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See Terms & Conditions for p&p rates. | |  | Ailyn Pérez: Poème d’un jour
Falla: | Siete Canciones populares españolas | Fauré: | Poème d'un jour Op. 21 Recorded live at St John’s Smith Square, March 2012 Rencontre Recorded live at St John’s Smith Square, March 2012 Toujours!, Op. 21 No. 2 Recorded live at St John’s Smith Square, March 2012 Adieu, Op. 21 No. 3, from Poème d'un jour Recorded live at St John’s Smith Square, March 2012 | Hahn, R: | A Chloris Recorded live at St John’s Smith Square, March 2012 L'heure exquise Recorded live at St John’s Smith Square, March 2012 Le printemps Recorded live at St John’s Smith Square, March 2012 Si mes vers avaient des ailes Le rossignol des lilas L'Enamourée | Massenet: | Je suis encore tout étourdie (from Manon) Recorded live at St John’s Smith Square, March 2012 Adieu, notre petite table (from Manon) Recorded live at St John’s Smith Square, March 2012 | Obradors: | La Mia sola, Laureola Recorded live at St John’s Smith Square, March 2012 Al Amor Recorded live at St John’s Smith Square, March 2012 Corazón, por qué pasáis Recorded live at St John’s Smith Square, March 2012 El majo celoso Recorded live at St John’s Smith Square, March 2012 Con amores, la mi madre Recorded live at St John’s Smith Square, March 2012 Del cabello más sutil Recorded live at St John’s Smith Square, March 2012 Chiquitita la novia Recorded live at St John’s Smith Square, March 2012 | Turina: | Poema en forma de canciones (5), Op. 19 Recorded live at St John’s Smith Square, March 2012 |
A delightful programme of French and Spanish song explores the theme of love found, enjoyed and lost, from the dropped hints of Fauré to the fiery folk passion of Turina, Obradors and de Falla. The gentle charm of Reynaldo Hahn and impassioned fervour of Massenet’s Manon are equally captured by American soprano Ailyn Pérez, who has bewitched audiences on both sides of the Atlantic in opera and song. “Poème d’un jour” explores the musical traditions of France and Spain through composers including Hahn, Massenet, Faure, Obradors, Turina and de Falla. | 
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| |  | Chen Reiss: The Nightingale and the Rose
Bellini: | Vanne, o rosa fortunata | Berg: | Die Nachtigall | Brahms: | An die Nachtigall, Op. 46 No. 4 (Text: L.C.H. Hölty) | Fauré: | Les roses d'Ispahan Op. 39 No. 4 | Franck, C: | Roses et papillons Le mariage des roses | Grieg: | Seks Sange, Op. 48 No. 4 'Die verschwiegene Nachtigall' Zur Rosenzeit (No. 5 from Seks Sange, Op. 48) | Guastavino: | La rosa y el sauce | Hahn, R: | Le rossignol des lilas | Krenek: | Die Nachtigall | Mahler: | Ablösung im Sommer (Lieder und Gesänge aus der Jugendzeit) | Meyerbeer: | Die Rosenblätter | Purcell: | Sweeter than Roses (from Pausanius, the Betrayer of his Country, Z585) | Rimsky Korsakov: | The Nightingale and the Rose | Saint-Saëns: | Le Rossignol (de Banville) | Schubert: | Heidenröslein, D257 | Schumann: | Die Rose, die Lilie, die Taube, die Sonne (No. 3 from Dichterliebe, Op. 48) Meine Rose, Op. 90 No. 2 | Sherwin, M: | A Nightingale Sang in Berkeley Square | Strauss, R: | Rote Rosen, AV76 Das Rosenband, Op. 36 No. 1 | Viardot-Garcia: | Les deux roses | Weber: | Das Röschen ('Ich sah ein Röschen am Wege steh’n'), J. 67 (Op. 15 No. 5) | Zeira: | Shnei Shoshanim (Two roses) |
