…more challenging to many ears will be the steadiness of the E flat Impromptu and the liberally applied hesitations of the A flat. Allied to undoubted pianistic mastery, such unorthodoxy certainly commands attention [and there are] twinkling Rameau and dreamy Brahms encores” Gramophone Magazine

Presto Disc of the Week

15th January 2016

Presto Discs of 2016

Finalist

DG - 4795426

(CD - 2 discs)

$21.25

(also available to download from $10.00)

In stock - usually despatched within 1 working day.

Brahms Inspired

Brahms Inspired


Adolphe, B:

My inner Brahms (an intermezzo)

Commissioned by Orli Shaham. World Premiere recording

Bach, J S:

Partita No. 1 in B flat major, BWV825

Brahms:

Klavierstücke (6), Op. 118

Intermezzi (3), Op. 117

Klavierstücke (4), Op. 119

Chopin:

Berceuse in D flat major, Op. 57

Dean, B:

Hommage à Brahms für Klavier

World Premiere recording

Dorman:

After Brahms – 3 Intermezzos for Piano

Commissioned by Orli Shaham. World Premiere recording

Schoenberg:

Kleine Klavierstücke (6), Op. 19

Schubert:

Impromptu in G flat major, D899 No. 3

Schumann:

Romance in F sharp major, Op. 28 No. 2


Orli Shaham (piano)

Throughout her impressive international career, the pianist Orli Shaham has displayed her unwavering passion and exceptional understanding of the music of Johannes Brahms. Admired for her interpretations of both standard and contemporary repertoire, she places Brahms’ late works for solo piano – his most intense and beautiful music – as the keystone of a collection of music history’s most amazing compositions.

Orli Shaham surrounds these masterworks with compositions that specifically inspired the romantic master: works by J S Bach, Chopin and Schumann. Her commitment to living composers led her to commission Avner Dorman and Bruce Adolphe to compose works purposefully influenced by Brahms. As luck would have it, Australian composer Brett Dean’s recent Hommage à Brahms für Klavier, fits neatly into this collection.

This is Orli Shaham’s second commission from the young Israeli-American composer Avner Dorman; the first was in 2010 for the Hebrew Melodies collection she recorded with her brother, the violinist Gil Shaham. She gushes about Dorman’s After Brahms, describing it as “ingenious, sensuous, and powerful.”

Orli’s love, affection and understanding of Brahms pervades this recording in abundance. The recording opens with Brahms Op.118, the A minor Intermezzo full of bravura and confidence the torrent of arpeggios getting the recording off to a flying start. The Chopin, Schumann and Schubert offered here from Orli displays, what is an enviable technique, to perfection – the delicacy of touch is clearly evident, along with her ability to carry and sustain melodic line and shape, a technical facility many pianists can but dream of, her powerful gift of intimacy ever drawing the listener in.

‘In this collection, I have put together some music which inspired Brahms, as well as some directly and indirectly inspired by him, alongside his majestic final oeuvre.’ Orli Shaham

Canary Classics - CC15

(CD - 2 discs)

$24.50

(also available to download from $20.00)

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Schubert & Liszt: Excursions

Schubert & Liszt: Excursions


Liszt:

Vallée d'Obermann (Années de pèlerinage I, S. 160 No. 6)

Wandererfantasie (Schubert), S366

Schubert:

4 Impromptus, D899


Teo Gheorghiu (piano)

Musikkollegium Winterthur, Douglas Boyd

Sony - 88875010832

(CD)

$14.25

(also available to download from $10.00)

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Dinu Lipatti plays Bach, Scarlatti, Mozart & Schubert

Dinu Lipatti plays Bach, Scarlatti, Mozart & Schubert


Bach, J S:

Partita No. 1 in B flat major, BWV825

Mozart:

Piano Sonata No. 8 in A minor, K310

Scarlatti, D:

Keyboard Sonata K380 in E major

Keyboard Sonata K9 in D minor

Schubert:

Impromptu in E flat major, D899 No. 2

Impromptu in G flat major, D899 No. 3


Dinu Lipatti (piano)

“God lent the world His chosen instrument, whom we called Dinu Lipatti, for too brief a space,” said the legendary recording producer Walter Legge of the sublime Romanian pianist, who died aged just 33 in 1950. A musician of poetry, grace and finesse, whose playing was described as ‘perfection’ by Alfred Cortot, he chose to focus on a carefully defined repertoire – in this recital, works by Bach, Scarlatti, Mozart, Schubert and Chopin.

“This key part of Lipatti's small recorded legacy incluees some of the most cherished of all piano recordings. Lipatti's seminal Bach Partita No. 1 sits alongside his supreme Scarlatti, Mozart and Schubert. Timeless.” BBC Music Magazine, August 2015 *****

25% off Original Jackets

Warner Classics Original Jacket Reissues - 2435669882

(CD)

Normally: $8.25

Special: $6.18

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Myung Whun Chung: Piano

Myung Whun Chung: Piano


Beethoven:

Für Elise (Bagatelle in A minor, WoO59)

Chopin:

Nocturne No. 8 in D flat major, Op. 27 No. 2

Nocturne No. 20 in C sharp minor, Op. post.