Chen Reiss (soprano) & Charles Spencer (piano) Chen Reiss’s debut album 'Liaisons' was internationally acclaimed for both the repertoire selection and the sheer brilliance of the musicianship displayed by Reiss. Gramophone magazine called her performances of arias by Haydn, Mozart, Salieri and Cimarosa "standard-setting" and BBC Music magazine called it "top-drawer". For her second ONYX CD Chen Reiss and pianist Charles Spencer have assembled a wonderful collection of songs on the subject of 'The Nightingale and the Rose' – songs that convey the magic of being in love, the heartbreak of love lost, the memories, the fun, the fantasies all associated with that strange, mysterious, dangerous and all-powerful condition – love. In repertoire that ranges from Purcell to Krenek, Hahn to Meyerbeer and Rimsky-Korsakov, and ends in Berkeley Square in London, this is a programme tailor-made for Chen Reiss’s remarkable voice and it will seduce you. “It is a measure of her gifts that Chen Reiss takes all these composers in her stride. That vocal stride is impressive: sustained lyric tone that is only rarely forced...Charles Spencer is as ever the perfect partner” BBC Music Magazine, April 2013 **** “Reiss fields a supple, vernal lyric-coloratura that soars without strain or hardness into the stratosphere. Discerningly partnered by Charles Spencer, she can spin a pure legato and always phrases musically, with rubato growing naturally from the curve of the line and the flux of the harmony...this is a more-than-promising recital from a soprano whose vocal ease and allure make her an artist to watch.” Gramophone Magazine, March 2013 | | | In stock - usually despatched within 1 working day. |
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| |  | La Belle Époque: The Songs of Reynaldo Hahn
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Braga: | Capim di Pranta A Casinha Pequenina O'Kinimba Sao Joao-da-ra-rao Nigue-Nigue-Ninhas Engenho Novo | Hahn, R: | A Chloris Le printemps Le rossignol des lilas Mai La dernière valse | Obradors: | Al Amor La Mia sola, Laureola Del cabello más sutil Corazón, por qué pasáis Con amores, la mi madre El majo celoso Chiquitita la novia | Strauss, R: | Begegnung (Meeting), AV 72 Rote Rosen, AV76 Das Rosenband, Op. 36 No. 1 Die erwachte Rose, TrV 90, AV 66 Muttertändelei, Op. 43 No. 2 Meinem Kinde, Op. 37 No. 3 Ständchen, Op. 17 No. 2 |
Carolina Ullrich (soprano) & Marcelo Amaral (piano) The German-Chilean soprano Carolina Ullrich and the Brazilian pianist Marcelo Amaral present a programme of international lieder. Their choice of works reflects their own cultural background. This is their debut CD. | |
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Hélène Guilmette (soprano); Delphine Bardin (piano) | | | Usually despatched in 3 - 4 working days. |
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| |  | In Love with Love
Vinson Cole (tenor), Patrick Stephens (piano) | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Voyage à ParisChansons Françaises
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| |  | Victoria de los Ángeles: The Voice of an Angel
Bach, J C: | Ah! lamenta, oh bella Irene | Barbieri, F: | Canción de Paloma (from El Barberillo de Lavapiés) Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Barrera Saavedra: | Adiós Granada (from Emigrantes) arr. de los Angeles Victoria de los Angeles (guitar) | Beethoven: | Oh! would I were but that sweet linnet, WoO. 154 No. 9 Eduard Drolc (violin), Irmgard Poppen (cello) He promised me at parting, WoO. 154 No. 12 They bid me slight my Dermot dear, WoO. 152 No. 8 Eduard Drolc (violin), Irmgard Poppen (cello), Gerald Moore (piano) | Bizet: | Carmen (highlights) Nicolai Gedda (Don Jose), Denise Monteil (Micaela), Marcelle Croisier (Frasquita), Monique Linval (Mercédès) Chœurs et Orchestre National da la Radiodiffusion Française, Sir Thomas Beecham | Brahms: | Wiegenlied, Op. 49 No. 4 (Lullaby) Dein blaues Auge, (No. 8 from Acht Lieder und Gesänge, Op. 59) Vergebliches Ständchen, Op. 84 No. 4 Gerald