Debussy:

Clair de Lune (from Suite Bergamasque)

Mozart:

Variations (12) on ‘Ah, vous dirai-je, Maman' in C major, K265

Schubert:

Impromptu in E flat major, D899 No. 2

Impromptu in G flat major, D899 No. 3

Schumann:

Kinderszenen, Op. 15: Träumerei

Arabeske in C major, Op. 18

Tchaikovsky:

The Seasons, Op. 37b: October ('Autumn Song')


The ECM New Series debut of Myung Whun Chung features the widely celebrated conductor as pianist. Recorded at Venice’s Teatro La Fenice in July 2013, the album marks the first occasion that Chung has recorded solo. In a performer’s note, he describes the album as a gift for younger listeners, as well as a personal thanks to those who share his love of this music.

Chung’s touch and sensitivity for dynamics cast a new light on familiar pieces - Debussy’s Clair de lune, two Chopin Nocturnes and a pair of Schubert Impromptus, Beethoven’s Für Elise, Schumann’s Träumerei and Arabeske, Tchaikovsky, and Mozart - as they are experienced in a gently flowing sequence which also serves to highlight affinities between the compositions.

Although conducting now fully occupies his professional life, Chung (born 1953 in Seoul) made his debut as pianist with the Seoul Philharmonic at the age of seven. He later studied the piano with Maria Curcio, the last and favourite pupil of Artur Schnabel. In 1974 he was joint second prize-winner in the Tchaikovsky Competition (where he performed Tchaikovsky’s Autumn Song, revisited on this recording). He then began his career playing piano trios with his sisters, violinist Kyung Wha Chung and cellist Myung Wha Chung.

Earlier recordings that feature Myung Whun Chung as pianist include albums of the Chung Trio playing Dvorak, Mendelssohn, Brahms, Beethoven and more, as well as Messiaen’s Quartet for the End of Time with Paul Meyer, Gil Shaham, and Jian Wang. Myung Whun Chung also recorded with Cecilia Bartoli on the critically-lauded Chants d’Amour, Mélodies Françaises.

“Although we normally think of Myung-Whun Chung as a conductor, this album of popular piano pieces reminds us what a fine and thoughtful pianist he is...His interpretations appear deeply thought out and the result of many years of experience in serious music-making. Chung’s performances are always thought-provoking and this is a very attractive and well-recorded collection” MusicWeb International, 30th July 2014

“after decades of conducting the world's greatest orchestras, it's particularly touching that [Chung] should turn here to music of such prevailing intimacy. Though most of the repertoire is well-known, Chung brings to much of it a decidedly original and refreshingly unconventional approach.” BBC Music Magazine, August 2014 ***

ECM New Series - 4810765

(CD)

$14.25

(also available to download from $11.75)

In stock - usually despatched within 1 working day.

Mikhael Pletnev in Person

Mikhael Pletnev in Person


Beethoven:

Piano Sonata No. 2 in A major, Op. 2 No. 2

Busoni:

Transcription of Bach's Partita BWV 1004: Chaconne

Chopin:

A maiden's love (words S. Witwicki), Op. 74, No. 5

Chopin/Liszt

Schubert:

Impromptu in C minor, D899 No. 1

Impromptu in G flat major, D899 No. 3

Tchaikovsky:

Nocturne for cello & small orchestra (or cello & piano), Op. 19 No. 4

The Seasons, Op. 37b: November (Troika)


A treat for fans of Pletnev the pianist and piano enthusiasts. Recorded in single takes in between sessions for other recordings but with the red light left on, these performances capture one the great pianists of our time simply playing for himself. Never before released, the performances and recordings have been approved by Mikhail Pletnev for release.

The Beethoven sonata is a work he has not recorded before, and the Bach/Busoni Chaconne recording pre-dates his famous ‘Live from Carnegie Hall’ album. The Schubert Impromptus were recorded at Rachmaninov’s villa in Switzerland on the composer’s own Steinway. This CD allows us to eavesdrop on a great artist playing for pleasure – for himself whilst the recording technicians busied themselves with the ‘official’ recording. The spontaneous nature of the playing is captivating and, as always with Pletnev, exciting.

“This disc is a reminder of what we've been missing and of the qualities that make him a leading pianist of our time...The playing is wonderfully alive, sometimes dazzling. As ever with Pletnev, there are details that won't be to all tastes...But there's no doubting the inquiring musical mind behind it, or the quality of the pianism” The Guardian, 24th October 2013 ****

“Sensational. Unique. In a realm all their own. Now words are really apt here...The most obvious feature of the playing here is the artist's unfettered imagination - a currently unfashionable commodity. In the end though, this is the least of it. Pletnev simply sees in the score essentials which most musicians miss.” BBC Music Magazine, January 2014 *****

“The long line is Pletnev's starting point. However undulant he feels it need be, however delicate or powerful he feels it need be, it is always an integral part of the form and rhythm of a piece...the kind of musicianship that makes the odd foible irrelevant, even meaningless.” Gramophone Magazine, January 2014

GGramophone Magazine

Editor's Choice - January 2014

BBC Music Magazine

Instrumental Choice - January 2014

Onyx - ONYX4110

(CD)

$14.25

(also available to download from $10.00)

In stock - usually despatched within 1 working day.

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