Moore (piano) Sapphische Ode, Op. 94 No. 4 Gerald Moore (piano) | Caballero: | Romanza de Pilar (from Gigantes y cabezudos) Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Canteloube: | Songs of the Auvergne Orchestre des Concerts Lamoureux, Jean-Pierre Jacquillat | Catalani: | Ebben? Ne andrò lontana (from La Wally) Orchestra del Teatro dell’Opera di Roma, Giuseppe Morelli | Chapí: | Canción de Pastora (from La patria chica) Rafael Frühbeck de Burgos Canción de la gitana (from La chavala) Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos Carceleras from Las hijas de Zebedeo Sinfonia of London, Rafael Frühbeck de Burgos | Chueca: | La gran vía: Tango de la menegilda Rafael Frühbeck de Burgos La gran vía: Chotís del eliseo madrilène Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Debussy: | Fêtes galantes - Set 1 Gonzalo Soriano (piano) | Delibes: | Les filles de Cadix | Duparc: | L'Invitation au voyage Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | Dvorak: | Als die alte Mutter (No. 4 from Zigeunermelodien, op. 55) Moglichkeit Der Apfel, Op. 38 No. 2 Gerald Moore (piano) | Falla: | La vida breve: ‘Vivan los que rien!' Alli está! Riyendo (from La vida breve) Philharmonia Orchestra, Stanford Robinson El sombrero de tres picos: Overture Philharmonia Orchestra with Chorus, Rafael Frühbeck de Burgos El Amor Brujo: excerpts Philharmonia Orchestra, Carlo Maria Giulini Siete Canciones populares españolas Gonzalo Soriano (piano) | Fauré: | Tristesse, Op. 6 No. 2 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Les roses d'Ispahan Op. 39 No. 4 Toujours!, Op. 21 No. 2 Gonzalo Soriano (piano) | Gounod: | Ah! Je ris de me voir (from Faust) Il se fait tard ! Adieu ! (from Faust) Nicolai Gedda (Faust), Boris Christoff (Mephistopheles) Orchestre du Théâtre National de l’Opéra, André Cluytens | Granados: | Tonadillas: No. 2, Callejeo Tonadillas: No. 11, El tra la la y el punteado Gerald Moore (piano) Goyescas: Quejas ó La Maja y el Ruiseñor New Philharmonia Orchestra, Rafael Frühbeck de Burgos Iban al pinar Gracia mía Alicia de Larrocha (piano) | Grieg: | Ich liebe Dich, Op. 5 No. 3 | Guridi Bidaola: | Jota (from Six canciones castellanas) Gerald Moore (piano) | Hahn, R: | L'Enamourée Trois jours de vendange Le rossignol des lilas Gonzalo Soriano (piano) | Handel: | Joshua: Oh! had I Jubal's lyre Gerald Moore (piano) | Haydn: | Schlaf in deiner engen Kammer Eduard Drolc (violin), Irmgard Poppen (cello) | Leoncavallo: | Qual fiamma avea nel guardo!.... Hui! Stridono lassù (from I Pagliacci) RCA Victor Orchestra, Renato Cellini | Lleó Balbastre: | Couplets babilónicos (from La corte del Faraón) Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Lorca: | Canciónes (13) españolas antiguas: Anda, jaleo Canciónes (13) españolas antiguas: Los cuatro muleros Canciónes (13) españolas antiguas: Las tres hojas Canciónes (13) españolas antiguas: Los mozos de Monleón Canciónes (13) españolas antiguas: Las morillas de Jaén Canciónes (13) españolas antiguas: Sevillanas del Siglo XVIII Miguel Zanetti (piano) | Luna, P: | El Niño Judío: De España vengo Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Martini, J P: | Plaisir d'amour | Mascagni: | Voi lo sapete o mamma (from Cavalleria rusticana) Orchestra del Teatro dell’Opera di Roma, Giuseppe Morelli | Massenet: | Allons! Il le faut pour lui-même!... Adieu, notre petite table (from Manon) Je marche sur tous les chemins (from Manon) Chœurs et Orchestre du Théâtre National de l’Opéra-Comique, Pierre Monteux Werther! Werther!…Je vous écris de ma petite chambre (from Werther) Va! Laisse couler mes larmes (from Werther) Orchestre de Paris, Georges Prêtre | Mendelssohn: | Auf Flügeln des Gesanges, Op. 34 No. 2 | Montsalvatge: | Canciones negras (5) Orchestre de la Société des Concerts du Conservatoire, Rafael Frühbeck de Burgos | Mozart: | Porgi amor (from Le nozze di Figaro) Orchestra del Teatro dell’Opera di Roma, Giuseppe Morelli Ecco quel fiero istante, K346 Elisabeth Schwarzkopf (soprano), Dietrich Fischer Dieskau (baritone), Gerald Moore (piano) | Nin: | Granadina (from Cantos populares españoles) Gerald Moore (piano) | Offenbach: | Elle a fui, la tourterelle (from Les Contes d' Hoffmann) Orchestre de la Société des Concerts du Conservatoire, André Cluytens | Ovalle: | Azulao Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Puccini: | Si, mi chiamano Mimi (from La Bohème) O soave fanciulla (from La Bohème) Donde lieta usci (from La Bohème) Jussi Björling (Rodolfo), Robert Merrill (Marcello) RCA Victor Orchestra, Sir Thomas Beecham O mio babbino caro (from Gianni Schicchi) Orchestra del Teatro dell Opera di Roma, Tullio Serafin Ancora un passo…Spira sul mare (from Madama Butterfly) Jussi Björling (Pinkerton), Mario Sereni (Sharpless) Bimba dagli occhi pieni di malia (from Madama Butterfly) Jussi Björling (Pinkerton) Un bel di vedremo (from Madama Butterfly) Con onor muore (from Madama Butterfly) Coro e Orchestra del Theatro dell’Opera di Roma, Gabriele Santini | Purcell: | Let us Wander not Unseen (from The Indian Queen, Z630) Lost is my quiet for ever, Z502 Gerald Moore (piano) | Ravel: | La Flûte enchantée (Shéhérazade No. 2) Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | Rossini: | Nacqui all'affanno, al pianto...Non più mesta (from La Cenerentola) Giuseppe Morelli Una voce poco fa (from Il barbiere di Siviglia) Royal Philharmonic Orchestra, Vittorio Gui | Sadero: | Era la vo Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Scarlatti, A: | Le violette Gerald Moore (piano) | Schubert: | Der Tod und das Mädchen, D531 Wohin? (No. 2 from Die schöne Müllerin, D795) An die Musik D547 Gerald Moore (piano) | Serrano: | Cancion de la gitana (from Le alegria del battallon) Rafael Frühbeck de Burgos Escena lírica (Los claveles) Rafael Frühbeck de Burgos Romanza de Gloria (Los de Aragón) Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Stanford: | An Irish Lullaby | Tchaikovsky: | Schottische Ballade, Op. 46 No. 2 Gerald Moore (piano), Dietrich-Fischer Dieskau (baritone) | Toldrá: | Cançó de grumet (A l’ombra del Leidoner) Gonzalo Soriano (piano) | Turina: | Saeta en forme de Salve a la Virgen de la Esperanza, Op. 60 Poema en forma de canciones, Op. 19: No. 3, 'Cantares' Philharmonia Orchestra, Walter Susskind | Valls Gorina: | Canciones Sefarditas Jean-Claude Gérard (flute), Oscar Ghiglia (guitar) | Valverde: | Clavelitos Gerald Moore (piano) | Verdi: | Surta è la notte...Ernani! Ernani, involami (from Ernani) Era più calmo? (from Otello) Mia madre aveva...Piangea cantando...Ave Maria (from Otello) Orchestra del Teatro dell’Opera di Roma, Giuseppe Morelli Come in quest'ora bruna (from Simon Boccanegra) Orchestra del Teatro dell’Opera di Roma, Gabriele Santini Libiamo, ne' lieti calici (from La Traviata) È strano! è strano!...Ah! fors è lui (from La traviata) Teneste la promessa...Addio, del passato (from La Traviata) Carlo del Monte (Alfredo) Coro e Orchestra del Teatro dell’Opera di Roma, Tullio Serafin | Villa-Lobos: | Bachianas Brasileiras No. 5: Aria (Cantilena) Bachianas brasileiras no 5 ; Dança (martelo) Orchestre National de la Radiodiffusion Française, Heitor Villa-Lobos | Wagner: | Dich, teure Halle (from Tannhauser) Einsam in trüben Tagen (from Lohengrin) Orchestra del Teatro dell’Opera di Roma, Giuseppe Morelli | Yradier: | La Paloma Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos |
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